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Jesters_folly (230 KP) rated Robo Vampire (1988) in Movies
Aug 11, 2020
Contains spoilers, click to show
Drug baron Mr Young is fed up with Narcotics agent Tom Wilde interfering with his plans so he hires a Taoist monk to train a vampire to kill him. After his death Tom is rebuilt as an Android Robot and sent on a mission to help rescue a captured officer.
The cover/poster art would have us believe that this is a Robocop vs vampire movie and I suppose that it is in the looses possible sense. First off this is low budget Hong Kong Jiangshi (rotting corpse) movie with added cyborg (Sorry Android Robot) so the vampires are of the hopping type not the western 'gentleman'.
I've given this film a 6 on the basis that it's so bad it's good. Most of the vampires are ok and look like the standard hopping type but the lead vampire seems to be wearing a gorilla mask to make it look rotten. No one bleeds when shot and it's obvious when dummies are used instead of stun doubles . Even taking this into account I would have given Robo Vampire a higher rating but it gets hard to follow. There are two story-lines to follow, the rescue of Sophie, an undercover agent that has been kidnapped and the Tom-robot vs the vampire's and ghost. And this is the first confusing part of the plot. Tom's creators say that he is to be sent on the rescue mission but he is never with the rescue party. Instead he goes off to fight the vampire. So the film switches between the rescue and Tom vs the vampires. Even this wouldn't be a problem except that the story-lines seem to continue even when we're not watching. For example, the rescue party are heading towards the camp with baddies jumping out at them from all directions. The we switch to Robo and when we switch back to the rescue two of the party are swimming in a lake with no sign of any of the others and end up getting captured, then back to Robo, then back the rest of the rescue party who don't even acknowledged that two of their party are missing but aren't surprised when they see them as prisoners. This sort of thing happens a lot, it's almost as if some one just cut out random scenes. Characters also just seem to appear with no introduction and switch sides with no seeming reason.
The cover/poster art would have us believe that this is a Robocop vs vampire movie and I suppose that it is in the looses possible sense. First off this is low budget Hong Kong Jiangshi (rotting corpse) movie with added cyborg (Sorry Android Robot) so the vampires are of the hopping type not the western 'gentleman'.
I've given this film a 6 on the basis that it's so bad it's good. Most of the vampires are ok and look like the standard hopping type but the lead vampire seems to be wearing a gorilla mask to make it look rotten. No one bleeds when shot and it's obvious when dummies are used instead of stun doubles . Even taking this into account I would have given Robo Vampire a higher rating but it gets hard to follow. There are two story-lines to follow, the rescue of Sophie, an undercover agent that has been kidnapped and the Tom-robot vs the vampire's and ghost. And this is the first confusing part of the plot. Tom's creators say that he is to be sent on the rescue mission but he is never with the rescue party. Instead he goes off to fight the vampire. So the film switches between the rescue and Tom vs the vampires. Even this wouldn't be a problem except that the story-lines seem to continue even when we're not watching. For example, the rescue party are heading towards the camp with baddies jumping out at them from all directions. The we switch to Robo and when we switch back to the rescue two of the party are swimming in a lake with no sign of any of the others and end up getting captured, then back to Robo, then back the rest of the rescue party who don't even acknowledged that two of their party are missing but aren't surprised when they see them as prisoners. This sort of thing happens a lot, it's almost as if some one just cut out random scenes. Characters also just seem to appear with no introduction and switch sides with no seeming reason.
Sarah (7798 KP) rated the PlayStation 4 version of The Dark Pictures Anthology: Man of Medan in Video Games
May 29, 2020
A thrilling play
Games like this dont appeal to everyone. It's not full of action, beating people up or a massive open world full of free play. It also doesnt drag on for 40+ hours. However for people like me who struggle with those type of games, Man of Medan is a breath of fresh air.
I'd previously played and rather enjoyed Until Dawn, and I'm pleased to say this follows much in the same vein although it's probably a much shorter story. Graphically this is very impressive looking and like Until Dawn, they've thrown in yet another recognisable face (this time it's Shawn Ashmore aka Bobby from X-Men). The characters look amazing and the setting too. The story too is a good and interesting one, although it does feel a little similar to other stories (like Ghost Ship) and may be a tad predictable. We worked out what was going on well before the third act. That said, I still found it to be absolutely terrifying. Playing a game like this is a lot scarier than watching any horror film!
The gameplay works really well. The fact that you can play this with friends, either online or couch co-op, adds another fun dimension to it all. The decision making also means that there are so many different endings and outcomes (I believe there's over 60 possible ways for the characters to die) that the replayability is surprisingly better than you'd expect. Admittedly it would probably get a bit tedious trying to uncover absolutely everything and all possible outcomes, but playing a few times over is still enjoyable.
The only downsides are the lag and load issues. Most likely due to the decision making process and actions, there is a noticeable lag in some of the cut scenes and movements which is bearable but can noticeably affect the smooth running of the game. There's also the characters themselves. They look great, but they're very cliched and have very little personality or interest too them. And the script is a little cheesy at times which only further impacts with a slight dislike of the characters. Part of me actually wanted to kill them all off...
Overall a great story and an interesting game to play, if you're looking for something a little different.
I'd previously played and rather enjoyed Until Dawn, and I'm pleased to say this follows much in the same vein although it's probably a much shorter story. Graphically this is very impressive looking and like Until Dawn, they've thrown in yet another recognisable face (this time it's Shawn Ashmore aka Bobby from X-Men). The characters look amazing and the setting too. The story too is a good and interesting one, although it does feel a little similar to other stories (like Ghost Ship) and may be a tad predictable. We worked out what was going on well before the third act. That said, I still found it to be absolutely terrifying. Playing a game like this is a lot scarier than watching any horror film!
The gameplay works really well. The fact that you can play this with friends, either online or couch co-op, adds another fun dimension to it all. The decision making also means that there are so many different endings and outcomes (I believe there's over 60 possible ways for the characters to die) that the replayability is surprisingly better than you'd expect. Admittedly it would probably get a bit tedious trying to uncover absolutely everything and all possible outcomes, but playing a few times over is still enjoyable.
The only downsides are the lag and load issues. Most likely due to the decision making process and actions, there is a noticeable lag in some of the cut scenes and movements which is bearable but can noticeably affect the smooth running of the game. There's also the characters themselves. They look great, but they're very cliched and have very little personality or interest too them. And the script is a little cheesy at times which only further impacts with a slight dislike of the characters. Part of me actually wanted to kill them all off...
Overall a great story and an interesting game to play, if you're looking for something a little different.
Nightmares from the Deep™: Davy Jones, Collector's Edition HD (Full)
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Reveal Davy Jones’ darkest secrets and defeat the nefarious sea devil once and for all! Museum...
Explosive Demolition Truck
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A fun, cute and exciting interactive app for Kids! Ride along on the Explosive Demolition Truck as...
Bubble Shoot Magic
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Bubble Shoot Magic - Cute Winnie, Hot Stella have joined forces with Sweet Samantha and Miss Mellisa...
Lyndsey Gollogly (2893 KP) rated Gypsy Freak (All the Pretty Monsters #2) in Books
Nov 4, 2021
183 of 250
Kindle
Gypsy Freak ( All the Pretty Monsters book 2)
By Kristy Cunning
Once read a review will be written via Smashbomb and link posted in comments
What's it like to be a monster in a town full of monsters, who don't know you're a monster?
Complicated and a little scary, but doable.
What's it like to be the girl who can't die...that everyone seems to always want to kill?
Frustrating as hell.
What's it like to accidentally raise psychotic alpha vampire everyone fears, who drops a lot of bodies on his first day out as a 'gift' for your troubles?
Terrifying, if I'm being honest.
What's it like when that crazed vampire tells you he wants you to be the happy little intermission, during an ongoing ancient story, and expects you to use your vagina to draw in a werewolf alpha, a Van Helsing alpha, and a sexual deviant alpha, so he can have his old friends back?
That's when a girl has to stop, look around, and question her life choices.
I really don't know how this stuff keeps happening to me. Life was simpler when it was just me accidentally blowing myself up while trying to create potions and shampoo.
I've lived my life in such secrecy that I've spent most of it lonely. So lonely, in fact, that my best friend is a delusional ghost. I'd rather focus on her than all the crazy things happening in my life at current. Ever since coming to this town, I've had my throat slit by vampires, attracted way too much attention from some powerful alphas, and did a lot of regrettably stupid things because...I'm too gullible for shady monsters.
To them, I'm the fool.
To them, I'm the naive girl in over my head.
To them, I'm the pawn on a worn chessboard, while the seasoned players knock me around.
Meanwhile, I'm still left to figure it all out on my own, because, just like me, no one wants to share their secrets.
I’m really liking this series. It’s a shame to lose Anna d at o soon I absolutely loved her character. The story is good and it’s written so well! We see Violet learning more about herself and the alphas surrounding her.
Kindle
Gypsy Freak ( All the Pretty Monsters book 2)
By Kristy Cunning
Once read a review will be written via Smashbomb and link posted in comments
What's it like to be a monster in a town full of monsters, who don't know you're a monster?
Complicated and a little scary, but doable.
What's it like to be the girl who can't die...that everyone seems to always want to kill?
Frustrating as hell.
What's it like to accidentally raise psychotic alpha vampire everyone fears, who drops a lot of bodies on his first day out as a 'gift' for your troubles?
Terrifying, if I'm being honest.
What's it like when that crazed vampire tells you he wants you to be the happy little intermission, during an ongoing ancient story, and expects you to use your vagina to draw in a werewolf alpha, a Van Helsing alpha, and a sexual deviant alpha, so he can have his old friends back?
That's when a girl has to stop, look around, and question her life choices.
I really don't know how this stuff keeps happening to me. Life was simpler when it was just me accidentally blowing myself up while trying to create potions and shampoo.
I've lived my life in such secrecy that I've spent most of it lonely. So lonely, in fact, that my best friend is a delusional ghost. I'd rather focus on her than all the crazy things happening in my life at current. Ever since coming to this town, I've had my throat slit by vampires, attracted way too much attention from some powerful alphas, and did a lot of regrettably stupid things because...I'm too gullible for shady monsters.
To them, I'm the fool.
To them, I'm the naive girl in over my head.
To them, I'm the pawn on a worn chessboard, while the seasoned players knock me around.
Meanwhile, I'm still left to figure it all out on my own, because, just like me, no one wants to share their secrets.
I’m really liking this series. It’s a shame to lose Anna d at o soon I absolutely loved her character. The story is good and it’s written so well! We see Violet learning more about herself and the alphas surrounding her.
Lindsay (1717 KP) rated Bound Across Time (Bound #1) in Books
Jun 16, 2024
Bound Across Time is intrigued with the title. The description also pulled me in. Who doesn't like a bit of paranormal with historical fiction mixed in? I was surprised by something I usually do not read, which brings in some magic.
Bound Across Time offers a unique perspective, blending historical fiction with elements of time travel or 'time slipping '. The narrative is enriched by a female main character, a rarity in this genre. Alongside her, a male main character adds depth to the story. The book initially presents itself as a blend of paranormal romance and historical fiction, a combination that it delivers on.
Though most of the story action takes place in the castle and its grounds, I do like that the author included a bit of witchcraft and soulers. Though the pace of the book at the beginning is a bit slow, it does pick up and get a bit more interesting when things start to happen without FMC and our MMC meeting each other.
Bound Across Time weaves a tantalizing mystery into its narrative, keeping the reader on the edge of their seat. The FMC's initial ignorance of her family history adds a layer of intrigue, and as the story unfolds, her research on a young man who is a ghost leads to unexpected and fascinating revelations. This element of suspense is a major draw for readers interested in historical fiction with a paranormal twist.
CeCe wants to go to Wales to use her history degree. What she finds is different from what she expected. The plot is really good. However, I was unsure if CeCe found out who she was in the plot. But it was good nonetheless. Mixing in love and witchcraft and a little magic was really good. I enjoyed it and will read more about it. The ending has me wanting more. I would have liked to hear more about CeCe and her lover.
This book may be your ally if you're a fan of witchcraft and historical fiction with a paranormal romance. I was craving to find out more about CeCe and what happened at the end. I wanted more, and there is a bit of explicit sex in this book, but nothing to offend anyone. Does CeCe and her lover have sons or not, or does CeCe have a big family? You will need to find out by reading.
Bound Across Time offers a unique perspective, blending historical fiction with elements of time travel or 'time slipping '. The narrative is enriched by a female main character, a rarity in this genre. Alongside her, a male main character adds depth to the story. The book initially presents itself as a blend of paranormal romance and historical fiction, a combination that it delivers on.
Though most of the story action takes place in the castle and its grounds, I do like that the author included a bit of witchcraft and soulers. Though the pace of the book at the beginning is a bit slow, it does pick up and get a bit more interesting when things start to happen without FMC and our MMC meeting each other.
Bound Across Time weaves a tantalizing mystery into its narrative, keeping the reader on the edge of their seat. The FMC's initial ignorance of her family history adds a layer of intrigue, and as the story unfolds, her research on a young man who is a ghost leads to unexpected and fascinating revelations. This element of suspense is a major draw for readers interested in historical fiction with a paranormal twist.
CeCe wants to go to Wales to use her history degree. What she finds is different from what she expected. The plot is really good. However, I was unsure if CeCe found out who she was in the plot. But it was good nonetheless. Mixing in love and witchcraft and a little magic was really good. I enjoyed it and will read more about it. The ending has me wanting more. I would have liked to hear more about CeCe and her lover.
This book may be your ally if you're a fan of witchcraft and historical fiction with a paranormal romance. I was craving to find out more about CeCe and what happened at the end. I wanted more, and there is a bit of explicit sex in this book, but nothing to offend anyone. Does CeCe and her lover have sons or not, or does CeCe have a big family? You will need to find out by reading.
Hadley (567 KP) rated The Haunting of Hill House in Books
Apr 19, 2019
Strong writing (1 more)
Good characters
Run-on sentences (1 more)
No explanations for paranormal activity
Contains spoilers, click to show
If you're looking for a scary story, 'The Haunting of Hill House' just doesn't add up.
The story is still worth reading because Jackson's story telling is something that is missing in literature today. The reader is introduced to characters that are different enough to be interesting; their development is just right that it leaves the reader satisfied. The story moves along well enough that the pace keeps us from getting bored. And each turn of the page keeps the reader guessing what is going to happen next- a must for any ghost story.
In 'The Haunting of Hill House,' Jackson mostly focuses on the character Eleanor - a woman who recently lost the sickly mother she had taken care of for years, to receiving an invitation for a paranormal experiment at the infamous Hill House. Eleanor also seems to be the main character affected by the house, not only having her name written on a wall, but also having her named called out by spirits during an automatic writing session with them.
Our first introduction to the Hill House happens as Eleanor arrives: "No Human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in , not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed."
We never see Hill House through any other character's eyes, and the viewpoints mostly come from Eleanor (a missed opportunity,I think). Everyone who arrives at the house feels uneasy about it: doors and curtains close on their own, unexplained banging noises down the hallways(only at night), the chattering and laughter of children, and with an oddly placed cold spot. Yet,to the reader's dismay, nothing is fully explained by the end of the story - no apparitions show up, no one seems harmed by anything unseen (although, the character, Luke, suddenly shows up with a bruised face that is never discussed), and the reader ends up wondering if this really is a product of mass psychosis. It almost seems like Jackson ended the story abruptly just to finish it(the book is only a little under 200 pages). She set up wonderful scenarios, but without explanations, we're left with a very empty feeling.
Nearing the end of the book, the doctor, John Montague, who has ran the entire experiment, has his wife,Mrs. Montague,arrive a few days later, who seems to know more about contacting spirits than he does: "The library? I think it might do; books are frequently very good carriers, you know. Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books." And with the arrival of Dr. Montague's wife, we get one of the major experiences in the entire book. Although her character is quite annoying- even seen through the eyes of other characters- she brings some of the most ghost story elements, one of which is her automatic writing sessions: "Planchette felt very strongly about a nun, John. Perhaps something of the sort- a dark, vague figure, even- has been seen in the neighborhood? Villagers terrified when staggering home late at night?" None of the characters, besides Mrs. Montague's companion, Arthur, believe her automatic writing sessions are real, even after Eleanor's name is brought up during one. As I stated before, without any explanations, the reader is even led to believe that nothing was meant to come of these sessions whatsoever.
The ghost story elements may not have been strong in the story, but the characters make up for them. They constantly question what they are experiencing and/or seeing, they question their surroundings, and they question each other -Jackson does an amazing job weaving paranoia into the story line.
One of the more shocking and unbelievable scenes is when Eleanor is suddenly not fearful of the house anymore: "And here I am, she thought. Here I am inside. It was not cold at all, but deliciously, fondly warm. It was light enough for her to see the iron stairway curving around and around up to the tower, and the little door at the top. Under her feet the stone floor moved caressingly, rubbing itself against the soles of her feet, and all around the soft air touched her, stirring her hair, drifting against her fingers, coming in a light breath across her mouth, and she danced in circles. No stone lions for me, she thought, no oleanders; I have broken the spell of Hill House and somehow come inside. I am home, she thought, and stopped in wonder at the thought. I am home, I am home, she thought; now to climb." It was as if Eleanor was a completely different person in just a few pages.
I do have a couple of problems with 'The Haunting of Hill House,' mostly centering around the use of run-on sentences and extra long paragraphs. The run-on sentences are a waste of time because Jackson seems to merely elaborate on something that could be easily explained or experienced with fewer words. The paragraphs, however, need to be broken up for scene transitioning purposes -when she transitions from one scene to the next, she can confuse the reader with them: one paragraph will have all the characters in the dining area, but in that same paragraph, just a few sentences down, Jackson has the characters suddenly in the parlor,drinking Brandy. Maybe the intention was to make the reader feel paranoid and uneasy like the characters in the book, but it was certainly not needed with the way of Jackson's style of writing.
With all that said, it's easy to see why this book is a popular classic. The writing is strong, using enough descriptions to put the reader in Hill House with all of its paranormal beings. And no matter who you are, you are able to find at least one of the lead characters as a favorite. I feel the book is a must-read for anyone interested in the paranormal, because Jackson brings out the occult interest that was going on around 1959 - when she published 'The Haunting of Hill House;' everything from cold spots to the use of a planchette for automatic writing.
I recommend this book, but if you're looking for scares, you must look elsewhere.
The story is still worth reading because Jackson's story telling is something that is missing in literature today. The reader is introduced to characters that are different enough to be interesting; their development is just right that it leaves the reader satisfied. The story moves along well enough that the pace keeps us from getting bored. And each turn of the page keeps the reader guessing what is going to happen next- a must for any ghost story.
In 'The Haunting of Hill House,' Jackson mostly focuses on the character Eleanor - a woman who recently lost the sickly mother she had taken care of for years, to receiving an invitation for a paranormal experiment at the infamous Hill House. Eleanor also seems to be the main character affected by the house, not only having her name written on a wall, but also having her named called out by spirits during an automatic writing session with them.
Our first introduction to the Hill House happens as Eleanor arrives: "No Human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in , not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed."
We never see Hill House through any other character's eyes, and the viewpoints mostly come from Eleanor (a missed opportunity,I think). Everyone who arrives at the house feels uneasy about it: doors and curtains close on their own, unexplained banging noises down the hallways(only at night), the chattering and laughter of children, and with an oddly placed cold spot. Yet,to the reader's dismay, nothing is fully explained by the end of the story - no apparitions show up, no one seems harmed by anything unseen (although, the character, Luke, suddenly shows up with a bruised face that is never discussed), and the reader ends up wondering if this really is a product of mass psychosis. It almost seems like Jackson ended the story abruptly just to finish it(the book is only a little under 200 pages). She set up wonderful scenarios, but without explanations, we're left with a very empty feeling.
Nearing the end of the book, the doctor, John Montague, who has ran the entire experiment, has his wife,Mrs. Montague,arrive a few days later, who seems to know more about contacting spirits than he does: "The library? I think it might do; books are frequently very good carriers, you know. Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books." And with the arrival of Dr. Montague's wife, we get one of the major experiences in the entire book. Although her character is quite annoying- even seen through the eyes of other characters- she brings some of the most ghost story elements, one of which is her automatic writing sessions: "Planchette felt very strongly about a nun, John. Perhaps something of the sort- a dark, vague figure, even- has been seen in the neighborhood? Villagers terrified when staggering home late at night?" None of the characters, besides Mrs. Montague's companion, Arthur, believe her automatic writing sessions are real, even after Eleanor's name is brought up during one. As I stated before, without any explanations, the reader is even led to believe that nothing was meant to come of these sessions whatsoever.
The ghost story elements may not have been strong in the story, but the characters make up for them. They constantly question what they are experiencing and/or seeing, they question their surroundings, and they question each other -Jackson does an amazing job weaving paranoia into the story line.
One of the more shocking and unbelievable scenes is when Eleanor is suddenly not fearful of the house anymore: "And here I am, she thought. Here I am inside. It was not cold at all, but deliciously, fondly warm. It was light enough for her to see the iron stairway curving around and around up to the tower, and the little door at the top. Under her feet the stone floor moved caressingly, rubbing itself against the soles of her feet, and all around the soft air touched her, stirring her hair, drifting against her fingers, coming in a light breath across her mouth, and she danced in circles. No stone lions for me, she thought, no oleanders; I have broken the spell of Hill House and somehow come inside. I am home, she thought, and stopped in wonder at the thought. I am home, I am home, she thought; now to climb." It was as if Eleanor was a completely different person in just a few pages.
I do have a couple of problems with 'The Haunting of Hill House,' mostly centering around the use of run-on sentences and extra long paragraphs. The run-on sentences are a waste of time because Jackson seems to merely elaborate on something that could be easily explained or experienced with fewer words. The paragraphs, however, need to be broken up for scene transitioning purposes -when she transitions from one scene to the next, she can confuse the reader with them: one paragraph will have all the characters in the dining area, but in that same paragraph, just a few sentences down, Jackson has the characters suddenly in the parlor,drinking Brandy. Maybe the intention was to make the reader feel paranoid and uneasy like the characters in the book, but it was certainly not needed with the way of Jackson's style of writing.
With all that said, it's easy to see why this book is a popular classic. The writing is strong, using enough descriptions to put the reader in Hill House with all of its paranormal beings. And no matter who you are, you are able to find at least one of the lead characters as a favorite. I feel the book is a must-read for anyone interested in the paranormal, because Jackson brings out the occult interest that was going on around 1959 - when she published 'The Haunting of Hill House;' everything from cold spots to the use of a planchette for automatic writing.
I recommend this book, but if you're looking for scares, you must look elsewhere.
BackToTheMovies (56 KP) rated Haunted (2013) in Movies
Jun 12, 2019
About As Scary As A Trip To Seaworld
Contains spoilers, click to show
Haunted, a film Directed by Steven M Smith is an unusual addition to anyone's 'film' collection, as instantly you question whether this is even a film to begin with, the content is very documentary based, opening with factual accounts and a history of an abandoned railway museum. All of the opening shots are filmed in documentary format and this continues throughout the film even when found footage elements are introduced.
A TV crew will film a paranormal investigation and obtain evidence that proves we are not alone. Something Evil awaits them! They will all discover the truth, that we are not alone.
The above quote is taken directly from the synopsis on the website, contestants are invited to visit a haunted railway as part of the show of which they are filming, they are all packed into a limousine and taken to the event. The whole scenes within the limo following the group around SHOULD of been filmed by a professional camera and a professional cinematographer but it looks as thou the entire film has been shot on someone's mobile phone.
Budget constraints aside, decent camera's should of been used to document the entire film from introduction to the actual paranormal investigations, rather than Sony handycam's that cost £120. The only time still camera's are used is to document an almost news style report at the start of the film and a few segments in between. Using handycams this instantly brings us into frustrating territory of moving shaky pictures, blurred images, and camera operators with shaky hands. Very poor quality recording even for a documentary style shooting as you're watching a black screen for the duration, has anyone ever heard of night vision? Next the acting, now the contestants themselves are not in on the game, they are not aware of what's going on or what they have signed up too, however Jon our 'medium' gives the game away at every opportunity. The strategically placed actor in the movie is Jon Paul Gates a supposed 'medium' who describes what he is feeling and how strong a presence is in a particular area. I personally would of caught on very easily to this poor display as not only was the acting questionable, but his descriptions of certain ghosts and characters were so detailed that it was obvious they had been memorised from a script or prior knowledge. There is one scene where the ghost is apparently on top of Jon as he is weighed to the ground, I found this scene hysterical, I was literally crying with laughter of how poor he not only acted it out but how a ghost was piggy backing a ride around the railway yard.
For the first 30 minutes of the movie, the group have arrived, walked around some railway tracks and picked up some weird force that only Jon can feel yet no one around the group has even felt or experienced anything out of this world. Now Most Haunted the popular paranormal TV show would of thrust the audience into some action by now but for the opening 30 minutes of Haunted, nothing of the sort has happened, as it stands the documentary as I refuse to call it a film has displayed more history about the railways than anything remotely paranormal. Maybe a title change would be for the best? I am neither scared, nor intrigued at this moment in time, quite frankly I'm hoping this heats up and soon.
I feel as thou if this film was cut shorter, much shorter, with a voice over documentary style about where each group is going and what they are doing it would be much more easier to watch. Cut the best bits in, jump scares, certain happenings, instead of mundane walking around a railway yard, because as it stands I could grab a camera, head off out tonight and shoot an identical piece of footage, its neither scary nor intriguing. It needs to have production value and Haunted is really suffering from a lack of it as a result.
There is one event throughout the whole movie which is the main talking point and then the film has the audacity to kill people off towards the end after a whole run time of nothingness, no build up, no real meaning or reason why. It was basically like watching the worst episode of Most Haunted to find one of your group dead on the floor at the end of it, planned, boring and drawn out far too long.
Shorten the run time, have a voice over, documentary coverage and film, DON'T kill anyone off at the end with some cheesy fake characters who no one now believes and have a genuine vigil, no pranks or set ups and this could of been a cool little paranormal programme.
Sadly none of the above happened. What a shame. A few sequels are in the works, shorten the duration, fix the countless problems and maybe, just maybe show some true paranormal / experiences and I guarantee it will be more of a success !
A TV crew will film a paranormal investigation and obtain evidence that proves we are not alone. Something Evil awaits them! They will all discover the truth, that we are not alone.
The above quote is taken directly from the synopsis on the website, contestants are invited to visit a haunted railway as part of the show of which they are filming, they are all packed into a limousine and taken to the event. The whole scenes within the limo following the group around SHOULD of been filmed by a professional camera and a professional cinematographer but it looks as thou the entire film has been shot on someone's mobile phone.
Budget constraints aside, decent camera's should of been used to document the entire film from introduction to the actual paranormal investigations, rather than Sony handycam's that cost £120. The only time still camera's are used is to document an almost news style report at the start of the film and a few segments in between. Using handycams this instantly brings us into frustrating territory of moving shaky pictures, blurred images, and camera operators with shaky hands. Very poor quality recording even for a documentary style shooting as you're watching a black screen for the duration, has anyone ever heard of night vision? Next the acting, now the contestants themselves are not in on the game, they are not aware of what's going on or what they have signed up too, however Jon our 'medium' gives the game away at every opportunity. The strategically placed actor in the movie is Jon Paul Gates a supposed 'medium' who describes what he is feeling and how strong a presence is in a particular area. I personally would of caught on very easily to this poor display as not only was the acting questionable, but his descriptions of certain ghosts and characters were so detailed that it was obvious they had been memorised from a script or prior knowledge. There is one scene where the ghost is apparently on top of Jon as he is weighed to the ground, I found this scene hysterical, I was literally crying with laughter of how poor he not only acted it out but how a ghost was piggy backing a ride around the railway yard.
For the first 30 minutes of the movie, the group have arrived, walked around some railway tracks and picked up some weird force that only Jon can feel yet no one around the group has even felt or experienced anything out of this world. Now Most Haunted the popular paranormal TV show would of thrust the audience into some action by now but for the opening 30 minutes of Haunted, nothing of the sort has happened, as it stands the documentary as I refuse to call it a film has displayed more history about the railways than anything remotely paranormal. Maybe a title change would be for the best? I am neither scared, nor intrigued at this moment in time, quite frankly I'm hoping this heats up and soon.
I feel as thou if this film was cut shorter, much shorter, with a voice over documentary style about where each group is going and what they are doing it would be much more easier to watch. Cut the best bits in, jump scares, certain happenings, instead of mundane walking around a railway yard, because as it stands I could grab a camera, head off out tonight and shoot an identical piece of footage, its neither scary nor intriguing. It needs to have production value and Haunted is really suffering from a lack of it as a result.
There is one event throughout the whole movie which is the main talking point and then the film has the audacity to kill people off towards the end after a whole run time of nothingness, no build up, no real meaning or reason why. It was basically like watching the worst episode of Most Haunted to find one of your group dead on the floor at the end of it, planned, boring and drawn out far too long.
Shorten the run time, have a voice over, documentary coverage and film, DON'T kill anyone off at the end with some cheesy fake characters who no one now believes and have a genuine vigil, no pranks or set ups and this could of been a cool little paranormal programme.
Sadly none of the above happened. What a shame. A few sequels are in the works, shorten the duration, fix the countless problems and maybe, just maybe show some true paranormal / experiences and I guarantee it will be more of a success !