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The Nursery (The Bayou Hauntings #3)
The Nursery (The Bayou Hauntings #3)
Bill Thompson | 2019 | Fiction & Poetry, Horror, Mystery
10
10.0 (1 Ratings)
Book Rating
A house that sat empty for fifty years as its dead owner instructed. A locked room with no key. A single father with eight-year-old twin girls. A nursery from long, long ago that no child ever played in. There are eerie things going on at The Arbors in St. Francisville, Louisiana. Architect Jordan Blanchard is joined by his friend Callie and Landry Drake to learn the secrets of a domineering matriarch whose two husbands died in bizarre ways. They explore the house as someone watches from a hidden place high above. The Nursery, the third book in the series, will keep you up late at night wondering what’s behind the next door, what lies beyond the mirror and who hides and waits at The Arbors.

The Nursery by Bill Thompson is a book I requested from NetGalley and the review is voluntary.

This is the third book in the series and I wasn’t aware of that when I started this but it did not hamper me one bit in reading this one. The author gives you little bits on the background as you go along so it was very easy to pick up on.
This is not your typical haunted house story. There is a nice ghost and malevolent ghost, hidden bodies, a child’s grave where one did not belong, and travels through a mirror to other dimensions. And that doesn’t even touch the real-life evil that’s stalking the family’s every move. This is a different type of ghost story.
I love the location settings and the whole premise behind this series of paranormal interweaved with the characters lives.
I want to say so much more but I don’t want to give anything away. This book has so much going for it and I am definitely getting the previous books and following this author. This book had me right from the start and I hope there are more to come in this series.
  
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Lindsay (1717 KP) Nov 15, 2021

Your like The Proctor Hall Horror as well

Scary Stories to Tell in the Dark (2019)
Scary Stories to Tell in the Dark (2019)
2019 | Horror
Good production value (0 more)
Ok scary tales film
I missed this at the cinema and caught on Amazon prime last night. I thought it was going to be an anthology of scary stories. It's more of a few mini tales set within the main plot of the whole film. I enjoyed it and at times it felt a bit like @Creepshow (1982) or @Trick 'r Treat (2007) The overall feel of the film was similar to a Stephen King short story. Only downside it isn't that scary, maybe why it got a PG-13 rating in the US. If you like ghost stories check it out but it won't give you sleepless nights.
  
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Ari Aster recommended Ugetsu (1953) in Movies (curated)

 
Ugetsu (1953)
Ugetsu (1953)
1953 | Drama, Fantasy, Romance
(0 Ratings)
Movie Favorite

"Mizoguchi is a filmmaker I discovered pretty early. When I was younger, I watched anything Scorsese recommended, and I saw an interview with him where he referenced Ugetsu. I just fell in love with Mizoguchi’s work. He called the Academy ratio the “painterly ratio,” and I feel like there are very few filmmakers who did as much with that frame. Sansho the Bailiff is just one of the most devastating melodramas I’ve ever seen, and Ugetsu is a beautiful, ethereal ghost story. His films are quiet while also being extremely harsh and brutal. There’s a clinical, distant quality to his films, but there’s also this aching humanity at the heart of everything he did."

Source
  
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Ari Aster recommended Sansho the Bailiff (1954) in Movies (curated)

 
Sansho the Bailiff (1954)
Sansho the Bailiff (1954)
1954 | Drama
(0 Ratings)
Movie Favorite

"Mizoguchi is a filmmaker I discovered pretty early. When I was younger, I watched anything Scorsese recommended, and I saw an interview with him where he referenced Ugetsu. I just fell in love with Mizoguchi’s work. He called the Academy ratio the “painterly ratio,” and I feel like there are very few filmmakers who did as much with that frame. Sansho the Bailiff is just one of the most devastating melodramas I’ve ever seen, and Ugetsu is a beautiful, ethereal ghost story. His films are quiet while also being extremely harsh and brutal. There’s a clinical, distant quality to his films, but there’s also this aching humanity at the heart of everything he did."

Source
  
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Ari Aster recommended The Life of Oharu (1952) in Movies (curated)

 
The Life of Oharu (1952)
The Life of Oharu (1952)
1952 | Drama
(0 Ratings)
Movie Favorite

"Mizoguchi is a filmmaker I discovered pretty early. When I was younger, I watched anything Scorsese recommended, and I saw an interview with him where he referenced Ugetsu. I just fell in love with Mizoguchi’s work. He called the Academy ratio the “painterly ratio,” and I feel like there are very few filmmakers who did as much with that frame. Sansho the Bailiff is just one of the most devastating melodramas I’ve ever seen, and Ugetsu is a beautiful, ethereal ghost story. His films are quiet while also being extremely harsh and brutal. There’s a clinical, distant quality to his films, but there’s also this aching humanity at the heart of everything he did."

Source
  
40x40

Erika (17788 KP) rated Alita: Battle Angel (2019) in Movies

Feb 18, 2019 (Updated Feb 18, 2019)  
Alita: Battle Angel (2019)
Alita: Battle Angel (2019)
2019 | Action, Fantasy, Sci-Fi
The fight/action scenes (0 more)
Everything else (0 more)
This movie was on the borderline between good and just ok, I rounded up. I was irritated because the theater where I have the subscription with was only showing the film in 3D. I'm not a huge 3D fan, and don't think anything is really added by it.
I know James Cameron was supposed to be the main draw, but I think he's pompous, and Avatar is not a good movie (IMO/it's lame and a snore). I was there mainly for Robert Rodriguez, he's a BFD here.
Essentially, it's Ghost in the Shell with a different story around it. I loved the fight/actions scenes, I was riveted by those. But, everything around it was kind of lame with bad dialogue and an unnecessary love story.
I also hated that it left on a cliffhanger. The movie drastically under-performed, leading to the worst Presidents' Day box office in the US since 2004. Likelihood of a sequel? Slim to none.