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Chasing Ghosts
Chasing Ghosts
Glenn Rolfe | 2016 | Horror
8
8.5 (2 Ratings)
Book Rating
When it comes to novellas by Glenn Rolfe, I expect a sense of urgency. That’s probably because the first thing I read by him was Becoming, which if you’ve read my review, you’ll know I enjoyed it immensely. In that regard, Chasing Ghosts does not disappoint. Brimming with non-stop action, this short book is akin to settling into your chair for a good slasher flick.

Chasing Ghosts doesn’t really bring anything new to the table, which means Rolfe has one hell of a challenge if he’s trying to make it stand out. If you’ve ever seen The Hills Have Eyes, that’s what this book reminds me of–though the setting and cast are a bit different, what with your inbred hillbillies and woods versus mutant savages and desert. Fortunately, Rolfe’s prose alone is enough to guide the story forward, and I actually devoured this in one sitting.

The novella does fall victim to the same cons most short books do, though. Because of its length, there isn’t really any time to grow attached to any of the characters. We know enough about them to recognize them as human, but that’s about it. I would personally love to see this as a more in-depth, full-length novel where attachment to the ill-fated players is more likely.

Once again, Glenn Rolfe has sated my desire for gore and bloodshed, further solidifying his place among my list of must-read authors. In fact, I eagerly await the opportunity to read more of his books.

I received a free copy of this book for the purpose of review from NetGalley and the publisher. All opinions expressed above are my own, without bias.
  
My Life in the Bush of Ghosts by David Byrne / Brian Eno
My Life in the Bush of Ghosts by David Byrne / Brian Eno
2005 | Experimental
8.5 (2 Ratings)
Album Favorite

"I had an English teacher in high school. You know how every high school has a super hip teacher? Mine was this guy named Leonard Krill. I had been a big fan of David Bowie, and I think Talking Heads had just put out Remain In Light, and of course I knew Brian Eno because he he worked with Bowie and produced Talking Heads and Roxy Music. My Life In The Bush Of Ghosts came out and I couldn't afford to buy it, but Leonard Krill loaned it to me so I could tape it. It was again one of those records that I didn't fully understand, because all the vocals come from these weird, disparate sources. I kind of thought because I was listening to a David Byrne and Brian Eno record I would hear David Byrne and Brian Eno's vocals, that it'd sound like one of the records they'd made. On the first listen I didn't quite get it, but after that it became one of my favourite records. In 1999 when I put out the album Play, I was doing some interviews and people were asking where did I get the idea of putting other people's old vocals onto rhythmic music, and I said 'it all started with My Life In The Bush Of Ghosts. Without that album I would never ever have had the idea to sample old vocals and put them on my tracks'. It was a direct inspiration - in a really simple way I was copying my heroes. I can't think of any person who has affected modern music more than Brian Eno. If you invented a fictional character like Brian Eno it'd be almost unbelievable."

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