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Lonely Planet Crete
Lonely Planet, Korina Miller, Kate Armstrong and Alexis Averbuck
Book
Lonely Planet: The world's leading travel guide publisher Lonely Planet Crete is your passport to...
The Old Ways: A Journey on Foot
Book
The Old Ways is the stunning fourth book by acclaimed nature writer Robert Macfarlane. Shortlisted...
Charlie Cobra Reviews (1840 KP) rated Annabelle Comes Home (2019) in Movies
Jul 7, 2020
Annabelle's Horror Doesn't Live Up To The Hype In Her Homecoming
Annabelle is a 2019 supernatural/horror movie written and directed by Gary Dauberman and from screenplay co-written by James Wan. The film was alos produced by James Wan and Peter Safran and by New Line Cinema, Atomic Monster Productions and The Safran Company and distributed by Warner Bros. Pictures. The movie stars Mckenna Grace, Madison Iseman, Katie Sarife, Patrick Wilson, and Vera Farmiga.
Four years after Ed (Patrick Wilson) and Lorraine Warren (Vera Farmigia) brought the Annabelle doll into their home, they leave Mary Ellen (Madison Iseman), a babysitter, in charge of their daughter, Judy (Mckenna Grace) while they investigate a case overnight. Mary Ellen's friend Daniela (Katie Sarife), sneaks into the artifact when she comes over uninvited and accidentally leaves Annabelle's glass case unlocked causing the terror that ensues.
This movie was pretty good. I liked it and thought that it was genuinely scary in certain parts for a PG-13 movie, but then afterwards I looked it up and saw that it was rated R. I don't feel that this movie lived up to its potential, it being rated R and also being in The Conjuring franchise. The plot felt very loose and not very put together and instead of being about the couple, it centered on their daughter. This I felt definitely made it feel a little scarier since she has none of the experience and knowledge of her parents when it comes to fighting these evil forces but I felt the audience was robbed of a better story the franchise could have told with the parents not really being involved at all. Also I felt that they tried to add too many ghosts/characters for one movie, which was kind of cool in certain ways but also seemed less because of it. All in all, if you like The Conjuring franchise you'll like this movie and I give it a 6/10.
Four years after Ed (Patrick Wilson) and Lorraine Warren (Vera Farmigia) brought the Annabelle doll into their home, they leave Mary Ellen (Madison Iseman), a babysitter, in charge of their daughter, Judy (Mckenna Grace) while they investigate a case overnight. Mary Ellen's friend Daniela (Katie Sarife), sneaks into the artifact when she comes over uninvited and accidentally leaves Annabelle's glass case unlocked causing the terror that ensues.
This movie was pretty good. I liked it and thought that it was genuinely scary in certain parts for a PG-13 movie, but then afterwards I looked it up and saw that it was rated R. I don't feel that this movie lived up to its potential, it being rated R and also being in The Conjuring franchise. The plot felt very loose and not very put together and instead of being about the couple, it centered on their daughter. This I felt definitely made it feel a little scarier since she has none of the experience and knowledge of her parents when it comes to fighting these evil forces but I felt the audience was robbed of a better story the franchise could have told with the parents not really being involved at all. Also I felt that they tried to add too many ghosts/characters for one movie, which was kind of cool in certain ways but also seemed less because of it. All in all, if you like The Conjuring franchise you'll like this movie and I give it a 6/10.
Jesters_folly (230 KP) rated Ju-on: Origins in TV
Jul 15, 2020
Contains spoilers, click to show
Ju-on: Origins is the prequel to the original Ju-on The Grudge on Netflix.
The story mostly follows two story lines:
The first is of paranormal author, Yasuo Odajima and T.V. Hostess Haruka Honjo and follows Yasuo as he tires to find the cursed house to write about.
The second is Kiyomi Kawai who is taken to the house by two of her new classmates.
The series shows how curse of the house affects the two main characters but is also interspersed with snippets of the lives of other people who have lived in the house and flashbacks from the memories of other characters and, at times this can make the show a bit hard to follow.
Ju-on: Origins has an 'Amityville' vibe to it but more so, as in the original films the cures is not restricted to the house, meaning that, even if you get out you may not be safe.
The series is very atmospheric but , although there are ghosts it does focus more on the people who have lived in the house which makes this very grim in parts.
There was something familiar about some of the scenes in Ju-on: Origins, at least part of this is due to the original film, the scene where Kiyomi and her friends first go the house is slightly reminiscent of the school girl sequence in the first film although it does go in a different direction.
Now for some warnings. As i said Ju-on: Origins has some grim sequences. It's a Netflix series and, almost as soon as it went on (At least here in the UK) there were complaints about the auto start trailer which skirts around one of the main scenes which involves rape.
As well as rape there are murders (It makes 'American Horror Story; Haunted House' look tame) violence towards women, children, men (although i don't recall any animal abuse), sex and implied, possible incest so you have been warned
The story mostly follows two story lines:
The first is of paranormal author, Yasuo Odajima and T.V. Hostess Haruka Honjo and follows Yasuo as he tires to find the cursed house to write about.
The second is Kiyomi Kawai who is taken to the house by two of her new classmates.
The series shows how curse of the house affects the two main characters but is also interspersed with snippets of the lives of other people who have lived in the house and flashbacks from the memories of other characters and, at times this can make the show a bit hard to follow.
Ju-on: Origins has an 'Amityville' vibe to it but more so, as in the original films the cures is not restricted to the house, meaning that, even if you get out you may not be safe.
The series is very atmospheric but , although there are ghosts it does focus more on the people who have lived in the house which makes this very grim in parts.
There was something familiar about some of the scenes in Ju-on: Origins, at least part of this is due to the original film, the scene where Kiyomi and her friends first go the house is slightly reminiscent of the school girl sequence in the first film although it does go in a different direction.
Now for some warnings. As i said Ju-on: Origins has some grim sequences. It's a Netflix series and, almost as soon as it went on (At least here in the UK) there were complaints about the auto start trailer which skirts around one of the main scenes which involves rape.
As well as rape there are murders (It makes 'American Horror Story; Haunted House' look tame) violence towards women, children, men (although i don't recall any animal abuse), sex and implied, possible incest so you have been warned
BookInspector (124 KP) rated In Her Shadow in Books
Sep 24, 2020
The protagonist in this book is Jessica, mom of two kids, who even after five years, still devastated by her sister’s death. Suddenly, her little girl starts telling that she can talk to her auntie and starts revealing very accurate details from Isabel’s past. Did Isabel really died by accident or was she murdered? How does Jessica’s little girl know so much about the aunt she never met? Read the book to find out!
I really loved this book and its characters. The main characters would be Jessica and Isabel, who were telling the story. I really loved the multiple perspectives in this book, it allowed to see what was actually going on, and Isabel’s story made the whole reading experience more suspenseful and intriguing. I really liked the ghost element to it, the author very cleverly incorporated the experiences from the main characters past, to create more mystery. I liked the diversity and variety of other characters, even though their personalities were not discussed in detail, they played vital parts in the “bigger picture”.
The narrative was very absorbing for me. I really wanted to see what Jessica will find out next, and these little clues kept me on the edge all the way through. This novel has plenty of twists and turns, and the transition between chapters is very smartly written.
One thing for sure, Mark Edwards really knows how to write a good psychological thriller. The chapters have a very decent length and they are divided into smaller parts that did not leave me bored. I absolutely loved the culmination of this novel! It was incredibly twisty, rounds up the story nicely, but at the same time still leaves the reader guessing.
So, to conclude, I really enjoyed this dark and entangled family drama, filled with well-written characters, ghosts, and a very engrossing plot filled with unexpected findings. I strongly recommend to give this book a go, and I hope you will enjoy it as much as I did.
I really loved this book and its characters. The main characters would be Jessica and Isabel, who were telling the story. I really loved the multiple perspectives in this book, it allowed to see what was actually going on, and Isabel’s story made the whole reading experience more suspenseful and intriguing. I really liked the ghost element to it, the author very cleverly incorporated the experiences from the main characters past, to create more mystery. I liked the diversity and variety of other characters, even though their personalities were not discussed in detail, they played vital parts in the “bigger picture”.
The narrative was very absorbing for me. I really wanted to see what Jessica will find out next, and these little clues kept me on the edge all the way through. This novel has plenty of twists and turns, and the transition between chapters is very smartly written.
One thing for sure, Mark Edwards really knows how to write a good psychological thriller. The chapters have a very decent length and they are divided into smaller parts that did not leave me bored. I absolutely loved the culmination of this novel! It was incredibly twisty, rounds up the story nicely, but at the same time still leaves the reader guessing.
So, to conclude, I really enjoyed this dark and entangled family drama, filled with well-written characters, ghosts, and a very engrossing plot filled with unexpected findings. I strongly recommend to give this book a go, and I hope you will enjoy it as much as I did.
BookInspector (124 KP) rated The Last Time I Lied in Books
Sep 24, 2020
Our protagonist in this novel is Emma, an artist, who can’t get away from the ghosts of the past. Years ago, three of her friends disappeared from the summer camp. Now she returns to the same camp, to try and figure out, where her childhood friends could’ve gone. But there are some things, which Emma lied about… And the wish to figure out what was the lie creates a tormenting suspense. I really liked the wide variety and very believable characters, which the author chose for this book. Even though I liked Emma, Vivian (one of the missing friends) was the one, who left me intrigued. So even though the story was told by Emma, this story was kind of about Vivian, a charismatic manipulator, who knew how to play with people and their feelings.
The narrative is constantly changing between the present and the past, and Sager is an expert in creating suspense. All the little clues and this time traveling really got me curious and glued to the book, and I was dying to find out what in a world happened there. The author brings back his “love” for mental institutions but with a different approach this time. I really loved all the twists, turns, and intriguing adventures. The story is told from a single perspective, and it was fully enough for me. The setting of this book is quite calming, but at the same time pretty sinister.
I think the author is very talented and his writing is exceptionally polished. The chapters are pretty short, and the suspense makes the “book melt in your hands”. The climax was very unexpected and I really loved the way this story ended. So, to conclude, I really enjoyed this fast-paced, amusing and very well written story, filled with secrets and lies. I do strongly recommend this book and I hope you will enjoy it as much as I did. 🙂
The narrative is constantly changing between the present and the past, and Sager is an expert in creating suspense. All the little clues and this time traveling really got me curious and glued to the book, and I was dying to find out what in a world happened there. The author brings back his “love” for mental institutions but with a different approach this time. I really loved all the twists, turns, and intriguing adventures. The story is told from a single perspective, and it was fully enough for me. The setting of this book is quite calming, but at the same time pretty sinister.
I think the author is very talented and his writing is exceptionally polished. The chapters are pretty short, and the suspense makes the “book melt in your hands”. The climax was very unexpected and I really loved the way this story ended. So, to conclude, I really enjoyed this fast-paced, amusing and very well written story, filled with secrets and lies. I do strongly recommend this book and I hope you will enjoy it as much as I did. 🙂
ClareR (5674 KP) rated The Haunting of Alma Fielding: A True Ghost Story in Books
Oct 5, 2020 (Updated Oct 5, 2020)
The Haunting of Alma Fielding is the non-fiction account of Nando Fodor and his investigation in to the haunting of a London housewife. Fodor was a Jewish-Hungarian refugee and worked for the International Institute for Psychical Research. When Fodor was tipped off about a possible poltergeist haunting, he rushed to Alma’s house to try and work out what exactly was going on. He was scrupulous. He involved trusted mediums, wrote detailed notes (lucky for us!) and whilst reading the book, it became obvious that Fodor became obsessed. His obsession however, had a deleterious effect on Alma. The more access to her that he had, the more physically ill she seemed to become and the more she seemed to be haunted.
There does seem to be a theme of obsession running through this with regards to Fodor. I was never quite sure if his obsession was with Alma’s haunting, or with Alma herself. She was an attractive woman, after all. He would certainly have been stopped a lot sooner if this had happened today (but I do wonder whether this would have happened at all).
The historical background and the build up to the Second World War was very interesting, and I enjoyed the historical detail throughout. I also liked that there was an ending. Summerscale researched up to the deaths of those involved - I appreciated that closure. But what interesting lives these people had!
This was a great story for a sceptic like me. Ghost stories fascinate me. I don’t believe that there are ghosts, but I still like that they have the ability to unnerve and scare me! And this was certainly unnerving!
Many thanks to The Pigeonhole for serialising this book. I probably would have gone on the waiting list at the library because of the (well-deserved) buzz around it, but I really do much prefer not having to wait and reading along with my fellow pigeons!
There does seem to be a theme of obsession running through this with regards to Fodor. I was never quite sure if his obsession was with Alma’s haunting, or with Alma herself. She was an attractive woman, after all. He would certainly have been stopped a lot sooner if this had happened today (but I do wonder whether this would have happened at all).
The historical background and the build up to the Second World War was very interesting, and I enjoyed the historical detail throughout. I also liked that there was an ending. Summerscale researched up to the deaths of those involved - I appreciated that closure. But what interesting lives these people had!
This was a great story for a sceptic like me. Ghost stories fascinate me. I don’t believe that there are ghosts, but I still like that they have the ability to unnerve and scare me! And this was certainly unnerving!
Many thanks to The Pigeonhole for serialising this book. I probably would have gone on the waiting list at the library because of the (well-deserved) buzz around it, but I really do much prefer not having to wait and reading along with my fellow pigeons!
Dianne Robbins (1738 KP) rated We Drink and We Know Things in Podcasts
Oct 18, 2020 (Updated Oct 26, 2020)
The hosts: Andrea and Tom. (6 more)
The variety of topics.
Keeps my interests throughout.
The humor.
The coolness factor.
Not over-produced or over-commercialized.
Homegrown in Kentucky
Doused in alcohol and lit with knowledge.
I am an avid podcast listener. We're talking up to 12 hours a day, sometimes more, so I'm always looking for something good to feed my ears. I heard a We Drink and We Know Things promo on one of the podcasts in my usual rotation and was so taken by the hosts' personalities and rapport that I paused my usual podcast and went to WDAWKT and immediately dove into their latest podcast. It was so much fun, so interesting, and intriguing that I had to hear more! So for the next three days, I binged their podcast.
To say it's delightful may seem weird to some, considering the topics they cover, but nonetheless, it's true. It made me very happy to hear that they are from my home state of Kentucky because we have such interesting stories from here that need to be told, though that is not the focus of the podcast. Married hosts, Andrea and Tom, are charming, funny, authentic, and real, and their thirst for knowledge cannot be quenched. For that, I am grateful as it means they will never run out of material for their podcast and I'll get to listen to them every week.
Some of the topics they've covered are true crime, ghosts, haunted locations, paranormal, aliens, UFOs, cryptids, urban legends, conspiracies, weird science, strange historical events, and more, and regular episodes Florida Man Friday, Let's Not Meet stories, and Creepypastas.
I have several paranormal stories to share with them so maybe one day, you'll hear my story on one of their episodes.
If these kinds of topics interest you, give this podcast a try. I think you'll like it.
To say it's delightful may seem weird to some, considering the topics they cover, but nonetheless, it's true. It made me very happy to hear that they are from my home state of Kentucky because we have such interesting stories from here that need to be told, though that is not the focus of the podcast. Married hosts, Andrea and Tom, are charming, funny, authentic, and real, and their thirst for knowledge cannot be quenched. For that, I am grateful as it means they will never run out of material for their podcast and I'll get to listen to them every week.
Some of the topics they've covered are true crime, ghosts, haunted locations, paranormal, aliens, UFOs, cryptids, urban legends, conspiracies, weird science, strange historical events, and more, and regular episodes Florida Man Friday, Let's Not Meet stories, and Creepypastas.
I have several paranormal stories to share with them so maybe one day, you'll hear my story on one of their episodes.
If these kinds of topics interest you, give this podcast a try. I think you'll like it.
Gareth von Kallenbach (977 KP) rated It Comes At Night (2017) in Movies
Jul 11, 2019
There are some things that are truly frightening. For some, it could be ghosts while others fear zombies. There are many things that concern us and even keep us awake at night. With It Comes At Night, audiences are faced with one of the greatest fears that man has: the unknown.
The film features Paul (Joel Edgerton) a father and husband who is seeking to keep his family safe in the wilderness from unknown threats. He and his family are uncertain of what has taken place. They are not sure if the population has become victims to terrorism, disease, or some sort of supernatural occurrence. Paranoia builds as a stranger arrives on their land. What are his intentions? Can they trust each other long enough to survive? Will they outlast whatever has consumed countless others?
The film is haunting and will have its audience trying to guess and discover what exactly is taking place. The film is reminiscent of The Village, The Happening, and other movies that rely on ambiguity. For some films, the mystery may be the downfall as it leads nowhere. With It Comes At Night, the filmmakers allow for reality to seep into the lives that viewers are witnessing on the screen. For this film, the ambiguity allows for the audience to question how they would behave or adapt in a seemingly post-apocalyptic environment. We like to think that we know, but we can never be sure. This comes through with the actions of each of the characters. They are alone and afraid.
The film is deep in its approach to what the world would look like should calamity approach. People would become distrustful, fight, turn on each other, kill without thinking, and eventually sink into the realization that they don’t know what to do. It Comes at Night allows for the reality of horror to be exposed. It is not knowing how to face a certain danger, it is about having to come to terms with the unknown.
The film features Paul (Joel Edgerton) a father and husband who is seeking to keep his family safe in the wilderness from unknown threats. He and his family are uncertain of what has taken place. They are not sure if the population has become victims to terrorism, disease, or some sort of supernatural occurrence. Paranoia builds as a stranger arrives on their land. What are his intentions? Can they trust each other long enough to survive? Will they outlast whatever has consumed countless others?
The film is haunting and will have its audience trying to guess and discover what exactly is taking place. The film is reminiscent of The Village, The Happening, and other movies that rely on ambiguity. For some films, the mystery may be the downfall as it leads nowhere. With It Comes At Night, the filmmakers allow for reality to seep into the lives that viewers are witnessing on the screen. For this film, the ambiguity allows for the audience to question how they would behave or adapt in a seemingly post-apocalyptic environment. We like to think that we know, but we can never be sure. This comes through with the actions of each of the characters. They are alone and afraid.
The film is deep in its approach to what the world would look like should calamity approach. People would become distrustful, fight, turn on each other, kill without thinking, and eventually sink into the realization that they don’t know what to do. It Comes at Night allows for the reality of horror to be exposed. It is not knowing how to face a certain danger, it is about having to come to terms with the unknown.