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Gareth von Kallenbach (971 KP) rated Miss Congeniality 2 - Armed and Fabulous (2005) in Movies
Aug 14, 2019
As the weather starts to warm, indicating the coming spring and summer seasons, scores of sequels arrive at local box offices. Sequels have always been desired by Hollywood because, thanks in part to the success of previous titles in the series, a built in audience helps assure big openings.
With the Ring 2 kicking off the sequel frenzy to solid numbers this year, Warner Bros. is hoping to cash in on the success of the Sandra Bullock hit Miss Congeniality, with the release of Miss Congeniality 2 :Armed and Fabulous.
The film opens a few weeks after the events of the first film and underscores agent Gracie Hart’s struggles to get back into field work now that she’s a celebrity. When an undercover operation goes sour in part to Gracie’s new found notoriety, it is decided that she will be removed from field work and placed as the new face of the F.B.I. in an effort to increase public image. Assigned to watch her back, Gracie is partnered with a no-nonsense agent named Sam Fuller (Regina King), who has severe attitude issues and is less than thrilled to watch over Gracie especially when Gracie has become a diva thanks to her new found celebrity and numerous appearances on talk shows.
When the current Miss America, and good friend, Cheryl (Heather Burns) is kidnapped along with pageant host Stan Fields (William Shatner), Gracie sets off to Vegas in an effort to help with the case. Her notoriety and unorthodox tactics runs afoul of the local agent in charge Collins (Treat Williams), who wants nothing more than for Gracie to head back to New York and make his life easier.
While the film does have an interesting setup, it soon becomes an overlong sketch comedy as Gracie and Sam show up in costumes ranging from an old Jewish retiree to Tina Turner, with sadly very few laughs in between. I was a big fan of the first film but this effort seems like a project that was created simply to cash in on the success of the first without offering anything new.
The charm and wit of the first film are sadly missed, as this film just plods along without any real payoff. Bullock seems to be walking through her part without the sparkle and shine that made her the beloved girl next door. Fuller seems to have only two emotions and that is pure rage or exasperation. The rest of the cast does not fare much better as Shatner is forced to vamp it up with very little to work with. Only Diedrich Bader gets some laughs albeit cheaply playing the over the top flamboyant fashion consultant named Joel.
Michael Caine and Benjamin Bratt are noticeably absent from this sequel. It seems that they wisely decided to stay clear of this clunker. I had hoped that this film would recapture some of the charm of the original but it plays out as an uninspired effort that seems to have had very little care put into it. My advice, save this for a rental.
With the Ring 2 kicking off the sequel frenzy to solid numbers this year, Warner Bros. is hoping to cash in on the success of the Sandra Bullock hit Miss Congeniality, with the release of Miss Congeniality 2 :Armed and Fabulous.
The film opens a few weeks after the events of the first film and underscores agent Gracie Hart’s struggles to get back into field work now that she’s a celebrity. When an undercover operation goes sour in part to Gracie’s new found notoriety, it is decided that she will be removed from field work and placed as the new face of the F.B.I. in an effort to increase public image. Assigned to watch her back, Gracie is partnered with a no-nonsense agent named Sam Fuller (Regina King), who has severe attitude issues and is less than thrilled to watch over Gracie especially when Gracie has become a diva thanks to her new found celebrity and numerous appearances on talk shows.
When the current Miss America, and good friend, Cheryl (Heather Burns) is kidnapped along with pageant host Stan Fields (William Shatner), Gracie sets off to Vegas in an effort to help with the case. Her notoriety and unorthodox tactics runs afoul of the local agent in charge Collins (Treat Williams), who wants nothing more than for Gracie to head back to New York and make his life easier.
While the film does have an interesting setup, it soon becomes an overlong sketch comedy as Gracie and Sam show up in costumes ranging from an old Jewish retiree to Tina Turner, with sadly very few laughs in between. I was a big fan of the first film but this effort seems like a project that was created simply to cash in on the success of the first without offering anything new.
The charm and wit of the first film are sadly missed, as this film just plods along without any real payoff. Bullock seems to be walking through her part without the sparkle and shine that made her the beloved girl next door. Fuller seems to have only two emotions and that is pure rage or exasperation. The rest of the cast does not fare much better as Shatner is forced to vamp it up with very little to work with. Only Diedrich Bader gets some laughs albeit cheaply playing the over the top flamboyant fashion consultant named Joel.
Michael Caine and Benjamin Bratt are noticeably absent from this sequel. It seems that they wisely decided to stay clear of this clunker. I had hoped that this film would recapture some of the charm of the original but it plays out as an uninspired effort that seems to have had very little care put into it. My advice, save this for a rental.
Bob Mann (459 KP) rated You Were Never Really Here (2018) in Movies
Sep 28, 2021
Joachim Phoenix delivers a standout performance in a violent tale of crusading.
Joachim Phoenix (“Her”) is a very intense actor, and fits perfectly here into the role of Joe. For he is a hired thug, available to do over anyone you think deserves dispatching or giving a good telling off. His weapon of choice for this task is a ball-point hammer, bought each time from a local hardware shop. He is a ghost, who drifts in and out of his jobs, face concealed by a hoodie and emanating an air of menace that automatically deflects enquiring eyes.
When hired by a Senator (Alex Manette) to rescue his wayward daughter Nina (Ekaterina Samsonov) from the clutches of a paedophile gang, Joe delivers on the job with gusto, and – you sense – a degree of satisfaction. But then things go from bad to violent worse and Joe is drawn into a deadly high stakes game. As things get more and more personal, Joe embarks on a personal crusade for justice and retribution.
The real joy of this film is that Joe is such a nuanced character. Yes, he’s a brutal thug, but is still living with and loving his aged and demented mother (Judith Roberts), even though she drives him to distraction. He’s also clearly damaged himself, with a high degree of OCD behavior exhibited. Via clever flashbacks, we get hints to the route that led the boy to become this damaged man. As a sociopath, when things go wrong he could just say “F*** it” and walk away. But he doesn’t. Is this altruism? A sense of professional pride? Or is it the sight of a path to redemption? Although you could strongly argue that revenge kicks in to reinforce his decision, Lynne Ramsay‘s screenplay leaves things deliciously vague. Ramsey also directs expertly: she previously did 2011’s “We Need To Talk About Kevin”.
“I don’t like gory films” you might say “so this doesn’t sound like one for me”. Me neither, but actually, the trailer makes the film seem worse than it is. The violence is more alluded to than shown. Most of the “hammer action” is done either in long shot or seen on CCTV cameras, and you don’t get to see much of the outcome. There is only one really gory bit that I remember (shut your eyes where Phoenix answers the knock at the hotel door if you are squeamish!).
This doesn’t mean that it’s a comfortable watch though. It’s an insanely tense film since you’re not sure the direction it will go in next (think “Get Out”), and it has more than its fair share of “WTF” moments, especially in a dramatic closing scene. There are some memorable cinematic moments as well: a young girl in a nightie in the paedophile den blankly observing Joe’s handiwork being one that stays with you.
It’s a standout film, winning Best Actor (for Phoenix) and best screenplay (for Ramsey) at Cannes. It will be in a strong position to make my films of the year list. Highly recommended.
When hired by a Senator (Alex Manette) to rescue his wayward daughter Nina (Ekaterina Samsonov) from the clutches of a paedophile gang, Joe delivers on the job with gusto, and – you sense – a degree of satisfaction. But then things go from bad to violent worse and Joe is drawn into a deadly high stakes game. As things get more and more personal, Joe embarks on a personal crusade for justice and retribution.
The real joy of this film is that Joe is such a nuanced character. Yes, he’s a brutal thug, but is still living with and loving his aged and demented mother (Judith Roberts), even though she drives him to distraction. He’s also clearly damaged himself, with a high degree of OCD behavior exhibited. Via clever flashbacks, we get hints to the route that led the boy to become this damaged man. As a sociopath, when things go wrong he could just say “F*** it” and walk away. But he doesn’t. Is this altruism? A sense of professional pride? Or is it the sight of a path to redemption? Although you could strongly argue that revenge kicks in to reinforce his decision, Lynne Ramsay‘s screenplay leaves things deliciously vague. Ramsey also directs expertly: she previously did 2011’s “We Need To Talk About Kevin”.
“I don’t like gory films” you might say “so this doesn’t sound like one for me”. Me neither, but actually, the trailer makes the film seem worse than it is. The violence is more alluded to than shown. Most of the “hammer action” is done either in long shot or seen on CCTV cameras, and you don’t get to see much of the outcome. There is only one really gory bit that I remember (shut your eyes where Phoenix answers the knock at the hotel door if you are squeamish!).
This doesn’t mean that it’s a comfortable watch though. It’s an insanely tense film since you’re not sure the direction it will go in next (think “Get Out”), and it has more than its fair share of “WTF” moments, especially in a dramatic closing scene. There are some memorable cinematic moments as well: a young girl in a nightie in the paedophile den blankly observing Joe’s handiwork being one that stays with you.
It’s a standout film, winning Best Actor (for Phoenix) and best screenplay (for Ramsey) at Cannes. It will be in a strong position to make my films of the year list. Highly recommended.
Hazel (1853 KP) rated Paper Towns in Books
Dec 7, 2018
This was my book of the month for March 2014. You can view and reblog my Tumblr post here: http://fuzzysparrow.tumblr.com/post/81305903630/x
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
Housewife of Horror (12 KP) rated The Canal (2014) in Movies
Aug 25, 2018
Contains spoilers, click to show
The Canal (2014)
Platform: Shudder
Genre: Horror
Country: Ireland (IFB)
Running Time: 92 minutes
Written and Directed by: Ivan Kavanagh
Release Date: April 18th 2014 (Tribeca Film Festival)
Cast: Rupert Evans; Steve Oram; Antonia Campbell-Hughes; Hannah Hoekstra
After found footage, psychological horror films are a favorite of mine. I love how they pull you into the story, how up is down, left is right, I love to be enveloped by the plot. That tingly feeling I get on the back of my neck, the hairs standing up, I know then it has me in it’s clutches. I had that feeling with The Canal.
David (Rupert Evans) works as a film archivist, he is given a reel of footage from the police archives to watch and subsequently archive by his work colleague and close friend Claire (Antonia Campbell-Hughes), which turns out to be old crime scene footage of he and his wife’s current home. It was the scene of a shocking crime in 1902, the brutal murder of a cheating wife, their children and the nanny by the enraged father.
David suspects his wife Alice (Hannah Hoekstra) of having an affair, so he decides to follow her one night, only to unfortunately confirm his suspicions. He watches Alice while she is with her lover, and then picking up a hammer, he appears to mull over the idea of using it, only to quickly come to his senses. Walking away, he throws the hammer in to the canal on the way back to their marital home, where he has left their young son asleep in bed, alone in the house.
David, feeling sick from what he witnessed, as well as what he had considered doing about it, runs into the (quite dirty) canal-side public toilets. He hears something or someone coming in after him, and then see’s them, their feet, under the stall door, followed by fingers appearing to creep over the top of the door. He then proceeds to suffer from quite nightmarish visions that include the man, the husband, from the 1902 crime scene footage. He seems to be taunting David, whispering things to him. David, in a state of distress, manages to crawl outside, where he then witnesses what appears to be his wife being thrown into the canal; he just can’t see it very clearly or coherently. He later comes round on the floor of the bathroom, unnerved and disheveled, and makes his way home. The next morning, when he realises that Alice has not come home that night, David goes to the local police station to report her missing. Obviously, the police suspect David, “It’s always the husband” says the (inept) detective on the case.
The plot twists and turns, is it David? Is it the entity? Some great revelations about the grim history of the house come up throughout. It’s an interesting watch that comes to a disturbing conclusion.
A great little scene, that made me believe David was the killer, was during one of his viewings of the old footage. He stood up, in front of the projector, silhouetting him in front of the screen, making him appear to be a dark shadow. To me, this was the directors’ nod to David’s darkness within.
The Canal is a great psychological horror; it does very well to dig itself under your skin as you watch, and drag you in to this nightmare that David’s life has turned into. I was really impressed with the performance of Rupert Evans, tormented and devastated, he made David’s pain almost tangible. Watching him seemingly fall further into madness as the story progressed was quite frightening. I really felt for the nanny, she is a totally innocent girl who just wants to protect David and Alice’s son Billy, and can’t leave even when she knows she should. She gets dragged deeper and deeper in to the madness; everyone close to David is brought into this waking nightmare.
The ending is well, quite creepy and rather disturbing as I have said earlier. The story feels to me to have come full circle, and you can envision that it is a tormenting nightmare that will repeat itself over and over with future residents of the house for years to come.
4/5 – It’s rather worth a look if you like a good psychological horror
Lesley-Ann (Housewife of Horror)
Platform: Shudder
Genre: Horror
Country: Ireland (IFB)
Running Time: 92 minutes
Written and Directed by: Ivan Kavanagh
Release Date: April 18th 2014 (Tribeca Film Festival)
Cast: Rupert Evans; Steve Oram; Antonia Campbell-Hughes; Hannah Hoekstra
After found footage, psychological horror films are a favorite of mine. I love how they pull you into the story, how up is down, left is right, I love to be enveloped by the plot. That tingly feeling I get on the back of my neck, the hairs standing up, I know then it has me in it’s clutches. I had that feeling with The Canal.
David (Rupert Evans) works as a film archivist, he is given a reel of footage from the police archives to watch and subsequently archive by his work colleague and close friend Claire (Antonia Campbell-Hughes), which turns out to be old crime scene footage of he and his wife’s current home. It was the scene of a shocking crime in 1902, the brutal murder of a cheating wife, their children and the nanny by the enraged father.
David suspects his wife Alice (Hannah Hoekstra) of having an affair, so he decides to follow her one night, only to unfortunately confirm his suspicions. He watches Alice while she is with her lover, and then picking up a hammer, he appears to mull over the idea of using it, only to quickly come to his senses. Walking away, he throws the hammer in to the canal on the way back to their marital home, where he has left their young son asleep in bed, alone in the house.
David, feeling sick from what he witnessed, as well as what he had considered doing about it, runs into the (quite dirty) canal-side public toilets. He hears something or someone coming in after him, and then see’s them, their feet, under the stall door, followed by fingers appearing to creep over the top of the door. He then proceeds to suffer from quite nightmarish visions that include the man, the husband, from the 1902 crime scene footage. He seems to be taunting David, whispering things to him. David, in a state of distress, manages to crawl outside, where he then witnesses what appears to be his wife being thrown into the canal; he just can’t see it very clearly or coherently. He later comes round on the floor of the bathroom, unnerved and disheveled, and makes his way home. The next morning, when he realises that Alice has not come home that night, David goes to the local police station to report her missing. Obviously, the police suspect David, “It’s always the husband” says the (inept) detective on the case.
The plot twists and turns, is it David? Is it the entity? Some great revelations about the grim history of the house come up throughout. It’s an interesting watch that comes to a disturbing conclusion.
A great little scene, that made me believe David was the killer, was during one of his viewings of the old footage. He stood up, in front of the projector, silhouetting him in front of the screen, making him appear to be a dark shadow. To me, this was the directors’ nod to David’s darkness within.
The Canal is a great psychological horror; it does very well to dig itself under your skin as you watch, and drag you in to this nightmare that David’s life has turned into. I was really impressed with the performance of Rupert Evans, tormented and devastated, he made David’s pain almost tangible. Watching him seemingly fall further into madness as the story progressed was quite frightening. I really felt for the nanny, she is a totally innocent girl who just wants to protect David and Alice’s son Billy, and can’t leave even when she knows she should. She gets dragged deeper and deeper in to the madness; everyone close to David is brought into this waking nightmare.
The ending is well, quite creepy and rather disturbing as I have said earlier. The story feels to me to have come full circle, and you can envision that it is a tormenting nightmare that will repeat itself over and over with future residents of the house for years to come.
4/5 – It’s rather worth a look if you like a good psychological horror
Lesley-Ann (Housewife of Horror)
Sophia (Bookwyrming Thoughts) (530 KP) rated The Unforgettables in Books
Jan 23, 2020
<b><i>I received this book for free from Author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Meet Felicia, AKA a piece of fictional me out in the bookish world: awkward, anti-social, and kind of an outcast. It is no wonder why I immediately beeline towards cute contemporary novels (I always make a point to mention <a href="http://bookwyrmingthoughts.com/review-imperfect-chemistry-by-mary-frame"><em>Imperfect Chemistry</em></a> by Mary Frame because that book! Is! Cute! Cue exclamation points and squealing.).
Side note: I haven't reviewed in months. I will probably be as boring and undirectional as 15-year-old me.
<i>The Unforgettables</i> is a story of two fabulously adorable nerds who find out they are neighbors and bond over a set of comic books. Paul and Felicia click over a chance encounter in the summer over the comic books that theyre huge fans of, thus beginning a friendship that wouldnt be forgotten. At least until it becomes more than friendship.
<b>What I Liked:</b>
<i>Cliches can have nerds and outcasts too! Also nerds can be well-liked.</i> - One of the big reasons why Im always weary of contemporary novels is how I somehow never relate to the characters. There is always something off about them - they all fit in, theyre popular, yada yada yada. (And sometimes there is something off... period.) <i>The Unforgettables</i> has both. Felicia is none of those. She isnt popular, she doesnt fit in - in fact, shes the outcast and basically keeps to herself. Paul is well liked - he fits in, and hes certainly not an outcast.
Another side note: Can Paul be an actual human being? I feel like we can be best friends, even if Im not a comic book fan. (Plus, if most guys I come across were as decent as Paul is, the world would be better for awkward me.)
<i>
</i> <i>The serious amount of diversity involved.</i> - Felicia is Haitian. Paul is biracial. Theres an interracial relationship. I am a happy little reader. That is not the only reason why I am a happy little reader.
<i>
</i> <i>Helloooo reality.</i> - The relationship life is as awkward as it is heartbreaking, and I love how those obstacles are portrayed throughout the book instead of making it seem like a cakewalk. The amount of awkwardness involved as Paul and Felicia venture into territory beyond friendship just makes it all the better. (I am all for awkward within reason.) Plus, its reassuring to find that Im not the only one awkward in the romance department. All the other books make it seem heartbreakingly easy.
<blockquote class="tr_bq">A crush equaled no assembly required. There were no broken promises or hurt feelings outside of the fact you werent with them. And if you didnt let them in, the mere thought of them made you smile.</blockquote>
<i>The Unforgettables</i> is the classic story of girl meets boy next door with perks and bonuses that will even capture the attention of the cliche-disliker.
<blockquote class="tr_bq">A little geekery never hurt anyone.</blockquote>
<a href="https://bookwyrmingthoughts.com/arc-review-unforgettables-by-gl-thomas/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Meet Felicia, AKA a piece of fictional me out in the bookish world: awkward, anti-social, and kind of an outcast. It is no wonder why I immediately beeline towards cute contemporary novels (I always make a point to mention <a href="http://bookwyrmingthoughts.com/review-imperfect-chemistry-by-mary-frame"><em>Imperfect Chemistry</em></a> by Mary Frame because that book! Is! Cute! Cue exclamation points and squealing.).
Side note: I haven't reviewed in months. I will probably be as boring and undirectional as 15-year-old me.
<i>The Unforgettables</i> is a story of two fabulously adorable nerds who find out they are neighbors and bond over a set of comic books. Paul and Felicia click over a chance encounter in the summer over the comic books that theyre huge fans of, thus beginning a friendship that wouldnt be forgotten. At least until it becomes more than friendship.
<b>What I Liked:</b>
<i>Cliches can have nerds and outcasts too! Also nerds can be well-liked.</i> - One of the big reasons why Im always weary of contemporary novels is how I somehow never relate to the characters. There is always something off about them - they all fit in, theyre popular, yada yada yada. (And sometimes there is something off... period.) <i>The Unforgettables</i> has both. Felicia is none of those. She isnt popular, she doesnt fit in - in fact, shes the outcast and basically keeps to herself. Paul is well liked - he fits in, and hes certainly not an outcast.
Another side note: Can Paul be an actual human being? I feel like we can be best friends, even if Im not a comic book fan. (Plus, if most guys I come across were as decent as Paul is, the world would be better for awkward me.)
<i>
</i> <i>The serious amount of diversity involved.</i> - Felicia is Haitian. Paul is biracial. Theres an interracial relationship. I am a happy little reader. That is not the only reason why I am a happy little reader.
<i>
</i> <i>Helloooo reality.</i> - The relationship life is as awkward as it is heartbreaking, and I love how those obstacles are portrayed throughout the book instead of making it seem like a cakewalk. The amount of awkwardness involved as Paul and Felicia venture into territory beyond friendship just makes it all the better. (I am all for awkward within reason.) Plus, its reassuring to find that Im not the only one awkward in the romance department. All the other books make it seem heartbreakingly easy.
<blockquote class="tr_bq">A crush equaled no assembly required. There were no broken promises or hurt feelings outside of the fact you werent with them. And if you didnt let them in, the mere thought of them made you smile.</blockquote>
<i>The Unforgettables</i> is the classic story of girl meets boy next door with perks and bonuses that will even capture the attention of the cliche-disliker.
<blockquote class="tr_bq">A little geekery never hurt anyone.</blockquote>
<a href="https://bookwyrmingthoughts.com/arc-review-unforgettables-by-gl-thomas/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kirk Bage (1775 KP) rated Eurovision Song Contest: The Story of Fire Saga (2020) in Movies
Aug 6, 2020
Much like Eurovision itself, this film shouldn’t be entertaining in any way, but after watching it for ten minutes it becomes a compelling car crash you kinda have to see out to the end. It doesn’t really matter what you think of the songs, you are watching it waiting for the one thing you can make fun of, rubbing your eyes in disbelief that anything so camp and lame can exist.
Will Ferrell understands this of course. There is so much about the weird world of Eurovision to make fun of. The naff music, the costumes, the lost in translation moments from obscure countries trying their best and mostly failing to realise how daft they look. Enjoying this film depends on how funny you find Ferrell, not on any love of cheesy pop songs. Fortunately, I find him usually hilarious.
Not that every joke lands, or even makes sense at all. It is as bizarre as the contest itself; you just have to leave your brain at the door and go with it. There is a lot to like. Not least the adorable and consistently watchable Rachel McAdams who seems the perfect choice to play Sigrit, the girl dreaming of having the world hear her sing and strive for her spirit note. There is also an odd turn from Pierce Brosnan, who makes no effort whatsoever to make it good, and comes full circle in being so bad it’s amazing.
The joke is that they are from Iceland, who never win the thing, or ever come close. The country itself doesn’t want to win, as they would have to pay for it next year, so, after a bizarre accident where every other candidate explodes, they turn to the naive duo of Fire Saga, who are guaranteed to be a joke. And they are. But of course we are on their side, as they live the dream and go for underdog glory. What can go wrong does, and every comedy trope in the book is trotted out, along with a huge dose of sentimentality.
Naturally there is music. Ranging from the excruciating to the actually not too bad, to the hmmm, I actual like that! One highlight is a montage piece in the middle, as all contestants jam at a pre-final party – just so much fun and a totally catchy song. I am not entirely ashamed to say that it kinda got me. The pathos leading up to the climax hit me in the vulnerable feels, as I lay on a Sunday morning helpfully hung-over and tender. This is the way to watch it, I feel, or, you know, with young kids, who will lap up the silliness and talent show sensibility.
Look, it’s terrible on any artistic or serious level. The script is a mess, the direction could have been phoned in by a chimp, and the plot serves to say nothing new or inciteful, but it doesn’t matter. Watch it, have a chuckle and then throw it away. I can think of many less innocent comedies that are far less worthy of attention. And at the very least, there is a bit with elves that had me pressing pause till I got all my laughs out.
Pick a day when you have no energy to fight the world or string two thoughts together and just enjoy it.
Decinemal Rating: 63
Will Ferrell understands this of course. There is so much about the weird world of Eurovision to make fun of. The naff music, the costumes, the lost in translation moments from obscure countries trying their best and mostly failing to realise how daft they look. Enjoying this film depends on how funny you find Ferrell, not on any love of cheesy pop songs. Fortunately, I find him usually hilarious.
Not that every joke lands, or even makes sense at all. It is as bizarre as the contest itself; you just have to leave your brain at the door and go with it. There is a lot to like. Not least the adorable and consistently watchable Rachel McAdams who seems the perfect choice to play Sigrit, the girl dreaming of having the world hear her sing and strive for her spirit note. There is also an odd turn from Pierce Brosnan, who makes no effort whatsoever to make it good, and comes full circle in being so bad it’s amazing.
The joke is that they are from Iceland, who never win the thing, or ever come close. The country itself doesn’t want to win, as they would have to pay for it next year, so, after a bizarre accident where every other candidate explodes, they turn to the naive duo of Fire Saga, who are guaranteed to be a joke. And they are. But of course we are on their side, as they live the dream and go for underdog glory. What can go wrong does, and every comedy trope in the book is trotted out, along with a huge dose of sentimentality.
Naturally there is music. Ranging from the excruciating to the actually not too bad, to the hmmm, I actual like that! One highlight is a montage piece in the middle, as all contestants jam at a pre-final party – just so much fun and a totally catchy song. I am not entirely ashamed to say that it kinda got me. The pathos leading up to the climax hit me in the vulnerable feels, as I lay on a Sunday morning helpfully hung-over and tender. This is the way to watch it, I feel, or, you know, with young kids, who will lap up the silliness and talent show sensibility.
Look, it’s terrible on any artistic or serious level. The script is a mess, the direction could have been phoned in by a chimp, and the plot serves to say nothing new or inciteful, but it doesn’t matter. Watch it, have a chuckle and then throw it away. I can think of many less innocent comedies that are far less worthy of attention. And at the very least, there is a bit with elves that had me pressing pause till I got all my laughs out.
Pick a day when you have no energy to fight the world or string two thoughts together and just enjoy it.
Decinemal Rating: 63
Darren (1599 KP) rated Yesterday (2019) in Movies
Dec 25, 2019
Verdict: Enjoyable Throughout
Story: Yesterday starts as we meet musician Jack Malik (Patel) who when he isn’t performing, works a dead-end job in a cash-n-carry. Jack gets his first festival in Latitude Festival thanks to his manager Ellie Appleton (James), which makes Jack realise he might walk away from music, until on his way home a shocking event around the world sees all power down for 12 seconds and Jack gets hit by a bus, waking up in a world where The Beatles never existed.
Jack uses the ideas that The Beatles never existed to start singing the songs, which sudden thrusts the spotlight onto the young singer, who sudden burst into international stardom, only can he live with the knowledge of the music he is singing is from the most famous band in the world.
Thoughts on Yesterday
Characters – Jack Malik is a small-time musician who only performs in his own free time, while trying to balance a part-time job in a warehouse. He does have talent, only he hasn’t been discovered yet, he is about to give up when he gets hit by a bus in a freak event around the world. He wakes up to discover he is the only person to have heard of The Beatles and decides to use this knowledge to give music on more crack, where his rise to super stardom is sudden and he must learn to adapt to this new career. Ellie Appleton has been the best friend, manager, rodeo and driver for his music career, secretly in love with him, unable to give up her teaching career to follow his new success. Rocky has been involved in music only he tends to let people down, he is however the only person that Jack can turn to for help for his new stardom. We get to meet Jack’s parents who have always supported him, Ed Sheeran playing himself discovering the new talent in Jack and the manager who takes Jack to the next level with his debut album.
Performances – Himesh Patel is brilliant in the leading role where he handles the singing with ease as well as the troubles that his character goes through in his sudden rise to fame. Lily James as the girl next door figure is wonderful to watch to, never looking out of place in the manager role. The rest of the cast do nothing wrong, you might see a couple of weakness in some of the performances in the film though.
Story – The story follows a musician that is involved in an accident only to discover that when he wakes up, The Beatles don’t exist, using this knowledge to make himself a mega star, while dealing with his own love problems. This is a story that does work if things are kept just around the idea of The Beatles not being around, where the story does seem to use as a little joke, other major products or bands also haven’t existed either, they are only used for jokes rather than being proper points in the story. Away from that weak point we do get to see the struggling to deal with sudden fame and the guilt for using the songs of somebody he idolises. This story is one that can be enjoyed even if you are not a Beatles fan too.
Comedy/Musical/Romance – The comedy in the film will get laughs where it needs to, we aren’t given constant jokes either, with the music side of the film playing into the strengths of all Beatles fans who will get to enjoy their favourites. The romance in the film does take centre stage, with how the two are left to wonder what if through their lives, showing how people are tempted to let people go or not for stardom.
Settings – The film uses the small town where Jack is from, which shows the struggle of a small town musician, LA where things move so fast and Liverpool where the inspiration can be found.
Scene of the Movie – Wembley.
That Moment That Annoyed Me – The other random disappearing products, just being a joke, rather than a point in the story.
Final Thoughts – This is an enjoyable comedy musical, that will show the importance of love in the world, how music can make people famous and just how far people will go for a chance of stardom.
Overall: Enjoyable
Story: Yesterday starts as we meet musician Jack Malik (Patel) who when he isn’t performing, works a dead-end job in a cash-n-carry. Jack gets his first festival in Latitude Festival thanks to his manager Ellie Appleton (James), which makes Jack realise he might walk away from music, until on his way home a shocking event around the world sees all power down for 12 seconds and Jack gets hit by a bus, waking up in a world where The Beatles never existed.
Jack uses the ideas that The Beatles never existed to start singing the songs, which sudden thrusts the spotlight onto the young singer, who sudden burst into international stardom, only can he live with the knowledge of the music he is singing is from the most famous band in the world.
Thoughts on Yesterday
Characters – Jack Malik is a small-time musician who only performs in his own free time, while trying to balance a part-time job in a warehouse. He does have talent, only he hasn’t been discovered yet, he is about to give up when he gets hit by a bus in a freak event around the world. He wakes up to discover he is the only person to have heard of The Beatles and decides to use this knowledge to give music on more crack, where his rise to super stardom is sudden and he must learn to adapt to this new career. Ellie Appleton has been the best friend, manager, rodeo and driver for his music career, secretly in love with him, unable to give up her teaching career to follow his new success. Rocky has been involved in music only he tends to let people down, he is however the only person that Jack can turn to for help for his new stardom. We get to meet Jack’s parents who have always supported him, Ed Sheeran playing himself discovering the new talent in Jack and the manager who takes Jack to the next level with his debut album.
Performances – Himesh Patel is brilliant in the leading role where he handles the singing with ease as well as the troubles that his character goes through in his sudden rise to fame. Lily James as the girl next door figure is wonderful to watch to, never looking out of place in the manager role. The rest of the cast do nothing wrong, you might see a couple of weakness in some of the performances in the film though.
Story – The story follows a musician that is involved in an accident only to discover that when he wakes up, The Beatles don’t exist, using this knowledge to make himself a mega star, while dealing with his own love problems. This is a story that does work if things are kept just around the idea of The Beatles not being around, where the story does seem to use as a little joke, other major products or bands also haven’t existed either, they are only used for jokes rather than being proper points in the story. Away from that weak point we do get to see the struggling to deal with sudden fame and the guilt for using the songs of somebody he idolises. This story is one that can be enjoyed even if you are not a Beatles fan too.
Comedy/Musical/Romance – The comedy in the film will get laughs where it needs to, we aren’t given constant jokes either, with the music side of the film playing into the strengths of all Beatles fans who will get to enjoy their favourites. The romance in the film does take centre stage, with how the two are left to wonder what if through their lives, showing how people are tempted to let people go or not for stardom.
Settings – The film uses the small town where Jack is from, which shows the struggle of a small town musician, LA where things move so fast and Liverpool where the inspiration can be found.
Scene of the Movie – Wembley.
That Moment That Annoyed Me – The other random disappearing products, just being a joke, rather than a point in the story.
Final Thoughts – This is an enjoyable comedy musical, that will show the importance of love in the world, how music can make people famous and just how far people will go for a chance of stardom.
Overall: Enjoyable
Heather Cranmer (2721 KP) rated Winds of Fear (Fearless Series #3) in Books
Aug 4, 2020
I have a thing about thrillers involving neighbors and false identities, so when I got the opportunity to read Winds of Fear by Glede Browne Kabongo, I jumped at the chance!
When Jenna and Charlie Payne move into the house next door, things start going bad for Abbie Rambally, especially after Jenna takes a special interest in Abbie's 10 year old son Lucas. Before long, Abbie starts suspecting that her neighbors aren't who they say they are and that their intentions could put her family in mortal danger.
The synopsis really sucked me in. I had to know what was up with Abbie's neighbors, so I dove into Winds of Fear right away. The pacing is fairly slow for the first half of the book as Kabongo sets up the backstory for each character. However, once I got to the second half of the novel, the pacing sped up, and I was hooked! I could not stop reading even though it was way past time for me to go to sleep. I felt like this was where the most action really happened and where the actually plot and the meat of the story was. Kabongo is heavily into describing each and every thing which was a bit tedious, but in the second half of the story, I was hooked on every word, so I didn't really mind. There were quite a few plot twists in Winds of Fear. In fact, every time I thought I had something figured out and felt smug about it, a plot twist would smack me right in the face! Though this book the third in the Fearless Series, I felt like it stands alone quite well without reading the first two books. Kabongo does a fantastic job of explaining what happened to Abbie (and her family) previously quite well. There is a fourth book that will be released in the series, but I found that all my questions were answered in Winds of Fear. However, I will be reading the next installment in the series because I want to know more about Abbie's life!
The characters in Winds of Fear were very fleshed out and well written thanks to all of Kabongo's backstory she added throughout the book. I enjoyed the character of Abbie although sometimes I felt like she was being a little too suspicious too early on after just meeting the Paynes...her paranoia just felt too rushed. However, Abbie was a very well written character besides that. I could feel how much she loved her kids, her husband, and her life. My heart went out to her when she was torn between her duties as a mother and advancing her career. I was beside myself when everything went down involving Lucas. Her pain and worry felt very realistic. I would have liked to see more of Ty, Abbie's husband. Ty came across as such a fantastic man. I couldn't help but love him myself after reading about him. His love for wife and children were obvious from the get-go. The Rambally children (Alexis, Blake, and Lucas) were all so smart and adorable. I just wanted to hug them all! I loved their close relationship and how they all wanted to help each other out. Blake and Lucas were fantastic with how inquisitive they were. I also loved Olivia (Liv). She seemed like such a sweet girl. I won't go into much more detail about her, but I was saddened that I didn't get to read more about her. Jenna and Charlie were also fantastic characters. I kept trying to figure out what they brought to the table and why they were so wrapped up with the Ramballys. Also, with the Iceman, I felt he really did live up to his nickname!
Trigger warnings for Winds of Fear include mentions of sexual assault (not graphic), drinking alcohol (although not to excess), violence, murder (not very graphic), kidnapping, and blackmail.
All in all, Winds of Fear is quite the psychological thriller. It's got relatable characters, an interesting plot, and it makes you try to guess just to be wrong. I would recommend Winds of Fear by Glede Browne Kabongo to those ages 18+ to those who love to be sucked into a good book!
--
(A special thank you to Xpresso Tours for providing me with an eBook of Winds of Fear by Glede Browne Kabongo in exchange for a fair and unbiased review.)
When Jenna and Charlie Payne move into the house next door, things start going bad for Abbie Rambally, especially after Jenna takes a special interest in Abbie's 10 year old son Lucas. Before long, Abbie starts suspecting that her neighbors aren't who they say they are and that their intentions could put her family in mortal danger.
The synopsis really sucked me in. I had to know what was up with Abbie's neighbors, so I dove into Winds of Fear right away. The pacing is fairly slow for the first half of the book as Kabongo sets up the backstory for each character. However, once I got to the second half of the novel, the pacing sped up, and I was hooked! I could not stop reading even though it was way past time for me to go to sleep. I felt like this was where the most action really happened and where the actually plot and the meat of the story was. Kabongo is heavily into describing each and every thing which was a bit tedious, but in the second half of the story, I was hooked on every word, so I didn't really mind. There were quite a few plot twists in Winds of Fear. In fact, every time I thought I had something figured out and felt smug about it, a plot twist would smack me right in the face! Though this book the third in the Fearless Series, I felt like it stands alone quite well without reading the first two books. Kabongo does a fantastic job of explaining what happened to Abbie (and her family) previously quite well. There is a fourth book that will be released in the series, but I found that all my questions were answered in Winds of Fear. However, I will be reading the next installment in the series because I want to know more about Abbie's life!
The characters in Winds of Fear were very fleshed out and well written thanks to all of Kabongo's backstory she added throughout the book. I enjoyed the character of Abbie although sometimes I felt like she was being a little too suspicious too early on after just meeting the Paynes...her paranoia just felt too rushed. However, Abbie was a very well written character besides that. I could feel how much she loved her kids, her husband, and her life. My heart went out to her when she was torn between her duties as a mother and advancing her career. I was beside myself when everything went down involving Lucas. Her pain and worry felt very realistic. I would have liked to see more of Ty, Abbie's husband. Ty came across as such a fantastic man. I couldn't help but love him myself after reading about him. His love for wife and children were obvious from the get-go. The Rambally children (Alexis, Blake, and Lucas) were all so smart and adorable. I just wanted to hug them all! I loved their close relationship and how they all wanted to help each other out. Blake and Lucas were fantastic with how inquisitive they were. I also loved Olivia (Liv). She seemed like such a sweet girl. I won't go into much more detail about her, but I was saddened that I didn't get to read more about her. Jenna and Charlie were also fantastic characters. I kept trying to figure out what they brought to the table and why they were so wrapped up with the Ramballys. Also, with the Iceman, I felt he really did live up to his nickname!
Trigger warnings for Winds of Fear include mentions of sexual assault (not graphic), drinking alcohol (although not to excess), violence, murder (not very graphic), kidnapping, and blackmail.
All in all, Winds of Fear is quite the psychological thriller. It's got relatable characters, an interesting plot, and it makes you try to guess just to be wrong. I would recommend Winds of Fear by Glede Browne Kabongo to those ages 18+ to those who love to be sucked into a good book!
--
(A special thank you to Xpresso Tours for providing me with an eBook of Winds of Fear by Glede Browne Kabongo in exchange for a fair and unbiased review.)
Bob Mann (459 KP) rated Terminator: Dark Fate (2019) in Movies
Nov 10, 2019
Natalie Reyes - a kick-ass non-white female hero (1 more)
Arnie's drapes
Linda Hamilton - acting didn't work for me (1 more)
Confusing storyline (as a continuation of T2)
Enjoyable Hokum
Natalia Reyes plays young Mexican Dani Ramos. Out of the blue she faces danger and tragedy when a ‘Rev 9’ Terminator (Gabriel Luna) zaps itself back in time to Mexico City to dispose of her. But, as in “Terminator 2: Judgement Day”, a protector is on hand. This time it’s in the ripped form of ‘enhanced’ human Grace (Mackenzie Davis). She’s there to protect Dani and maintain whatever key to the future that she holds.
Dani is assisted by Sarah Connor (Linda Hamilton), a vigilante Terminator-fighter wanted in all 50 US States for wanton destruction of property. But even this dynamic duo are no match for the unstoppable force of the Rev 9. So they must turn to an old nemesis from Sarah’s past for assistance.
James Cameron is heavily involved with this one. The decision was made to ‘reboot’ the series as if all the dodgy Terminator movies of the intervening years (after #2) had never happened. (That’s not to say that *I* necessarily found them all dodgy. I quite liked “Terminator 3: Rise of the Machines” for example, with it’s grim and downbeat ending).
Now I went into this flick understanding that premise. So a flashback scene in the first few minutes of the film left me mightily confused. How on earth did this link to the ‘thumbs up’ scene at the end of “Terminator 2”? #baffled.
But if you ignore this issue, the film settles into what I thought was a nice “Logan“-style modus operandi. There’s an exciting chase sequence along a Mexican highway, but it never overwhelmed the ongoing development of character and motive.
Unfortunately, this didn’t last. Overall, the script lacked momentum, showing a general lack of narrative drive. This is the result, I suspect, of the familiar malaise of ‘team-input’. There are a total of SIX writers contributing to the story and/or screenplay. For example, an opportunity to take a poke at Trump’s Mexican wall isn’t taken; neither are scenes in the topically newsworthy detention centre. It’s as if the “better not: we’ll upset people” button was pressed in either the writing room or by the studio.
Trying to make up for this wallowing second reel, the movie – on boarding a military transport plane – goes to extremes of unbelievable action, both in the sky and below the water. That “Logan-esque” start seems a long way away now.
There’s another element of the movie that confused the hell out of me. The ‘Rev 9’ is able to jump out of it’s “skeleton” which could then pursue actions on its own. Given the Terminator gets FLATTENED – skeleton and all – during certain scenes of the film, this makes little sense unless the skeleton is made of the same ‘liquid metal’ as the body. In which case, why not just have liquid metal that can assume multiple different forms and attack the target from all sides? Perhaps that came in with the “Rev 10”!
But it’s not as bad as I’ve made it sound. This is in no way a terrible movie. As a ‘brain at the door’ piece of sci-fi hocum I really quite enjoyed it. The cast in particular is nicely of our time. There’s a Colombian (not Mexican), feisty and successful female lead in the form of the relatively unknown Reyes. And she has two strong female characters in support. Arnie Schwarzenegger has top billing, but his is really a supporting role.
Natalia Reyes I thought was particularly impressive. The girl has real screen presence, and I look forward to seeing what she does next.
Mackenzie Davis is also terrific as the kick-ass cyborg. I particularly liked the way she executed a neat plot device. Grace has a ‘war-machine’ design… she’s designed for incredible bursts of activity over short periods, but then becomes next to useless as her body crashes and needs ‘rebooting’.
I don’t want to be mean, but there’s probably a reason Linda Hamilton hasn’t been in more mainstream movies since T2. Her acting here is adequate at best and didn’t really cut it for me. The script has delivered her a number of humorous lines – including the iconic “I’ll be back’ – but none of them really land in the delivery.
Instead , it’s Arnie who has the best lines in the movie, delivered with dead-pan wit. His “cover” identity – and particularly his chosen profession – deliver some laugh out loud dialogue.
All in all, I found this a big step up on other Terminator films in the series. The director is Tim Miller, he of “Deadpool“. It’s not bloody Shakespeare, but I found it – warts and all – an enjoyable night out at the movies.
For the full graphical review, check out https://bob-the-movie-man.com/2019/11/10/one-manns-movies-film-review-terminator-dark-fate-2019/
Dani is assisted by Sarah Connor (Linda Hamilton), a vigilante Terminator-fighter wanted in all 50 US States for wanton destruction of property. But even this dynamic duo are no match for the unstoppable force of the Rev 9. So they must turn to an old nemesis from Sarah’s past for assistance.
James Cameron is heavily involved with this one. The decision was made to ‘reboot’ the series as if all the dodgy Terminator movies of the intervening years (after #2) had never happened. (That’s not to say that *I* necessarily found them all dodgy. I quite liked “Terminator 3: Rise of the Machines” for example, with it’s grim and downbeat ending).
Now I went into this flick understanding that premise. So a flashback scene in the first few minutes of the film left me mightily confused. How on earth did this link to the ‘thumbs up’ scene at the end of “Terminator 2”? #baffled.
But if you ignore this issue, the film settles into what I thought was a nice “Logan“-style modus operandi. There’s an exciting chase sequence along a Mexican highway, but it never overwhelmed the ongoing development of character and motive.
Unfortunately, this didn’t last. Overall, the script lacked momentum, showing a general lack of narrative drive. This is the result, I suspect, of the familiar malaise of ‘team-input’. There are a total of SIX writers contributing to the story and/or screenplay. For example, an opportunity to take a poke at Trump’s Mexican wall isn’t taken; neither are scenes in the topically newsworthy detention centre. It’s as if the “better not: we’ll upset people” button was pressed in either the writing room or by the studio.
Trying to make up for this wallowing second reel, the movie – on boarding a military transport plane – goes to extremes of unbelievable action, both in the sky and below the water. That “Logan-esque” start seems a long way away now.
There’s another element of the movie that confused the hell out of me. The ‘Rev 9’ is able to jump out of it’s “skeleton” which could then pursue actions on its own. Given the Terminator gets FLATTENED – skeleton and all – during certain scenes of the film, this makes little sense unless the skeleton is made of the same ‘liquid metal’ as the body. In which case, why not just have liquid metal that can assume multiple different forms and attack the target from all sides? Perhaps that came in with the “Rev 10”!
But it’s not as bad as I’ve made it sound. This is in no way a terrible movie. As a ‘brain at the door’ piece of sci-fi hocum I really quite enjoyed it. The cast in particular is nicely of our time. There’s a Colombian (not Mexican), feisty and successful female lead in the form of the relatively unknown Reyes. And she has two strong female characters in support. Arnie Schwarzenegger has top billing, but his is really a supporting role.
Natalia Reyes I thought was particularly impressive. The girl has real screen presence, and I look forward to seeing what she does next.
Mackenzie Davis is also terrific as the kick-ass cyborg. I particularly liked the way she executed a neat plot device. Grace has a ‘war-machine’ design… she’s designed for incredible bursts of activity over short periods, but then becomes next to useless as her body crashes and needs ‘rebooting’.
I don’t want to be mean, but there’s probably a reason Linda Hamilton hasn’t been in more mainstream movies since T2. Her acting here is adequate at best and didn’t really cut it for me. The script has delivered her a number of humorous lines – including the iconic “I’ll be back’ – but none of them really land in the delivery.
Instead , it’s Arnie who has the best lines in the movie, delivered with dead-pan wit. His “cover” identity – and particularly his chosen profession – deliver some laugh out loud dialogue.
All in all, I found this a big step up on other Terminator films in the series. The director is Tim Miller, he of “Deadpool“. It’s not bloody Shakespeare, but I found it – warts and all – an enjoyable night out at the movies.
For the full graphical review, check out https://bob-the-movie-man.com/2019/11/10/one-manns-movies-film-review-terminator-dark-fate-2019/
Bob Mann (459 KP) rated Their Finest (2017) in Movies
Sep 29, 2021
Keep Calm and Carry on Writing.
In a well-mined category, “Their Finest” is a World War 2 comedy/drama telling a tale I haven’t seen told before: the story behind the British Ministry of Information and their drive to produce propaganda films that support morale and promote positive messages in a time of national crisis. For it is 1940 and London is under nightly attack by the Luftwaffe during the time known as “The Blitz”. Unfortunately the Ministry is run by a bunch of toffs, and their output is laughably misaligned with the working class population, and especially the female population: with their husbands fighting overseas, these two groups are fast becoming one and the same. For women are finding and enjoying new empowerment and freedom in being socially unshackled from the kitchen sink.
The brave crew of the Nancy Starling. Bill Nighy as Uncle Frank, with twins Lily and Francesca Knight as the Starling sisters.
Enter Catrin Cole (Gemma Arterton, “The Girl with all the Gifts“) who is one such woman arriving to a dangerous London from South Wales to live with struggling disabled artist Ellis (Jack Huston, grandson of John Huston). Catrin, stretching the truth a little, brings a stirring ‘true’ tale of derring-do about the Dunkirk evacuation to the Ministry’s attention. She is then employed to “write the slop” (the woman’s dialogue) in the writing team headed by spiky Tom Buckley (Sam Claflin, “Me Before You“).
One of the stars of the film within the film is ‘Uncle Frank’ played by the aging but charismatic actor Ambrose Hilliard (Bill Nighy, “Dad’s Army“, “Love Actually”). Catrin proves her worth by pouring oil on troubled waters as the army insist on the introduction of an American airman (Jake Lacy, “Carol“) to the stressful mix. An attraction builds between Catrin and Tom, but how will the love triangle resolve itself? (For a significant clue see the “Spoiler Section” below the trailer, but be warned that this is a major spoiler!).
As you might expect if you’ve seen the trailer the film is, in the main, warm and funny with Gemma Arterton just gorgeously huggable as the determined young lady trying to make it in a misogynistic 40’s world of work. Arterton is just the perfect “girl next door”: (sigh… if I was only 20 years younger and unattached!) But mixed in with the humour and the romantic storyline is a harsh sprinkling of the trials of war and not a little heartbreak occurs. This is at least a 5 tissue movie.
Claflin, who is having a strong year with appearances in a wide range of films, is also eminently watchable. One of his best scenes is a speech with Arterton about “why people love the movies”, a theory that the film merrily and memorably drives a stake through the heart of!
Elsewhere Lacy is hilarious as the hapless airman with zero acting ability; Helen McCrory (“Harry Potter”) as Sophie Smith vamps it up wonderfully as the potential Polish love interest for Hilliard; Richard E Grant (“Logan“) and Jeremy Irons (“The Lion King”, “Die Hard: with a Vengeance”) pop up in useful cameos and Eddie Marsan (“Sherlock Holmes”) is also touching as Hilliard’s long-suffering agent.
But it is Bill Nighy’s Hilliard who carries most of the wit and humour of the film with his pompous thespian persona, basking in the dwindling glory of a much loved series of “Inspector Lynley” films. With his pomposity progressively warming under the thawing effect of Sophie and Catrin, you have to love him! Bill Nighy is, well, Bill Nighy. Hugh Grant gets it (unfairly) in the neck for “being Hugh Grant” in every film, but this pales in comparison with Nighy’s performances! But who cares: his kooky delivery is just delightful and he is a national treasure!
Slightly less convincing for me was Rachael Stirling’s role as a butch ministry busybody with more than a hint of the lesbian about her. Stirling’s performance in the role is fine, but would this really have been so blatant in 1940’s Britain? This didn’t really ring true for me.
While the film gamely tries to pull off London in the Blitz the film’s limited budget (around £25m) makes everything feel a little underpowered and ’empty’: a few hundred more extras in the Underground/Blitz scenes for example would have helped no end. However, the special effects crew do their best and the cinematography by Sebastian Blenkov (“The Riot Club”) suitably conveys the mood: a scene where Catrin gets caught in a bomb blast outside a clothes shop is particularly moving.
As with all comedy dramas, sometimes the bedfellows lie uncomfortably with each other, and a couple of plot twists: one highly predictable; one shockingly unpredictable make this a non-linear watch. This rollercoaster of a script by Gaby Chiappe, in an excellent feature film debut (she actually also has a cameo in the propaganda “carrot film”!), undeniably adds interest and makes the film more memorable. However (I know from personal experience) that the twist did not please everyone in the audience!
Despite its occasionally uneven tone, this is a really enjoyable watch (particularly for more mature audiences) and Danish director Lone Scherfig finally has a vehicle that matches the quality of her much praised Carey Mulligan vehicle “An Education”.
The brave crew of the Nancy Starling. Bill Nighy as Uncle Frank, with twins Lily and Francesca Knight as the Starling sisters.
Enter Catrin Cole (Gemma Arterton, “The Girl with all the Gifts“) who is one such woman arriving to a dangerous London from South Wales to live with struggling disabled artist Ellis (Jack Huston, grandson of John Huston). Catrin, stretching the truth a little, brings a stirring ‘true’ tale of derring-do about the Dunkirk evacuation to the Ministry’s attention. She is then employed to “write the slop” (the woman’s dialogue) in the writing team headed by spiky Tom Buckley (Sam Claflin, “Me Before You“).
One of the stars of the film within the film is ‘Uncle Frank’ played by the aging but charismatic actor Ambrose Hilliard (Bill Nighy, “Dad’s Army“, “Love Actually”). Catrin proves her worth by pouring oil on troubled waters as the army insist on the introduction of an American airman (Jake Lacy, “Carol“) to the stressful mix. An attraction builds between Catrin and Tom, but how will the love triangle resolve itself? (For a significant clue see the “Spoiler Section” below the trailer, but be warned that this is a major spoiler!).
As you might expect if you’ve seen the trailer the film is, in the main, warm and funny with Gemma Arterton just gorgeously huggable as the determined young lady trying to make it in a misogynistic 40’s world of work. Arterton is just the perfect “girl next door”: (sigh… if I was only 20 years younger and unattached!) But mixed in with the humour and the romantic storyline is a harsh sprinkling of the trials of war and not a little heartbreak occurs. This is at least a 5 tissue movie.
Claflin, who is having a strong year with appearances in a wide range of films, is also eminently watchable. One of his best scenes is a speech with Arterton about “why people love the movies”, a theory that the film merrily and memorably drives a stake through the heart of!
Elsewhere Lacy is hilarious as the hapless airman with zero acting ability; Helen McCrory (“Harry Potter”) as Sophie Smith vamps it up wonderfully as the potential Polish love interest for Hilliard; Richard E Grant (“Logan“) and Jeremy Irons (“The Lion King”, “Die Hard: with a Vengeance”) pop up in useful cameos and Eddie Marsan (“Sherlock Holmes”) is also touching as Hilliard’s long-suffering agent.
But it is Bill Nighy’s Hilliard who carries most of the wit and humour of the film with his pompous thespian persona, basking in the dwindling glory of a much loved series of “Inspector Lynley” films. With his pomposity progressively warming under the thawing effect of Sophie and Catrin, you have to love him! Bill Nighy is, well, Bill Nighy. Hugh Grant gets it (unfairly) in the neck for “being Hugh Grant” in every film, but this pales in comparison with Nighy’s performances! But who cares: his kooky delivery is just delightful and he is a national treasure!
Slightly less convincing for me was Rachael Stirling’s role as a butch ministry busybody with more than a hint of the lesbian about her. Stirling’s performance in the role is fine, but would this really have been so blatant in 1940’s Britain? This didn’t really ring true for me.
While the film gamely tries to pull off London in the Blitz the film’s limited budget (around £25m) makes everything feel a little underpowered and ’empty’: a few hundred more extras in the Underground/Blitz scenes for example would have helped no end. However, the special effects crew do their best and the cinematography by Sebastian Blenkov (“The Riot Club”) suitably conveys the mood: a scene where Catrin gets caught in a bomb blast outside a clothes shop is particularly moving.
As with all comedy dramas, sometimes the bedfellows lie uncomfortably with each other, and a couple of plot twists: one highly predictable; one shockingly unpredictable make this a non-linear watch. This rollercoaster of a script by Gaby Chiappe, in an excellent feature film debut (she actually also has a cameo in the propaganda “carrot film”!), undeniably adds interest and makes the film more memorable. However (I know from personal experience) that the twist did not please everyone in the audience!
Despite its occasionally uneven tone, this is a really enjoyable watch (particularly for more mature audiences) and Danish director Lone Scherfig finally has a vehicle that matches the quality of her much praised Carey Mulligan vehicle “An Education”.