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The second book in the series follow anna to San Francisco, but tells the story of Lola. Lola is a unique girl with a penchant for fashion and boy troubles. Mainly, an older boy(friend) that her parents don't approve of. After falling in love with Anna and the French Kiss, I was excited to immediately begin Lola and the Boy Next Door. While it is still a good book, I didn't connect with the main character as much as I did the first book. It takes a while for you to fall in love with the book and Lola grows on you as the story progresses.

I was happy to see more of ANna and St. Clair, as theirs was the story that I fell in love with. Anna reads as older than she is, in my opinons. Where she seemed like a twenty-year-old college student in the first novel, she now feels older even though its only been a few months. Her relationship with Etienne, as well as her demeanor, make them feel like theyre now in their mid-twenties... or maybe they're just starting to feel like a happy, married couple.

Lola is faced with one of those typical YA love triangles - she's in a relationship but she's faced with unresolved feelings for another boy. Its obvious and you know who she's going to end up with at the end. A relationship isn't right if you are uncomfortable imagining a future with them - or if you fall for someone else. Love and committment don't lead to considering other people.

All that being said, I much prefer Cricket as her suitor than Max (so I shant complain that Lola questions her feelings). He doesn't have a fiery temper, he's kind and thoughtful, plus he's creative and smart in the way that inventors are. Max is angsty and although he's there for Lola, its more superficial and forced than it should be. He once said, "Do you have any idea what I've put up with to be with you?" You shouldn't have to <i>put up with</i> things. You do them because you love the person and it makes <i>them</i> happy.

Anna sums up the dilemma beautifully, "Sometimes a mistake isn't a what. It's a who." Her mistake is Max, but it will take her time to discover that. Even her friendship with Cricket is more healthy and full of love, than the lustful one she has with Max. Let's be honest when she says, "I care about you. I want to be connected to you." even though it's only in her head, you know who she's going to end up with. She just hasn't admitted it yet.

While I haven't fallen in love with Lola like I did Anna, there are still characters that I've fallen for in this novel. Cricket, the boy next door, is lovable because he's kind, a little unsure of himself and so self-less. He's an architect, an inventor, a creator and must learn to take pride in what he's good at. I'm fond of her best friend, Lindsey, although I find her woefully underdeveloped. (But who can't fall in love with the introverted, studious best friend with a Nancy Drew book collection, detective obsession, and desire to be a spy? That was my entire childhood.)

Calliope is the golden child, who is too possessive over her brother and takes on the role of mean girl in this novel. Late in the book there's a moment that gives much-needed depth to her character when Lola fixes her costume and she realizes that her family needs to appreciate Cricket more. Overall, the characters seemed more developed in the first book so I'm a little disappointed by the new ones.

"You have to do the hard thing... you have to be honest with yourself." You should not stay in a relationship, the wrong relationship, because you are only delaying the time until you find yourself in the right one. Why be unhappy longer than you need to be? The author portrays this wonderfully and maybe readers can learn from Lola's missteps. She also shows you how to be the person they deserve to love. If you feel that you don't yet deserve them, earn it. It's a good lesson for anyone to learn.

The author description of Calliope's ice skating actually gave me chills. Although I don't know what all the technically terms translate to visually, I could still imagine her routine and the emotion of the arena.

The ending was great, as the author leaves the reader satisfied but wanting to hear more of the story. There are no glaring cliff-hangers or unresolved plot points. Of course, you want to know if Calliope goes to the Olympics and does well - but maybe that will be addressed in Isla's book.
  
HT
How to Knit a Wild Bikini
6
6.0 (1 Ratings)
Book Rating
Rating: 3.5

Nikki's bad knee has ended her career as a chef, and she has switched to being a personal cook for a journalist of a very popular men's magazine. Jay Buchanan needs a cook for one month, and no more. He has sworn off women for the rest of the year (due to women being so darn complicated) and is hesitant to hire a female cook. Desperate to get the job and pay the bills, Nikki claims to be a lesbian so he'll hire her and not be worried about his "year-without-women" coming to an end. Jay agrees, as long as she pretends to be his girlfriend… to get the clingy girl-next-door to give him some space. Nikki is now a girlfriend-fake-lesbian-chef-with-some-benefits. Emphasis on the some.

Nikki is pretty sure she can handle one month of cooking for a rich, stuck-up, spoiled, gorgeous man, as long as she keeps their relationship strictly professional, and keeps up her facades. But she doesn't take into account the idea of Jay falling in love with her… and her falling right back. But Nikki has some ghosts in her closet. Can she let go of them and learn to love Jay?

How to Knit a Wild Bikini was a cute, slightly sappy, yet enjoyable read. The characters were likeable—definitely likeable, in Jay's case—and the pacing was good. The writing wasn't horrible but it wasn't anything spectacular.

I gave it an extra half a star because it was addicting! I couldn't put it down. The title and cover could have been better, since there was no knit bikini, only the mention of one. I wouldn't read the sequel, but I did enjoy this one.

It was, in some ways, unrealistic. Nikki had a lot of stuff in her past, and her reactions weren't always in line with them. It surprised me how much the author was able to put into this story. There were a lot of little "mini-stories" woven into it… it almost felt ridiculous, but then again it was still fun to read. Sometimes, for a summer read, you just need a book that let's you goof off. This is one of them.

There was a fun combination of an untouchable free spirited woman, a stuck-up but slightly desperate sexy man, and hand-painted knitting needles. This one is perfect for an afternoon on a couch with a pair of knitting needles (If you're talented enough to knit and read at the same time. It does take skill.)

Content/Recommendation: Some language and sex. Ages 18+
  
Friday the 13th Part VII: The New Blood (1988)
Friday the 13th Part VII: The New Blood (1988)
1988 | Horror
6
6.1 (16 Ratings)
Movie Rating
Tina Shepard isn't your normal, everyday girl. When she was younger, she overheard her parents having a heated argument that got really ugly. Tina decided to run out onto a boat in the nearby lake. Her father runs out to try and talk her into coming back to shore and that's when Tina's extraordinary abilities are revealed. Her father winds up dying in an accident caused by Tina's telekinetic powers.

In the present day, Tina and her mother are off to a cabin in the woods with Tina's psychologist, Dr. Crews, in hopes of making progress so Tina won't have to return to an institution. A group of young twenty somethings are gathered next door for a surprise birthday party. Both houses just happen to be in the Camp Crystal Lake area. Tina gets upset at Dr. Crews during one of their sessions and runs out to the lake. Her emotions get the best of her and she winds up resurrecting Jason, who's still chained to the bottom of the lake, with telekinesis. Not too long afterward, Tina starts having premonitions of people being gruesomely murdered by a man in a hockey mask. Is she going crazy or are these terrifying visions a reality?

As it stands, this is my guilty pleasure of the franchise. I love the concept and think it would be a really solid Friday the 13th sequel if it wasn't for the MPAA butchering this film. Most of the gore has been cut and it really hurts the film as a whole. This also begins Kane Hodder's reign as the masked serial killer for the franchise, who seems to be a cult favorite as the best Jason.

Speaking of Jason, he looks the best in this film. It may just be my opinion, but in addition to loving undead Jason, the make-up effects and his costume are just phenomenal in this one. As ugly as he looks when his mask gets ripped off, this is the film that makes him look the most flattering. That's not saying much for a guy who's been chained down at the bottom of a lake for ten years and killed multiple times, but at least he doesn't look like he has down syndrome this time around. If an uncut or director's cut of some kind ever makes the light of day, it'll probably wind up being in my top three F13 films. Easily. Here's an idea of what was cut from the film:
  
I Know Who You Are
I Know Who You Are
8
8.8 (4 Ratings)
Book Rating
Aimee Sinclair is an actress. She's not really famous yet, but you might have heard of her. Aimee is working on her latest film when she comes home and discovers that her husband, Ben, has vanished without his wallet, phone, keys, coat, or shoes. Initially she isn't too worried as the two had a large fight the night before. But he isn't home the next morning, and Aimee's card is declined when she tries to use it. The bank tells her her account has been emptied. She immediately suspects Ben, but the bank tells her it was her. Aimee has a history of "forgetting," but she's sure she would remember this. Soon the police are at Aimee's door, and her world starts to turn upside down.


"My husband is gone"


I really enjoyed Alice Feeney's first book, SOMETIMES I LIE, and this one lived up to expectations. I have to say that Feeney has cornered the market on confusing books with unreliable narrators who bring along messed up backstories. (How's that for a mouthful?) Aimee is an interesting character--an actress with a spotty past and flitty mentions of her "forgetting"--yet you can't help but feel somewhat drawn to her. Things go south pretty quickly once Ben disappears, and we are sucked down with her. Yet Aimee is tough, and she's pretty determined to figure out what is going on.


"Acting is easy; it's being me that I find difficult"


Like Feeney's first book, this one will leave you feeling confused and disjointed as you read, much like Aimee's brain. What is going on? Can we trust her? Can we trust anyone? Complicating things is the fact that Aimee's story alternates with that of a young girl who wanders away from home and, well, let's just say that doesn't end well. These two storylines are oddly captivating, motivating you to madly flip the pages. Eventually, I found myself caring not so much about what actually happened to Ben, but just caught up in Aimee's overall story and saga.


"Sometimes it's the people who love us the most that hurt us the hardest; because they can."


Now, be warned. This is not just a befuddling tale, but a twisted one. Feeney goes dark, very dark with our story here. Oh man, but it's a really good surprise, and while I saw hints of it, I loved it, and quite enjoyed how everything came together. (Or, conversely, fell apart?) The book keeps you guessing, that's for sure.

Overall, this is a really twisted, mesmerizing thriller that keeps you engaged. I will definitely be reading anything Alice Feeney writes. 4+ stars.
  
Driftwood Dreams (Carolina Coast #2)
Driftwood Dreams (Carolina Coast #2)
T.I. Lowe | 2020
8
8.0 (1 Ratings)
Book Rating
Driftwood Dreams is the second book in T.I. Lowe’s Carolina Coast Series. The books can be read as standalone’s, but I did see returning characters’ appearances from the previous book; I loved the first book, so I recommend going back to read that one as well. The whole series takes place in a small seaside town off the coast of Carolina (which is one of my favorite places ever) and makes you feel at home right from the first page.
     Characters can make or break my interest in the story, and T.I. Lowe did a great job of capturing my interest with both main characters in a very relaxed manner. Josie is a quiet, helpful, and loyal person who is always willing to lend a helping hand. She has high expectations of herself, is a people pleaser and an artist at heart. August is something of a mystery (maybe why I liked him so much) and is a mix of a hard-working and laid-back artist. I thought that his thought process was easy to follow and engaging to read. The chemistry between August and Josie was developed at a fun and interesting pace, and from the beginning, there were hints of the end goal for them. It was a twist on the girl next door type character plot.
    
     I thought that T.I. Lowe did a great job with the storyline movement and that the characters were genuinely relatable. The themes she wove in were great reminders that we only have this one life to live, and we need to live it how God calls us to. Also, we need to remember to follow our dreams and not be afraid of what others might think. T.I. Lowe described island life in a way that made me feel like I had sand under my feet and palm trees growing in my house. I truly loved her vivid descriptions. I think readers who like Debbie Macomber, Rachel Hauck, and Denise Hunter will love this book and the Carolina Coast series.

I give this book 4 out of 5 stars for the relaxing storyline (So made me want to go to the beach), the interesting characters, and for the theme of following your dreams. I recommend picking up this book (or series!) to read while at the beach this summer!
*Reason for 4 instead of 5 stars: I loved the characters, I really did, however, some of their reactions or choices just did not seem believable to me.
**I volunteered to read this book in exchange for my honest opinion. The thoughts and opinions expressed within are my own.
  
Here we are into the third entry into the Bewitching Mystery series. So what's Maggie into this time? The murder of an Amish ladies' man, one who's married and has young kids, at that. She also has struggles with her love life and is overcoming her fear of the "unknown" and becoming more adept at using her gift.

<u><b>May contain minor spoilers of previous books.</b></u>

A few times throughout this short book (246 pages), I felt like throwing in the towel. After reading the first book, I really felt this was a series for me. One that I connected with and would be able to read book after book. Sadly it has not panned out this way. Mostly because of the main character, Maggie O'Neill, who I really liked in the first book. While there's nothing inherently wrong with her, I cannot relate to her and I don't like her too much either. She's rather a dull fish. Also, some of her thoughts feel forced, especially the "humorous" kind, which might be a big part of why I'm not liking her anymore. Well, whatever it is exactly, she's just not quite working for me. Though now that she's using her gift more, this may liven her up in the future, I don't know. The other thing is her presumptions, or rather the one presumption about the "relationship" between Marcus and Liss she's had since the first book. Where she ever got that idea in her head, I haven't a clue, but at least it was resolved by the end of this book. On the up side, she wasn't as dumb as in the previous book, [b:A Charmed Death|512386|A Charmed Death (A Bewitching Mystery, #2)|Madelyn Alt|http://photo.goodreads.com/books/1175403627s/512386.jpg|1182867]. All the other characters in the series I like and feel really add to the series, with maybe the exception of Tom, who is very closed-minded and basically just irritates me as a modern woman. I suppose a character who is that way is needed, and he is making some strides in opening his mind to new and frightening (to him) things, but I don't get Maggie's attraction to him; it just has not come across in the three books I've read. As for Maggie's other love interest, Marcus, while he's definitely way (way, way, way, way, <u>way</u>) more interesting than Tom, and I'm going to flip this, but I totally don't understand Marcus's interest in Maggie. I cannot think of anything that would intrigue him about her. I honestly can't, other than she's nice. A nice, boring, girl-next-door-type. Well, I guess that's something. So, the mystery.... Surprisingly, it seemed very minimal in this installment and the baddie very easy to figure out since there wasn't many, or any, other suspects. Still, it was tied up pretty neatly and made some sort of sense.

At the beginning of every book there is enough of a recap of characters and what's been going on so each book in the series can easily be read by itself, and not necessarily in order. While that is nice for a new reader or one who has gone a long time inbetween books, it makes for a repetitive nature if read too closely together, so I think it'll be a while before I pick up the next entry.
  
Did You See Melody?
Did You See Melody?
Sophie Hannah | 2017 | Crime, Mystery, Thriller
4
6.0 (2 Ratings)
Book Rating
Yikes. This was bad, really bad. This started off as a buddy read with my reading pal Nicki @ The Secret Library, but she couldn’t even finish this one… and I don’t blame her!

<b>Prepare yourselves for a very harsh review.</b>

First off, let’s talk characters. Cara, our main character, has run away from home for a pathetically trivial reason, and not only that, has spent 1/3 of her families life savings to get away. She was an irritating, whingy character who talked to herself too much. Enough said.

Next, Tarin Fry. Biggest bitch in the world, and not in a sassy way… she was just a bitch. She didn’t speak her mind, she just spewed abuse at / about people.

Who next? How about Bonnie Juno. Awful name for an awful character. Another abuse spewer. In another life, Bonnie’s character could have been a strong female character who would have been likeable and someone to root for, but she isn’t. Not in the slightest.

Then we have a whole mash of random characters who were only half relevant in my mind. Riyonna Briggs, annoyingly happy and needy. Orson (was that his name?) Priddey, whingy and weak-willed, for a cop. Heidi whatever-her-name-was, waste of ink.

As for the story, I have mixed opinions. Firstly, if you are going to put yourself through this, skip the first 30% of it. It one long description of a 5 star hotel and spa. I’m not even kidding. Then the story picks up a little bit and there is some mystery to the story (finally!) but then thing get weird and we begin reading tedious interviews surrounding Melody’s case rather than present day stuff. Towards the end, things just got really ridiculous and unbelievable that I began skim reading the story, just to get the important “twisty” bits.

Although the book began badly, things did start picking up nearer the middle of the book, and for a while I thought I was actually enjoying it. The story of Melody was an interesting one and I liked following the theories on who killed her. But then, as I said before, things got ridiculous.

For example, the people discussing the case, and trying to solve the thing, consisted of Bonnie Juno, her assistant, 2 police detectives, Tarin Fry and the hotel manager. AS IF the police would just let civilians sit around the table with them to discuss a case, and more to the point, let a random member of the public (Tarin Fry) basically run the entire show by bossing everyone around. This then happens again at the end where things are coming together and really important police stuff is happening, even the FBI are involved at this point. They just let these random people sit in on the conversation like it’s not a hugely important case to find a girl who’s been believed dead for years and years.

The twist(s?) in this story were dulled down by the time they came around. I just wasn’t interested anymore and they didn’t do enough to bring me back to liking the book. I had guessed a couple of the reveals, but not all of them, but even that didn’t entertain me.

Writing? Well, it was nothing special. Not bad, but not great. At some points it felt like Hannah was talking down to us, repeating very simple things like the reader didn’t get it the first time… and I mean very simple things... like “the door was unlocked. That meant he had forgot to lock the door before he left”. Yeah, no shit.

This book was a huge fail for me and I wish I had given it up early on like Nicki did!

You might be thinking “but why give it 2 stars if you hated it so much? why not one star?”… well, I don’t really get 1 star book reviews… if you hated it that much would you not just have put it down? I didn’t put this one down so something about it kept me going… but that being said, my two star rating is practically a one star rating.

<i>Thanks to Netgalley and Hodder & Stoughton for giving me the opportunity to read this in exchange for an honest review.</i>
  
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ClareR (5603 KP) Aug 25, 2018

I would have to agree with everything you’ve written here! It was my first Sophie Hannah book, and I’m not all that sure I’ll read any of her earlier stuff. It was such a mess of a book! It felt like she just threw loads of different story ideas together. Not a fun read at all!

The Sunlight Pilgrims
The Sunlight Pilgrims
Jenni Fagan | 2015 | Fiction & Poetry
1
6.3 (3 Ratings)
Book Rating
Concept (0 more)
Writing (0 more)
So boring
This eBook was provided by the publisher via NetGalley in exchange for an honest review

Note: I did not finish reading this book.

It is winter 2020 and the world is facing the most extreme winter for over 200 years. Jenni Fagan’s The Sunlight Pilgrims explores the potential disastrous effects of climate change beginning with a new ice age set in the very near future, only four years away. With the North Atlantic drift slowing and temperatures around the world dropping to -40 degrees, the Earth’s inhabitants fear a pending apocalypse.

The story is largely set in Clachan Fells, a Scottish caravan park situated at the base of a group of mountains. Tin houses are not the most practical form of abodes for cold weather, let alone the worst snowstorms the world has ever seen. This is the situation the main characters of The Sunlight Pilgrims find themselves. Dylan MacRae has moved into a mobile home he did not know he owned until the recent death of his mother and soon makes friends with his neighbour Constance and her daughter Stella. Although only twelve years old Stella is more concerned about her identity than she is the fatal weather condition outside. Born a boy, Stella is uncomfortable in her body and struggles to get other people to accept that she is really a girl.

Surprisingly, the dystopian snow scene seems to be more of a backdrop to a different storyline featuring identity, family and romance. Dylan is a lonely man falling in love with the woman next door, however she is tied up with relationship problems of her own. Stella, whilst seemingly carefree, is desperate to be accepted for who she is and live a happy and secure life.

Jenni Fagan does an exceptional job of portraying the confusion, thoughts and emotions of a transgender child experiencing stigma amongst her peers. Yet Fagan also emphasises the potential acceptance of people in this situation through the reception received from Dylan who did not bat an eyelid on discovering the truth about Stella’s identity.

The Sunlight Pilgrims combines popular current affairs that are likely to attract a wide audience. Sadly as a story it falls short of mediocrity. Without a clear storyline it is a struggle to remain interested. The readers’ lack of enthusiasm for the characters and their individual worries makes it a challenge to reach the end. As I never made it to the final chapter I cannot say whether the conclusion is worth sticking around for. Mixed reviews on Goodreads suggest that enjoyment depends on the individual reader rather than the novel itself. I, however, cannot recommend this book.
  
The French Girl
The French Girl
Lexie Elliott | 2018 | Thriller
7
6.8 (4 Ratings)
Book Rating
Slow-moving yet mesmerizing thriller
Kate and five of her friends spent a week at a French farmhouse whilst students at Oxford. All goes well until the last night of the trip, when there's a huge blowup among the group. And, always, flitting at the edges is Severine, the French girl who stayed next door where the group was vacationing. After that night, Severine disappeared, but her body was never found. Until, ten years later, it turns up in a well behind the farmhouse. Suddenly Kate and her friends are being questioned by the French police, bringing up old memories, and jeopardizing the life Kate has worked so hard to create.

This novel takes some getting used to. Kate herself takes some getting used to. For instance, Kate "sees" Severine, as in she imagines Severine is watching her--sometimes she just sees her skull, sometimes Severine's entire body is following Kate, or languidly sitting in her apartment. In the beginning, these mentions are odd and a little creepy and the book moves rather slowly, making it hard to keep your interest. Kate and her group of friends still seem like the gaggle of college students they were ten years ago when Severine disappeared--and you find yourself wondering why you should care about any of them and their manufactured drama. It's hard to get invested in these somewhat spoiled, immature characters.

Luckily, I have to say, there was still some sort of pull about Kate that made me want to keep reading. You can't help but remain curious about what went down that night between the six friends and if one (or more) of them truly had a hand in Severine's death. It was enough to keep me reading, and I have to admit, Kate grew on me, I found myself feeling almost protective of her as the book wore on. You have to buy-in to the Severine premise a bit, but I won't lie, by the end, I liked the darn woman. What can I say? Elliott also does a good job in keeping you guessing, always casting suspicion on each friend, so you never quite get a handle on exactly what happened that week.

Overall, this one is a slow-moving thriller. It's focused on the build-up of its characters and meandering along to its reveals. If you're looking for a fast-paced, twisty mystery, this isn't it. But if you want to get sucked into the lives of your characters and discover some surprising things along the way, you'll enjoy this one. 3.5+ stars.

I received a copy of this novel from the publisher and Edelweiss in return for a honest review. More at http://justacatandabookatherside.blogspot.com/.
  
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ClareR (5603 KP) rated Dear Edward in Books

Mar 8, 2020  
Dear Edward
Dear Edward
Ann Napolitano | 2020 | Contemporary, Fiction & Poetry
10
9.0 (3 Ratings)
Book Rating
A sad, yet life affirming novel.
Dear Edward is a beautiful book, and I suppose I should give a ‘you’ll need a handkerchief’ warning from the off.

It tells the story of twelve year old Edward Adler and his survival of a plane crash that left 119 people dead, including his parents and his older brother. The story moves back and forth in time, where we learn more about some of those people who were on board the plane, and Edwards life post-crash.

In the present day, Edwards grief is all-consuming. He can’t bring himself to eat, or sleep in the room that was always meant to be for his Uncle John and Aunt Laceys baby - she is unable to carry a baby beyond a few weeks, so the bedroom feels like a symbol of her serial losses.

Shay, the girl who lives next door with her mother, seems to be the person who holds Edward together. He sleeps on the floor of her bedroom for a long time, until Shays mother decides that it’s no longer appropriate. So Shay helps Edward prepare the basement of his aunt and uncles house as his bedroom.

Edward has to go through so many huge changes after the crash, and I really felt so much sadness for him. Even just going to school after always being homeschooled must have been a huge hurdle for him to get over, but there were also all of the other firsts that he had to overcome.

The title of the book refers to the letters that Edward and Shay find. The letters have been written by the friends and families of the plane crash victims, and Edwards uncle has hidden them from him. And with good reason. These are the letters of the grieving. They all seem to want something of Edward: to live a certain way, to take up a hobby, to do a certain job. There is no way he can do all of these things, and as 15 year olds, he and Shay realise this. As a 12 year old, he never would have, and it would have no doubt overwhelmed him.

I absolutely loved this book. It drew me in to the story of Edward, and I honestly felt bereft at the end of it. It’s undeniably sad, but it’s also life affirming, and I really liked how something so tragic could ultimately have such a positive outcome.

So if you pick this book up, read the back, then put it down again thinking that it’ll be too depressing, I’d just like to encourage you to give it a go. It’s a book well worth reading.