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Hazel (1853 KP) rated Sidney Chambers and the Shadow of Death in Books
Jul 27, 2017
A unique series of crime
I received this book for free through Goodreads First Reads
In 2014, ITV broadcasted the first episode of Grantchester, a drama series based on books by British novelist, James Runcie. Although written during the twenty-first century, the story is set in the 1950s in a village on the outskirts of Cambridge. Sidney Chambers, a young Canon in charge of the Church of St Andrew and Mary, is a polite and friendly character who, despite his reluctance, ends up acting as a detective in a variety of crimes.
Sidney Chambers and the Shadow of Death is the first book of six in The Grantchester Mysteries. Split into six individual baffling cases, the background story of Sidney’s private life continues to develop throughout. Each crime is committed and swiftly solved by the Canon and his friend, Inspector Geordie Keating, although it is Sidney who ultimately resolves the case.
Murder, jewellery theft and art forgery and just some of the felonies Sidney grudgingly gets involved with. In fact, unresolved crimes tend to land in his lap rather than offering his assistance willingly. Up at dawn to work on sermons before rushing off to capture criminals, Sidney is never off duty.
A vicar may seem like an unlikely candidate for a detective, however, people tend to open up to him and unintentionally reveal delitescent information. Listening to suspects and witnesses without pre-judgement allows Sidney to think things through carefully rather than jumping to conclusions. From the moment the crime is committed right up until the story’s denouement, Sidney passionately does everything he can to make sure the correct culprit is discovered.
What makes this series different from other crime novels is the focus on Sidney Chambers’ own life. James Runcie emphasises the loneliness of a bachelor living in a vicarage with only a curate and crotchety housekeeper for company. Readers are drawn into Sidney’s stories and hold onto the hope that his dalliances with the beautiful Amanda turn out to be something more concrete.
Those who have watched the ITV series will be familiar with the stories in this book because the producer has stuck to the exact storyline, not missing a single thing out or adding anything extra. The fact that there were only two years between publishing and screen production goes to show how well written and thought out these stories are. Unlike famous detective novels such as Sherlock Holmes or those by Agatha Christie, The Grantchester Mysteries are not set at the time of writing, so, although they are historically accurate, the prose is suitable for present day readers.
Each story is quick to read and is easy going, making it a relaxing and enjoyable book. It is not a thriller or horror, although some of the crimes are quite terrible. Instead, it is entertaining and often humorous. It is suitable for crime fiction fans as well as those new to the genre.
Regardless of whether you have watched the television series or not, Sidney Chambers and the Shadow of Death is a delight to read. Of course, ITV has given away all the endings, but it is a different experience to read it in print rather than seeing it acted out on screen. Featuring the face of James Norton on the cover so as to work as a TV tie-in, the series will be easy to spot in prime position on bookshelves both in shops and personal collections.
In 2014, ITV broadcasted the first episode of Grantchester, a drama series based on books by British novelist, James Runcie. Although written during the twenty-first century, the story is set in the 1950s in a village on the outskirts of Cambridge. Sidney Chambers, a young Canon in charge of the Church of St Andrew and Mary, is a polite and friendly character who, despite his reluctance, ends up acting as a detective in a variety of crimes.
Sidney Chambers and the Shadow of Death is the first book of six in The Grantchester Mysteries. Split into six individual baffling cases, the background story of Sidney’s private life continues to develop throughout. Each crime is committed and swiftly solved by the Canon and his friend, Inspector Geordie Keating, although it is Sidney who ultimately resolves the case.
Murder, jewellery theft and art forgery and just some of the felonies Sidney grudgingly gets involved with. In fact, unresolved crimes tend to land in his lap rather than offering his assistance willingly. Up at dawn to work on sermons before rushing off to capture criminals, Sidney is never off duty.
A vicar may seem like an unlikely candidate for a detective, however, people tend to open up to him and unintentionally reveal delitescent information. Listening to suspects and witnesses without pre-judgement allows Sidney to think things through carefully rather than jumping to conclusions. From the moment the crime is committed right up until the story’s denouement, Sidney passionately does everything he can to make sure the correct culprit is discovered.
What makes this series different from other crime novels is the focus on Sidney Chambers’ own life. James Runcie emphasises the loneliness of a bachelor living in a vicarage with only a curate and crotchety housekeeper for company. Readers are drawn into Sidney’s stories and hold onto the hope that his dalliances with the beautiful Amanda turn out to be something more concrete.
Those who have watched the ITV series will be familiar with the stories in this book because the producer has stuck to the exact storyline, not missing a single thing out or adding anything extra. The fact that there were only two years between publishing and screen production goes to show how well written and thought out these stories are. Unlike famous detective novels such as Sherlock Holmes or those by Agatha Christie, The Grantchester Mysteries are not set at the time of writing, so, although they are historically accurate, the prose is suitable for present day readers.
Each story is quick to read and is easy going, making it a relaxing and enjoyable book. It is not a thriller or horror, although some of the crimes are quite terrible. Instead, it is entertaining and often humorous. It is suitable for crime fiction fans as well as those new to the genre.
Regardless of whether you have watched the television series or not, Sidney Chambers and the Shadow of Death is a delight to read. Of course, ITV has given away all the endings, but it is a different experience to read it in print rather than seeing it acted out on screen. Featuring the face of James Norton on the cover so as to work as a TV tie-in, the series will be easy to spot in prime position on bookshelves both in shops and personal collections.
Sassy Brit (97 KP) rated The Art of Hiding in Books
Jun 5, 2019
The Art of Hiding by Amanda Prowse is a solid story highlighting one family’s struggle to cope with a life changing event that not only turned their lives upside down in a blink of an eye, but forced them re-evaluate what was important to them. No easy feat, I can tell you!
Nina has it all, great house, loving husband, and two well-looked after kids who could literally have anything they wanted should they ask. But after tragedy strikes, and her husband Finn is killed in car accident, suddenly Nina is left with a mountain of debt and two ‘posh’ kids who do not know how to cope in the real world when everything they know is drastically all taken away from them.
I loved the fact that her husband was maybe not the good guy in all this either, I mean, how could he amount so much debt and not tell his own wife? What was he thinking? Yes, that’s right, he wasn’t! This also means that because of his past actions she now has to stick up for her husband when talking about him to her kids for their sake. He was their dad, after all. Difficult, though. Especially when deep down she’s angry about the secrets he’s been keeping from her when he was alive, and the impact it’s going to have on them all now he’s gone and left them with a mess to cope with.
What’s worse is there is absolutely nothing she can do to change that now. Life has to go on, and deal with this situation they must. If only he had talked to her they wouldn’t have been in this mess, but in all honesty, no one could foresee the accident. Isn’t that always the way? Makes you think, doesn’t it? Life can be taken away from you just like that *snaps fingers*.
I enjoyed seeing Nina’s character grow from strength to strength. Not only was she forced to turn her own life around and face the harsh reality of what her husband had done, she also had to help her kids through their struggles of losing their dad, their home, their school, friends, and everything they ever thought was their life, as they knew it. I can’t imagine living such an affluent life only to have it all taken away like that, but I can imagine it to be a realistic issue that could happen to someone very easily. This is exactly why I enjoyed this book immensely. The emotional depth and self discovery that Nina and her kids went through was a treat to read! (Oh, that sounds rather sadistic of me!) In fact, It was so good I even shed a tear. You know, the sad but happy, mixed feelings kind?
In a way this is not the physiological thriller I expected, but more of a family drama.
If you haven’t got your hands on this compelling book yet, don’t delay any longer! If it SOUNDS like something you’d like, it will most likely BE something you’d LOVE! Amanda Prowse knows how to tell a realistic story that tugs on your heartstrings, and really makes you think. A well written story of love, lies and one’s determination to do whatever it takes to protect her family during a time of crisis and disarray.
Thank you to the author, and Netgalley for my copy in exchange for my unbiased opinion. Actually, I also won this paperback version in a Goodreads contest.
Nina has it all, great house, loving husband, and two well-looked after kids who could literally have anything they wanted should they ask. But after tragedy strikes, and her husband Finn is killed in car accident, suddenly Nina is left with a mountain of debt and two ‘posh’ kids who do not know how to cope in the real world when everything they know is drastically all taken away from them.
I loved the fact that her husband was maybe not the good guy in all this either, I mean, how could he amount so much debt and not tell his own wife? What was he thinking? Yes, that’s right, he wasn’t! This also means that because of his past actions she now has to stick up for her husband when talking about him to her kids for their sake. He was their dad, after all. Difficult, though. Especially when deep down she’s angry about the secrets he’s been keeping from her when he was alive, and the impact it’s going to have on them all now he’s gone and left them with a mess to cope with.
What’s worse is there is absolutely nothing she can do to change that now. Life has to go on, and deal with this situation they must. If only he had talked to her they wouldn’t have been in this mess, but in all honesty, no one could foresee the accident. Isn’t that always the way? Makes you think, doesn’t it? Life can be taken away from you just like that *snaps fingers*.
I enjoyed seeing Nina’s character grow from strength to strength. Not only was she forced to turn her own life around and face the harsh reality of what her husband had done, she also had to help her kids through their struggles of losing their dad, their home, their school, friends, and everything they ever thought was their life, as they knew it. I can’t imagine living such an affluent life only to have it all taken away like that, but I can imagine it to be a realistic issue that could happen to someone very easily. This is exactly why I enjoyed this book immensely. The emotional depth and self discovery that Nina and her kids went through was a treat to read! (Oh, that sounds rather sadistic of me!) In fact, It was so good I even shed a tear. You know, the sad but happy, mixed feelings kind?
In a way this is not the physiological thriller I expected, but more of a family drama.
If you haven’t got your hands on this compelling book yet, don’t delay any longer! If it SOUNDS like something you’d like, it will most likely BE something you’d LOVE! Amanda Prowse knows how to tell a realistic story that tugs on your heartstrings, and really makes you think. A well written story of love, lies and one’s determination to do whatever it takes to protect her family during a time of crisis and disarray.
Thank you to the author, and Netgalley for my copy in exchange for my unbiased opinion. Actually, I also won this paperback version in a Goodreads contest.
Kara Skinner (332 KP) rated A Gift of Ghosts in Books
Jun 11, 2019
Genre: Contemporary, Paranormal
My rating: 4 out of 5 stars
Goodreads Rating: 4.01 out of 5 stars
Page Count: 190 pages
One little paragraph about spirit energy ruined Akira’s career as an academic professor. Now she has two options: get a job at General Directions, a mysterious company in Florida that wants to interview her for some reason, or teach high school physics.
She’d rather work in Hell than teach high school physics.
Luckily, General Directions offers her a job that includes a salary increase and also the freedom to research whatever she wants as long as she signs a two-year contract.
What she doesn’t know is they don’t want her for her scientific research. They want her because she sees ghosts. Her boss, Zane, and the company’s CEO (and Zane’s dad), Max, want her to contact Zane’s mother and nephew, who passed, but may still be in the ghost world.
Now Akira is living in a town full of psychics where she has a haunted car and a haunted house– luckily, only friendly spirits. Her boss, Zane, is more of a friend than a manager. Which is all right with her, because she can’t help but be incredibly attracted to him.
But when Akira finds out that Zane’s mother has turned into an evil spirit, tensions rise. How can she make Zane understand that she can’t talk to his mother because the mother might kill Akira in the process?
This book was incredibly good. Way better than I was expecting, especially after I realized that Zane was going to be Akira’s boss. Normally I don’t like boss-employee romances because it feels icky. But Zane really didn’t manage Akira at all, and was a boss in name only. Not only that, but Akira seduced Zane, which was a refreshing change of pace.
Zane and Akira were both incredibly sexy and complemented each other so well. I loved the two of them together and the way Zane desired to protect her while also respecting her ability to protect herself was amazing.
The entire town, which is an homage to Eureka, was adorable and pulled me right into the world. I also really liked all the ghosts Akira encountered. They were complex enough to feel like real people even though they were for the most part side characters.
The ghostlore was intriguing as well and I enjoyed watching the discoveries Akira made about the afterlife as the story unfolded. Despite being able to see ghosts her entire life, her knowledge about ghosts was limited because of her overprotective father who forbade her to talk to ghosts or think of them as anything other than leftover energy.
The climax was satisfying for the most part. However, for a few minutes, Zane doubted that Akira could see ghosts, which was really weird. For most of the book, he didn’t doubt her ability at all, especially after testing her ability to see ghosts many times. But suddenly he doubts it? His reasoning for it didn’t fly for me and it was pretty annoying. But once he shook off his out-of-character skepticism, I was enjoying the story again.
The only other problem I had in the book was towards the beginning where there were a few random formatting marks visible. Not enough to really mess with the story, but it was a little distracting nevertheless.
But overall, this was an awesome, slightly spooky romance that’s perfect for October.
My rating: 4 out of 5 stars
Goodreads Rating: 4.01 out of 5 stars
Page Count: 190 pages
One little paragraph about spirit energy ruined Akira’s career as an academic professor. Now she has two options: get a job at General Directions, a mysterious company in Florida that wants to interview her for some reason, or teach high school physics.
She’d rather work in Hell than teach high school physics.
Luckily, General Directions offers her a job that includes a salary increase and also the freedom to research whatever she wants as long as she signs a two-year contract.
What she doesn’t know is they don’t want her for her scientific research. They want her because she sees ghosts. Her boss, Zane, and the company’s CEO (and Zane’s dad), Max, want her to contact Zane’s mother and nephew, who passed, but may still be in the ghost world.
Now Akira is living in a town full of psychics where she has a haunted car and a haunted house– luckily, only friendly spirits. Her boss, Zane, is more of a friend than a manager. Which is all right with her, because she can’t help but be incredibly attracted to him.
But when Akira finds out that Zane’s mother has turned into an evil spirit, tensions rise. How can she make Zane understand that she can’t talk to his mother because the mother might kill Akira in the process?
This book was incredibly good. Way better than I was expecting, especially after I realized that Zane was going to be Akira’s boss. Normally I don’t like boss-employee romances because it feels icky. But Zane really didn’t manage Akira at all, and was a boss in name only. Not only that, but Akira seduced Zane, which was a refreshing change of pace.
Zane and Akira were both incredibly sexy and complemented each other so well. I loved the two of them together and the way Zane desired to protect her while also respecting her ability to protect herself was amazing.
The entire town, which is an homage to Eureka, was adorable and pulled me right into the world. I also really liked all the ghosts Akira encountered. They were complex enough to feel like real people even though they were for the most part side characters.
The ghostlore was intriguing as well and I enjoyed watching the discoveries Akira made about the afterlife as the story unfolded. Despite being able to see ghosts her entire life, her knowledge about ghosts was limited because of her overprotective father who forbade her to talk to ghosts or think of them as anything other than leftover energy.
The climax was satisfying for the most part. However, for a few minutes, Zane doubted that Akira could see ghosts, which was really weird. For most of the book, he didn’t doubt her ability at all, especially after testing her ability to see ghosts many times. But suddenly he doubts it? His reasoning for it didn’t fly for me and it was pretty annoying. But once he shook off his out-of-character skepticism, I was enjoying the story again.
The only other problem I had in the book was towards the beginning where there were a few random formatting marks visible. Not enough to really mess with the story, but it was a little distracting nevertheless.
But overall, this was an awesome, slightly spooky romance that’s perfect for October.
Kara Skinner (332 KP) rated In Debt to the Enemy Lord in Books
Jun 11, 2019
Contains spoilers, click to show
My rating: 3 out of 5 stars
Average Goodreads Rating: 3.62 out of 5 stars
Genre: Historical
Page Count: 288 pages
Anwen, bastard of Brynmor, has fought hard to find her place in the world. But she’s forced to rethink everything when she’s saved from death by her enemy Teague, Lord of Gwalchdu. Instead of releasing her, he holds her captive.
Teague trusts no one. So, which ominous messages threatening his life, he must keep Anwen under his watch, no matter how much her presence drives him wild.
And when passionate arguments turn to passionate encounters, Teague must believe that the strength of their bond will conquer all!
Anwen, the main character, was really cool. She was very strong, sarcastic, and always pushes Teague for answers about why he’s keeping her captive. She also keeps trying to escape so she can go back home and protect her sister from her abusive father.
However, after she falls in love with Teague, her reservations about him were a little frustrating. Even after finding out that he wasn’t the Great Traitor everyone thought he was, she still didn’t want him to be part of her life. Her only reason was that she didn’t want take orders from a domineering tyrant, but Teague was never tyrannical to her. He only held her captive to make sure she wasn’t the person attacking his home. After that, the only demands he ever made of her were for her own protection. She grew up under a tyrant, so it’s understandable that she would be a little wary, but he was never the villain she kept making him out to be.
Teague was pretty cool overall. He definitely has issues, but they’re understandable considering his rough childhood, including having his mother dying at an early age and having everyone think he’s the devil because he has an epileptic aunt. He has a lot of trust issues and really doesn’t trust anyone except his brother.
As much as I liked both Anwen and Teague, I didn’t like them together. They had a little actual sexual tension at first, but their love story is really forced. Teague is complete anti-love at the beginning and then falls head over ass for Anwen for no real reason. And sure, she still has some baggage holding her back, so they’re not both completely hypnotized but for fuck’s sake did he drink a love potion?
I was so disappointed by the two of them together. It’s Harlequin, so I wasn’t expecting an epic love story or anything, but I was expecting a love story.
On top of that, the sex scenes were pretty weird. I kept getting pulled out of the story because I couldn’t figure out the logistics of the positions or even picture what was happening. The dialogue during the sex scenes was delightfully cringy, like a romance novel parody.
I liked Teague’s brother, Rain, more than Teague. He had a lot less baggage and I would have found it much more believable if he was the one who fell in love with Anwen instead of Teague because Rain trusts people.
This book wasn’t horrible, and it’s certainly not the worst romance I’ve ever read, but it wasn’t great. However, I really didn’t see the ending coming, so I give Nicole Locke huge props for that.
Average Goodreads Rating: 3.62 out of 5 stars
Genre: Historical
Page Count: 288 pages
Anwen, bastard of Brynmor, has fought hard to find her place in the world. But she’s forced to rethink everything when she’s saved from death by her enemy Teague, Lord of Gwalchdu. Instead of releasing her, he holds her captive.
Teague trusts no one. So, which ominous messages threatening his life, he must keep Anwen under his watch, no matter how much her presence drives him wild.
And when passionate arguments turn to passionate encounters, Teague must believe that the strength of their bond will conquer all!
Anwen, the main character, was really cool. She was very strong, sarcastic, and always pushes Teague for answers about why he’s keeping her captive. She also keeps trying to escape so she can go back home and protect her sister from her abusive father.
However, after she falls in love with Teague, her reservations about him were a little frustrating. Even after finding out that he wasn’t the Great Traitor everyone thought he was, she still didn’t want him to be part of her life. Her only reason was that she didn’t want take orders from a domineering tyrant, but Teague was never tyrannical to her. He only held her captive to make sure she wasn’t the person attacking his home. After that, the only demands he ever made of her were for her own protection. She grew up under a tyrant, so it’s understandable that she would be a little wary, but he was never the villain she kept making him out to be.
Teague was pretty cool overall. He definitely has issues, but they’re understandable considering his rough childhood, including having his mother dying at an early age and having everyone think he’s the devil because he has an epileptic aunt. He has a lot of trust issues and really doesn’t trust anyone except his brother.
As much as I liked both Anwen and Teague, I didn’t like them together. They had a little actual sexual tension at first, but their love story is really forced. Teague is complete anti-love at the beginning and then falls head over ass for Anwen for no real reason. And sure, she still has some baggage holding her back, so they’re not both completely hypnotized but for fuck’s sake did he drink a love potion?
I was so disappointed by the two of them together. It’s Harlequin, so I wasn’t expecting an epic love story or anything, but I was expecting a love story.
On top of that, the sex scenes were pretty weird. I kept getting pulled out of the story because I couldn’t figure out the logistics of the positions or even picture what was happening. The dialogue during the sex scenes was delightfully cringy, like a romance novel parody.
I liked Teague’s brother, Rain, more than Teague. He had a lot less baggage and I would have found it much more believable if he was the one who fell in love with Anwen instead of Teague because Rain trusts people.
This book wasn’t horrible, and it’s certainly not the worst romance I’ve ever read, but it wasn’t great. However, I really didn’t see the ending coming, so I give Nicole Locke huge props for that.
Kristy H (1252 KP) rated Blueprints in Books
Feb 13, 2018
Caroline MacAfee is a divorced carpenter; one who has kept her last name because she is still part of the well-known MacAfee family, which owns MacAfee Homes, a popular business in their town. Caroline is also host of the popular TV show "Gut It" (think something on DIY or HGTV) - that is until she's told she's too old to host the show the day after her 56th birthday. The network wants a new host: Caroline's 29-year-old daughter, Jamie MacAfee, an architect with the family company. Pushing for the change is Caroline's ex-husband, Roy, and her ex-father-in-law, Theo. The news rattles Caroline and upsets the foundation of her happy mother/daughter relationship with Jamie.
But everyone's life is further upended when Roy and his new wife die suddenly on a stormy night, leaving MacAfee Homes without its charismatic marketing lead and Jamie to deal with sudden guardianship of her toddler half-brother, Tad. Quickly, she must navigate life as a new mom; deal with the impact of motherhood on her relationship with her fiance; juggle the impact on her work, especially with her father no longer with the company; and try to heal her fractured relationship with Caroline.
If it sounds like there is a lot going on in this novel, there is. Yet, it seemed like it got off to a slow start. I almost put the book aside for some others on my "to-read" list until I got to the accident and things picked up. After that, even if parts of the plot and the characters' actions irked me, the book itself breezed by, and I found myself wanting to finish it quickly.
One of my biggest pet peeves with this novel was all of the talk of sex. I am no prude and have no issues with sex being in a novel, when appropriate. In this book, it seemed like it was inserted just because. Delinsky made several veiled references to "50 Shades of Grey" (the characters were reading it, for instance) and it almost seemed as if, because of that, it felt necessary to insert dialogue about sex, sex scenes, and more. Caroline and Jamie's discussions of sex, Caroline's discussions of sex with her friend, Annie - they were all painful and came across as extremely stilted. In fact, several times, it seemed like the characters were having various conversations to make sure we really, really knew how they felt about certain things, when, truly, if Delinksy would have just let the plot unfold naturally, it would have all come out on its own. It was a little unnatural and forced.
Speaking of said plot, it is a Delinsky novel, so be prepared that it will all seem a little fantastical at times. I would have liked to have been reading this novel on the beach - it's the perfect beach read where you can just suspend real life for a little while and get caught up in a slightly unrealistic plot.
That being said, Caroline and Jamie are fairly likable characters. They grow on you. I found myself empathizing with Jamie and her struggles with working motherhood, for instance. If you go in expecting a fun, silly book, you won't be disappointed.
(Note: I received an ARC of this book via the Goodreads First Reads program in return for an unbiased review.)
But everyone's life is further upended when Roy and his new wife die suddenly on a stormy night, leaving MacAfee Homes without its charismatic marketing lead and Jamie to deal with sudden guardianship of her toddler half-brother, Tad. Quickly, she must navigate life as a new mom; deal with the impact of motherhood on her relationship with her fiance; juggle the impact on her work, especially with her father no longer with the company; and try to heal her fractured relationship with Caroline.
If it sounds like there is a lot going on in this novel, there is. Yet, it seemed like it got off to a slow start. I almost put the book aside for some others on my "to-read" list until I got to the accident and things picked up. After that, even if parts of the plot and the characters' actions irked me, the book itself breezed by, and I found myself wanting to finish it quickly.
One of my biggest pet peeves with this novel was all of the talk of sex. I am no prude and have no issues with sex being in a novel, when appropriate. In this book, it seemed like it was inserted just because. Delinsky made several veiled references to "50 Shades of Grey" (the characters were reading it, for instance) and it almost seemed as if, because of that, it felt necessary to insert dialogue about sex, sex scenes, and more. Caroline and Jamie's discussions of sex, Caroline's discussions of sex with her friend, Annie - they were all painful and came across as extremely stilted. In fact, several times, it seemed like the characters were having various conversations to make sure we really, really knew how they felt about certain things, when, truly, if Delinksy would have just let the plot unfold naturally, it would have all come out on its own. It was a little unnatural and forced.
Speaking of said plot, it is a Delinsky novel, so be prepared that it will all seem a little fantastical at times. I would have liked to have been reading this novel on the beach - it's the perfect beach read where you can just suspend real life for a little while and get caught up in a slightly unrealistic plot.
That being said, Caroline and Jamie are fairly likable characters. They grow on you. I found myself empathizing with Jamie and her struggles with working motherhood, for instance. If you go in expecting a fun, silly book, you won't be disappointed.
(Note: I received an ARC of this book via the Goodreads First Reads program in return for an unbiased review.)
Zuky the BookBum (15 KP) rated NOS4A2 in Books
Mar 15, 2018
<i>I read this novel as my BookBum Club book for January! Check out <a href="https://www.goodreads.com/group/show/297482-the-bookbum-club">The BookBum Club on Goodreads!</a></i>
A darkly disturbing thrill ride of a book! I was expecting it to spook me out a little more than it did, but it was super enjoyable even still.
I’ve never read a Joe Hill book before this one, but now I know I want to read more of his work. I don’t think there’s any denying that his writing style really sucks you into the story and he’s a genius as describing things. How can one man come up with so many different Christmas similes? I also loved how this book was set up, where sometimes the end of sentence in a paragraph wouldn’t end because the title of the next paragraph completed the sentence. I thought this was a really unique aspect of the novel, as well as several illustrations dotted throughout.
One thing I really loved about this novel was the characters. I’ve seen some less that glowing reviews whinging about Vic, and while I can understand some people’s frustration at how frustrating she was, I think the whole point of her character to be frustrating. I personally found her troubled but sweet. Lou was equally sweet, a nice human being through-and-through, but at the end of the day, I don’t think he brought an awful lot to the story.
On the opposite end of the spectrum, of course, was Charlie Manx. What a genuinely terrifying character. I’ve read through several books with horrifying characters (Annie Wilkes springs to mind immediately) and Charlie Manx is definitely up there with the worst of them. What made him so chilling, for me, was how I imagined his voice. Every sentence of his speech was lifted at the end by an exclamation mark! He was always so cheery! Always so sinister! And then, of course, we have Bing Partridge who may just be the most repulsive character I’ve ever read about.
I loved the story of this novel, but I’m not going to explain what happened because this novel needs to be experienced, not told, in order to reach its full potential. My only issue was I though maybe 700 pages was a bit long. Chapter after chapter was a new dip and dive in this roller-coaster of a story, but sometimes it just felt like stalling time.
Another thing that disappointed me about this book, and this is what brought it down to 4 stars, is that I was expecting this to be scarier than it turned out to be. Don’t get me wrong, it’s seriously sinister and has some really creepy moments, but I wanted to get to “I can’t sleep” scared. Though saying that, when I was driving home in the dark one day, an old classic black British car (we have a lot of old car conventions around where I live) pulled up behind me and followed me nearly all the way home and I did get the heebie-geebies (don’t worry, I didn’t break the speed limit though).
Overall, this novel is well worth the read if you’re into dark, sinister novels filled with the really weird and the really wonderful. I’m so happy I’ve finally read this novel and have been opened up to the world of Joe Hill’s writing. I will definitely be reading more of his stuff.
A darkly disturbing thrill ride of a book! I was expecting it to spook me out a little more than it did, but it was super enjoyable even still.
I’ve never read a Joe Hill book before this one, but now I know I want to read more of his work. I don’t think there’s any denying that his writing style really sucks you into the story and he’s a genius as describing things. How can one man come up with so many different Christmas similes? I also loved how this book was set up, where sometimes the end of sentence in a paragraph wouldn’t end because the title of the next paragraph completed the sentence. I thought this was a really unique aspect of the novel, as well as several illustrations dotted throughout.
One thing I really loved about this novel was the characters. I’ve seen some less that glowing reviews whinging about Vic, and while I can understand some people’s frustration at how frustrating she was, I think the whole point of her character to be frustrating. I personally found her troubled but sweet. Lou was equally sweet, a nice human being through-and-through, but at the end of the day, I don’t think he brought an awful lot to the story.
On the opposite end of the spectrum, of course, was Charlie Manx. What a genuinely terrifying character. I’ve read through several books with horrifying characters (Annie Wilkes springs to mind immediately) and Charlie Manx is definitely up there with the worst of them. What made him so chilling, for me, was how I imagined his voice. Every sentence of his speech was lifted at the end by an exclamation mark! He was always so cheery! Always so sinister! And then, of course, we have Bing Partridge who may just be the most repulsive character I’ve ever read about.
I loved the story of this novel, but I’m not going to explain what happened because this novel needs to be experienced, not told, in order to reach its full potential. My only issue was I though maybe 700 pages was a bit long. Chapter after chapter was a new dip and dive in this roller-coaster of a story, but sometimes it just felt like stalling time.
Another thing that disappointed me about this book, and this is what brought it down to 4 stars, is that I was expecting this to be scarier than it turned out to be. Don’t get me wrong, it’s seriously sinister and has some really creepy moments, but I wanted to get to “I can’t sleep” scared. Though saying that, when I was driving home in the dark one day, an old classic black British car (we have a lot of old car conventions around where I live) pulled up behind me and followed me nearly all the way home and I did get the heebie-geebies (don’t worry, I didn’t break the speed limit though).
Overall, this novel is well worth the read if you’re into dark, sinister novels filled with the really weird and the really wonderful. I’m so happy I’ve finally read this novel and have been opened up to the world of Joe Hill’s writing. I will definitely be reading more of his stuff.
Heather Cranmer (2721 KP) rated The Girl You Left Behind in Books
Jun 6, 2018
This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.
I won this book through the first reads Goodreads program. It's not normally the type of book that would catch my attention attention based on the synopsis, but I'm always willing to read something out of my comfort zone. I'm more than glad that I read this book as I loved it!!
Sophie is a French woman in German occupied France during World War I. She and the Kommandent become close only because Sophie will do whatever it takes to see her husband who has been sent to a German work camp. Fast forward almost a century later...Liv is a woman that has a portrait that was painted by Sophie's husband years ago. The relatives of Sophie's husband want that painting back simply because they know how much it's worth. However, for Liv, the painting means so much more. This is the story of a painting and how two women from different centuries are so much alike.
I loved the character of Sophie. She was definitely a strong and brave character. I felt what she was feeling a majority of the time. She went through so much to get what she loved. I also loved Liv, who, like Sophie was willing to lose it all to get what she loved. Mo was another one of my favourite characters. She brought in the comic timing. Her humour was fantastic, and it wasn't over the top. It was just right for the mood of the story. I loved Paul. He was such a sweetheart! I wish my husband was as kind and romantic as Paul! It was lovely to see him grow as a character.
The title definitely suits the book as The Girl You Left Behind is what they painting is called, and much of the story centres around this painting. I don't think there could've been a better title for this book.
The cover is very beautiful, and while it does relate to the story somewhat, I just wish the cover could've been the painting of Sophie that was talked about so much throughout the book. I would've loved to see what the painting actually looked like.
The setting and world building were fab as well! I loved how a lot of this book was set in a little hotel in a French city. The author made the hotel sound so warm and welcoming. It was obvious that the author did a lot of research about World War I when it came to the Germans occupy French cities. The descriptions of every place mentioned in the book were well written.
The pacing was absolutely fantastic! Each page kept me enthralled. I did not want to put down this book for anything!
I also loved the ending of the book. It was well written and didn't feel rushed like a lot of books do when they end. I thought it was a fantastic ending to a well written book.
I would definitely recommend this book to everyone 16 and over. It's a little gem of a book, and it really took me by surprise.
I won this book through the first reads Goodreads program. It's not normally the type of book that would catch my attention attention based on the synopsis, but I'm always willing to read something out of my comfort zone. I'm more than glad that I read this book as I loved it!!
Sophie is a French woman in German occupied France during World War I. She and the Kommandent become close only because Sophie will do whatever it takes to see her husband who has been sent to a German work camp. Fast forward almost a century later...Liv is a woman that has a portrait that was painted by Sophie's husband years ago. The relatives of Sophie's husband want that painting back simply because they know how much it's worth. However, for Liv, the painting means so much more. This is the story of a painting and how two women from different centuries are so much alike.
I loved the character of Sophie. She was definitely a strong and brave character. I felt what she was feeling a majority of the time. She went through so much to get what she loved. I also loved Liv, who, like Sophie was willing to lose it all to get what she loved. Mo was another one of my favourite characters. She brought in the comic timing. Her humour was fantastic, and it wasn't over the top. It was just right for the mood of the story. I loved Paul. He was such a sweetheart! I wish my husband was as kind and romantic as Paul! It was lovely to see him grow as a character.
The title definitely suits the book as The Girl You Left Behind is what they painting is called, and much of the story centres around this painting. I don't think there could've been a better title for this book.
The cover is very beautiful, and while it does relate to the story somewhat, I just wish the cover could've been the painting of Sophie that was talked about so much throughout the book. I would've loved to see what the painting actually looked like.
The setting and world building were fab as well! I loved how a lot of this book was set in a little hotel in a French city. The author made the hotel sound so warm and welcoming. It was obvious that the author did a lot of research about World War I when it came to the Germans occupy French cities. The descriptions of every place mentioned in the book were well written.
The pacing was absolutely fantastic! Each page kept me enthralled. I did not want to put down this book for anything!
I also loved the ending of the book. It was well written and didn't feel rushed like a lot of books do when they end. I thought it was a fantastic ending to a well written book.
I would definitely recommend this book to everyone 16 and over. It's a little gem of a book, and it really took me by surprise.
Hazel (1853 KP) rated No More Than Mystic in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.
No Less Than Mystic: A Story of Lenin and the Russian Revolution for a 21st Century Left</i> by John Medhurst is an in-depth historical and political insight to the truth about what really happened in Russia before, during and after the Bolshevik insurrection of October 1917. Beginning with the end of the Tsars rule and ending with Stalinism, Medhurst unearths the fact from the fiction, challenging the information the world has been led to believe.
As mentioned in Medhurst lengthy introduction, previous books on the subject are often biased and inaccurate. Swayed by political beliefs, authors and historians often pass judgement by using the information they have chosen to believe, dismissing anything that goes against their viewpoint. In this book, Medhurst filters through these false histories, preferring to cite from publications written at the time rather than those penned by people who did not witness the events between 1903 and 1921.
Medhurst’s narrative is more political than historical, often going off on tangents. In order to for the reader to obtain some sort of connection with the events described, the author contrasts them with more recent occurrences that readers may have observed or at least understand. These include the British miner’s strike, feminist movements, the Greek economy and a variety of other capitalist struggles.
The Russian revolution is a complex affair that cannot easily be condensed. As a result, <i>No More Than Mystic</i> exceeds 600 pages and covers every event, no matter how big or small, that contributed to the rise of USSR. Russia was a dangerous place to live during the 20th century, particularly when Leninism spiralled into Stalinism. However, Leninism was not all the history books make it out to be.
During GCSE History, one teacher led his class to believe that Lenin was good and Stalin was bad, however, the reality was much more complicated than that. Lenin was not the good guy that many painted him to be. Thousands died as a result of his policies from both execution and starvation. Yet, at the same time, Medhurst tries to point out the reasoning behind the ideas of the communist rulers, refusing to give a personal opinion without laying bare both sides of the argument.
Although this book is accurate and educational, it is not the easiest to sit down and read. Extensive chapters full of mind-numbing information detract from the comprehensive insightfulness of the content. Notwithstanding the fact that the inclusion of contrasting capitalist examples helps the reader to establish some form of familiar ground, the sudden changes in topic, location and time period are often confusing and hard to follow.
<i>No Less Than Mystic </i>is for the intellectual person with a great interest in 20th-century Russian history and communist affairs. Without any prior education on the topic, this book will not mean anything. It attempts to challenge the ingrained beliefs people have about what happened during the Bolshevik insurrection. Those who do not know anything will not benefit from the confronting enlightenment.
In all, <i>No Less Than Mystic</i> is a well-researched academic text that brings a fresh history of Lenin and the Russian Revolution. Those who want an unbiased truth need to read this book and be sceptical about any other on the topic. In order to form opinions, one must know the facts.
No Less Than Mystic: A Story of Lenin and the Russian Revolution for a 21st Century Left</i> by John Medhurst is an in-depth historical and political insight to the truth about what really happened in Russia before, during and after the Bolshevik insurrection of October 1917. Beginning with the end of the Tsars rule and ending with Stalinism, Medhurst unearths the fact from the fiction, challenging the information the world has been led to believe.
As mentioned in Medhurst lengthy introduction, previous books on the subject are often biased and inaccurate. Swayed by political beliefs, authors and historians often pass judgement by using the information they have chosen to believe, dismissing anything that goes against their viewpoint. In this book, Medhurst filters through these false histories, preferring to cite from publications written at the time rather than those penned by people who did not witness the events between 1903 and 1921.
Medhurst’s narrative is more political than historical, often going off on tangents. In order to for the reader to obtain some sort of connection with the events described, the author contrasts them with more recent occurrences that readers may have observed or at least understand. These include the British miner’s strike, feminist movements, the Greek economy and a variety of other capitalist struggles.
The Russian revolution is a complex affair that cannot easily be condensed. As a result, <i>No More Than Mystic</i> exceeds 600 pages and covers every event, no matter how big or small, that contributed to the rise of USSR. Russia was a dangerous place to live during the 20th century, particularly when Leninism spiralled into Stalinism. However, Leninism was not all the history books make it out to be.
During GCSE History, one teacher led his class to believe that Lenin was good and Stalin was bad, however, the reality was much more complicated than that. Lenin was not the good guy that many painted him to be. Thousands died as a result of his policies from both execution and starvation. Yet, at the same time, Medhurst tries to point out the reasoning behind the ideas of the communist rulers, refusing to give a personal opinion without laying bare both sides of the argument.
Although this book is accurate and educational, it is not the easiest to sit down and read. Extensive chapters full of mind-numbing information detract from the comprehensive insightfulness of the content. Notwithstanding the fact that the inclusion of contrasting capitalist examples helps the reader to establish some form of familiar ground, the sudden changes in topic, location and time period are often confusing and hard to follow.
<i>No Less Than Mystic </i>is for the intellectual person with a great interest in 20th-century Russian history and communist affairs. Without any prior education on the topic, this book will not mean anything. It attempts to challenge the ingrained beliefs people have about what happened during the Bolshevik insurrection. Those who do not know anything will not benefit from the confronting enlightenment.
In all, <i>No Less Than Mystic</i> is a well-researched academic text that brings a fresh history of Lenin and the Russian Revolution. Those who want an unbiased truth need to read this book and be sceptical about any other on the topic. In order to form opinions, one must know the facts.
Hazel (1853 KP) rated And Then We Ran in Books
Dec 7, 2018
<I>I received this book for free through Goodreads First Reads.</I>
Have you ever felt so desperate to achieve your dreams that you would do anything, no matter how crazy, to reach them? Seventeen-year-old Megan dreams of becoming a professional photographer, however, her parents have other ideas. <I>And Then We Ran</I> by Katy Cannon is a Young Adult novel about learning to be yourself and realising your dreams.
Megan’s older sister died in a terrible accident the year before she completed her A Levels. Now, Megan is at the same stage and is fed up of trying to live up to her sister’s memory. Forced to study subjects she does not care for and pressurised into applying to Oxbridge, Megan feels she only has one option left. Her grandmother’s will stipulates that on her 21st birthday or when she gets married, a little flat in London will become hers. Unable to wait another four years, Megan decides marriage is the only way forward.
Two characters narrate <i>And Then We Ran</i>, the second being an old friend of Megan’s. Elliott has given up all hope of going to university to study archaeology and no longer has any ambitions for the future. Then, Megan approaches him with a proposal that could change his life forever. If Elliott agrees to elope with her to Gretna Green, he could live with her in London and study at UCL. So, with a new future developing before their eyes, the two coalesce and begin to develop their clandestine plan.
Naturally, it is not a simple procedure; they cannot get married on the spur of the moment. Careful planning and a long month later, they are ready to go ahead with their plan, however, things outside of their control seem intent on preventing their marriage. From delayed trains to inclement weather, Megan and Elliott determinedly carry on until, after a more circuitous route, they arrive at their destination. But, that does not necessarily result in their happy ever after.
Getting married for a chance at freedom seems a rather peculiar idea, however, you have to appreciate how determined they are to achieve their dreams. Applying to university is a decision that can alter your entire future, so it is understandable how angry Megan feels that her parents are dictating where she goes and what she studies. <i>And The We Ran</i> is an encouraging book that shows two teenagers seriously contemplating their future and making decisions that will make them happy, rather than doing what everyone else expects.
Although it is a fun story, Megan is not the most relatable character. To begin with, it is hard to connect with her outgoing personality, unlike Elliott who is more reserved and introverted. But, once the story gets going, Megan’s façade begins to slip, revealing that she is not much different from other teenagers with hopes and dreams for the future.
<i>And Then We Ran</i> is not the most realistic of contemporary stories, but it is enjoyable and makes us as readers question the methods of Megan and Elliott’s journey to freedom. Most significantly, it highlights the importance of learning and being who you are, rather than whom other people want you to be. Finally, this story emphasises that there are more than one way of achieving your dreams.
Have you ever felt so desperate to achieve your dreams that you would do anything, no matter how crazy, to reach them? Seventeen-year-old Megan dreams of becoming a professional photographer, however, her parents have other ideas. <I>And Then We Ran</I> by Katy Cannon is a Young Adult novel about learning to be yourself and realising your dreams.
Megan’s older sister died in a terrible accident the year before she completed her A Levels. Now, Megan is at the same stage and is fed up of trying to live up to her sister’s memory. Forced to study subjects she does not care for and pressurised into applying to Oxbridge, Megan feels she only has one option left. Her grandmother’s will stipulates that on her 21st birthday or when she gets married, a little flat in London will become hers. Unable to wait another four years, Megan decides marriage is the only way forward.
Two characters narrate <i>And Then We Ran</i>, the second being an old friend of Megan’s. Elliott has given up all hope of going to university to study archaeology and no longer has any ambitions for the future. Then, Megan approaches him with a proposal that could change his life forever. If Elliott agrees to elope with her to Gretna Green, he could live with her in London and study at UCL. So, with a new future developing before their eyes, the two coalesce and begin to develop their clandestine plan.
Naturally, it is not a simple procedure; they cannot get married on the spur of the moment. Careful planning and a long month later, they are ready to go ahead with their plan, however, things outside of their control seem intent on preventing their marriage. From delayed trains to inclement weather, Megan and Elliott determinedly carry on until, after a more circuitous route, they arrive at their destination. But, that does not necessarily result in their happy ever after.
Getting married for a chance at freedom seems a rather peculiar idea, however, you have to appreciate how determined they are to achieve their dreams. Applying to university is a decision that can alter your entire future, so it is understandable how angry Megan feels that her parents are dictating where she goes and what she studies. <i>And The We Ran</i> is an encouraging book that shows two teenagers seriously contemplating their future and making decisions that will make them happy, rather than doing what everyone else expects.
Although it is a fun story, Megan is not the most relatable character. To begin with, it is hard to connect with her outgoing personality, unlike Elliott who is more reserved and introverted. But, once the story gets going, Megan’s façade begins to slip, revealing that she is not much different from other teenagers with hopes and dreams for the future.
<i>And Then We Ran</i> is not the most realistic of contemporary stories, but it is enjoyable and makes us as readers question the methods of Megan and Elliott’s journey to freedom. Most significantly, it highlights the importance of learning and being who you are, rather than whom other people want you to be. Finally, this story emphasises that there are more than one way of achieving your dreams.
My rating 3.5
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.