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Andy K (10821 KP) rated Basket Case (1982) in Movies
Oct 26, 2019
Basket full o' fun!
What would your life be like if you were a former conjoined twin, couldn't tell anyone about it, and then also carried around your now separated deformed, menacing killer twin in a wicker basket?
Thus the premise of this entertaining, yet goofy 80s horror comedy.
Awkward, nerdy Duane Bradley comes to stay at a low rate hotel with a scummy array inhabitants in search of a normal life. He is always carrying this large basket which he holds dearly, but won't let anyone look inside. The basket occasionally makes unusual sounds and shimmies every once in a while, but its contents remain a mystery.
He goes to a doctor's office only to unleash the basket contents on the unsuspecting physician. Turns out his now unattached deformed brother survived their separation operation and is now a menacing, killer globule out for revenge. The killing spree continues for the other doctors and random hotel inhabitants, but then Barry meets a girl he likes. She likes him back. Barry struggles to keep his new love away from his brother who can also read his thoughts.
Will love survive?
Along with films like Braindead, Society or even Re-Animator, Basket Case makes its case as a cult 80s classic. Yeah fine, the dialogue and acting are cheesy and sometimes over the top, but the gore and interesting practical effect kills are there for fun. The creation of the basket creature was interesting and not something I had seen before. Once the revenge plot element was revealed, you are sort of rooting on the separated twins to continue and complete their quest of carnage just so you can see more clever murder sequences.
If you don't take it seriously it's pretty fun.
Thus the premise of this entertaining, yet goofy 80s horror comedy.
Awkward, nerdy Duane Bradley comes to stay at a low rate hotel with a scummy array inhabitants in search of a normal life. He is always carrying this large basket which he holds dearly, but won't let anyone look inside. The basket occasionally makes unusual sounds and shimmies every once in a while, but its contents remain a mystery.
He goes to a doctor's office only to unleash the basket contents on the unsuspecting physician. Turns out his now unattached deformed brother survived their separation operation and is now a menacing, killer globule out for revenge. The killing spree continues for the other doctors and random hotel inhabitants, but then Barry meets a girl he likes. She likes him back. Barry struggles to keep his new love away from his brother who can also read his thoughts.
Will love survive?
Along with films like Braindead, Society or even Re-Animator, Basket Case makes its case as a cult 80s classic. Yeah fine, the dialogue and acting are cheesy and sometimes over the top, but the gore and interesting practical effect kills are there for fun. The creation of the basket creature was interesting and not something I had seen before. Once the revenge plot element was revealed, you are sort of rooting on the separated twins to continue and complete their quest of carnage just so you can see more clever murder sequences.
If you don't take it seriously it's pretty fun.
Gareth von Kallenbach (971 KP) rated The Back-up Plan (2010) in Movies
Aug 8, 2019
Ah, the story of Mr. Right appearing just in the nick of time, well almost. Zoe (Jennifer Lopez) has spent her life looking for the perfect guy but he has never shown up. Now she wants a baby and decides to become pregnant on her own through artificial insemination. It would just figure that right after deciding to use her backup plan a new man enters the picture forcing her life to adjust once again.
The film stars and generally centers around Lopez as the wacky yet likeable Zoe, a character who is not unlike those we have seen in J.Lo’s past. Her co-star, Alex O’Loughlin plays the male lead of Stan, a handsome cheese-maker. Other notable cast members include Micheala Watkins, as the jaded New York mother, Mona, and Melissa McCarthy as Carol the leader of a group of proud single mothers.
The most amusing scenes in “The Back-Up Plan” occurs during moments of the true-to-life internal dialogue by the problem riddled Zoe. Unfortunately the remaining seventy percent of the film is spent bouncing awkwardly between the less than steamy romance and the failed attempts at comedy.
There are a couple of good scenes but are they reason enough to endure the rest of the film? Not unless you have a deep desire to see farmers’ markets in New York and a poorly acted cameo by the Dog Whisperer, Cesar Millan. Still, fans of Lopez’s quirky romantic comedy style will enjoy her, just not as much as her previous roles because of the gnawingly awkward plot that defines this movie.
Too goofy to be romantic and too sappy to be funny, “The Back-Up Plan” continually fails to reach either goal accurately. It almost goes without saying that this film is, excuse the pun, simply too much of a stretch.
The film stars and generally centers around Lopez as the wacky yet likeable Zoe, a character who is not unlike those we have seen in J.Lo’s past. Her co-star, Alex O’Loughlin plays the male lead of Stan, a handsome cheese-maker. Other notable cast members include Micheala Watkins, as the jaded New York mother, Mona, and Melissa McCarthy as Carol the leader of a group of proud single mothers.
The most amusing scenes in “The Back-Up Plan” occurs during moments of the true-to-life internal dialogue by the problem riddled Zoe. Unfortunately the remaining seventy percent of the film is spent bouncing awkwardly between the less than steamy romance and the failed attempts at comedy.
There are a couple of good scenes but are they reason enough to endure the rest of the film? Not unless you have a deep desire to see farmers’ markets in New York and a poorly acted cameo by the Dog Whisperer, Cesar Millan. Still, fans of Lopez’s quirky romantic comedy style will enjoy her, just not as much as her previous roles because of the gnawingly awkward plot that defines this movie.
Too goofy to be romantic and too sappy to be funny, “The Back-Up Plan” continually fails to reach either goal accurately. It almost goes without saying that this film is, excuse the pun, simply too much of a stretch.
Jeremy King (346 KP) rated Mad Shelia (2016) in Movies
Jul 2, 2019
You have to watch 1000 bad films to understand what make a film great
Where to start. I love watching films that are out of left field. So when I heard about this i had to look for it, i found it on youtube in 2 parts, it was to be to 60min tv movies but it works better as 1 1h film.
What is China known for? Yes that is it knock offs. Mad Max: Fury Road was nominated for Best Picture so lets rip it off. So i have seen that in the past but this was so low budget. We are talking looking for change in tbe couch low budget.
Some of the vehicles look like they used cardboard on them as props.
CG effects that were not needed that you can point out and would look better if left out.
In seens with motorcycles they were going so slow that the front tired would wobble to try to stay balanced.
The best acting came from the goofy sidekick.
Shelia was trying to look like a male in the beginning, you would half to be deaf and blind not to figure out she was a female.
They are in a wasteland and everyone is clean.
Acting skills or the lack of.
And many more problems.
If you ever think about watching this movie
DONT DO IT!! I WATCHED IT FOR YOU
You will get more enjoyment out of the trailer. If i had seen this in the theater i would have walked out. My friend and i could say after watching this was. WTF and we will never talk about this again. But after tradhing it i can say it had 1 or 2 good songs on the sound track
What is China known for? Yes that is it knock offs. Mad Max: Fury Road was nominated for Best Picture so lets rip it off. So i have seen that in the past but this was so low budget. We are talking looking for change in tbe couch low budget.
Some of the vehicles look like they used cardboard on them as props.
CG effects that were not needed that you can point out and would look better if left out.
In seens with motorcycles they were going so slow that the front tired would wobble to try to stay balanced.
The best acting came from the goofy sidekick.
Shelia was trying to look like a male in the beginning, you would half to be deaf and blind not to figure out she was a female.
They are in a wasteland and everyone is clean.
Acting skills or the lack of.
And many more problems.
If you ever think about watching this movie
DONT DO IT!! I WATCHED IT FOR YOU
You will get more enjoyment out of the trailer. If i had seen this in the theater i would have walked out. My friend and i could say after watching this was. WTF and we will never talk about this again. But after tradhing it i can say it had 1 or 2 good songs on the sound track
LeftSideCut (3778 KP) rated Scream (1996) in Movies
Apr 22, 2020 (Updated May 9, 2020)
1996 was a time where slasher horror had become boring. The quality of countless sequels for certain franchises had dipped dramatically, and Wes Craven intended to give the whole thing a jump start with Scream. It's safe to say that he succeeded in that respect.
I was 8 years old when Scream release, and I remember the buzz around it. Other kids in my school would talk about how their older siblings had managed to rent a copy, and just how shocking it was, and in the years since it released, Scream has gone from that excitable buzz to a bonafide genre classic.
Obviously, the screenplays self awareness was a game changer. Characters constantly talking about horror movie 'rules' whilst doing the exact opposite, dialogue about upcoming sequels etc. Even the antagonist Ghostface has a slightly goofy look, and it's this tongue in cheek approach that was immediately imitated by others, although never quite as well.
That's not to say that Scream doesn't have it's fair share of horror. It's a bloody film for sure, and even though it's scares aren't major by today's standards, it's easy to see why it gained the clout it did.
The cast is headed up by Neve Campbell, as extremely likable final girl Sidney Prescott. Sidney is fleshed out enough for the viewer to really get inside, and isn't just there for eye candy. She is joined by the likes of Courtney Cox, David Arquette, Rose McGowan, Jamie Kennedy and Drew Barrymore in an all round decent cast.
Honestly though, I can't heap enough praise at Matthew Lillard for his absolute batshit crazy performance. Guy deserves more recognition for that commitment.
Scream isn't the best horror movie I've ever seen, but as I said above, it's a genre classic, and certainly changed the face of horror. A definite win for Wes Craven.
I was 8 years old when Scream release, and I remember the buzz around it. Other kids in my school would talk about how their older siblings had managed to rent a copy, and just how shocking it was, and in the years since it released, Scream has gone from that excitable buzz to a bonafide genre classic.
Obviously, the screenplays self awareness was a game changer. Characters constantly talking about horror movie 'rules' whilst doing the exact opposite, dialogue about upcoming sequels etc. Even the antagonist Ghostface has a slightly goofy look, and it's this tongue in cheek approach that was immediately imitated by others, although never quite as well.
That's not to say that Scream doesn't have it's fair share of horror. It's a bloody film for sure, and even though it's scares aren't major by today's standards, it's easy to see why it gained the clout it did.
The cast is headed up by Neve Campbell, as extremely likable final girl Sidney Prescott. Sidney is fleshed out enough for the viewer to really get inside, and isn't just there for eye candy. She is joined by the likes of Courtney Cox, David Arquette, Rose McGowan, Jamie Kennedy and Drew Barrymore in an all round decent cast.
Honestly though, I can't heap enough praise at Matthew Lillard for his absolute batshit crazy performance. Guy deserves more recognition for that commitment.
Scream isn't the best horror movie I've ever seen, but as I said above, it's a genre classic, and certainly changed the face of horror. A definite win for Wes Craven.
The Pale King
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The Pale King is David Foster Wallace's final novel - a testament to his enduring brilliance The...
Jeff Nichols recommended Hud (1963) in Movies (curated)
LoganCrews (2861 KP) rated A Quiet Place: Part II (2021) in Movies
Jul 4, 2021
Y'all get scared too easily lmao. Let's not act like the first one was a genius piece of filmmaking or anything - it just had a solid premise you could wring a metric ton of mileage out of and wasn't afraid to provide lots of fun, goofy, intense thrills in an age of comically over-serious pity parties saturating the horror movie market. I really enjoyed it, but with its sequel the switch from horror/thriller to drama/thriller really took a toll imo. Because what made these work was never the characters, of which I honestly couldn't tell you a single name of nor more than one defining personality trait now two entries later - it was the gimmick, carried so efficiently by the marvelous performances at the forefront. Here the acting still rips (except for Blunt, who along with her character seems totally lost with nothing to do rather than just kind of awkwardly wing it) but the gimmick seems to just try and retrace the steps of the first movie while adding in a deathly simplistic, extraneous story since this one has no real clue what to do with itself... for some reason. And maybe it's just me but this one also looks so much worse. That all being said, this works best when it depicts moments of peace and/or normalcy being immediately brutalized by swift, sweeping violence - it knows exactly how to play them, that shit is *awesome*. Both times it lets these (admittedly kind of lamely designed) creatures wreak havoc on unsuspecting, populated areas it's a total riot. Also features a pretty neat three-way thriller sequence in the middle that's decently cool, too. A perfectly serviceable distraction.
LeftSideCut (3778 KP) rated Friday the 13th Part V: A New Beginning (1985) in Movies
Nov 29, 2020
Part V of the Friday the 13th franchise is an absolute blast, and no one can tell me otherwise. Is it silly? Definitely. Does it go overboard with its goofy characters a little too often? Damn right it does (pretty sure someone gets called "a dildo" at one point) Are there better Friday films out there? Yes sir, but none of this stops the fact that Part V is a decent, entertaining, smack bang middle of the 80s slasher.
The killer this time around isn't Jason Voorhees, even if it is only by name, and this "mystery" surrounding the killers identity achieves two things - 1. It adds a whodunnit element to the series, otherwise only ever seen in the original and 2. It keeps the killer offscreen for most of the runtime, saving budget costs by not showing much in terms of kills (although that belt against the tree death is a doozy). This results in a less gory sequel, especially after the more brutal Part IV, but it's not a big issue. The whole thing almost feels like an R-Rated episode of Scooby-Doo. The reveal of the killer is definitely weak though. Not enough set up means and underwhelming payoff.
There are soooooooo many characters in this. I swear there are still new ones being introduced up until the last 20 minutes, and they're all just body count fodder for "Jason". Not necessarily a bad thing, pretty standard practice by now. I did like little Reckless Reggie. That dude is awesome. Way more awesome than Tommy Jarvis, who is just a whiny bitch for the whole runtime. Thankfully Thom Mathews is just around the corner.
It's not the best Friday movie, but far from being the worst. As far as 80s slashers go, it's damn good time.
The killer this time around isn't Jason Voorhees, even if it is only by name, and this "mystery" surrounding the killers identity achieves two things - 1. It adds a whodunnit element to the series, otherwise only ever seen in the original and 2. It keeps the killer offscreen for most of the runtime, saving budget costs by not showing much in terms of kills (although that belt against the tree death is a doozy). This results in a less gory sequel, especially after the more brutal Part IV, but it's not a big issue. The whole thing almost feels like an R-Rated episode of Scooby-Doo. The reveal of the killer is definitely weak though. Not enough set up means and underwhelming payoff.
There are soooooooo many characters in this. I swear there are still new ones being introduced up until the last 20 minutes, and they're all just body count fodder for "Jason". Not necessarily a bad thing, pretty standard practice by now. I did like little Reckless Reggie. That dude is awesome. Way more awesome than Tommy Jarvis, who is just a whiny bitch for the whole runtime. Thankfully Thom Mathews is just around the corner.
It's not the best Friday movie, but far from being the worst. As far as 80s slashers go, it's damn good time.
Darren Fisher (2447 KP) rated Killer's Moon (1978) in Movies
Dec 11, 2020 (Updated Dec 11, 2020)
Classic low budget British horror
I love my bonkers films and this demented British horror from Alan Birkinshaw certainly is up there. Four lunatics escape from a cottage (yep, not even a mental institution) whilst dosed up on LSD provided by the psychiatrists (it's a experiment in which said nutters think they are only dreaming - so whatever they do whilst tripping holds no consequence). Meanwhile, in the middle of nowhere, a bus full of schoolgirls brakes down. With no other choice the bus driver goes lookin for help whilst the teachers and girls seek refuge in a desolate hotel. As the escaped lunatics make their murderous way across country they come across the hotel. Once inside they begin tormenting, raping and decimating the cast. It's grimy, sleazy and very non-politically correct. I certainly can't imagine it getting made in todays times. The infrequent gore scenes are more 'Carry On...' style than gruesome, the special effects are amateur, accompanied with goofy sound effects. What carries the film along is the dialogue. Co-written with the directors sister Fay Weldon, the script is jaw droppingly unbelievable, unintentionally hilarious and mind-bogglingly bizarre. The most infamous quote comes after one school girl has been raped by one of the lunatics and pretty much sets the tone of what you are watching...
"Look, you were only raped, as long as you don't tell anyone about it you'll be alright. You pretend it never happened, I pretend I never saw it and if we ever get out of this alive, well, maybe we'll both live to be wives and mothers"
Just one of many delicious quotes from the film I hasten to add. Guaranteed trash gold. Highly recommended.
"Look, you were only raped, as long as you don't tell anyone about it you'll be alright. You pretend it never happened, I pretend I never saw it and if we ever get out of this alive, well, maybe we'll both live to be wives and mothers"
Just one of many delicious quotes from the film I hasten to add. Guaranteed trash gold. Highly recommended.
LeftSideCut (3778 KP) rated Jaws (1975) in Movies
Apr 20, 2022
When you think of classic blockbusters, or classic horror, or classic creature features, Jaws is surely a title that will spring to mind. A true masterpiece of cinema that manages to fit and excel in all of the above categories.
Spielberg completely changed how films were planned and released with what is widely considered to be the first summer blockbuster, and all these years later, it's still an effective rollercoaster ride.
The opening scene is utterly harrowing without a drop of blood to be seen, and sets the tone in a dramatic and iconic manner. After some efficient character introductions, we're straight into one of the most anxiety inducing scenes in cinema history, as Chief Brody sits on a packed beach, scanning the shore for danger. The constant barrage of characters interrupting his line of view and talking at him, over him, over eachother, it's almost unbearable, and is paid off with a truly horrifying moment. It's one of many scenes in Jaws that flaunts some masterful editing.
The second half of the film is essentially the three leads - Roy Scheider, Robert Shaw, Richard Dreyfuss - all jostling to chew up the scenery. The chemistry between all of them is wonderful, from the thrilling chase of hunting the shark, to them kicking back, trading scar stories and singing shanties, to Quints incredible monologue, to the infamous Ahab-esque climax. It's a joy to watch unfold.
The shark itself has a tendency to look a little goofy by todays standards, but an incredible feat for the time.
Jaws is held in such high regard for a reason. It's a film that truly thrills, scares, and delights its audience in equal measure, and still stands tall almost 50 years later. One of the best of all time.
Spielberg completely changed how films were planned and released with what is widely considered to be the first summer blockbuster, and all these years later, it's still an effective rollercoaster ride.
The opening scene is utterly harrowing without a drop of blood to be seen, and sets the tone in a dramatic and iconic manner. After some efficient character introductions, we're straight into one of the most anxiety inducing scenes in cinema history, as Chief Brody sits on a packed beach, scanning the shore for danger. The constant barrage of characters interrupting his line of view and talking at him, over him, over eachother, it's almost unbearable, and is paid off with a truly horrifying moment. It's one of many scenes in Jaws that flaunts some masterful editing.
The second half of the film is essentially the three leads - Roy Scheider, Robert Shaw, Richard Dreyfuss - all jostling to chew up the scenery. The chemistry between all of them is wonderful, from the thrilling chase of hunting the shark, to them kicking back, trading scar stories and singing shanties, to Quints incredible monologue, to the infamous Ahab-esque climax. It's a joy to watch unfold.
The shark itself has a tendency to look a little goofy by todays standards, but an incredible feat for the time.
Jaws is held in such high regard for a reason. It's a film that truly thrills, scares, and delights its audience in equal measure, and still stands tall almost 50 years later. One of the best of all time.