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Seeing Green: The Use and Abuse of American Environmental Images
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American environmentalism is defined by its icons: the "Crying Indian," who shed a tear in response...
LeftSideCut (3776 KP) rated The Banana Splits Movie (2019) in Movies
Jan 4, 2021
The Banana Splits Movie, a horror-fied reimagining of the late 60s/early 70s Hanna-Barbera tv show, knows exactly what it's trying to be. It's silly and tongue in cheek, but toes the line pretty well in pretty much every aspect, not going overboard in either direction, and ultimately delivers a good time for anyone who enjoys a cheesy slasher.
The premise is deliciously simple - a family attend a taping of the titular Banana Splits show, their youngest sons favourite, and end up fighting for survival alongside fellow audience members and backstage crew, when the famous child friendly animatronic stars of the show go haywire and embark on a killing spree. I'm certain it's been said before, but imagine Five Nights at Freddy's crossed over with Willy Wonka & the Chocolate Factory, and you're pretty much there.
It's got a decent amount of gore (mostly done practically which is always a thumbs up), some imaginative kills and set pieces, and a good cast - the nice characters are likeable, the assholes are suitably unlikable (and die horribly of course) - it plays it's safe in that regard, but there's also some half decent character development in place, so I can't grumble too much.
The writing isn't great, and the pacing is a little iffy, could have done with maybe being a little shorter, but honestly, if you go into this fully on board with the premise, then you're almost guaranteed to have a fun and bloody time. Good luck getting that theme song out of your head...
The premise is deliciously simple - a family attend a taping of the titular Banana Splits show, their youngest sons favourite, and end up fighting for survival alongside fellow audience members and backstage crew, when the famous child friendly animatronic stars of the show go haywire and embark on a killing spree. I'm certain it's been said before, but imagine Five Nights at Freddy's crossed over with Willy Wonka & the Chocolate Factory, and you're pretty much there.
It's got a decent amount of gore (mostly done practically which is always a thumbs up), some imaginative kills and set pieces, and a good cast - the nice characters are likeable, the assholes are suitably unlikable (and die horribly of course) - it plays it's safe in that regard, but there's also some half decent character development in place, so I can't grumble too much.
The writing isn't great, and the pacing is a little iffy, could have done with maybe being a little shorter, but honestly, if you go into this fully on board with the premise, then you're almost guaranteed to have a fun and bloody time. Good luck getting that theme song out of your head...
LeftSideCut (3776 KP) rated My Bloody Valentine (1981) in Movies
Jan 5, 2021
My Bloody Valentine is an entertaining and somewhat charming slasher that released just as the sub genre was really gaining some traction.
Unfortunately, it suffers from a couple of things - a low budget that shows at times, and secondly, cuts made due to the MPAA in order to secure an R Rating. The wide released cut version loses its edge a little, an edge that really makes this movie stick in your brain.
The uncut version has some truly staggering gore effects here and there. All practical of course, and it's the kind of violence that genuinely adds to the overall experience.
MBV has plenty of positives to shout about - the on location shoot in a small mining town in Nova Scotia really adds a lot of personality to the back drop, and the whole second half of the film was filmed in a genuine mine. It feels authentic and genuine as a result.
The characters are all working class regular Joes as well, and feel relatable.
The killer, [spoiler alert] AKA Harry Warden, has of course earned a place in horror history. The gas mask and jumpsuit get up he wears alongside his humble pickaxe makes for a minimalist yet memorable villain.
There are better slashers out there for sure, but My Bloody Valentine is still a pretty damn good watch, especially on Valentine's Day - it works as a film to get cosy too with someone special, whilst simultaneously being a good tonic for someone who fucking hates everything about it. A stroke of genius in that respect!
Unfortunately, it suffers from a couple of things - a low budget that shows at times, and secondly, cuts made due to the MPAA in order to secure an R Rating. The wide released cut version loses its edge a little, an edge that really makes this movie stick in your brain.
The uncut version has some truly staggering gore effects here and there. All practical of course, and it's the kind of violence that genuinely adds to the overall experience.
MBV has plenty of positives to shout about - the on location shoot in a small mining town in Nova Scotia really adds a lot of personality to the back drop, and the whole second half of the film was filmed in a genuine mine. It feels authentic and genuine as a result.
The characters are all working class regular Joes as well, and feel relatable.
The killer, [spoiler alert] AKA Harry Warden, has of course earned a place in horror history. The gas mask and jumpsuit get up he wears alongside his humble pickaxe makes for a minimalist yet memorable villain.
There are better slashers out there for sure, but My Bloody Valentine is still a pretty damn good watch, especially on Valentine's Day - it works as a film to get cosy too with someone special, whilst simultaneously being a good tonic for someone who fucking hates everything about it. A stroke of genius in that respect!
LeftSideCut (3776 KP) rated Fear Street Part One: 1994 (2021) in Movies
Jul 3, 2021
From it's very Scream-esque cold open, to it's Intruder style finale, Fear Street: 1994 is an unabashed love letter to the slasher genre that benefits from a cast of likable characters, and doesn't shy away from the gory stuff.
The group of friends that the narrative revolves around share some decent chemistry. The vibe that surrounds them isn't to dissimilar to the characters in Scary Stories or even Stranger Things. They're written to be rooted for, which makes all the more impact when the final third comes knocking and the body count piles up. The various killers on the loose are clearly inspired by other slasher icons, but the multiple-killer aspect makes them interesting enough, even if it's just surface level, and the overarching narrative to do with witchcraft is intriguing.
Unfortunately, the pacing is a bit off. 1994 really takes it's time to get to where it wants to be, and the first half drags in places. It also falls into the Suicide Squad trap of spaffing out well known songs, one after another, without any reprieve. One of my absolute pet peeves in modern movies by the way, but thankfully, this doesn't last for the whole runtime.
Overall, 1994 is a fun, if flawed horror ride, with some solid gore to boot, that will surely offer something for any slasher fans out there. Genuinely looking forward to the next two installments over the coming weeks, and it's always a bonus when horror in general gets a big push from the likes of Netflix.
The group of friends that the narrative revolves around share some decent chemistry. The vibe that surrounds them isn't to dissimilar to the characters in Scary Stories or even Stranger Things. They're written to be rooted for, which makes all the more impact when the final third comes knocking and the body count piles up. The various killers on the loose are clearly inspired by other slasher icons, but the multiple-killer aspect makes them interesting enough, even if it's just surface level, and the overarching narrative to do with witchcraft is intriguing.
Unfortunately, the pacing is a bit off. 1994 really takes it's time to get to where it wants to be, and the first half drags in places. It also falls into the Suicide Squad trap of spaffing out well known songs, one after another, without any reprieve. One of my absolute pet peeves in modern movies by the way, but thankfully, this doesn't last for the whole runtime.
Overall, 1994 is a fun, if flawed horror ride, with some solid gore to boot, that will surely offer something for any slasher fans out there. Genuinely looking forward to the next two installments over the coming weeks, and it's always a bonus when horror in general gets a big push from the likes of Netflix.
LoganCrews (2861 KP) rated Saw (2004) in Movies
Jul 4, 2021
Now *this* is more like it. Cruel, grimy, and goofy in just about equal measure - I sorely underrated this deservedly revolutionary gem the first time I saw it. Uses aspects which are unfairly maligned by other horror/thriller filmmakers who claim to be 'above' them much to its advantage; you're going to sit there and tell me that sped-up series of 360 shots around the reverse bear trap wasn't totally fucking awesome? Elements like that tap so deeply into that primal survival instinct which few other films of the genre even dare to explore, let alone as well as this does. The acting gets a lot of shit but tbh Cary Elwes and - in particular - Leigh Whannell are stellar as these two clashing personalities that effortlessly carry the entire movie on their backs. The decision to play up these performances akin to a WWE episode (even confining them to a stage-like arena for weaponized melodrama) adds even further to its untouched singularity. Could you imagine the direction of Wan with the gore of the sequels? Goddamn what an A1 product that would be. Just a concoction of ideas that work beautifully together: from the memorable aesthetic to its dastardly smart premise it's about as engrossing as can be. The twist is still just as riveting as it was back then if only because of the sheer commitment to delve into such gonzo levels of outlandishness. The fact that 𝘚𝘱𝘪𝘳𝘢𝘭 turned this one's iconically atmospheric music into a cringe 21 Savage song tells you all you need to know about it.
LoganCrews (2861 KP) rated The House That Jack Built (2018) in Movies
Sep 19, 2020
One of the singular most disgusting, depraved, downright inhuman pieces of genre filth I've ever laid eyes on - try to think the 𝘚𝘢𝘸 movies' gore porn meets 𝘈 𝘚𝘦𝘳𝘣𝘪𝘢𝘯 𝘍𝘪𝘭𝘮 levels of twisted and shockingly grotesque subject matter. Not perfect: at times this feels more like a defense than an apology (not that he doesn't answer for a lot nor are the defenses always unwarranted), but it's rigorously complex and as a piece of provocation this is simply exquisite - almost unparalleled. Over two and a half hours of unforgettable novelistic madman monologues and some of the most cruel, savage violence you will ever see in a motion picture. I'm seldom ever less than fully impressed by Lars but the fact that this is so twisted and animalistic yet the humor is still so on point is only another testament to why he's one of the greatest living directors. Bats for the fences and rubs your noses right in all its slime, plus it has some of the most haunting effects work you're likely to ever see. Matt Dillion gives not only the ultimate performance of his career, but one of the defining of the decade in what can only be described as blood-curdling, remorseless but totally eccentric work. Screamed and shrunk into my own body numerous times. I've seen a metric ton of vile, uncomfortable cinema and I'm not unsettled easily but this was truly terrifying - as well as 110% unique. My jaw was dropped the entire epilogue well through the credits. RIP - Bruno Ganz.
LoganCrews (2861 KP) rated Brawl In Cell Block 99 (2017) in Movies
Sep 20, 2020
Cold, hard filmmaking at some of its most insatiably cruel. My coveted "I told you so" moment for anyone who said Vince Vaughn couldn't act and one hell of a provocation in the process (Zahler might be the closest thing we have right now to a grindhouse Neil LaBute). The film equivalent of a rusted pair of brass knuckles of dubious origin with dried blood on them. Realistically could have skimmed 10 or so minutes off of itself but I think the gruelingly elongated scenes aid in the merciless hellscape this paints, and the fights don't waste a single second - Vaughn (who is God-tier in this, plays the role like one giant piece of battered meat) eats barbell swings, nightsticks, debilitating electric zaps, and brute punches like a champ. And that gore? I verbally screamed out loud multiple times, here I'd thought I'd seen it all but to quote Mark Wahlberg's dad from 𝘛𝘦𝘥 (which I routinely do) "Jesus H Fuck!" A trillion times better than 𝘉𝘰𝘯𝘦 𝘛𝘰𝘮𝘢𝘩𝘢𝘸𝘬 and even that was wildly good in its own right. One thing I love about the guy is how successfully he subverts the "feel-horrible filmmaking for the sake of feel-horrible filmmaking" junk that has seen a bit of a resurgence lately. When he's bleak, he fucking means it. Guaranteed this will scare you away from even the most petty crime, you'll flinch in fear if you even think about littering. Plus it's funny as fuck. Unique and unflinchingly nasty - almost exactly what you'd want out of a movie with this title.
LeftSideCut (3776 KP) rated Cube 2: Hypercube (2002) in Movies
Jan 14, 2021
Christ, I did not have fun with this. Cube 2: Hypercube is unfortunately a downgrade of its predecessor in every single way, so I'll start with a couple of positives - 1. Kari Matchett gives us a likable enough lead to follow. 2. When the film first introduces parallel dimensions around 30 minutes in, it became vaguely interesting for about two minutes. And that's about your lot.
Every single character is a walking cliché. The introductions to all these people go on for waaayy too long, and I found myself pretty much immediately wanting them to die, but we're not even allowed to enjoy that aspect. The little gore on display looks awful, nothing done practically, and instead with CGI that looks like deep fried turd, CGI that is draped liberally all over the movie.
Then there's the titular cube itself. Gone are the intricate and Hellraiser-esque aesthetics of the first film, to make way for a clinical white series of Cube rooms (with a grey trim just to spice things up a bit). It just looks terrible.
The narrative isn't too compelling either, with twist after twist thrown at the viewer, but none which have any impact. It even throws in one at the very end which just isn't explained in any capacity. A lazy script with a lazy plot.
I'm pretty sure I had even more negatives to say about Cube 2, but honestly, I'm getting bored just thinking about this film, so yeah, it's poo.
Every single character is a walking cliché. The introductions to all these people go on for waaayy too long, and I found myself pretty much immediately wanting them to die, but we're not even allowed to enjoy that aspect. The little gore on display looks awful, nothing done practically, and instead with CGI that looks like deep fried turd, CGI that is draped liberally all over the movie.
Then there's the titular cube itself. Gone are the intricate and Hellraiser-esque aesthetics of the first film, to make way for a clinical white series of Cube rooms (with a grey trim just to spice things up a bit). It just looks terrible.
The narrative isn't too compelling either, with twist after twist thrown at the viewer, but none which have any impact. It even throws in one at the very end which just isn't explained in any capacity. A lazy script with a lazy plot.
I'm pretty sure I had even more negatives to say about Cube 2, but honestly, I'm getting bored just thinking about this film, so yeah, it's poo.
LeftSideCut (3776 KP) rated Planet Terror (2007) in Movies
Jan 22, 2021
If you seek a movie so absurdly over the top in almost every regard, then look no further.
Planet Terror is a glorious throwback to practical driven and blood soaked video nasties of the 70s and 80s, is super stylized to the point of self aware stupidity, and boasts a fantastic cast - a roll call of who's who in the cinema of Rodriguez/Tarantino.
Of course, Planet Terror is one half of the duos Grindhouse project, and for me, slightly takes the edge over Death Proof. Both films are great and gleefully brimming with tributes to the exploitative sub genre of its namesake, but Planet Terror is just balls to the wall fun, a blast from start to finish.
Its has badass female leads - Cherry Darling, a former go-go dancer with a gun-leg, and Dakota Block, a nurse who shoots trigger functioning syringes full of sedatives at anyone who pisses her off - Rose McGowan and Marley Shelton and both brilliant.
It has Bruce Willis mutating into God knows what. It has Tom Savini and Michael Biehn as zombie fighting sherrifs. It has Sayid from Lost collecting people's testicles in a pickle jar.
And Jesus Christ it has so. much. gore. It must have been a hell of a sticky set to work on to say the least.
To top it all off, it even opens with the now infamous Machete "trailer", with Danny Trejo and motherfucking Cheech Marin.
Planet Terror is a ride as soon as the opening credits start. An absolute must for any horror or grindhouse fan.
Planet Terror is a glorious throwback to practical driven and blood soaked video nasties of the 70s and 80s, is super stylized to the point of self aware stupidity, and boasts a fantastic cast - a roll call of who's who in the cinema of Rodriguez/Tarantino.
Of course, Planet Terror is one half of the duos Grindhouse project, and for me, slightly takes the edge over Death Proof. Both films are great and gleefully brimming with tributes to the exploitative sub genre of its namesake, but Planet Terror is just balls to the wall fun, a blast from start to finish.
Its has badass female leads - Cherry Darling, a former go-go dancer with a gun-leg, and Dakota Block, a nurse who shoots trigger functioning syringes full of sedatives at anyone who pisses her off - Rose McGowan and Marley Shelton and both brilliant.
It has Bruce Willis mutating into God knows what. It has Tom Savini and Michael Biehn as zombie fighting sherrifs. It has Sayid from Lost collecting people's testicles in a pickle jar.
And Jesus Christ it has so. much. gore. It must have been a hell of a sticky set to work on to say the least.
To top it all off, it even opens with the now infamous Machete "trailer", with Danny Trejo and motherfucking Cheech Marin.
Planet Terror is a ride as soon as the opening credits start. An absolute must for any horror or grindhouse fan.
LeftSideCut (3776 KP) rated Black Christmas (2019) in Movies
Dec 17, 2020
Fuck I really hated this.
Ignoring the politics side for a moment - it's a hugely poor horror film. It's devoid of any scares, it cuts away from any gore, and perhaps worst of all, it has the audacity to be called "Black Christmas" - which is quite simply one of the best slashers ever made.
Did this film even start as a Black Christmas remake? It basically goes: Men are shit - some people get killed offscreen - weird supernatural twist - oh shit, it's Black Christmas, better throw in a glass unicorn sculpture.
The supernatural part is something I'm not mad at actually - at least it tried something different rather than being a straight re tread.
Then of course, there's the aformentioned politics, which is what most people's issue is with this film. Feminist messages in horror movies can be hugely effective - the original Black Christmas does it well for example - but I can't help but feel that the message this version putting out there is severely mishandled. As a guy, I am willing to hear how I'm wrong in this instance, but it feels sooooo over the top with what it's trying to do. It's not too hard to be on board with for the most part, but the final scenes really go for it - I mean the lines "you're insane!" "No, we're just men" - really!? It just feels very in the nose to me.
Other than that, this film is turd. It gets a star for Imogen Poots and the creative snow angel death scene at the start. Watch the original instead.
Ignoring the politics side for a moment - it's a hugely poor horror film. It's devoid of any scares, it cuts away from any gore, and perhaps worst of all, it has the audacity to be called "Black Christmas" - which is quite simply one of the best slashers ever made.
Did this film even start as a Black Christmas remake? It basically goes: Men are shit - some people get killed offscreen - weird supernatural twist - oh shit, it's Black Christmas, better throw in a glass unicorn sculpture.
The supernatural part is something I'm not mad at actually - at least it tried something different rather than being a straight re tread.
Then of course, there's the aformentioned politics, which is what most people's issue is with this film. Feminist messages in horror movies can be hugely effective - the original Black Christmas does it well for example - but I can't help but feel that the message this version putting out there is severely mishandled. As a guy, I am willing to hear how I'm wrong in this instance, but it feels sooooo over the top with what it's trying to do. It's not too hard to be on board with for the most part, but the final scenes really go for it - I mean the lines "you're insane!" "No, we're just men" - really!? It just feels very in the nose to me.
Other than that, this film is turd. It gets a star for Imogen Poots and the creative snow angel death scene at the start. Watch the original instead.
