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Vince Clarke recommended Hotel California by Eagles in Music (curated)
LeftSideCut (3776 KP) rated Underwater (2020) in Movies
Sep 11, 2020
Fair play, Underwater doesn't fuck around - 2 minutes in and all hell starts breaking loose and shit hits the fan pretty relentlessly until the credits roll. It's clear that director William Eubank wants your attention from the beginning - unfortunately it doesn't quite stay like this throughout...
I actually enjoyed Underwater for the most part, it's just that somewhere in the middle, it really starts to drag a bit, and I'm not even quite sure why - there's always something going on but it just lost me a bit.
Fortunately, the up and down middle act is book-ended by a very strong and tense first act, and one hell of a final third - no spoilers here but holy fuck!!!
The ending 'reveal' honestly elevates Underwater to loftier heights.
It also benefits from a good cast. Kristen Stewart has really grown on me in recent years and she's a fantastic lead in this. Always a pleasure to have Jessica Henwick and John Gallagher Jr. onscreen as well.
As per usual, I couldn't really get on with T.J. Miller - there's just something about that dude that always feels a bit too try hard - people liked him in Deadpool and now he's just typecast as the comic relief - Underwater doesn't really need comic relief.
There are some genuinely tense moments here and there, and the Aliens vibes are prominent - it's of course a few tiers under Aliens, but the bottom of the sea feels just as empty and otherworldly as space, and the creature designs are suitably eerie. The low light levels cover up a lot of CGI, so it never looks too fake either, with the exception of a couple of dodgy gore effects.
Underwater is a decent enough sci-fi-horror thriller that suffer a bit from pacing issues, but a good watch for those of you who like movie monsters.
I actually enjoyed Underwater for the most part, it's just that somewhere in the middle, it really starts to drag a bit, and I'm not even quite sure why - there's always something going on but it just lost me a bit.
Fortunately, the up and down middle act is book-ended by a very strong and tense first act, and one hell of a final third - no spoilers here but holy fuck!!!
The ending 'reveal' honestly elevates Underwater to loftier heights.
It also benefits from a good cast. Kristen Stewart has really grown on me in recent years and she's a fantastic lead in this. Always a pleasure to have Jessica Henwick and John Gallagher Jr. onscreen as well.
As per usual, I couldn't really get on with T.J. Miller - there's just something about that dude that always feels a bit too try hard - people liked him in Deadpool and now he's just typecast as the comic relief - Underwater doesn't really need comic relief.
There are some genuinely tense moments here and there, and the Aliens vibes are prominent - it's of course a few tiers under Aliens, but the bottom of the sea feels just as empty and otherworldly as space, and the creature designs are suitably eerie. The low light levels cover up a lot of CGI, so it never looks too fake either, with the exception of a couple of dodgy gore effects.
Underwater is a decent enough sci-fi-horror thriller that suffer a bit from pacing issues, but a good watch for those of you who like movie monsters.
LeftSideCut (3776 KP) rated Wishmaster 4: The Prophecy Fulfilled (2002) in Movies
Nov 28, 2020
Honestly, watching the alarmingly sharp decline of the Wishmaster films in terms of quality, I was expecting this last entry to be nothing short of hot burning turd, but I actually found it to be pretty watchable!
Starting with the positives - Tara Spencer-Nairn is easily the most likable protagonist in the whole franchise. The dude who plays the Djinn in human form isn't Sean Connery's son. It low-key has one of the most hilariously unnecessary kills in cheap-horror history (of course it's the nice older lady being flat out beheaded by a massive sword), and not importantly, it tries to do something different plot wise! I mean, it's soooo fucking stupid (essentially revolving around the Djinn falling in love and getting laid) but it's way more entertaing than 2 and 3.
It's not all good though (surprising, I know). As mentioned, it's still cheap as hell. The movies subtitle suggests that finally were going to get to see some form of Djinn fronted apocalypse, but the closest we get is the Djinn and the aformentioned old lady decapitation dude having a Power Rangers style sword fight near some shrubbery.
Also, the gore effects are silly - there's one point where a guys nose gets cut off, but when the shot flicks back to his face, it's clear that his nose is still there, just covered in red make up. The same thing happens to someone's hand later on.
This whole series has been a chore to be quite honest, but I can safely say, that this is the best film I've ever seen that involves a bar tender becoming a zit on a strippers butt cheek (that we don't even get to see boooooo).
With one final push, Wishmaster finally ascends from bottom of the barrel tripe, to so-bad-it's-kinda-good.
Starting with the positives - Tara Spencer-Nairn is easily the most likable protagonist in the whole franchise. The dude who plays the Djinn in human form isn't Sean Connery's son. It low-key has one of the most hilariously unnecessary kills in cheap-horror history (of course it's the nice older lady being flat out beheaded by a massive sword), and not importantly, it tries to do something different plot wise! I mean, it's soooo fucking stupid (essentially revolving around the Djinn falling in love and getting laid) but it's way more entertaing than 2 and 3.
It's not all good though (surprising, I know). As mentioned, it's still cheap as hell. The movies subtitle suggests that finally were going to get to see some form of Djinn fronted apocalypse, but the closest we get is the Djinn and the aformentioned old lady decapitation dude having a Power Rangers style sword fight near some shrubbery.
Also, the gore effects are silly - there's one point where a guys nose gets cut off, but when the shot flicks back to his face, it's clear that his nose is still there, just covered in red make up. The same thing happens to someone's hand later on.
This whole series has been a chore to be quite honest, but I can safely say, that this is the best film I've ever seen that involves a bar tender becoming a zit on a strippers butt cheek (that we don't even get to see boooooo).
With one final push, Wishmaster finally ascends from bottom of the barrel tripe, to so-bad-it's-kinda-good.
LeftSideCut (3776 KP) rated Bride of Re-Animator (1990) in Movies
Oct 3, 2020
The first Re-Animator definitely ranks in my personal top horrors of all time, and it's sequel isn't that far behind in quality.
First and foremost, Bride of Re-Animator is batshit insane, arguably more so than its predecessor. My the time the climax rolls around, there is just an unholy amount of crazy shit going on at once. It's genuinely quite challenging to take it all in, and it's nothing short of marvelous.
The effects work is outstanding. Practical effects and stop motion are used to bring a plethora of rejected experiments to life, and the whole film is just caked in gore and viscera (be prepared if you get funny about veins and ligaments...)
There's one particular moment that could well be one of the finest examples of body horror ever committed to screen.
The puppeteer of this madness is of course Herbert West, a bonafide icon of horror, and once again played by the great Jeffrey Combs. It's great to see David Gale and Bruce Abbott back for another stint as well, and Kathleen Kinmont gives it her all as the titular and showstopping Bride of Re-Animator.
The only real way that Bride falls short of the first movie is really down to pacing and structure. The payoff is fantastic, but the majority of film that comes beforehand feels a bit jumbled together (much like the Bride herself) and comes across as disjointed at times. Honestly, any character that isn't mentioned above is also just kind of there, but that's a minor grumble in a film that involves Hebert West.
Not quite as brilliant as the first Re-Animator then, but a suitably absurd sequel that can stand proud on its own merits.
First and foremost, Bride of Re-Animator is batshit insane, arguably more so than its predecessor. My the time the climax rolls around, there is just an unholy amount of crazy shit going on at once. It's genuinely quite challenging to take it all in, and it's nothing short of marvelous.
The effects work is outstanding. Practical effects and stop motion are used to bring a plethora of rejected experiments to life, and the whole film is just caked in gore and viscera (be prepared if you get funny about veins and ligaments...)
There's one particular moment that could well be one of the finest examples of body horror ever committed to screen.
The puppeteer of this madness is of course Herbert West, a bonafide icon of horror, and once again played by the great Jeffrey Combs. It's great to see David Gale and Bruce Abbott back for another stint as well, and Kathleen Kinmont gives it her all as the titular and showstopping Bride of Re-Animator.
The only real way that Bride falls short of the first movie is really down to pacing and structure. The payoff is fantastic, but the majority of film that comes beforehand feels a bit jumbled together (much like the Bride herself) and comes across as disjointed at times. Honestly, any character that isn't mentioned above is also just kind of there, but that's a minor grumble in a film that involves Hebert West.
Not quite as brilliant as the first Re-Animator then, but a suitably absurd sequel that can stand proud on its own merits.
LeftSideCut (3776 KP) rated Friday the 13th Part VIII: Jason Takes Manhattan (1989) in Movies
Jan 11, 2021
Maybe I'm a little numb to this franchise being bad in anyway at this point, because I low key loved this. It's unencumbered nonsense, but dammit it's entertaining.
That title is misleading too. It should be called "Friday the 13th Part VIII: Jason on a boat, and then fucking around in a Manhattan sewer tunnel" but I absolutely commend the makers for trying something different with a new location. Jason on a cruise ship is actually a pretty neat visual.
This franchise has always been campy (pun fully intended) but Part VIII does really dial it up. Everything is so painfully 80s and over the top that not even Jason feel intimidating, which is doubly as frustrating considering Kane Hodder is back for another turn.
On top of this, the series strays even further from the formula of having at least one likable protagonist, with every character here just being plain unmemorable (apart from the boxing dude, that guy deserves all the praise for taking Jason on with his bare hands).
To drive the final nails into the coffin, the gore is once again really toned down, the make up effects on Jason's unmasked face are atrociously bad (his face looks like a soggy and battered piece of toast) which is a real shame after how fucking dope he looks in Part VII, and finally and arguably most importantly, this is the only entry in the core series that isn't scored by Harry Manfredini, which is just heresy in my book.
Despite all this, I still find Part VIII weirdly entertaining and enjoyable. Its doesn't get boring and should be watched knowing what's about to unfold - a tongue in cheek, 80s as balls silly slasher that has at least two instances of a girl doing extended electric guitar solos - it's better than Part III, fight me.
That title is misleading too. It should be called "Friday the 13th Part VIII: Jason on a boat, and then fucking around in a Manhattan sewer tunnel" but I absolutely commend the makers for trying something different with a new location. Jason on a cruise ship is actually a pretty neat visual.
This franchise has always been campy (pun fully intended) but Part VIII does really dial it up. Everything is so painfully 80s and over the top that not even Jason feel intimidating, which is doubly as frustrating considering Kane Hodder is back for another turn.
On top of this, the series strays even further from the formula of having at least one likable protagonist, with every character here just being plain unmemorable (apart from the boxing dude, that guy deserves all the praise for taking Jason on with his bare hands).
To drive the final nails into the coffin, the gore is once again really toned down, the make up effects on Jason's unmasked face are atrociously bad (his face looks like a soggy and battered piece of toast) which is a real shame after how fucking dope he looks in Part VII, and finally and arguably most importantly, this is the only entry in the core series that isn't scored by Harry Manfredini, which is just heresy in my book.
Despite all this, I still find Part VIII weirdly entertaining and enjoyable. Its doesn't get boring and should be watched knowing what's about to unfold - a tongue in cheek, 80s as balls silly slasher that has at least two instances of a girl doing extended electric guitar solos - it's better than Part III, fight me.
Darren Fisher (2454 KP) rated Killer's Moon (1978) in Movies
Dec 11, 2020 (Updated Dec 11, 2020)
Classic low budget British horror
I love my bonkers films and this demented British horror from Alan Birkinshaw certainly is up there. Four lunatics escape from a cottage (yep, not even a mental institution) whilst dosed up on LSD provided by the psychiatrists (it's a experiment in which said nutters think they are only dreaming - so whatever they do whilst tripping holds no consequence). Meanwhile, in the middle of nowhere, a bus full of schoolgirls brakes down. With no other choice the bus driver goes lookin for help whilst the teachers and girls seek refuge in a desolate hotel. As the escaped lunatics make their murderous way across country they come across the hotel. Once inside they begin tormenting, raping and decimating the cast. It's grimy, sleazy and very non-politically correct. I certainly can't imagine it getting made in todays times. The infrequent gore scenes are more 'Carry On...' style than gruesome, the special effects are amateur, accompanied with goofy sound effects. What carries the film along is the dialogue. Co-written with the directors sister Fay Weldon, the script is jaw droppingly unbelievable, unintentionally hilarious and mind-bogglingly bizarre. The most infamous quote comes after one school girl has been raped by one of the lunatics and pretty much sets the tone of what you are watching...
"Look, you were only raped, as long as you don't tell anyone about it you'll be alright. You pretend it never happened, I pretend I never saw it and if we ever get out of this alive, well, maybe we'll both live to be wives and mothers"
Just one of many delicious quotes from the film I hasten to add. Guaranteed trash gold. Highly recommended.
"Look, you were only raped, as long as you don't tell anyone about it you'll be alright. You pretend it never happened, I pretend I never saw it and if we ever get out of this alive, well, maybe we'll both live to be wives and mothers"
Just one of many delicious quotes from the film I hasten to add. Guaranteed trash gold. Highly recommended.
Gareth von Kallenbach (980 KP) rated Happy Death Day (2017) in Movies
Jul 11, 2019
Using familiar themes can be a risk. What we have seen in previous films that define a style, becomes cliché and bores the audience. Then there are times when movies turn the trope on its head and gives us a clever take on the familiar. Christopher Landon (Scout’s Guide To The Zombie Apocalypse) has directed a fun romp in suspense and horror. Yes, there is the blatant reference to Groundhog Day, but this film is definitely a homage to John Carpenter, the master of the genre.
We know from the trailer that this is a horror/suspense loop and there are expectations set in this type of film. The young, attractive, woman, stalked by an unknown, masked assailant with a penchant for cutlery. As we know, Tree (Jessica Rothe) gets killed repeatedly on her birthday. We know it’s a slasher flick, expecting to see lots of blood and gore. Putting the main character in a time loop is definitely a twist in the storytelling.
Using repetition in film can be a tricky, stalling the momentum of the film. There was a moment during where I wondered when the loop would end, creating the feeling of hopelessness. It is at that time where Tree’s through process shifts and we travel with her in this never ending day. It takes a few times in the loop for Tree’s character to become enlightened She does figure out that each return is a do-over, an opportunity to make different choices.
The film also tips it’s hat to the college/high school, mean girl movies and definitely a nod to John Hughes Sixteen Candles. It had humor, wit and clever character development, I certainly did not expect to enjoy the film as much as I did. I would definitely watch it again to catch all of the references.
We know from the trailer that this is a horror/suspense loop and there are expectations set in this type of film. The young, attractive, woman, stalked by an unknown, masked assailant with a penchant for cutlery. As we know, Tree (Jessica Rothe) gets killed repeatedly on her birthday. We know it’s a slasher flick, expecting to see lots of blood and gore. Putting the main character in a time loop is definitely a twist in the storytelling.
Using repetition in film can be a tricky, stalling the momentum of the film. There was a moment during where I wondered when the loop would end, creating the feeling of hopelessness. It is at that time where Tree’s through process shifts and we travel with her in this never ending day. It takes a few times in the loop for Tree’s character to become enlightened She does figure out that each return is a do-over, an opportunity to make different choices.
The film also tips it’s hat to the college/high school, mean girl movies and definitely a nod to John Hughes Sixteen Candles. It had humor, wit and clever character development, I certainly did not expect to enjoy the film as much as I did. I would definitely watch it again to catch all of the references.
Darren (1599 KP) rated Black Sheep (2006) in Movies
Oct 14, 2019
Characters/Performance – Henry is the successful brother that gets traumatised when he is young, now grown up he comes to back to the farm to collect his part of the money. When he learns the truth, he must now face his nightmares and fight off the killer sheep running over the farm. Angus the brother that has been experimenting on sheep for his own personal gain, this puts his own life and members of his farm. Experience is the environmentalist that wants to expose the farm but she quickly turns when she needs to fight to survive.
Performance wise, each performance adds to the comedy being told through this film, no one is great but they all know just how to get the extra laugh needed from their characters.
Story – Only in horror could you come up with an idea of genetical altered sheep that will try to kill people. If you watch this story with this in mind, you will truly enjoy this story because it is just that bonkers it works.
Horror/Comedy – The horror would be, how scary do you find sheep? Well what about killer mutant sheep, that is your horror side to the story but this could also be used to describe the comedy involved in this film too.
Settings – The film is set upon on the farm which is good for the horror isolation side of the film as they must use the land to fight the sheep off.
Special Effects – All the effects are practical and all come off looking fantastic when you look to add the extra element of gore to the film.
Final Thoughts – This is one of those horrors you can put on and enjoy because the laughs and idea are so farfetched you just must laugh to get through it all.
Overall: Fun and enjoyable horror comedy.
Performance wise, each performance adds to the comedy being told through this film, no one is great but they all know just how to get the extra laugh needed from their characters.
Story – Only in horror could you come up with an idea of genetical altered sheep that will try to kill people. If you watch this story with this in mind, you will truly enjoy this story because it is just that bonkers it works.
Horror/Comedy – The horror would be, how scary do you find sheep? Well what about killer mutant sheep, that is your horror side to the story but this could also be used to describe the comedy involved in this film too.
Settings – The film is set upon on the farm which is good for the horror isolation side of the film as they must use the land to fight the sheep off.
Special Effects – All the effects are practical and all come off looking fantastic when you look to add the extra element of gore to the film.
Final Thoughts – This is one of those horrors you can put on and enjoy because the laughs and idea are so farfetched you just must laugh to get through it all.
Overall: Fun and enjoyable horror comedy.
LeftSideCut (3776 KP) rated The Predator (2018) in Movies
Oct 15, 2019 (Updated Dec 4, 2019)
A pretty shoddy sequel with some good moments here and there
There a lot of issues that kept The Predator from being a decent movie...
The special effects are a big one. A lot of the CGI in this is pretty dodgy. Especially for gore moments. It boggles my mind why a lot of horror films these days favour CGI over practical effects. Films like Alien, and The Thing (80s) stand as a testament to how practical horror work can be truly memorable.
In The Predator however, it's looks cartoony and fake - at one point I had to check I was watching a movie from 2018!
The dog creatures also look horrible - just bland and dark grey CGI blobs with teeth.
The 'classic' Predator that we see throughout this film is for the most part a guy in a suit, and it looks way better.
The characters are also an issue. They're not on the same level as awful as the characters from Predators, but they're all just unfunny walking cliches, which is a shame as there are some talented actors involved, trying to do the best with what they've been given.
The script attempts to shoehorn in plot strands that are not particularly relative to the overall narrative, including a complete tone deaf side plot about autism, which drags down what should be a pretty straightforward story.
The action isn't too bad, pretty entertaining as far as popcorn horror blockbusters go, with some creative deaths thrown in, but once again, the films over reliance on average CGI sours it all somewhat.
The Predator is not the awful film I had heard about, but it's predictably not a scratch on the original. Maybe it's time for the franchise to wrap it up.
The special effects are a big one. A lot of the CGI in this is pretty dodgy. Especially for gore moments. It boggles my mind why a lot of horror films these days favour CGI over practical effects. Films like Alien, and The Thing (80s) stand as a testament to how practical horror work can be truly memorable.
In The Predator however, it's looks cartoony and fake - at one point I had to check I was watching a movie from 2018!
The dog creatures also look horrible - just bland and dark grey CGI blobs with teeth.
The 'classic' Predator that we see throughout this film is for the most part a guy in a suit, and it looks way better.
The characters are also an issue. They're not on the same level as awful as the characters from Predators, but they're all just unfunny walking cliches, which is a shame as there are some talented actors involved, trying to do the best with what they've been given.
The script attempts to shoehorn in plot strands that are not particularly relative to the overall narrative, including a complete tone deaf side plot about autism, which drags down what should be a pretty straightforward story.
The action isn't too bad, pretty entertaining as far as popcorn horror blockbusters go, with some creative deaths thrown in, but once again, the films over reliance on average CGI sours it all somewhat.
The Predator is not the awful film I had heard about, but it's predictably not a scratch on the original. Maybe it's time for the franchise to wrap it up.
Sarah (7800 KP) rated The Umbrella Academy - Season 2 in TV
Aug 2, 2020
As good as the first
There's always a sense of great apprehension when a new series of a TV show is released, especially when the original first series was so good. However I'm pleased to say that the second series of The Umbrella Academy is just as good as the first.
This second series feels a lot more cohesive and together than the first series, possibly because it's characters and a storyline we now know quite well. The plot itself is great- sticking with what we know and trying to prevent another apocalypse. At first I was sceptical that they'd split the siblings up, but actually this works really well as it gives each of them an interesting separate story. The formula of this series is pretty much the same as the first, but that isn't a problem because it works really well. It has a killer soundtrack and the script is very witty and at times hilarious. There are some brilliantly humorous lines in this that had me laughing out loud on many occasions.
Again, there are some characters that excel over others - Five, Klaus and Diego are by far my favourites and they get some absolutely brilliant lines and scenes. That said, the rest of the characters are likeable and good. Even Vanya won me over this time now she's no longer the whiny person she was at the start of the first series. The Swedes too are wonderfully wacky.
The whole series is just fantastic. From the impressive fight scenes to the gore and special effects and the fitting soundtrack (even managing to fit in the Backstreet Boys - genius), I enjoyed this from start to finish. The ending definitely sets this up (quite funnily so) for another series and I really can't wait to see it.
This second series feels a lot more cohesive and together than the first series, possibly because it's characters and a storyline we now know quite well. The plot itself is great- sticking with what we know and trying to prevent another apocalypse. At first I was sceptical that they'd split the siblings up, but actually this works really well as it gives each of them an interesting separate story. The formula of this series is pretty much the same as the first, but that isn't a problem because it works really well. It has a killer soundtrack and the script is very witty and at times hilarious. There are some brilliantly humorous lines in this that had me laughing out loud on many occasions.
Again, there are some characters that excel over others - Five, Klaus and Diego are by far my favourites and they get some absolutely brilliant lines and scenes. That said, the rest of the characters are likeable and good. Even Vanya won me over this time now she's no longer the whiny person she was at the start of the first series. The Swedes too are wonderfully wacky.
The whole series is just fantastic. From the impressive fight scenes to the gore and special effects and the fitting soundtrack (even managing to fit in the Backstreet Boys - genius), I enjoyed this from start to finish. The ending definitely sets this up (quite funnily so) for another series and I really can't wait to see it.