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Jessica Erdas (463 KP) rated Tag (2015) in Movies
Jun 23, 2018
Confusing Gorefest
I saw the first five minutes of this on a facebook post and was intrigued by the very suddenly bloody start so I figured I'd give it a chance. Being a fan of horror, I was excited about it. The beginning feeds the promise of gore and progresses quickly, leaving you confused at each turn. Instead of really coming to a conclusion, I feel that the movie left more questions than answers. As the storyline progressed towards the end, it gave off not so subtle Donnie Darko vibes. Where the aforementioned movie gave way with answers and a satisfactory conclusion, Tag seemed to miss the mark in that category. Still would probably watch again.
Madbatdan82 (341 KP) rated The Funhouse Massacre (2015) in Movies
Apr 20, 2019
A film that's really fun....house
I stumbled onto this by accident. What a happy accident. The story is fairly average, group of friends go to a Halloween funhouse attraction based on local serial killers - the very same killers who have just escaped from a local asylum. Plenty of stalk and slash happens as the killers now there way through the unexpecting guests. What's not average is the gore which is unbelievably good for a low budget horror. Also good is the comedy - this film is genuinely quite funny with the sheriff's deputy and 'machete' being highlights. It's not going to win any awards or blow anyone away but for a 90 min black comedy gorefest you will not be disappointed!!
Rickey A. Mossow Jr. (689 KP) rated Child's Play (2019) in Movies
Sep 14, 2019
A good modernization of the cult classic killer doll film.
As a man in my 30s, I grew up on the original Child's Play and the sequels that followed. So, I was half excited and half worried when this reboot/remake was announced. So many attempts by Hollywood to bring back beloved and cult classics have failed miserably and ruined the magic of the originals. Through the first 20 or so minutes of this one, I was worried this one would fall into this category. And while I wasn't completely thrilled with the film's liberties taken with the doll's origin story, it was easy to set aside due to some decent storytelling. You get to know Chucky in these scenes and a basis for his later acts is laid. You feel for him, and you laugh (a thing done often in the Child's Play canon.) Then, the 2nd and 3rd acts of the film ramp up and continue to build in an understandable, graphic gorefest with a horror plot to keep you riveted. Although I am a purist and would have preferred they stick closer to the original, I thoroughly enjoyed this modernization of the killer doll tale. (But I'll never forget Charles Lee Ray or the chant of dooey de dim bella, give me the power I beg of you!)
Acanthea Grimscythe (300 KP) rated Mass Hysteria in Books
May 16, 2018
As seen on <a href="http://theghastlygrimoire.com/"; target="new">The Ghastly Grimoire</a>.
Wow. Okay, I honestly felt I should have received some sort of warning before I opened this book! That aside, once I swallowed the surprise I received and accepted the book for what it is, I actually enjoyed several it. Mass Hysteria by Michael Patrick Hicks approaches the days after the apocalypse with a complete overhaul of social hierarchy in the most gruesome of ways.
In the wake of a meteor falling and bringing with it a virus appearing as an airborne variety of rabies (which is a much appreciated change from nuclear disaster and zombie outbreaks), several members of a small community in Michigan quickly find themselves fighting for their lives. Hicks’s gorefest begins shortly after and readers quickly discover that this is a writer that doesn’t hold back – my kind of man, honestly.
One of the things that strike me as most disturbing and simultaneously teasing of Hicks’s work is the sheer fact that he introduces us to several characters in intimate ways. Readers are given just enough of a taste of the good guys, too much of the bad, and justice? Well, there sure isn’t enough of that after the world’s ended.
I cannot stress enough how graphic this book is, just as I cannot think of any words devoid of spoilers to prepare readers for what the journey they might embark on when they open Mass Hysteria‘s pages. What I can say is this: under all the horrific elements that bury this book, Hicks explores the most depraved of all: human nature at its worst.
I gladly look forward to reading more of this author’s work. A special thanks to NetGalley and High Fever Books for providing me with a copy of this book in exchange for an honest, unbiased review.
Wow. Okay, I honestly felt I should have received some sort of warning before I opened this book! That aside, once I swallowed the surprise I received and accepted the book for what it is, I actually enjoyed several it. Mass Hysteria by Michael Patrick Hicks approaches the days after the apocalypse with a complete overhaul of social hierarchy in the most gruesome of ways.
In the wake of a meteor falling and bringing with it a virus appearing as an airborne variety of rabies (which is a much appreciated change from nuclear disaster and zombie outbreaks), several members of a small community in Michigan quickly find themselves fighting for their lives. Hicks’s gorefest begins shortly after and readers quickly discover that this is a writer that doesn’t hold back – my kind of man, honestly.
One of the things that strike me as most disturbing and simultaneously teasing of Hicks’s work is the sheer fact that he introduces us to several characters in intimate ways. Readers are given just enough of a taste of the good guys, too much of the bad, and justice? Well, there sure isn’t enough of that after the world’s ended.
I cannot stress enough how graphic this book is, just as I cannot think of any words devoid of spoilers to prepare readers for what the journey they might embark on when they open Mass Hysteria‘s pages. What I can say is this: under all the horrific elements that bury this book, Hicks explores the most depraved of all: human nature at its worst.
I gladly look forward to reading more of this author’s work. A special thanks to NetGalley and High Fever Books for providing me with a copy of this book in exchange for an honest, unbiased review.
Charlie Cobra Reviews (1840 KP) rated Overlord (2018) in Movies
Jul 3, 2020 (Updated Oct 29, 2020)
Over The Top Action Horror Gorefest - 8/10
Overlord is a action/horror movie directed by Julius Avery, and written by Billy Ray and Mark L. Smith. Produced by J. J. Abrams and Lindsey Weber through Bad Robot Productions, it's R rating, action, and gore carry it past where so many PG-13 horror movies fall short. I really enjoyed this movie despite the familiarity of feeling like a movie version of Call of Duty's Nazi Zombies.
The night before D-day a squad of paratroopers are tasked with destroying a German radio tower in an occupied French village. Before they can reach their target their plane is shot down and they are left with a ragtag group of survivors: Private First Class Ed Boyce (Jovan Adepo), and Corporal Ford (Wyatt Russell) among others. Also starring John Magaro, Iain De Caestecker, Jacob Anderson, and Dominic Applewhite. While traveling they find a French woman, Chloe (Matthilde Ollivier) who leads them to her home in the village where she lives with her little brother. Boyce is ordered to look for survivors at a rendezvous point and while avoiding detection, has no choice but to infiltrate the base to hide from soldiers. While using the base as a means of escape and avoid capture he learns the Nazis are submitting p.o.w.s and villagers to horrendous experiments involving a mysterious liquid.
While no character came off as exclusively entertaining to me, I felt the film did well in conveying the difficulty of a diverse group being forced to work with each other for their survival. I also felt the casting was successful, although the lead didn't fall into the usual "soldier" archetype, the others did, but rounded off the group in a good way. The casts' chemistry was good, their roles were believable plus the special effects and gore were awesome. Like I said 8/10, almost a 9, but I felt it suspended disbelief too much at the end and was a little "too" over the top.
The night before D-day a squad of paratroopers are tasked with destroying a German radio tower in an occupied French village. Before they can reach their target their plane is shot down and they are left with a ragtag group of survivors: Private First Class Ed Boyce (Jovan Adepo), and Corporal Ford (Wyatt Russell) among others. Also starring John Magaro, Iain De Caestecker, Jacob Anderson, and Dominic Applewhite. While traveling they find a French woman, Chloe (Matthilde Ollivier) who leads them to her home in the village where she lives with her little brother. Boyce is ordered to look for survivors at a rendezvous point and while avoiding detection, has no choice but to infiltrate the base to hide from soldiers. While using the base as a means of escape and avoid capture he learns the Nazis are submitting p.o.w.s and villagers to horrendous experiments involving a mysterious liquid.
While no character came off as exclusively entertaining to me, I felt the film did well in conveying the difficulty of a diverse group being forced to work with each other for their survival. I also felt the casting was successful, although the lead didn't fall into the usual "soldier" archetype, the others did, but rounded off the group in a good way. The casts' chemistry was good, their roles were believable plus the special effects and gore were awesome. Like I said 8/10, almost a 9, but I felt it suspended disbelief too much at the end and was a little "too" over the top.
Chris Sawin (602 KP) rated Spiral (2007) in Movies
Jun 19, 2019
Mason isn't exactly your everyday joe. He's an artist. A sketcher and a painter, but he's also incredibly quiet and tends to keep to himself. He has an office job where he tries to sell car insurance, but he doesn't exactly fit in with others. His only friend(if that's what you want to call him) is Berkeley, the boss. Berkeley comes off like he cares about Mason, but his compassion is overshadowed by the fact that he's a prick. Things start looking up for Mason as he meets Amber. After seeing Mason's sketches and getting to know him a little better, she decides she wants him to paint her. Mason's...odd side starts to reveal itself as he won't let Amber see his sketches. "There are rules," he says, "You can't see it until it's done." As Amber gets closer to Mason, what can he be hiding? Why is he such an "enigma," as Amber put it? Why does he keep having disturbing dreams about another woman?
Where do I start? I actually really liked this. I was expecting to as Adam Green and Joel David Moore were both involved with Hatchet, which is a guilty pleasure of mine. While Hatchet is half comedy and half gorefest, Spiral is more of a dramatic thriller that builds towards the ending. Spiral, while being low budget, is shot in superb fashion. The way its shot is actually its charm. I love the way the camera gets shaky during the scenes where Mason seems like he's going to lose it or when he finally does. Joel David Moore is also in top form here. His talent truly shines in this role. Everything from his body language to the way he chomps his teeth when he gets nervous, he sucks you in. You wind up feeling sorry for Mason even though you know he's twisted in some way. Witnessing his character unveil how dark really is is just amazing. The other actor I was really impressed with was Zachary Levi. I wound up becoming a fan of his with Chuck, but I've never seen him like this. He's basically a prick with a heart(even though that side of him is really only shown to Mason). While his role is a little small, he's still able to steal a few scenes...especially in the last half of the film. The other element that really adds to the film is the jazz music used. It fits perfectly with Mason's personality. Jazz music accentuates Mason's insanity that nothing else could. I really have nothing bad to say about the film.
This may surprise a few people, but Spiral is actually quite enjoyable. The acting is top notch and it's written incredibly well. For a movie that went straight to DVD, it's quite surprising how good it actually is. Even if you hated Hatchet, you should give Spiral a chance as it's a completely different kind of film.
Where do I start? I actually really liked this. I was expecting to as Adam Green and Joel David Moore were both involved with Hatchet, which is a guilty pleasure of mine. While Hatchet is half comedy and half gorefest, Spiral is more of a dramatic thriller that builds towards the ending. Spiral, while being low budget, is shot in superb fashion. The way its shot is actually its charm. I love the way the camera gets shaky during the scenes where Mason seems like he's going to lose it or when he finally does. Joel David Moore is also in top form here. His talent truly shines in this role. Everything from his body language to the way he chomps his teeth when he gets nervous, he sucks you in. You wind up feeling sorry for Mason even though you know he's twisted in some way. Witnessing his character unveil how dark really is is just amazing. The other actor I was really impressed with was Zachary Levi. I wound up becoming a fan of his with Chuck, but I've never seen him like this. He's basically a prick with a heart(even though that side of him is really only shown to Mason). While his role is a little small, he's still able to steal a few scenes...especially in the last half of the film. The other element that really adds to the film is the jazz music used. It fits perfectly with Mason's personality. Jazz music accentuates Mason's insanity that nothing else could. I really have nothing bad to say about the film.
This may surprise a few people, but Spiral is actually quite enjoyable. The acting is top notch and it's written incredibly well. For a movie that went straight to DVD, it's quite surprising how good it actually is. Even if you hated Hatchet, you should give Spiral a chance as it's a completely different kind of film.
Chris Sawin (602 KP) rated Book of Blood (2008) in Movies
Jun 20, 2019
"The dead have highways. Highways that lead to intersections and intersections that spill into our world. And if you find yourself at one of those intersections, you should stop and you should listen because the dead have stories to tell."
Mary Florescu, writer, teacher, and overall expert of the paranormal, is still looking for the distinct evidence of supernatural occurences. A house catches her eye that has been on the market since the daughter of the couple living there before had been murdered. It's said the original homeowner was thrown against the wall by an invisible force so hard that shards of his broken bones pierced his lungs and he choked to death on his own blood. During each incident, the message, "Don't mock us," was found written in blood on the closet doors. Mary decides to move into the house to find proof of the supernatural, bringing an audio/video technician, Reg Fuller, to help document anything they find. A new student, Simon McNeal, transfers into Mary's class. He seems to have a special gift related to the paranormal and is brought into the house to help work with Mary and Reg on the project. Strange occurences seem to begin immediately and only get more violent as they occur. But as things progress, the relationship between Mary and Simon turns physical and suspicious evidence is found in Simon's bag that point to him being a fake. Is the house actually "haunted," or is Simon playing everyone for a fool?
I'm a fairly big fan of Clive Barker's work. I've loved the books and stories (Books of Blood Vol. 1-3, Mister B. Gone, The Hellbound Heart) of his that I've read and several of his films (Hellraiser, Midnight Meat Train) are some of the best the horror genre has to offer. Midnight Meat Train was probably the best horror film to come out of last year, so my expectations were high when I heard about this film and saw the trailer. This was one of my most anticipated horror films of the year even though it seemed to get the short end of the stick with its release much like what happened with Midnight Meat Train. I can tell you that Book of Blood is a good watch, but it may not be what you're expecting.
Book of Blood has its bloody moments, but it's not an all out gorefest. It's actually more of a supernatural thriller. The director, John Harrison, described the film as being more along the lines of films like The Others and The Orphanage. It relies more on mood and atmosphere rather than blood and guts splattering all over your face, which isn't a bad thing at all if done correctly. Book of Blood almost pulls that aspect of the film flawlessly. I say, "almost," because certain lines of dialogue ("I promise we will listen and I will tell your stories to the world.") and a few of the things that happened in the final act of the film (steel briefcase...it'll make sense when you see it) seem a bit cheesy, but may sit better with me on repeat viewings.
The film actually reminded me of Hellraiser quite a bit throughout the film. Other than Doug Bradley's brief cameo (if you blink, you'll probably miss him), the opening scene of when Reg and Mary go into the room where everything happened just reminds me of Frank staying in the attic in Hellraiser. Hellraiser is one of my favorite horror films, so the brief nod to the film (whether intentional or not) was very welcome to me.
My main concern with Book of Blood was how they were going to turn a short story that was originally just an introduction to the actual Books of Blood by Clive Barker into a full length film. The concern wound up being for nothing as Book of Blood met nearly all of my expectations and was extremely faithful to the original material while bringing in elements from another one of his stories called, "On Jerusalem Street." The story fleshes out nicely and the acting is good, for the most part. I think the perfectionist in me kept me from rating this any higher, but I'd definitely recommend it as it's a worthy addition to any avid horror movie enthusiast's collection.
Mary Florescu, writer, teacher, and overall expert of the paranormal, is still looking for the distinct evidence of supernatural occurences. A house catches her eye that has been on the market since the daughter of the couple living there before had been murdered. It's said the original homeowner was thrown against the wall by an invisible force so hard that shards of his broken bones pierced his lungs and he choked to death on his own blood. During each incident, the message, "Don't mock us," was found written in blood on the closet doors. Mary decides to move into the house to find proof of the supernatural, bringing an audio/video technician, Reg Fuller, to help document anything they find. A new student, Simon McNeal, transfers into Mary's class. He seems to have a special gift related to the paranormal and is brought into the house to help work with Mary and Reg on the project. Strange occurences seem to begin immediately and only get more violent as they occur. But as things progress, the relationship between Mary and Simon turns physical and suspicious evidence is found in Simon's bag that point to him being a fake. Is the house actually "haunted," or is Simon playing everyone for a fool?
I'm a fairly big fan of Clive Barker's work. I've loved the books and stories (Books of Blood Vol. 1-3, Mister B. Gone, The Hellbound Heart) of his that I've read and several of his films (Hellraiser, Midnight Meat Train) are some of the best the horror genre has to offer. Midnight Meat Train was probably the best horror film to come out of last year, so my expectations were high when I heard about this film and saw the trailer. This was one of my most anticipated horror films of the year even though it seemed to get the short end of the stick with its release much like what happened with Midnight Meat Train. I can tell you that Book of Blood is a good watch, but it may not be what you're expecting.
Book of Blood has its bloody moments, but it's not an all out gorefest. It's actually more of a supernatural thriller. The director, John Harrison, described the film as being more along the lines of films like The Others and The Orphanage. It relies more on mood and atmosphere rather than blood and guts splattering all over your face, which isn't a bad thing at all if done correctly. Book of Blood almost pulls that aspect of the film flawlessly. I say, "almost," because certain lines of dialogue ("I promise we will listen and I will tell your stories to the world.") and a few of the things that happened in the final act of the film (steel briefcase...it'll make sense when you see it) seem a bit cheesy, but may sit better with me on repeat viewings.
The film actually reminded me of Hellraiser quite a bit throughout the film. Other than Doug Bradley's brief cameo (if you blink, you'll probably miss him), the opening scene of when Reg and Mary go into the room where everything happened just reminds me of Frank staying in the attic in Hellraiser. Hellraiser is one of my favorite horror films, so the brief nod to the film (whether intentional or not) was very welcome to me.
My main concern with Book of Blood was how they were going to turn a short story that was originally just an introduction to the actual Books of Blood by Clive Barker into a full length film. The concern wound up being for nothing as Book of Blood met nearly all of my expectations and was extremely faithful to the original material while bringing in elements from another one of his stories called, "On Jerusalem Street." The story fleshes out nicely and the acting is good, for the most part. I think the perfectionist in me kept me from rating this any higher, but I'd definitely recommend it as it's a worthy addition to any avid horror movie enthusiast's collection.
Chris Sawin (602 KP) rated The Midnight Meat Train (2008) in Movies
Jun 19, 2019
Step Away from the Meat
The Midnight Meat Train is a horror film based on the short story of the same name written by Clive Barker. The story was published in the first volume of Barker’s Books of Blood short story collection. The Books of Blood totaled six volumes with four to five stories in each volume and were published between 1984 and 1985. The first volume made Barker an overnight success with Stephen King hailing Barker as, “the future of horror.”
The screenplay for the 2008 film was written by Jeff Buhler (writer for the 2019 remakes of Jacob’s Ladder, Pet Sematary, and The Grudge) and directed by Ryuhei Kitamura (Versus, Godzilla: Final Wars). Bradley Cooper stars as a struggling photographer named Leon Kauffman. While he’s secured a job as a photographer, he hasn’t been recognized as a professional just yet. But Leon has a meeting with a professional artist named Susan Hoff (Brooke Shields) that could potentially change his career status. In Leon’s eyes, he doesn’t think that any other photographer has really captured the heart of the city and that’s what he aims to do with his work. However, Susan’s criticism is that Leon is failing at his dream and to only see her again once he finds what he’s looking for.
Leon confronts some thugs during a mugging and documents the ordeal with his camera. The pictures impress Susan and she tells Leon that he’ll be featured in her next show if he brings her two more shots like the newest ones. Leon encounters Mahogany (Vinnie Jones), a butcher that works at a meat packing plant. Leon develops an obsession over Mahogany and stalks him constantly while photographing him wherever he goes. Leon suspects that Mahogany and the train he takes so late at night are the cause for so many missing people over the past three years. Leon doesn’t know how these people disappear until he follows Mahogany onto the train one fateful evening. But this operation is much more complex and dangerous than Leon first realized and his life is forever altered because of it.
This is one of the few times where the short story that inspired the film was read before seeing it. This is coming from someone who is a sporadic reader at best, but Clive Barker has been a personal favorite author for as long as this cynically bonkers brain can remember. Most of the films based on Clive Barker’s works come from The Books of Blood; Book of Blood (Volume One), Dread (Volume Two), Rawhead Rex (Volume Three), Quicksilver Highway (Volume Four, “The Body Politik”), Candyman (Volume Five, “The Forbidden”), and Lord of Illusions (Volume Six, “The Last Illusion”). Barker has always been able to build these incredibly terrifying worlds in his writing with demented characters while maintaining this richly horrifying atmosphere. Thinking so highly of Barker and admiring his work so much made expectations a little high for this film. This is also Ryuhei Kitamura’s first American and English-speaking film. The Midnight Meat Train is one of the few times where the final product actually exceeded expectations.
The Midnight Meat Train pays more attention to blood, gore, and thrills than actually attempting to be scary. The kills in the film are exceptional and director of photography Jonathan Sela (John Wick, Atomic Blonde, Deadpool 2) delivers some incredibly captivating cinematography. There’s a scene where Mahogany knocks a woman’s head off her shoulders with his mallet that he’s always carrying around, but you see it all from her perspective; she puts her hands up as a last defense before the final blow, the room spins, the camera focuses on Mahogany and the headless corpse, he lowers his mallet as she blinks a few times, and the camera pans out from her eyeball to show her severed head.
Vinnie Jones has an overwhelming and powerful performance in The Midnight Meat Train. He doesn’t have much in the way of dialogue, but he makes a massive impact on screen because of his enormous presence. The English actor is 6’2”, so you’re already drawn to this big guy when he enters a room anyway, but give him a gigantic meat mallet and a desire to kill and he evolves into this unstoppable monster that many would consider frightening. Jones knows how to utilize his facial expressions and body language in a way that says more than any string of dialogue would.
The one issue with the film is that every person seemed to be able to sense when somebody else was behind them. While it made for some intriguing camera shots, the execution killed whatever attempts at suspense The Midnight Meat Train was going for. It would have been more satisfying to see at least one person get shanked or clocked in the temple without expecting it.
The Midnight Meat Train is a relentless gorefest that remains true to its source material. The horror film is worth a watch for any fan of Clive Barker’s work or horror films in general. There was this sinking gut feeling that the film wouldn’t keep the ending in tact since it seemed like it wouldn’t translate well on-screen. Without giving too much away, the ending is completely satisfying to those who are familiar with the short story. This is a remarkably excellent horror film that fails to get the recognition it deserves.
The Midnight Meat Train is currently streaming on Amazon Prime, YouTube, and Google Play for $1.99, on Vudu for $2.99, and iTunes for $3.99. The Multi-Format Blu-ray (which is the unrated director’s cut version of the film) is currently $6.50 with prime shipping on Amazon Prime and the DVD is running for $9.99 with prime shipping. On eBay, the pre-owned DVD is $4.58, the brand new DVD is $8.49, and the new Multi-Format Blu-ray is $10.98 and all three have free shipping.
The screenplay for the 2008 film was written by Jeff Buhler (writer for the 2019 remakes of Jacob’s Ladder, Pet Sematary, and The Grudge) and directed by Ryuhei Kitamura (Versus, Godzilla: Final Wars). Bradley Cooper stars as a struggling photographer named Leon Kauffman. While he’s secured a job as a photographer, he hasn’t been recognized as a professional just yet. But Leon has a meeting with a professional artist named Susan Hoff (Brooke Shields) that could potentially change his career status. In Leon’s eyes, he doesn’t think that any other photographer has really captured the heart of the city and that’s what he aims to do with his work. However, Susan’s criticism is that Leon is failing at his dream and to only see her again once he finds what he’s looking for.
Leon confronts some thugs during a mugging and documents the ordeal with his camera. The pictures impress Susan and she tells Leon that he’ll be featured in her next show if he brings her two more shots like the newest ones. Leon encounters Mahogany (Vinnie Jones), a butcher that works at a meat packing plant. Leon develops an obsession over Mahogany and stalks him constantly while photographing him wherever he goes. Leon suspects that Mahogany and the train he takes so late at night are the cause for so many missing people over the past three years. Leon doesn’t know how these people disappear until he follows Mahogany onto the train one fateful evening. But this operation is much more complex and dangerous than Leon first realized and his life is forever altered because of it.
This is one of the few times where the short story that inspired the film was read before seeing it. This is coming from someone who is a sporadic reader at best, but Clive Barker has been a personal favorite author for as long as this cynically bonkers brain can remember. Most of the films based on Clive Barker’s works come from The Books of Blood; Book of Blood (Volume One), Dread (Volume Two), Rawhead Rex (Volume Three), Quicksilver Highway (Volume Four, “The Body Politik”), Candyman (Volume Five, “The Forbidden”), and Lord of Illusions (Volume Six, “The Last Illusion”). Barker has always been able to build these incredibly terrifying worlds in his writing with demented characters while maintaining this richly horrifying atmosphere. Thinking so highly of Barker and admiring his work so much made expectations a little high for this film. This is also Ryuhei Kitamura’s first American and English-speaking film. The Midnight Meat Train is one of the few times where the final product actually exceeded expectations.
The Midnight Meat Train pays more attention to blood, gore, and thrills than actually attempting to be scary. The kills in the film are exceptional and director of photography Jonathan Sela (John Wick, Atomic Blonde, Deadpool 2) delivers some incredibly captivating cinematography. There’s a scene where Mahogany knocks a woman’s head off her shoulders with his mallet that he’s always carrying around, but you see it all from her perspective; she puts her hands up as a last defense before the final blow, the room spins, the camera focuses on Mahogany and the headless corpse, he lowers his mallet as she blinks a few times, and the camera pans out from her eyeball to show her severed head.
Vinnie Jones has an overwhelming and powerful performance in The Midnight Meat Train. He doesn’t have much in the way of dialogue, but he makes a massive impact on screen because of his enormous presence. The English actor is 6’2”, so you’re already drawn to this big guy when he enters a room anyway, but give him a gigantic meat mallet and a desire to kill and he evolves into this unstoppable monster that many would consider frightening. Jones knows how to utilize his facial expressions and body language in a way that says more than any string of dialogue would.
The one issue with the film is that every person seemed to be able to sense when somebody else was behind them. While it made for some intriguing camera shots, the execution killed whatever attempts at suspense The Midnight Meat Train was going for. It would have been more satisfying to see at least one person get shanked or clocked in the temple without expecting it.
The Midnight Meat Train is a relentless gorefest that remains true to its source material. The horror film is worth a watch for any fan of Clive Barker’s work or horror films in general. There was this sinking gut feeling that the film wouldn’t keep the ending in tact since it seemed like it wouldn’t translate well on-screen. Without giving too much away, the ending is completely satisfying to those who are familiar with the short story. This is a remarkably excellent horror film that fails to get the recognition it deserves.
The Midnight Meat Train is currently streaming on Amazon Prime, YouTube, and Google Play for $1.99, on Vudu for $2.99, and iTunes for $3.99. The Multi-Format Blu-ray (which is the unrated director’s cut version of the film) is currently $6.50 with prime shipping on Amazon Prime and the DVD is running for $9.99 with prime shipping. On eBay, the pre-owned DVD is $4.58, the brand new DVD is $8.49, and the new Multi-Format Blu-ray is $10.98 and all three have free shipping.
