Search
Search results
EmersonRose (320 KP) rated Hinterland Fortress (Conquest of The Evermore #1) in Books
Nov 20, 2019
“Rhyal was sitting in a wagon. She wriggled her nose. The stench awoke her from her meditation. She opened her eyes to see Ender snoring away. She sensed and knew where she was now. She peered out of the canvas covering to see the dark mountains of Grund Morr. It would be the last known feature she’d see as they passed through the Evermire swampland.”
Conquest of the Evermire: 1. Hinterland Fortress is the first book in the Conquest of the Evermire series by author Ron Smorynski, author of the series Alfred and Knight of the Dead. (See the end of this review for links to reviews of all of those books as well). The novella follows adoptive siblings Rhyal, an elf, and Ender, a human. The two are on a journey to see the world outside of the elven havens. They have heard the stories and myths connected to Evermire, of treasure and glory, and decided to see it for themselves.
The book combines together a lot of my favorite fantasy things. An exciting adventure, interesting renditions of classic magical beings, strong bonds of friendship or family, a well-built world, and a lot of fun and quirky side characters. I found myself very drawn to the connection between Rhyal and Ender, their close bond already formed at the beginning of the book is engaging. I also really appreciated that, while they are trained and talented fighters, they acknowledge the difference physically and mentally in fighting in real life vs. practice. This added some realism and made the fighting more interesting to follow. My favorite side character in the book was Ligo. He is a fun, quirky, snarky gone with very big dreams. He added the lightness that this book needed to balance the dark setting and fights to the death.
What this novella really does is serve as an exciting set-up to the adventure. The book allows us to get to know some of the characters, learn a bit about the Evermire, but perhaps most importantly plant the seeds of several intriguing questions. I know just want to learn more about Rhyal and Ender’s pasts, more about the magic system, what is really hidden in the depth of the Evermire… This was an exciting start to a fun adventure that I look forward to continuing in the sequel: Conquest of the Evermire: 2. The Church.
The book is great for young adults as it is not unnecessarily dark or gory. I thought that this book was really fun and I am excited to see where it goes next!
Conquest of the Evermire: 1. Hinterland Fortress is the first book in the Conquest of the Evermire series by author Ron Smorynski, author of the series Alfred and Knight of the Dead. (See the end of this review for links to reviews of all of those books as well). The novella follows adoptive siblings Rhyal, an elf, and Ender, a human. The two are on a journey to see the world outside of the elven havens. They have heard the stories and myths connected to Evermire, of treasure and glory, and decided to see it for themselves.
The book combines together a lot of my favorite fantasy things. An exciting adventure, interesting renditions of classic magical beings, strong bonds of friendship or family, a well-built world, and a lot of fun and quirky side characters. I found myself very drawn to the connection between Rhyal and Ender, their close bond already formed at the beginning of the book is engaging. I also really appreciated that, while they are trained and talented fighters, they acknowledge the difference physically and mentally in fighting in real life vs. practice. This added some realism and made the fighting more interesting to follow. My favorite side character in the book was Ligo. He is a fun, quirky, snarky gone with very big dreams. He added the lightness that this book needed to balance the dark setting and fights to the death.
What this novella really does is serve as an exciting set-up to the adventure. The book allows us to get to know some of the characters, learn a bit about the Evermire, but perhaps most importantly plant the seeds of several intriguing questions. I know just want to learn more about Rhyal and Ender’s pasts, more about the magic system, what is really hidden in the depth of the Evermire… This was an exciting start to a fun adventure that I look forward to continuing in the sequel: Conquest of the Evermire: 2. The Church.
The book is great for young adults as it is not unnecessarily dark or gory. I thought that this book was really fun and I am excited to see where it goes next!
BookInspector (124 KP) rated The Art of Death in Books
Jul 1, 2021
The main character in this novel is DI Grace Archer, she is a leading investigator in a series of very bizarre and very cruel murders. There is a very wide variety of diverse and intriguing characters in this novel, and this book is told from multiple perspectives, including the victims and the killer as well. DI Archer is a very complex character, her childhood had its horrors, and she is an outsider in her new police station. But I really admired her strength, sharp mind and complexity. This book allows me to delve deeper into the characters, especially the victims, I think all the victims were suffering from one thing or another, and it was interesting to read about their lives.
The narrative of this book always changes, from the investigation it jumps to new abductions, to personal character’s lives. All these things made the book very fast-paced and enjoyable for me. Even though it is a debut novel, I felt like this book is a part of a series because of the way the author incorporated the details from DI Archer’s past. I felt like I missed the investigations that happened in the past. 😀 I found the plot very multi-dimensional, absorbing and creepy. The topics discussed in this book were grief and loss, traumatic experiences, workplace discrimination, many mental health issues, drug use, domestic and other violence and many many more.
The writing style is very easy to read and enjoyable, but at the same time, it felt unusual, different. (I can’t describe how though 😀 ) The author has experience in cybersecurity, and it was interesting to see, how he highlights the mistakes people do in their daily lives when it comes to our social media and online presence. There are a lot of gory murder scenes in this book, so it might not be suitable for sensitive readers. The atmosphere and the setting of the novel constantly change, depending on the perspective, and I really enjoyed it. The chapters are pretty short, and the whole novel was a page-turner for me. I really loved the ending, it left me very intrigued, and I can’t wait for another book. 🙂
So, to conclude, it is a very rich novel, full of layered and diverse characters as well as a plot that is fast-paced and always changing. I really enjoyed this book, it highlights so many various topics and social issues, you just need to find it.
The narrative of this book always changes, from the investigation it jumps to new abductions, to personal character’s lives. All these things made the book very fast-paced and enjoyable for me. Even though it is a debut novel, I felt like this book is a part of a series because of the way the author incorporated the details from DI Archer’s past. I felt like I missed the investigations that happened in the past. 😀 I found the plot very multi-dimensional, absorbing and creepy. The topics discussed in this book were grief and loss, traumatic experiences, workplace discrimination, many mental health issues, drug use, domestic and other violence and many many more.
The writing style is very easy to read and enjoyable, but at the same time, it felt unusual, different. (I can’t describe how though 😀 ) The author has experience in cybersecurity, and it was interesting to see, how he highlights the mistakes people do in their daily lives when it comes to our social media and online presence. There are a lot of gory murder scenes in this book, so it might not be suitable for sensitive readers. The atmosphere and the setting of the novel constantly change, depending on the perspective, and I really enjoyed it. The chapters are pretty short, and the whole novel was a page-turner for me. I really loved the ending, it left me very intrigued, and I can’t wait for another book. 🙂
So, to conclude, it is a very rich novel, full of layered and diverse characters as well as a plot that is fast-paced and always changing. I really enjoyed this book, it highlights so many various topics and social issues, you just need to find it.
Jesters_folly (230 KP) rated Jigsaw (2017) in Movies
May 1, 2021
Contains spoilers, click to show
10 Years after the events in saw 7 (the Final chapter/Saw 3D) a new 'game' has started and a new group of police officers have to try to find out what is happening and who is responsible.
Jigsaw runs to almost the same formula as the previous films , there is a game in progress and the police have to stop it but as well as the game there is still enough of a story to make the film interesting. The biggest difference is that there isn't really the back story in the same way the other films had mainly because, with the exception of John Kramer (the original Jigsaw), we have all new characters. Instead Jigsaw focuses on finding out who the new Jigsaw is or even if it is a new Jigsaw or if John has some how come back from the dead. This is where the film is cleaver, it gives us a number of possible suspects and even makes it seem it may be John.
Jigsaw doesn't seem to be as gory as the previous films, yes you still have people in a game and yes at least some of them loose but there are no intestines littering the ground or close ups on people getting cut in half. Don't get me wrong there is still gore, closeups of the dead bodies and people loosing limbs but it doesn't quite have the same feel to it.
The story aspect to the film is good , as I said, it does leave you guessing to who the killer is although, if you pay attention there are clues. The film also plays with time a bit and, as in the other films, this is used to throw the viewer off track.
Jigsaw is a good entry in to the Saw franchise, as it has a ten year gap from Saw 7 it doesn't get bogged down with the original charters and doesn't get (too) bogged down with the past timeline which was getting a bit muddled (in my opinion) but it does manage to pull from what has gone before and use it further the story.
And that's it, the end of the Saw franchise. OK not quite, at the time of writing 'Spiral, Chapters from the book of Saw' is due out at the cinema (Corona willing) in a couple of weeks and it looks to bigger and better however I probably won't get to see it for a while so, for now, it's time to move onto something new.
Jigsaw runs to almost the same formula as the previous films , there is a game in progress and the police have to stop it but as well as the game there is still enough of a story to make the film interesting. The biggest difference is that there isn't really the back story in the same way the other films had mainly because, with the exception of John Kramer (the original Jigsaw), we have all new characters. Instead Jigsaw focuses on finding out who the new Jigsaw is or even if it is a new Jigsaw or if John has some how come back from the dead. This is where the film is cleaver, it gives us a number of possible suspects and even makes it seem it may be John.
Jigsaw doesn't seem to be as gory as the previous films, yes you still have people in a game and yes at least some of them loose but there are no intestines littering the ground or close ups on people getting cut in half. Don't get me wrong there is still gore, closeups of the dead bodies and people loosing limbs but it doesn't quite have the same feel to it.
The story aspect to the film is good , as I said, it does leave you guessing to who the killer is although, if you pay attention there are clues. The film also plays with time a bit and, as in the other films, this is used to throw the viewer off track.
Jigsaw is a good entry in to the Saw franchise, as it has a ten year gap from Saw 7 it doesn't get bogged down with the original charters and doesn't get (too) bogged down with the past timeline which was getting a bit muddled (in my opinion) but it does manage to pull from what has gone before and use it further the story.
And that's it, the end of the Saw franchise. OK not quite, at the time of writing 'Spiral, Chapters from the book of Saw' is due out at the cinema (Corona willing) in a couple of weeks and it looks to bigger and better however I probably won't get to see it for a while so, for now, it's time to move onto something new.
Debbiereadsbook (1110 KP) rated Good as Hell in Books
Oct 1, 2020
BLOODY LOVED THIS BOOK, so read the damn book, people!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
At first, I wasn't sure I would like this! It's a bit random, what with flying mattresses and flocks of blue jays in New York, but I'm so bloody glad that I kept going, cos let me tell ya, this book sucked me in, good and proper!
I don't think I've read anything quite like, in a long ass time, and I LOVED this book.
I mean this book twists and turns all over the place. It drags you kicking and screaming along, and then dumps you unceremoniously on your behind, letting you catch up a bit. It throws things at you, and you have the think "what the actual chuffing eck" and then, pages down the line, it explains it all away, and you "chuffing eck" all over again! (I said say, I do believe I swore, profusely, a time or two reading this book, but some sites don't like you to, so chuffing eck will have to do! But it's not a strong enough swear word, you hear me?!?!?!)
And, just as you get over THAT little hissy fit, another comes along and you are reading faster and faster and the next thing, that MASTERPIECE of a plot twist is thrown at you and you just....sit....and...WOW.
I've filed it on my Masterpieces shelf, because of that twist. Cos I did so NOT see that coming, not in a million years!
It's very well told, from both Gem and Sebastian's point of view, in the third person. It's hot and steamy in places, but also sweet as sugar in others. A bit gory in places, but nothing too graffic. Lots of really random stuff that made for an amazing fun read!
I want to rant and rave about this book, but I've deleted most of this review cos of spoilers, and I want YOU to enjoy it as much as I did and I don't think you will, if you see spoilers. So, as much as I wanna rant and rave, you're gonna have to make do with a mini rant.
This is the first book I've read of either of these authors, and I hope it isn't the last, cos, you know, in case you missed it...
I BLOODY LOVED THIS BOOK! So read it, people, read the damn book!
5 full and shiny, totally unexpected, but very much desered, stars
**same worded review will appear elsewhere**
At first, I wasn't sure I would like this! It's a bit random, what with flying mattresses and flocks of blue jays in New York, but I'm so bloody glad that I kept going, cos let me tell ya, this book sucked me in, good and proper!
I don't think I've read anything quite like, in a long ass time, and I LOVED this book.
I mean this book twists and turns all over the place. It drags you kicking and screaming along, and then dumps you unceremoniously on your behind, letting you catch up a bit. It throws things at you, and you have the think "what the actual chuffing eck" and then, pages down the line, it explains it all away, and you "chuffing eck" all over again! (I said say, I do believe I swore, profusely, a time or two reading this book, but some sites don't like you to, so chuffing eck will have to do! But it's not a strong enough swear word, you hear me?!?!?!)
And, just as you get over THAT little hissy fit, another comes along and you are reading faster and faster and the next thing, that MASTERPIECE of a plot twist is thrown at you and you just....sit....and...WOW.
I've filed it on my Masterpieces shelf, because of that twist. Cos I did so NOT see that coming, not in a million years!
It's very well told, from both Gem and Sebastian's point of view, in the third person. It's hot and steamy in places, but also sweet as sugar in others. A bit gory in places, but nothing too graffic. Lots of really random stuff that made for an amazing fun read!
I want to rant and rave about this book, but I've deleted most of this review cos of spoilers, and I want YOU to enjoy it as much as I did and I don't think you will, if you see spoilers. So, as much as I wanna rant and rave, you're gonna have to make do with a mini rant.
This is the first book I've read of either of these authors, and I hope it isn't the last, cos, you know, in case you missed it...
I BLOODY LOVED THIS BOOK! So read it, people, read the damn book!
5 full and shiny, totally unexpected, but very much desered, stars
**same worded review will appear elsewhere**
TheBookMother (105 KP) rated Christine in Books
May 26, 2019
Think classic slasher come Top Gear.
Contains spoilers, click to show
Like alot of my recent reads I picked up a very well loved copy from a supermarket fundraising bookcase.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.
Caffeinated Fae (464 KP) rated A False Report in Books
Jul 12, 2018
When I learned of this book, I knew it was either going to be really good or really awful. I loved the concept of this book. I've worked as a Sexual Assault Response Team (SART) Coordinator and I was a Victim Advocate so this book was completely up my alley. I was lucky enough to get an advanced reader copy from NetGalley so I jumped right in the second I could.
T. Christian Miller & Ken Armstrong were able to show all of the intricacies that go into investigating a rape. They also showed how one wrong move on an investigator's part can derail an investigation. Though I liked how detailed they were, I felt that they got stuck too much in certain areas. It seemed that they would go off on a tangent on how or why something was created. This pulled you out of the story and most of the time, I would ask myself why this was in the book. It really dragged down the flow of the book and in the first half of the book, it almost made it unbearable.
I did almost DNF this book. I felt that the first half dragged on and on and jumped from tangent to tangent. I understand that some of the details needed to be in there but not everyone here needs to know how a rape kit was invented or how other tools were created. Several pages could have easily been written as a paragraph explaining why this was important and how it was useful to investigators. I found myself thinking "we got it, move on" on more than one occasion. Honestly, it broke up the story and made it less powerful.
One of the things that I did love about this book is how it portrayed the victims. It didn't vilify them. It was matter of fact and I really appreciated it. Though the authors focused on details, I truly appreciated how they did not give too many details on the sexual assaults. I think that too many authors would sensationalize what these victims went through so it was refreshing to get a "this is what happened" without going into the gory details.
Once the first half was over, the last half was quick paced and fascinating. I enjoyed learning more about the story and how it unfolded. I remember seeing this on the news (I live in Colorado) and being thankful that they caught the guy. The last half of this book salvaged it. I'm glad I stuck with this book. It was insightful though slow.
Ultimately, I would rate this book 2 1/2 stars which is why I rounded it up to 3 stars.
T. Christian Miller & Ken Armstrong were able to show all of the intricacies that go into investigating a rape. They also showed how one wrong move on an investigator's part can derail an investigation. Though I liked how detailed they were, I felt that they got stuck too much in certain areas. It seemed that they would go off on a tangent on how or why something was created. This pulled you out of the story and most of the time, I would ask myself why this was in the book. It really dragged down the flow of the book and in the first half of the book, it almost made it unbearable.
I did almost DNF this book. I felt that the first half dragged on and on and jumped from tangent to tangent. I understand that some of the details needed to be in there but not everyone here needs to know how a rape kit was invented or how other tools were created. Several pages could have easily been written as a paragraph explaining why this was important and how it was useful to investigators. I found myself thinking "we got it, move on" on more than one occasion. Honestly, it broke up the story and made it less powerful.
One of the things that I did love about this book is how it portrayed the victims. It didn't vilify them. It was matter of fact and I really appreciated it. Though the authors focused on details, I truly appreciated how they did not give too many details on the sexual assaults. I think that too many authors would sensationalize what these victims went through so it was refreshing to get a "this is what happened" without going into the gory details.
Once the first half was over, the last half was quick paced and fascinating. I enjoyed learning more about the story and how it unfolded. I remember seeing this on the news (I live in Colorado) and being thankful that they caught the guy. The last half of this book salvaged it. I'm glad I stuck with this book. It was insightful though slow.
Ultimately, I would rate this book 2 1/2 stars which is why I rounded it up to 3 stars.
Phillip McSween (751 KP) rated Braveheart (1995) in Movies
Jul 28, 2018
Epic
The Story of Scottish Patriot William Wallace (Mel Gibson) and his quest to unite the clans and rise up against their English oppressors.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.
Daniel Boyd (1066 KP) rated 22 July (2018) in Movies
Oct 22, 2018 (Updated Oct 22, 2018)
Good Direction (1 more)
Well Acted
An Important, If Terrifying Recent Tragedy
22 July is a Netflix film directed by Paul Greengrass about a brutal 2011 terrorist attack in Oslo.
This film is hard to watch.
I'm a guy that loves gory action flicks and intense horror movies, but something like this is far more disturbing to me. The film is so well made on a technical level, that at some points it actually feels like you are watching the real life massacre play out, which to me felt a little bit too real. Thankfully, I have never been affected by an act of terrorism, nor has anyone that I know, but if I had, I'm not sure how I would feel about someone making a movie like this retelling the trauma that those people went through.
I appreciate that this is an important event in recent history and shouldn't be something that is easily forgotten, but the brutal realism of this film is hard to stomach at times. It really puts you in the shoes of the victims and let's you imagine the terror and crippling fear that they must have felt.
The actor that plays the perpetrator of the attack, Anders Behring Breivik, (played by Anders Danielsen Lie,) has to be commended. He was so believable in the role that I ended up getting really angry every time that he appeared in a scene. I don't even want to know what an actor has to do to get into that headspace, but he put in an absolutely sublime performance as a deplorable scumbag.
The other standout role was Jonas Strand Gravli as Viljar Hanssen, one of the victims of the attack. He is the audience's main conduit into this horrific event and he is brilliant throughout the film.
The main criticism that I have is that we are shown this horrific attack in brutal detail and the aftermath of the event, with no real purpose. I am not sure what the point of this movie was other than to retell a gut wrenching, terrifying story of a real life terrorist attack. I guess, if you were to do some reaching, you could say that the fact that the film has no point echoes the fact that this brutal act of mass violence also had no point and sometimes these horrific things just happen with no real reason.
Overall, this is a very well made movie. It is full of heavy emotions and will make you think about the nature of the human mind. This is if you can get through it though, the movie is very hard to watch and I can see a good amount of folks turning off because they can't handle it, which I can totally understand.
This film is hard to watch.
I'm a guy that loves gory action flicks and intense horror movies, but something like this is far more disturbing to me. The film is so well made on a technical level, that at some points it actually feels like you are watching the real life massacre play out, which to me felt a little bit too real. Thankfully, I have never been affected by an act of terrorism, nor has anyone that I know, but if I had, I'm not sure how I would feel about someone making a movie like this retelling the trauma that those people went through.
I appreciate that this is an important event in recent history and shouldn't be something that is easily forgotten, but the brutal realism of this film is hard to stomach at times. It really puts you in the shoes of the victims and let's you imagine the terror and crippling fear that they must have felt.
The actor that plays the perpetrator of the attack, Anders Behring Breivik, (played by Anders Danielsen Lie,) has to be commended. He was so believable in the role that I ended up getting really angry every time that he appeared in a scene. I don't even want to know what an actor has to do to get into that headspace, but he put in an absolutely sublime performance as a deplorable scumbag.
The other standout role was Jonas Strand Gravli as Viljar Hanssen, one of the victims of the attack. He is the audience's main conduit into this horrific event and he is brilliant throughout the film.
The main criticism that I have is that we are shown this horrific attack in brutal detail and the aftermath of the event, with no real purpose. I am not sure what the point of this movie was other than to retell a gut wrenching, terrifying story of a real life terrorist attack. I guess, if you were to do some reaching, you could say that the fact that the film has no point echoes the fact that this brutal act of mass violence also had no point and sometimes these horrific things just happen with no real reason.
Overall, this is a very well made movie. It is full of heavy emotions and will make you think about the nature of the human mind. This is if you can get through it though, the movie is very hard to watch and I can see a good amount of folks turning off because they can't handle it, which I can totally understand.
JT (287 KP) rated The Call (2013) in Movies
Mar 16, 2020
Don't Hang-Up on The Call
Brad Anderson directed one of my favourite horrors, Session 9, a film that is not particularly gory but is extremely unnerving in a variety of ways. It’s a film that leaves chills down your spine and fixates you to the screen, Anderson has a great way of building tension to almost breaking point, and with The Call, he’s achieved very much the same.
Halle Berry is 911 operator Jordan Turner who takes hundreds of distressing calls each day and generally manages to keep a cool head when the going gets tough. One particular day she takes a call from a young girl who has an intruder in the house, things don’t go well and as a result, Jordan takes a back seat from answering the phone to training the next generation of 911 operators.
It’s not long before she’s called back into the fray to face her fears and a familiar foe on the end of the phone, using her nerve and judgement she must help another young teenage girl from facing a similar fate. The acting is generally pretty good all-round, nothing wooden about these performances as everyone gives their all in making the situation as believable as it can be.
The film holds itself well, for the most part, maybe only wobbling when bog-standard clichés are introduced into the mix, but it’s not detracting at all and I genuinely cared about what the outcome would be. We know that suspense is driven through genuine fear, and there is no fear like being trapped inside the boot of a car which is what happens to young Abigail Breslin after she’s abducted.
During that part of the film where she is frantically on the phone to Jordan looking for a way out, we do wonder if it is going to be the end for her, and that every chance she gets to raise the alarm is thwarted as is always the case in these types of situations. The killer has a pretty good motive and the backstory is somewhat disturbing, it’s left to the audience to deduce just what his reasoning is for undertaking the horrific crimes.
The film then sets about racing away to the conclusion and it does feel a bit rushed, some have been harsh in their reviews of the way it ended, but I enjoyed it. There was a distinct nod to the original Saw which if that is correct, was a nice touch, although I think that is just me reading into it. Overall its a hell of a lot better than some other mainstream thrillers and is definitely worth the time.
Halle Berry is 911 operator Jordan Turner who takes hundreds of distressing calls each day and generally manages to keep a cool head when the going gets tough. One particular day she takes a call from a young girl who has an intruder in the house, things don’t go well and as a result, Jordan takes a back seat from answering the phone to training the next generation of 911 operators.
It’s not long before she’s called back into the fray to face her fears and a familiar foe on the end of the phone, using her nerve and judgement she must help another young teenage girl from facing a similar fate. The acting is generally pretty good all-round, nothing wooden about these performances as everyone gives their all in making the situation as believable as it can be.
The film holds itself well, for the most part, maybe only wobbling when bog-standard clichés are introduced into the mix, but it’s not detracting at all and I genuinely cared about what the outcome would be. We know that suspense is driven through genuine fear, and there is no fear like being trapped inside the boot of a car which is what happens to young Abigail Breslin after she’s abducted.
During that part of the film where she is frantically on the phone to Jordan looking for a way out, we do wonder if it is going to be the end for her, and that every chance she gets to raise the alarm is thwarted as is always the case in these types of situations. The killer has a pretty good motive and the backstory is somewhat disturbing, it’s left to the audience to deduce just what his reasoning is for undertaking the horrific crimes.
The film then sets about racing away to the conclusion and it does feel a bit rushed, some have been harsh in their reviews of the way it ended, but I enjoyed it. There was a distinct nod to the original Saw which if that is correct, was a nice touch, although I think that is just me reading into it. Overall its a hell of a lot better than some other mainstream thrillers and is definitely worth the time.
