
ClareR (5950 KP) rated The Fallout in Books
Dec 19, 2019
Sarah and Liza are best friends. Their eldest children are the same age, at the same London school, and they met at NCT classes before they had the babies. They both go to a local gym together, and their children go to classes and play there whilst their mothers chat and socialise. Liza has a small baby as well, and is very tired. So she asks Sarah if she’ll check on her older son, Jack, as he’s playing outside and out of sight. However, Sarah is distracted by the appearance of one of the NCT mums that they haven’t seen in a while. And she forgets. Jack has an accident. He falls from a high post and is seriously injured. Sarah then starts the lie that she can’t seem to get herself out of: that she saw Jack playing, and that he was nowhere near the post.
I have to admit that this was a supremely frustrating book. The other school mums and their WhatsApp group would have had me reaching for the ‘Leave Group’ button. Social media isn’t put in a very good light, and accurately portrays the ‘keyboard warriors’ that always come out of the woodwork when something bad happens.
I enjoyed this, whilst at the same time wanting to throw my iPad at the wall. I wanted to tell these women to find something better to do with their time! Gossip and rumour are rife. It’s a great look at human nature and it held my attention throughout - I was desperate to know what was going to happen each day in my Pigeonhole instalment.
Many thanks to The Pigeonhole, HarperCollins and the author, Rebecca Thornton for reading along. It was a great experience!

Sophia (Bookwyrming Thoughts) (530 KP) rated The Winner's Crime (The Winner's Trilogy, #2) in Books
Jan 23, 2020
You remind me of <i>Revenge.</i> Just... more fun.
Lady Kestrel is like Emily and the emperor is like Victoria or Veronica or whats-her-face, and her words are so carefully plotted, her moves so masterfully calculated - I've pretty much decided to not make an attempt to predict you. I find that not predicting sometimes is more fun and more enjoyable.
You are like any other movie or TV show consisting of royalty - espionage, drama, tension, gossip, the like. But I like you, and I enjoyed reading you. Kestrel is clever, but so is the prince and Arin and almost all the other characters in this novel. Yet, I still enjoy it. I enjoy the lies and deception, the drama and tension in the palace as Kestrel's wedding day gets closer and closer.
Thus, I find you more a guilty pleasure read. I find you such a guilty pleasure, I don't want to rate you, because if I do, it'll be a high one for sure. I can't high-five you - you're on a hold shelf already and that's just a fatal flaw of libraries, but it's a great feeling because someone else can enjoy the fabulousness of what you are. Then you'll be placed on a shelf somewhere else, or on a hold shelf again, traveling to another reader and then another, and your older sibling will repeat the same process.
And when your younger sibling comes around, s/he will be doing the same thing. In fact, it'll be your fault - you left everyone at a cliffhanger and all of us are demanding to know how this story will unfold.
<div style="text-align: right;">Sincerely,</div>
<div style="text-align: right;">Sophia</div>
<a href="https://bookwyrmingthoughts.com/review-the-winners-crime-by-marie-rutkoski/" target="_blank">This review was originally posted on Bookwyrming Thoughts</a>

Gareth von Kallenbach (980 KP) rated To Rome with Love (2012) in Movies
Aug 7, 2019
Offering amplified versions of reality, “To Rome with Love” simultaneously feels close to home and utterly foreign. And this ebb and flow defines the entire picture.
With a blend of actors the film runs a marathon of bipolar juxtaposition. From familiar Hollywood faces, playing characters so typified that they needn’t be explained, to European actors, who bring honest perspective to the tourist filled environment.
And “To Rome with Love” is unexpected. There’s a Baldwin in a self-reflective role. Roberto Benigni plays a character that is downright drab. All while sharing a series of stories that question the absurd nature of the human experience.
The film shakes viewers up by exposing them to moments so stereotypic that are simple to grasp yet impossible to believe. And the result is effortless comedy.
Moreover, using only simple effects, strategic angular tricks and precise framing of scenes, “To Rome with Love” gets the audience thinking. The result is an hour and forty minutes that fly by like a dense vacation, too good to explain to your friends back home.
While I will avoid the pretentious research and amplified hyper analysis that follows Woody Allen, I do want to make one point clear; this is a film that anyone, regardless of interest in film study, is apt to enjoy, sure to find funny, and for a few might, even serve as a launch pad to into the cinema of the human condition.

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