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I first read Dracula as part of a film and fiction course at University: read the book; watch the film. It is, of course, the most famous of all vampire stories.
Unlike the movie version, the story is told from the point of view of the various secondary characters (who are all writing in their diaries or memoirs): Dracula, himself, is never at the forefront. Rather, he is an ominous shadowy presence in the background throughout. This is actually quite effective: by disassociating the reader from the villain, Stoker manages to both convey the deadly mysteriousness of the Count, and side-steps the danger of the reader sympathizing too much with Dracula, while that character is also able to be abroad during the day-time; just not with the powers he has at night.
Finally, and unlike the film version which bears the same name, in the book Dracula is not given the same back-story: Mina, for instance, is never described as being his long-lost love! In this sense, the film is much more of a Gothic love-story than the original source material!
Unlike the movie version, the story is told from the point of view of the various secondary characters (who are all writing in their diaries or memoirs): Dracula, himself, is never at the forefront. Rather, he is an ominous shadowy presence in the background throughout. This is actually quite effective: by disassociating the reader from the villain, Stoker manages to both convey the deadly mysteriousness of the Count, and side-steps the danger of the reader sympathizing too much with Dracula, while that character is also able to be abroad during the day-time; just not with the powers he has at night.
Finally, and unlike the film version which bears the same name, in the book Dracula is not given the same back-story: Mina, for instance, is never described as being his long-lost love! In this sense, the film is much more of a Gothic love-story than the original source material!
Acanthea Grimscythe (300 KP) rated Teeth Marks in Books
Jan 31, 2019
Teeth Marks is a chilling collection of southern gothic horror. In fact, it’s because of its setting in the south that I read it–I’m rather partial to my home. With several stories ranging from normal, every day people to monsters and ghosts, there’s a story in Teeth Marks for just about every horror fan.
There are twelve stories total in this collection, each one with a different theme. My favorites were “Suburban Facebreaker”, “Cookies”, “The Red Card”, and “Waist Deep”–which is particularly gory. “Suburban Facebreaker” deals with badly behaving parent figures. “Cookies” reminds readers in the reality of karmic justice. “The Red Card” has a decidedly Twilight Zone feel to it, and “Waist Deep” deals with the effects of gossip. All of these are really great tales.
My only complaint with this collection is that it was surprisingly void of colloquialism. There were places where popular Southern phrases would have fit better. Alas, this is not enough for me to take a star away from the collection, as it was amazing.
I’d like to thank the author for providing me with a copy of this book for the purpose of unbiased review.
There are twelve stories total in this collection, each one with a different theme. My favorites were “Suburban Facebreaker”, “Cookies”, “The Red Card”, and “Waist Deep”–which is particularly gory. “Suburban Facebreaker” deals with badly behaving parent figures. “Cookies” reminds readers in the reality of karmic justice. “The Red Card” has a decidedly Twilight Zone feel to it, and “Waist Deep” deals with the effects of gossip. All of these are really great tales.
My only complaint with this collection is that it was surprisingly void of colloquialism. There were places where popular Southern phrases would have fit better. Alas, this is not enough for me to take a star away from the collection, as it was amazing.
I’d like to thank the author for providing me with a copy of this book for the purpose of unbiased review.
LeftSideCut (3776 KP) rated Castlevania - Season 1 in TV
Mar 20, 2020
The first season of Castlevania could be more accurately described as a 'teaser-season'. It's four episodes acts as a set up for what is to come, introducing us to the key players in the war between man and vampire.
The episodes run for around 25 minutes, meaning that the season has a limited time to establish what it needs to, and it does this pretty effectively. A decent script ensures that the three main protagonists Trevor Belmont (Richard Armitage), Sypha (Alejandra Reynoso) and Alucard (James Callis) are all immediately likable, and even gives an incredibly sympathetic villain in Dracula. There's also a nice sense of humour running underneath all of the dramatics.
The animation style shows signs of budget restriction on occasion, but for the most part is easy to take in. A lot of close ups on characters show off some nice detail, long shots of locations look great, as do the combat scenes. To darker colour choices work well with the gothic setting, and the frequent strong violence.
Above all, this short but sweet season leaves the viewer wanting more, which was surely the aim in the first place!
The episodes run for around 25 minutes, meaning that the season has a limited time to establish what it needs to, and it does this pretty effectively. A decent script ensures that the three main protagonists Trevor Belmont (Richard Armitage), Sypha (Alejandra Reynoso) and Alucard (James Callis) are all immediately likable, and even gives an incredibly sympathetic villain in Dracula. There's also a nice sense of humour running underneath all of the dramatics.
The animation style shows signs of budget restriction on occasion, but for the most part is easy to take in. A lot of close ups on characters show off some nice detail, long shots of locations look great, as do the combat scenes. To darker colour choices work well with the gothic setting, and the frequent strong violence.
Above all, this short but sweet season leaves the viewer wanting more, which was surely the aim in the first place!
Barry Newman (204 KP) rated Dracula in TV
Apr 10, 2020
I missed this over Christmas so was quite chuffed to win a copy in a Smashbomb give away.
After watching all 3 episodes I have to say it takes some serious liberties with the source material (particularly in the devisive third episode) but as a whole I really enjoyed this. I am a fan of Sherlock (particularly the early episodes) so I liked what the team did here. The look is suitably gothic with a nice stream of dark humour running through. The production values and special effects were also quite impressive for a beeb production. I had never heard of Claes Bang before this but I have to say he was a brilliant bit of casting as Dracula.. charismatic and brooding.
Allot of people seem to hate episode 3 bringing Dracula to the present day but I personally found that episode allot of fun and an improvement over the slightly slow 2nd episode. (The first was the best by far though)
Overall though the series isn't quite something that will be regarded as a classic in years to come but I had fun watching it and will certainly recommend it.
After watching all 3 episodes I have to say it takes some serious liberties with the source material (particularly in the devisive third episode) but as a whole I really enjoyed this. I am a fan of Sherlock (particularly the early episodes) so I liked what the team did here. The look is suitably gothic with a nice stream of dark humour running through. The production values and special effects were also quite impressive for a beeb production. I had never heard of Claes Bang before this but I have to say he was a brilliant bit of casting as Dracula.. charismatic and brooding.
Allot of people seem to hate episode 3 bringing Dracula to the present day but I personally found that episode allot of fun and an improvement over the slightly slow 2nd episode. (The first was the best by far though)
Overall though the series isn't quite something that will be regarded as a classic in years to come but I had fun watching it and will certainly recommend it.
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