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Heart of the House
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Destroy the evil at the heart of a haunted manor! As an orphan, you discovered your ability to...
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Once Upon a Time: A Short History of Fairy Tale
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From wicked queens, beautiful princesses, elves, monsters, and goblins to giants, glass slippers,...
Scare Tactics: Supernatural Fiction by American Women, with a New Preface
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Scare Tactics identifies an important but overlooked tradition of supernatural writing by American...
The Doctor Dissected: A Cultural Autopsy of the Burke and Hare Murders
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A series of bizarre disappearances filled the citizens of early nineteenth-century Scotland with...
Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica
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The top 10 Sunday Times Bestseller. "Completely fascinating, authoritative and intriguing." (William...
ClareR (5879 KP) rated The Shape of Darkness in Books
Feb 21, 2021
The Shape of Darkness was well worth the wait! I’ve read two of Laura Purcell’s books on The Pigeonhole, so when this book came up on NetGalley, I knew that I had to read it. This has been one of my half term reads, and well worth the wait!
Agnes is a silhouette artist in Victorian Bath, and she struggles to support her sickly mother and her nephew - although his father does contribute some money to help feed and clothe him (and help Agnes and her mother too).
Shortly after one of Agnes’ clients leaves her studio, he is murdered. She then discovers that another client has also been murdered - there is an unnerving pattern forming here, because this is just the start. In order to get some insight, Agnes decides that she should consult a medium. This is where Pearl and her sister Myrtle, a mesmerist-in-training, come in. Pearl is ethereal, a child with albinism, and seems to genuinely possess the gift of communicating with the dead.
This is an unnerving, chilling and at times, quite a scary book. It’s full of the detail of Victorian life too: poverty, class distinctions, the hustle and bustle of a busy Victorian Bath. I loved the dark, gothic feel, too. It contained loads of details of life, of how technology was changing and affecting the lives of Victorians. And it was just a really excellent mystery that kept me guessing to the very end. If you’re going to read it (and I strongly suggest that you do!), just don’t read it with only the little light on if you’re spooked easily!
Many thanks to Raven Books for providing me with an e-book through NetGalley to read and review.
Agnes is a silhouette artist in Victorian Bath, and she struggles to support her sickly mother and her nephew - although his father does contribute some money to help feed and clothe him (and help Agnes and her mother too).
Shortly after one of Agnes’ clients leaves her studio, he is murdered. She then discovers that another client has also been murdered - there is an unnerving pattern forming here, because this is just the start. In order to get some insight, Agnes decides that she should consult a medium. This is where Pearl and her sister Myrtle, a mesmerist-in-training, come in. Pearl is ethereal, a child with albinism, and seems to genuinely possess the gift of communicating with the dead.
This is an unnerving, chilling and at times, quite a scary book. It’s full of the detail of Victorian life too: poverty, class distinctions, the hustle and bustle of a busy Victorian Bath. I loved the dark, gothic feel, too. It contained loads of details of life, of how technology was changing and affecting the lives of Victorians. And it was just a really excellent mystery that kept me guessing to the very end. If you’re going to read it (and I strongly suggest that you do!), just don’t read it with only the little light on if you’re spooked easily!
Many thanks to Raven Books for providing me with an e-book through NetGalley to read and review.
Kristy H (1252 KP) rated Girls of Brackenhill in Books
Nov 5, 2020
As a kid, Hannah spent several summers at Brackenhill, her aunt and uncle's beautiful mansion in the Catskills. Joined by her older sister, Julia, they enjoyed a peaceful time away from their troubled mother and her boyfriend. But that final summer, Hannah made the journey home alone after Julia disappeared. Now, seventeen years later, Hannah is back at Brackenhill, accompanied by her calm and steady fiance Huck, to deal with the aftermath of her Aunt Fae's death. Her uncle Stuart is quite ill and Hannah must handle the necessary affairs. But once at Brackenhill, long buried memories flood to the surface, along with some undiscovered family secrets.
"She'd escaped Brackenhill once. She could do it again."
I read this completely captivating thriller in one breathless day. It's such a wonderfully eerie and ghostly mystery that excellently captures the spooky atmosphere of Brackenhill. I'm all for a read with a creepy castle, ghostly happenings, and a history of missing girls. Told in a then (Hannah and Julia's summers at Brackenhill) and now format, Moretti sucks you in from the beginning, making the reader feel as if they are a part of the haunted happenings at Brackenhill.
"The Ghost Girls of Brackenhill are an urban legend."
The result is a twisted and dark story--a true Gothic ghost tale. I figured out a few pieces, but still found this impossible to put down. Moretti excels at weaving in the devastation of family secrets and small town mystery. As Hannah unravels the mystery of her family history and her sister's disappearance, we do as well, and you'll share her sense of dread and the overall foreboding that sweeps across the pages.
I wished the ending offered a bit more resolution, but this is an excellent, haunting, and spooky supernatural read. You'll be madly flipping the pages (with the lights on)! 4+ stars.
"She'd escaped Brackenhill once. She could do it again."
I read this completely captivating thriller in one breathless day. It's such a wonderfully eerie and ghostly mystery that excellently captures the spooky atmosphere of Brackenhill. I'm all for a read with a creepy castle, ghostly happenings, and a history of missing girls. Told in a then (Hannah and Julia's summers at Brackenhill) and now format, Moretti sucks you in from the beginning, making the reader feel as if they are a part of the haunted happenings at Brackenhill.
"The Ghost Girls of Brackenhill are an urban legend."
The result is a twisted and dark story--a true Gothic ghost tale. I figured out a few pieces, but still found this impossible to put down. Moretti excels at weaving in the devastation of family secrets and small town mystery. As Hannah unravels the mystery of her family history and her sister's disappearance, we do as well, and you'll share her sense of dread and the overall foreboding that sweeps across the pages.
I wished the ending offered a bit more resolution, but this is an excellent, haunting, and spooky supernatural read. You'll be madly flipping the pages (with the lights on)! 4+ stars.
ClareR (5879 KP) rated Wakenhyrst in Books
Apr 5, 2021
Wakenhyrst had me gripped from the first page - well, technically I listened to it, so lets say in the first five minutes.
There’s an underlying feeling of menace and claustrophobia running through this. Partly because of the restraints on Maud because of the fact that she’s female, young and upper class in the Edwardian period; partly because of the ever-present Fen and the mysterious atmosphere surrounding it; partly because we know from the first chapter what is going to happen - and we are heading to that end.
Themes of obsession, superstition and madness run throughout, and it’s not just the uneducated working class fenland men and women who are preoccupied with witchcraft and demonic possession.
Maud’s father Edmund, is translating and researching the book of Alice Pyett, a woman who lived four hundred years before the book is set. She was supposed to have heard the voice of God, but if you ask me, she longed for chastity because she had had a ridiculous amount of children and needed a break.
The deeper Edmund gets in to the translation, the stranger his diary entries become. ANd when he stumbles across a painting in the graveyard of his church, his behaviour becomes even more unhinged. To be honest, the descriptions were such that I thought I was seeing the demons along with him!
This book has been sat on my kindle for quite a while now, and I decided to use my Audible credit and listen to it - which was a cracking idea. The narrator, Juanita McMahon, really brings this story to life - and makes it all the more haunting.
This isn’t a ghost story, at least it didn’t seem like one all the way through, but it certainly gave me the chills! I loved it. If you like a chilling, gothic tale, this will suit you down to the ground.
There’s an underlying feeling of menace and claustrophobia running through this. Partly because of the restraints on Maud because of the fact that she’s female, young and upper class in the Edwardian period; partly because of the ever-present Fen and the mysterious atmosphere surrounding it; partly because we know from the first chapter what is going to happen - and we are heading to that end.
Themes of obsession, superstition and madness run throughout, and it’s not just the uneducated working class fenland men and women who are preoccupied with witchcraft and demonic possession.
Maud’s father Edmund, is translating and researching the book of Alice Pyett, a woman who lived four hundred years before the book is set. She was supposed to have heard the voice of God, but if you ask me, she longed for chastity because she had had a ridiculous amount of children and needed a break.
The deeper Edmund gets in to the translation, the stranger his diary entries become. ANd when he stumbles across a painting in the graveyard of his church, his behaviour becomes even more unhinged. To be honest, the descriptions were such that I thought I was seeing the demons along with him!
This book has been sat on my kindle for quite a while now, and I decided to use my Audible credit and listen to it - which was a cracking idea. The narrator, Juanita McMahon, really brings this story to life - and makes it all the more haunting.
This isn’t a ghost story, at least it didn’t seem like one all the way through, but it certainly gave me the chills! I loved it. If you like a chilling, gothic tale, this will suit you down to the ground.
A perfectly creepy Halloween treat.
Well, the spiced pumpkin lattes are out so it must be time to hit the scary reading lists and I would recommend putting this one high on the list this spooky season if you are looking for a truly unsettling, dark supernatural tale that has a good dose of mystery and intriguing characters.
Inspired by notes by Bram Stoker this prequel to Stoker’s classic Dracula was always going to have high expectations to live up to and for me, I wasn’t disappointed. Telling the tale of the young Bram Stoker, we meet his childhood caretaker, Ellen Crone whose odd behavior sparks the interest of young Bram and his sister Matilda who of course decide to poke their noses into her business little knowing they are just at the start of what will be an ongoing nightmare for the family. With many chilling discoveries, the tension builds and an unsettling tale is revealed.
It’s a very well written book that doesn't get bogged down in trying to use too much language and style of the period it is set in, instead focusing on successfully creating the gothic atmosphere to creepy perfection. Despite different POVs and timelines, it’s never hard to follow the action. The characters are gripping, in particular, Bram’s sister Matilda comes across as a superb character with brains and determination that are not expected of a lady of the time
This is not a tale for those of a squeamish disposition but it makes a great Halloween fix and has made me want to go and re-read Dracula now.
My thanks to the author, publisher, and NetGalley for the book in exchange for an honest review.
Inspired by notes by Bram Stoker this prequel to Stoker’s classic Dracula was always going to have high expectations to live up to and for me, I wasn’t disappointed. Telling the tale of the young Bram Stoker, we meet his childhood caretaker, Ellen Crone whose odd behavior sparks the interest of young Bram and his sister Matilda who of course decide to poke their noses into her business little knowing they are just at the start of what will be an ongoing nightmare for the family. With many chilling discoveries, the tension builds and an unsettling tale is revealed.
It’s a very well written book that doesn't get bogged down in trying to use too much language and style of the period it is set in, instead focusing on successfully creating the gothic atmosphere to creepy perfection. Despite different POVs and timelines, it’s never hard to follow the action. The characters are gripping, in particular, Bram’s sister Matilda comes across as a superb character with brains and determination that are not expected of a lady of the time
This is not a tale for those of a squeamish disposition but it makes a great Halloween fix and has made me want to go and re-read Dracula now.
My thanks to the author, publisher, and NetGalley for the book in exchange for an honest review.
LeftSideCut (3776 KP) rated Shadow in the Cloud (2020) in Movies
Sep 7, 2021
Contains spoilers, click to show
In short, Shadow in the Cloud is a whole load of silly, but entertaining nonsense. In all honesty, the opening 30 or so minutes completely grabbed me - it has a foreboding synth heavy soundtrack that's completely at odds with its WWII time period but still works, it has a sort of gothic aesthetic in it's cloudy night sky setting that boasts some wonderful shots, it has a well built up sense of dread, and then, when the penny drops that there's something not quite right, there's a shot that is legitimately chilling. I was hooked and found myself thinking "this is going to be one of my new favourite films", but alas, it wasn't to last.
From the moment the gremlin creature is fully revealed, proceedings get sillier and sillier - there is one bit in particular that is so mind numbingly dumb, I felt some brain cells die off (but it still made me audibly laugh so, every cloud). The silliness isn't even the main problem, it's actually a plus, but it does highlight how shoddy most of the writing is. Chloë Grace Moretz does the best with what she's given, but honestly, Max Landis' claims that 95% of the finished product is still his work despite re-writes isn't something to be proud of. There's just a lot of iffy dialogue, and some narrative twists later down the line that feel forced and unnecessary.
However, all the silliness that I mentioned makes up for it, if that's your kind of thing. I really can't hate on a film too much when it has its lead beating the shit out of a CGI monkey-bat thing that's trying to eat her baby after all.
From the moment the gremlin creature is fully revealed, proceedings get sillier and sillier - there is one bit in particular that is so mind numbingly dumb, I felt some brain cells die off (but it still made me audibly laugh so, every cloud). The silliness isn't even the main problem, it's actually a plus, but it does highlight how shoddy most of the writing is. Chloë Grace Moretz does the best with what she's given, but honestly, Max Landis' claims that 95% of the finished product is still his work despite re-writes isn't something to be proud of. There's just a lot of iffy dialogue, and some narrative twists later down the line that feel forced and unnecessary.
However, all the silliness that I mentioned makes up for it, if that's your kind of thing. I really can't hate on a film too much when it has its lead beating the shit out of a CGI monkey-bat thing that's trying to eat her baby after all.