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The Boys Volume 2: Get Some
7.7
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Fiction Non-Fiction Limited Editions Series A–Z Authors A–Z Social Back to product...
Les Cigares du Pharaon (Cigars of the Pharaoh) (Tintin #4)
8.5
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Herge's classic comic book creation Tintin is one of the most iconic characters in children's books....
Le Trésor de Rackham le Rouge (Red Rackham's Treasure) (Tintin #12)
8.0
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Herge's classic comic book creation Tintin is one of the most iconic characters in children's books....
The Thrilling Adventures of Lovelace and Babbage: The (Mostly) True Story of the First Computer
7.0
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'So impossibly funny, clever, demented, charming and altogether wonderful that I was a convert...
Caffeinated Fae (464 KP) rated V for Vendetta in Books
Jul 10, 2018
I picked up V for Vendetta because my book club wanted to read it. I will admit, graphic novels are not my usual flavor, but every now and then it is nice to have something new. I tend to like reading books without having to analyze the photos. I like having more detail in the writing itself. With graphic novels, the pictures are the details. This can be great and I love the additional media but I found it a little lacking.
<blockquote> ÛÏEverybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody.Û </blockquote>
Ultimately, I want to read the details and not have to scour a picture for them. The artwork was beautiful in a grungy way. David LloydÛªs talent really did captivate me. But, I also found the artwork frustrating at times. When reading/viewing this graphic novel I found that the facial expressions were sometimes too similar to pick out. Someone could be crying in despair or screaming in rage, and it looked nearly identical. Also, there were some characters that just seemed to blend together. I discussed this book with the rest of the book club and we all tended to agree that the characters were too similar in their appearance. One member blended two characters together. Looking back at the novel, I definitely understand where he was coming from. I even had some problems interpreting one of the characters. I actually thought that one of the wives was the mother. I was quite surprised (I almost spit out my coffee) when there was a sexual scene between the mother and the sonÛ_ luckily, I went back in the novel and realized that she was the wife.
<blockquote> ÛÏThey made you into a victim, Evey. They made you into a statistic. But thatÛªs not the real you. ThatÛªs not who you are inside.Û </blockquote>
What I really liked about V for Vendetta was the fact that it was different from my typical books. The book was very political. I found it fascinating to see MilgramÛªs study discussed along with the concept of happiness. There were many times that I took a picture of the page so that I wouldnÛªt forget a certain passage. I also really loved the concepts of the book. I found myself enthralled by the thoughts and ideas in regards to social standing, political ideas, and the dystopian ideals that were present. I do wish that they would have continued with some of them. One amazing member of the Denver Coffeehouse Book Club summed up my frustrations about this beautifully: ÛÏThatÛªs a great conceptÛ_ *Shrug*Û. It seemed like every time Alan Moore and David Lloyd came up with a great idea they just shrugged and left it hanging in the air, leaving the reader with the hope that they might revisit it laterÛ_ *Spoiler* later never came.
<blockquote> ÛÏHappiness is the most insidious prison of all.Û </blockquote>
All in all, I enjoyed V for Vendetta and I will most likely read it again. ItÛªs like a cup of gas station coffee that you add a cinnamon stick to in hopes that the flavor may change. I liked the plot, the ideas, the concepts, but I do wish that the concepts were more flushed out. It seemed that they had great ideas that they just didnÛªt follow through with. Perhaps that was part of their ultimate concept. They could have wanted the reader to explore their own thoughts and draw their own conclusions. Ultimately, I found the graphic novel form fascinating, beautiful, and at times quite frustrating. It was great, just not my usual flavor.
<blockquote> ÛÏEverybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody.Û </blockquote>
Ultimately, I want to read the details and not have to scour a picture for them. The artwork was beautiful in a grungy way. David LloydÛªs talent really did captivate me. But, I also found the artwork frustrating at times. When reading/viewing this graphic novel I found that the facial expressions were sometimes too similar to pick out. Someone could be crying in despair or screaming in rage, and it looked nearly identical. Also, there were some characters that just seemed to blend together. I discussed this book with the rest of the book club and we all tended to agree that the characters were too similar in their appearance. One member blended two characters together. Looking back at the novel, I definitely understand where he was coming from. I even had some problems interpreting one of the characters. I actually thought that one of the wives was the mother. I was quite surprised (I almost spit out my coffee) when there was a sexual scene between the mother and the sonÛ_ luckily, I went back in the novel and realized that she was the wife.
<blockquote> ÛÏThey made you into a victim, Evey. They made you into a statistic. But thatÛªs not the real you. ThatÛªs not who you are inside.Û </blockquote>
What I really liked about V for Vendetta was the fact that it was different from my typical books. The book was very political. I found it fascinating to see MilgramÛªs study discussed along with the concept of happiness. There were many times that I took a picture of the page so that I wouldnÛªt forget a certain passage. I also really loved the concepts of the book. I found myself enthralled by the thoughts and ideas in regards to social standing, political ideas, and the dystopian ideals that were present. I do wish that they would have continued with some of them. One amazing member of the Denver Coffeehouse Book Club summed up my frustrations about this beautifully: ÛÏThatÛªs a great conceptÛ_ *Shrug*Û. It seemed like every time Alan Moore and David Lloyd came up with a great idea they just shrugged and left it hanging in the air, leaving the reader with the hope that they might revisit it laterÛ_ *Spoiler* later never came.
<blockquote> ÛÏHappiness is the most insidious prison of all.Û </blockquote>
All in all, I enjoyed V for Vendetta and I will most likely read it again. ItÛªs like a cup of gas station coffee that you add a cinnamon stick to in hopes that the flavor may change. I liked the plot, the ideas, the concepts, but I do wish that the concepts were more flushed out. It seemed that they had great ideas that they just didnÛªt follow through with. Perhaps that was part of their ultimate concept. They could have wanted the reader to explore their own thoughts and draw their own conclusions. Ultimately, I found the graphic novel form fascinating, beautiful, and at times quite frustrating. It was great, just not my usual flavor.
Goddess in the Stacks (553 KP) rated Station Eleven in Books
Sep 6, 2017
Okay?
This was marketed as a dystopia, but it’s really more post-Apocalypse fiction. There’s a fine line between the two – and sometimes things can straddle it – but I wouldn’t call this a dystopia. So I’m a little disappointed there. Otherwise, it was good. I’m left not really sure how I should feel about it, though. I prefer books that make me feel a certain way – romances make me happy, non-fiction usually makes me feel smarter, like I’ve learned something, graphic novels make me nostalgic. I’m even okay with books like The Fault in Our Stars, or The Crown’s Game, that left me a weeping mess. Station Eleven just left me with an “…o-kay?” Like, what am I supposed to do with this? Unlike most dystopias, I don’t feel like it was a social commentary because it’s post-apocalyptic. (In this case, a virus swept through and killed about 99% of Earth’s population.) But at the same time, because it details events both before and after the apocalypse, I feel like it was trying to be?
See my full review at https://goddessinthestacks.wordpress.com/2017/09/02/book-review-station-eleven/
See my full review at https://goddessinthestacks.wordpress.com/2017/09/02/book-review-station-eleven/
Benedick Lewis (3001 KP) rated Marvel's Spider-Man in Video Games
Mar 10, 2019
Excellent combat system (5 more)
Changes it up a lot
You are Spider-Man
The story is incredible
Rewards you for being a fan but doesn’t alienate newcomers
References everywhere
Can be repetitive in places (1 more)
Could be considered short (15 hours gameplay)
One of the best games I have played in a while
Spider-Man PS4 is one of the best games I have played in a while. I was dubious getting it at first. It’s the first Spider-Man title I have bought and played all the way through. The game is designed so that while you start with a lot of Spidey’s powers initially, you build upon them to become, as the tagline says, greater. It treats the gamer with respect. You build upon your powers the way you want to progress and how you fight. The story is incredible and one of Spidey’s best (I’ve read a few graphic novels in my time about Spider-Man!). It mixes emotion with great story telling that builds to a very tense climax. Sure questions are left unanswered for a sequel but that raises two questions: how do they go on from there and if this game is great, how do they make it better?
David McK (3233 KP) rated Daredevil by Brian Michael Bendis & Alex Maleev: Ultimate Collection, Book 1 in Books
Jan 30, 2019
So: Daredevil.
AKA MAtt Murdock: Blind Lawyer by day, Vigilante by night.
And a character that, unlike (say) your Superman or Spiderman or Batman's, only really came to my attention with the (so-so) 2003 movie of the same name, and the more recent (and better) Marvel Netflix series'.
I'd also never read any of the comics/graphic novels before, although I knew that the TV series, in particular, drew heavily from that source, but had heard good things about them. With all that said, I thought I would take a risk on this particular collection (purchased, and read, via Comixology on my iPad) to see what all the fuss was about.
And, at first, I wasn't overwhelmed - I found the first story arc just so-so, and couldn't really get to grips with the art-style.
However, things picked up (for me) once the collection went back to a more conventional art style, with the whole story arc around the attempted coup against the Kingpin, followed by his estranged wife's revenge, then by the outing of Murdock's secret identity (wow!) and the trial of the Costumed Superhero (not him) that follows a succession of whammies (for want of a better word) one after the other ...
More, please!
AKA MAtt Murdock: Blind Lawyer by day, Vigilante by night.
And a character that, unlike (say) your Superman or Spiderman or Batman's, only really came to my attention with the (so-so) 2003 movie of the same name, and the more recent (and better) Marvel Netflix series'.
I'd also never read any of the comics/graphic novels before, although I knew that the TV series, in particular, drew heavily from that source, but had heard good things about them. With all that said, I thought I would take a risk on this particular collection (purchased, and read, via Comixology on my iPad) to see what all the fuss was about.
And, at first, I wasn't overwhelmed - I found the first story arc just so-so, and couldn't really get to grips with the art-style.
However, things picked up (for me) once the collection went back to a more conventional art style, with the whole story arc around the attempted coup against the Kingpin, followed by his estranged wife's revenge, then by the outing of Murdock's secret identity (wow!) and the trial of the Costumed Superhero (not him) that follows a succession of whammies (for want of a better word) one after the other ...
More, please!
Gareth von Kallenbach (971 KP) rated Sin City (2005) in Movies
Aug 14, 2019
In a dazzling blend of muted color, violence, and eroticism Frank Millers graphic novel Sin City has burst upon the screen with a visual style that is as diverse as the star studded cast that drives it.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Often cited as one of the most influential comic-books/graphic novels, alongside the likes of [b:V for Vendetta|5805|V for Vendetta|Alan Moore|https://images.gr-assets.com/books/1343668985s/5805.jpg|392838]'V for Vendetta' and [b:Batman: The Dark Knight Returns|59960|Batman The Dark Knight Returns (The Dark Knight Saga, #1)|Frank Miller|https://images.gr-assets.com/books/1327892039s/59960.jpg|1104159]'The Dark Knight Returns', this was, if I'm honest, one such that I'd never even heard of until the 2009 movie of the same name.
Set in an alternate 1985 America in which costumed superhero's are (were) real but have since been outlawed, there's a definite argument to be made that this would inspire the Pixar film The Incredibles: family drama, costumed superheroes coming out of retirement, conspiracies afoot ... see what I mean?
But whereas The Incredibles is aimed at a family audience, this is anything but: violent throughout, slow (at times seemingly glacial) moving and even dealing with the effects of (and fallout from) rape, this is definitely not one for the younger reader!
On the plus side, it does have a stunningly realised world alongside a compelling backstory to several of the characters: like several other literary classics, this is one that I can now say that I've read but wouldn't really be rushing back to do so again anytime soon.
Set in an alternate 1985 America in which costumed superhero's are (were) real but have since been outlawed, there's a definite argument to be made that this would inspire the Pixar film The Incredibles: family drama, costumed superheroes coming out of retirement, conspiracies afoot ... see what I mean?
But whereas The Incredibles is aimed at a family audience, this is anything but: violent throughout, slow (at times seemingly glacial) moving and even dealing with the effects of (and fallout from) rape, this is definitely not one for the younger reader!
On the plus side, it does have a stunningly realised world alongside a compelling backstory to several of the characters: like several other literary classics, this is one that I can now say that I've read but wouldn't really be rushing back to do so again anytime soon.