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Goddess in the Stacks (553 KP) rated Station Eleven in Books
Sep 6, 2017
Okay?
This was marketed as a dystopia, but it’s really more post-Apocalypse fiction. There’s a fine line between the two – and sometimes things can straddle it – but I wouldn’t call this a dystopia. So I’m a little disappointed there. Otherwise, it was good. I’m left not really sure how I should feel about it, though. I prefer books that make me feel a certain way – romances make me happy, non-fiction usually makes me feel smarter, like I’ve learned something, graphic novels make me nostalgic. I’m even okay with books like The Fault in Our Stars, or The Crown’s Game, that left me a weeping mess. Station Eleven just left me with an “…o-kay?” Like, what am I supposed to do with this? Unlike most dystopias, I don’t feel like it was a social commentary because it’s post-apocalyptic. (In this case, a virus swept through and killed about 99% of Earth’s population.) But at the same time, because it details events both before and after the apocalypse, I feel like it was trying to be?
See my full review at https://goddessinthestacks.wordpress.com/2017/09/02/book-review-station-eleven/
See my full review at https://goddessinthestacks.wordpress.com/2017/09/02/book-review-station-eleven/
Benedick Lewis (3001 KP) rated Marvel's Spider-Man in Video Games
Mar 10, 2019
Excellent combat system (5 more)
Changes it up a lot
You are Spider-Man
The story is incredible
Rewards you for being a fan but doesn’t alienate newcomers
References everywhere
Can be repetitive in places (1 more)
Could be considered short (15 hours gameplay)
One of the best games I have played in a while
Spider-Man PS4 is one of the best games I have played in a while. I was dubious getting it at first. It’s the first Spider-Man title I have bought and played all the way through. The game is designed so that while you start with a lot of Spidey’s powers initially, you build upon them to become, as the tagline says, greater. It treats the gamer with respect. You build upon your powers the way you want to progress and how you fight. The story is incredible and one of Spidey’s best (I’ve read a few graphic novels in my time about Spider-Man!). It mixes emotion with great story telling that builds to a very tense climax. Sure questions are left unanswered for a sequel but that raises two questions: how do they go on from there and if this game is great, how do they make it better?
David McK (3233 KP) rated Daredevil by Brian Michael Bendis & Alex Maleev: Ultimate Collection, Book 1 in Books
Jan 30, 2019
So: Daredevil.
AKA MAtt Murdock: Blind Lawyer by day, Vigilante by night.
And a character that, unlike (say) your Superman or Spiderman or Batman's, only really came to my attention with the (so-so) 2003 movie of the same name, and the more recent (and better) Marvel Netflix series'.
I'd also never read any of the comics/graphic novels before, although I knew that the TV series, in particular, drew heavily from that source, but had heard good things about them. With all that said, I thought I would take a risk on this particular collection (purchased, and read, via Comixology on my iPad) to see what all the fuss was about.
And, at first, I wasn't overwhelmed - I found the first story arc just so-so, and couldn't really get to grips with the art-style.
However, things picked up (for me) once the collection went back to a more conventional art style, with the whole story arc around the attempted coup against the Kingpin, followed by his estranged wife's revenge, then by the outing of Murdock's secret identity (wow!) and the trial of the Costumed Superhero (not him) that follows a succession of whammies (for want of a better word) one after the other ...
More, please!
AKA MAtt Murdock: Blind Lawyer by day, Vigilante by night.
And a character that, unlike (say) your Superman or Spiderman or Batman's, only really came to my attention with the (so-so) 2003 movie of the same name, and the more recent (and better) Marvel Netflix series'.
I'd also never read any of the comics/graphic novels before, although I knew that the TV series, in particular, drew heavily from that source, but had heard good things about them. With all that said, I thought I would take a risk on this particular collection (purchased, and read, via Comixology on my iPad) to see what all the fuss was about.
And, at first, I wasn't overwhelmed - I found the first story arc just so-so, and couldn't really get to grips with the art-style.
However, things picked up (for me) once the collection went back to a more conventional art style, with the whole story arc around the attempted coup against the Kingpin, followed by his estranged wife's revenge, then by the outing of Murdock's secret identity (wow!) and the trial of the Costumed Superhero (not him) that follows a succession of whammies (for want of a better word) one after the other ...
More, please!
Gareth von Kallenbach (971 KP) rated Sin City (2005) in Movies
Aug 14, 2019
In a dazzling blend of muted color, violence, and eroticism Frank Millers graphic novel Sin City has burst upon the screen with a visual style that is as diverse as the star studded cast that drives it.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Often cited as one of the most influential comic-books/graphic novels, alongside the likes of [b:V for Vendetta|5805|V for Vendetta|Alan Moore|https://images.gr-assets.com/books/1343668985s/5805.jpg|392838]'V for Vendetta' and [b:Batman: The Dark Knight Returns|59960|Batman The Dark Knight Returns (The Dark Knight Saga, #1)|Frank Miller|https://images.gr-assets.com/books/1327892039s/59960.jpg|1104159]'The Dark Knight Returns', this was, if I'm honest, one such that I'd never even heard of until the 2009 movie of the same name.
Set in an alternate 1985 America in which costumed superhero's are (were) real but have since been outlawed, there's a definite argument to be made that this would inspire the Pixar film The Incredibles: family drama, costumed superheroes coming out of retirement, conspiracies afoot ... see what I mean?
But whereas The Incredibles is aimed at a family audience, this is anything but: violent throughout, slow (at times seemingly glacial) moving and even dealing with the effects of (and fallout from) rape, this is definitely not one for the younger reader!
On the plus side, it does have a stunningly realised world alongside a compelling backstory to several of the characters: like several other literary classics, this is one that I can now say that I've read but wouldn't really be rushing back to do so again anytime soon.
Set in an alternate 1985 America in which costumed superhero's are (were) real but have since been outlawed, there's a definite argument to be made that this would inspire the Pixar film The Incredibles: family drama, costumed superheroes coming out of retirement, conspiracies afoot ... see what I mean?
But whereas The Incredibles is aimed at a family audience, this is anything but: violent throughout, slow (at times seemingly glacial) moving and even dealing with the effects of (and fallout from) rape, this is definitely not one for the younger reader!
On the plus side, it does have a stunningly realised world alongside a compelling backstory to several of the characters: like several other literary classics, this is one that I can now say that I've read but wouldn't really be rushing back to do so again anytime soon.
As with most comics/graphic novels-into-movies I've read, I'll admit that I saw the movie (quite a few years back) before reading this.
Essentially a comic-book-brought-to-screen, the movie iteself was incredibly violent (but enjoyable), with ridiculous amoutns of blood and body parts splattered across the screen, and with more nudity than I was expecting alongside the whole sub-plot of King Leonidas wife getting the Spartans to march.
An entire sub-plot that is not in the source material at all.
I also have to say that the violence in this - while still there - is actually toned down quite a bit from what I was expecting, with several of the panels virtually lifted from the pages and put on to the screen.
The story, for anyone who doesn't already know, is centred around King Leonidas' view of Thermopylae - or 'The Hot Gates' - , a narrow pass defended by the 300 Spartans of the title (plus miscellaneous other Greeks, although you'd be forgive for thinking they weren't there the way this, and the legend, is told!) to the death, and which was immortalised by the poet Simodides as follows on an epigram placed on theri burial mound:
"Go tell the Spartans, you who passeth by,
That here, obedient to their laws, we lie."
(see: http://www.poetryatlas.com/poetry/poem/1458/go-tell-the-spartans.html)
Essentially a comic-book-brought-to-screen, the movie iteself was incredibly violent (but enjoyable), with ridiculous amoutns of blood and body parts splattered across the screen, and with more nudity than I was expecting alongside the whole sub-plot of King Leonidas wife getting the Spartans to march.
An entire sub-plot that is not in the source material at all.
I also have to say that the violence in this - while still there - is actually toned down quite a bit from what I was expecting, with several of the panels virtually lifted from the pages and put on to the screen.
The story, for anyone who doesn't already know, is centred around King Leonidas' view of Thermopylae - or 'The Hot Gates' - , a narrow pass defended by the 300 Spartans of the title (plus miscellaneous other Greeks, although you'd be forgive for thinking they weren't there the way this, and the legend, is told!) to the death, and which was immortalised by the poet Simodides as follows on an epigram placed on theri burial mound:
"Go tell the Spartans, you who passeth by,
That here, obedient to their laws, we lie."
(see: http://www.poetryatlas.com/poetry/poem/1458/go-tell-the-spartans.html)
My first exposure to Neil Gaiman was when he co-wrote Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch with Terry Pratchett.
This, I believe, was the first of his solo novels that I read.
Circa 2006, not all that long before the movie on which it is based came out.
It was also a, how do we put this?, 'normal' prose novel: not a graphic novel; nor even an illustrated novel (as this is). Indeed, I didn't even know at first that the prose version which I read had previously been issued as an illustrated novel, until I saw it mentioned 'based on the work by Neil Gaiman and Charles Vess' at the end of the movie.
It then took me approximately a good decade or so before I finally got round to actually reading that version of the work, when I came across it on sale via Comixology. And, I have to say, the illustrations do add a certain Je Ne Sais Quoi to the work: a work which, while the main beats may be familiar to the reader from the movie version, is also very much its own thing and which includes elements not in said movie (Tristran’s wider family, for one, or even the much sadder ending in this)
This, I believe, was the first of his solo novels that I read.
Circa 2006, not all that long before the movie on which it is based came out.
It was also a, how do we put this?, 'normal' prose novel: not a graphic novel; nor even an illustrated novel (as this is). Indeed, I didn't even know at first that the prose version which I read had previously been issued as an illustrated novel, until I saw it mentioned 'based on the work by Neil Gaiman and Charles Vess' at the end of the movie.
It then took me approximately a good decade or so before I finally got round to actually reading that version of the work, when I came across it on sale via Comixology. And, I have to say, the illustrations do add a certain Je Ne Sais Quoi to the work: a work which, while the main beats may be familiar to the reader from the movie version, is also very much its own thing and which includes elements not in said movie (Tristran’s wider family, for one, or even the much sadder ending in this)
Hazel (2934 KP) rated Cold Granite (Logan McRae #1) in Books
Dec 5, 2019
Well, what can I say? What a book this is ... there aren't enough superlatives to say how much I enjoyed it ... just brilliant and a must-read for any fans of crime novels. This is the first in the Logan McRae series but I have read subsequent stories before this one and can confirm that it made no difference to my enjoyment of this book.
Now, I must warn you that this book deals with the disturbing and upsetting subject of child murders with the additional sub-plot of the murder of a gangster and there are graphic descriptions of the crime scenes so if you are of a nervous disposition or easily offended, I would probably steer clear of this particular one.
The characters are strong, well developed, interesting and believable with authentic dialogue throughout and despite the dark subject matter, there are many moments of humour which made me chuckle on several occasions which helped to lighten things a little. The setting of Aberdeen in the winter is perfect and creates further atmosphere. The pace is non-stop with twists, turns and red-herrings throughout which certainly kept me on my toes and guessing until near the end.
Don't let this series pass you by ... highly recommended.
I have to thank HarperCollins UK via NetGalley for my copy in return for an honest review.
Now, I must warn you that this book deals with the disturbing and upsetting subject of child murders with the additional sub-plot of the murder of a gangster and there are graphic descriptions of the crime scenes so if you are of a nervous disposition or easily offended, I would probably steer clear of this particular one.
The characters are strong, well developed, interesting and believable with authentic dialogue throughout and despite the dark subject matter, there are many moments of humour which made me chuckle on several occasions which helped to lighten things a little. The setting of Aberdeen in the winter is perfect and creates further atmosphere. The pace is non-stop with twists, turns and red-herrings throughout which certainly kept me on my toes and guessing until near the end.
Don't let this series pass you by ... highly recommended.
I have to thank HarperCollins UK via NetGalley for my copy in return for an honest review.
Villainous Vee (53 KP) rated Sweetpea in Books
Feb 10, 2019
Funny (2 more)
Starts off with a kick
Down to earth writing
Didn't want it too end (1 more)
Not sure the follow up book will be as good
The last person who called me ‘Sweetpea’ ended up dead…
In many ways Rhiannon is just like you or me. She lives a fairly ordinary life working a job at a local newspaper she doesn't really enjoy with people she can't stand (most of the time), hanging out with her friends who she calls PICSO's (people I can't shake off). She lived with her boyfriend Craig (who is having an affair with one of Rhiannon colleagues) and her little chihuahua Tink.
Except for the most part Rhiannon has lived anything but a normal life... A childhood trauma that she survived turned her into a local and national celebrity over night and she is a murderer... And she wants to kill again and again.
The book follows Rhiannon through a few months of her life in a diary format. In this diary she spills her darkest secrets and every day life, moans about her boyfriend, her neighbour, her friends and her colleagues.
Not for the faint hearted as the book can get very graphic and there is a lot of sexual content but this is all balanced out by the humour contained within. If you like crime novels, girly books or thriller I would recommend checking this out. It has earned its place in my permanent collection.
Except for the most part Rhiannon has lived anything but a normal life... A childhood trauma that she survived turned her into a local and national celebrity over night and she is a murderer... And she wants to kill again and again.
The book follows Rhiannon through a few months of her life in a diary format. In this diary she spills her darkest secrets and every day life, moans about her boyfriend, her neighbour, her friends and her colleagues.
Not for the faint hearted as the book can get very graphic and there is a lot of sexual content but this is all balanced out by the humour contained within. If you like crime novels, girly books or thriller I would recommend checking this out. It has earned its place in my permanent collection.
Booksnthreads (19 KP) rated Salt to the Sea in Books
Jun 4, 2018
So, I’ve just finished reading all three novels nominated for the YA category of the California Young Reader Medal. The first two I read kind of left me feeling “meh,” so I was all set to be unimpressed with this one as well. I’m so delighted to tell you that I was wrong.
The story is told from the perspectives of four different characters, and I loved how Sepetys begins the narrative by telling of the same opening event from each character’s view point. After that, things unfold a little slowly, but it is completely worth it as you approach the climax…by that time, I was completely invested in each of the characters and was absolutely riveted to what was happening to them.
I’m also terribly impressed that Sepetys tackles telling a story from the “wrong” side (Germans during WWII), painting the characters not as the accepted “evil” caricatures but as real human beings caught up in a horrific war. In doing so, she sheds light on a human tragedy that so few of us know anything about (myself included) because it happened to the Germans as they were losing the war.
I will warn potential readers that the end of this novel does get rather graphic and emotionally wrenching, as you would expect in a novel about war and death. Although writing for a young adult audience, Sepetys does not gloss over the terror, panic, and trauma of the events.
The story is told from the perspectives of four different characters, and I loved how Sepetys begins the narrative by telling of the same opening event from each character’s view point. After that, things unfold a little slowly, but it is completely worth it as you approach the climax…by that time, I was completely invested in each of the characters and was absolutely riveted to what was happening to them.
I’m also terribly impressed that Sepetys tackles telling a story from the “wrong” side (Germans during WWII), painting the characters not as the accepted “evil” caricatures but as real human beings caught up in a horrific war. In doing so, she sheds light on a human tragedy that so few of us know anything about (myself included) because it happened to the Germans as they were losing the war.
I will warn potential readers that the end of this novel does get rather graphic and emotionally wrenching, as you would expect in a novel about war and death. Although writing for a young adult audience, Sepetys does not gloss over the terror, panic, and trauma of the events.