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The Mother God Made Me to be

Karen Valentin

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My journey from newlywed, to mother of two, to single mom - trying to heal - and become the mother...

LeftSideCut (3778 KP) rated Nomadland (2020) in Movies

May 2, 2021

Nomadland (2020)

2020 | Drama

8.0

(5 Ratings)

Movie Rating

Nomadland is a perfect example of cinema about people. The very real people that surround Frances McDormand's Fern are the very heart of this story, as it explores grief, and what it means to leave everything behind, and live out in the wilds, as a nomad. Its narrative feels very human, authentic, and is suitably heartwarming whilst being drenched in melancholy.
McDormand is fantastic as she tends to be. Her performance here is one that comes from someone who has perfected their craft.
The cinematography on display is quite simply stunning. Nomadland is overflowing with beautiful shots and vistas. Chloé Zhao has given us a visual feast to go along with everything else, and it's complimented by a gorgeous music score.

I honestly can't think of a single bad thing to say about Nomadland. I can understand why it might not be for everyone, but I found it to be a wonderful experience. A story that deserves to be told and one that made me question what I'm doing with my own life. Fully deserves all the praise it's getting.

Kudos

LoganCrews (2861 KP) rated The Rhythm Section (2019) in Movies

Sep 21, 2020

The Rhythm Section (2019)

2019 | Action, Drama, Mystery

5.2

(9 Ratings)

Movie Rating

A weird, gross, seedy, nonsensical piece of tough-as-nails fluff that I found to be immensely enjoyable. In terms of both its looks and its writing, it plays a whole lot less like Reed Morano's heartbreaking portrait of grief in 𝘔𝘦𝘢𝘥𝘰𝘸𝘭𝘢𝘯𝘥 and a *lot* more like Ang Lee taking a stab at 𝘗𝘦𝘱𝘱𝘦𝘳𝘮𝘪𝘯𝘵. The main critique (besides the fact that this movie is illiterate pace-wise and makes not a drop of sense - both perfectly valid) seems to be that this didn't take the route of generic actioner, to which I reply with a resounding... lmfao k. Visually fetching, and that score *slaps* - not to mention the action is swift and brutal, that car chase is an all-fucking-timer. Amounts to a globetrotting asskicker where Blake Lively sleeps and stumbles around gorgeous locations while beating the shit out of and verbally chastising every man she comes across, we love to see it. Like a delectably oafish hybrid of 𝘏𝘢𝘺𝘸𝘪𝘳𝘦 and 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘈𝘴𝘴𝘢𝘴𝘴𝘪𝘯, which you can sign me right the hell up for.

Kudos

LoganCrews (2861 KP) rated Things You Can Tell Just by Looking at Her (2000) in Movies

Sep 20, 2020

Back when every studio drama wanted to be indie real bad (when we got shit like J-Lo's 𝘈𝘯𝘨𝘦𝘭 𝘌𝘺𝘦𝘴 for example) and when hyperlink movies were king. This really could have been something, but instead it leans way too close into the template for all the movies this is ripping off (one-quirk characters overexplaining the themes to the leads and - by extension - the viewers, long writerly conversations that exist solely for decoration, cloying symbolism, purposefully disappointing non-resolutions, etc.) All but completely throws aside the lives of these unique, incredibly intriguing women in favor of having their stories revolve around some lackluster romance - pretty much defining them all by it in the end. For shame. Not entirely unpleasant, of course the ensemble is stuffed with amazing talent, it has a nice cadence and some decent scenes here and there. But as far as I'm concerned Rodrigo García should be fired for continually swinging and missing by turning these potentially thought-provoking stories into underwritten, tiresome (and borderline offensive) grief exploitation.

Kudos

Kristina (502 KP) rated Letters Written in White in Books

Dec 7, 2020

Letters Written in White

Kathryn Perez | 2015 | Fiction & Poetry

6.0

(1 Ratings)

Book Rating

I liked Kathryn's view on what Riah's afterlife was like. It was a different perspective and I enjoyed being introduced to a new idea on life after death. However, I think the hype made me feel a little let down. I won't say I didn't cry, watching Riah's kids and husband go through the grief after losing her sent me into a fit of tears - but the rest wasn't as nearly emotionally crippling as I had expected it to be. I was happy with the ending, that Riah was finally able to find some peace, but I was honestly kind of hoping we would discover the whole thing was a dream during a coma or something she'd endured after such blood loss (I know, I'm a hopeless romantic). I do believe the story sends a great message and reading the letters at the end only strengthened it; I also think this would be a great read for someone who's personally dealing with depression and feels like there's no way out.