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Hazel (2934 KP) rated The Captive in Books

Oct 17, 2021  
The Captive
The Captive
Deborah O'Connor | 2021 | Crime
8
8.5 (2 Ratings)
Book Rating
With its unique and interesting plot, this is a book that I really enjoyed.

I haven't read anything by this author before but the blurb reeled me in. I can't even imagine the horror of having to look after a person who has been convicted of a crime against you. You have to look after that person in your own home - would I be able to do that? This book certainly makes you think about it but this is the reality for the main character in this book, Hannah.

Her husband was murdered and Jem has been found guilty; he is now housed in a cell in her kitchen and Hannah is having to face this man every day whilst trying to come to terms with her loss and grief. Hannah is desperate to keep the memories of her husband alive but as she discovers more, he doesn't appear to be the man she knew and loved and when Jem professes his innocence - well he would wouldn't he - more doubts creep in and Hannah finds herself in a very difficult position.

Written from the perspectives of Hannah and Jem, this is a story that just keeps giving. There are some great twists and you never really know what's going to happen until the end.

This is an author I will definitely look out for in the future and my thanks go to Bonnier Books UK and NetGalley for my copy in return for an honest, unbiased and unedited review.
  
Titane (2021)
Titane (2021)
2021 | Drama, Horror, Sci-Fi
Titane is a truly mind bending experience, with several layers to work through to get to its core. It's been marketed as a sex fuelled body horror, which it certainly is to a degree, but beyond that, it's a fascinating character drama between two people who are coasting through life with their own separate issues. It's a love story that explores grief to an uneasy level, and dives headfirst into gender fluidity in the modern world. It's a bold vision that uses horror to great effect. To delve into the details any further would defeat the whole point of how the narrative unfolds - definitely recommend going in as blind as possible.
Agathe Rousselle is a revelation in the lead roll, an actor who certianly comes across as steadfast and fearless in her first feature length project. I'm excited to see what she brings to the table in the future. Vincent Lindon by comparison is a veteran of the industry, and the two of them share a chemistry that is equally electric as it is uncomfortable.
It's wonderfully directed by Julia Ducournau, who has crafted a visually striking and vibrant piece that will worm it's way into your brain and stay there for a while. Between this and her last film Raw, she surely has a big part to play in the future of the genre.

Titane isn't an easy watch, and is sometimes challenging, but is ultimately rewarding, and certainly unique. A modern body horror that gets under the skin in more ways than one.
  
Midsommar (2019)
Midsommar (2019)
2019 | Drama, Horror, Mystery
Director: Ari Aster
Writer: Ari Aster (Screenplay)
Starring: Florence Pugh, Will Poulter, Jack Reynor, William Jackson Harper, Liv Mjones, Anna Astrom, Julia Ragnarsson

Plot: A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.

Runtime: 2 Hours 20 Minutes

There may be spoilers in the rest of the review

Verdict: The Wicker Man on Acid

Story: Midsommar starts when young lady Dani (Pugh) has her family die suddenly, turning to the only person left in her life, her boyfriend Christian (Reynor) who has started to move away from their relationship. Christian and his friends Josh (Harper), Mark (Poulter) and Pelle (Blomgren) are planning a trip to Pelle’s home in Sweden for a special mid-summer festival.
Christian trying to do the right thing for Dani, invites her along, but it isn’t long before the festival turns into a cultural nightmare for the outsiders who have never seen the customs before.

Thoughts on Midsommar

Characters – Dani is a young lady that has suffered a heart-breaking tragedy in her life, leaving her along in the world, struggle to get over the loss of her family, she is unsure about her relationship with her boyfriend and agrees to go with him on the trip to Sweden. Dani is trying her best to get on with her life, which is seeing her have the good and bad days, while on the commune she starts to relax more in life. Christian is the student boyfriend of Dani, he is starting to question the relationship about to end it before the tragedy strikes, he invites her believing she won’t go, while also hoping to find out whether they should stay together. Josh is a student friend of Christian, who has been working on his paper on different cultures, he sees this event a major part of his studies, only he doesn’t seem to respect enough cultures. Mark is the comic relief, he wants to go to Sweden to meet women, he is quick to turn to drink or drugs, while always putting his foot in it.
Performances – Florence Pugh is the star of the show, she does show the grief required in her role, which shows us how hard to is finding life. Jack Reynor has finished turning his career around after Transformers, with one that must make people take him seriously now. Will Poulter will make you laugh with nearly everything he says, while William Jackson Harper will make you dislike his characters arrogance quickly.
Story – The story here follows a young woman dealing with grief of losing her family, trying to get away from her past by getting away from the world with the festival which soon sees her trapped with her friends with a cult that has strict rules. Much like Hereditary, we are tackling grief on a personal level, unlike Hereditary we find ourselves not seeing a timeline to make us understand the recover process that Dani is trying to go through. The story does have a huge problem for me though, is that this is a story which the people should just walk or run away after seeing the first major incident, not just calmly say ‘sure this is a different culture we should see what happens next’ this is easily one of the biggest let down in any horror. We also do spend way too much time just turning to drugs as an excuse rather than trying to solve the real problems and the students just being arrogant not seemingly wanting to do anything with their lives.
Horror/Mystery – The horror in this film comes from graphic imaginary that we see from the injuries, we do have tension growing and the make up team should be praised for just how real everything looks. The mystery comes from just what is happening with this cult and what they will do next.
Settings – The film is set in the Swedish countryside away from the world, the only type of place a cult could operate in around the modern day. The sets are the best thing about this film because they are crafted which such love and you can’t help but think everything you see is a clue to what is happening.
Special Effects – The effects in the film do bring us the graphic images of the injuries that people are going through. The make up team work wonders on this film.

Scene of the Movie – Dancing.
That Moment That Annoyed Me – Just using drugs to explain why these people are friends.
Final Thoughts – This is a horror that is set and created wonderfully on the outside, only to fall short on the story which only drags along without reaching any levels of scares.

Overall: Not reaching the potential.
Rating
  
The Chilbury Ladies' Choir
The Chilbury Ladies' Choir
Jennifer Ryan | 2017 | Fiction & Poetry
8
8.7 (3 Ratings)
Book Rating
Sad, so sad (0 more)
Wartime Fiction
This eBook was provided by the publisher via NetGalley in exchange for an honest review

"Just because the men have gone to war, why do we have to close the choir? And precisely when we need it most!"
Set in the fictional village of Chilbury, Kent during the Second World War, The Chilbury Ladies’ Choir explores the lives of the women left behind whilst the men go off to fight. The remaining villagers are disappointed at the closing of the church choir, which, according to the vicar, cannot go on without any men to sing the tenor and bass parts. However, the arrival of bold, forthright Primrose Trent brings the birth of a new choir, a choir for women only.

Although a war is going on, the ladies of Chilbury have so many other things on their minds. Told through a conflation letters and diary entries, The Chilbury Ladies’ Choir reveals the everyday lives of a handful of characters. Mrs Tilling’s journal provides an overview of the general events, whilst 18-year-old Venetia’s letters divulge the wiles and charms she uses in the name of romance. Other characters, particularly the young teenager, Kitty, offer other insights to the goings on in the village.

From falling in love, to having babies, The Chilbury Ladies’ Choir is full of secrets, schemes and misunderstandings that almost let the villagers forget there is a war on. However, the effects of war do reach the little village, bringing with it terror and grief.

The individual stories that make up the book provide the reader with a number of scenarios that are full of emotion, but equally entertain. One moment the horror of war could leave readers in flood of tears, the next, Mrs B.’s pretentious personality and vaunting comments bring amusement and laughter.

All the while these events are playing out, the Chilbury Ladies’ Choir pulls the women together, providing them with a source of comfort to get them through the terrible times. No matter what disasters befall them, whether caused by war or their own actions, joining together in song gives them a purpose and opportunity to have a break from their fears and grief. War may destroy, but they will carry on singing.

Written in the manner of private letters and journals gives the novel a personal touch. The story is not merely narrated, it is expressed through the emotion and feelings of individual characters, making the scenarios seem more authentic. The downside to this method is the lack of distinction between each character’s voices. With no detectable dialect, the musings of a 13-year-old are composed in much the same manner as the much older Mrs Tilling.

The Chilbury Ladies’ Choir is an enjoyable piece of historical literature, which is bound to appeal to many people. Although set during World War II, its primary focus is on the people in the village, making it more attractive to readers who are fed up of reading about bombs and fighting. A mix of family issues, bribery and romance provide considerably more entertainment than a generic wartime novel. Being Jennifer Ryan’s debut novel, The Chilbury Ladies’ Choir is of a quality that suggests the author has so much more to deliver in the not-so-distant future.
  
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Hazel (1853 KP) rated The Storyteller in Books

May 30, 2017  
The Storyteller
The Storyteller
Jodi Picoult | 2014 | Fiction & Poetry
10
8.6 (12 Ratings)
Book Rating
An Ethical Question
Jodi Picoult is the bestselling author of numerous novels, with My Sister’s Keeper being the most well known, perhaps. All of her stories are well written although it is still possible to notice improvements in the writing over the years right up until now with her latest, The Storyteller, which quite possibly could be her best yet.

Arguably, The Storyteller does not quite read as a Jodi Picoult novel is known to. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story contains neither. The Storyteller contains a combination of past and present - the main focus being on the Holocaust.

Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25 year old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years surely Sage would no longer need the help of the group? However she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.

It is through the grief group that Sage meets an elderly man, Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.

Whilst, Josef recounts his experience of being part of the Nazi party, another account is also given. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element to the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day, and trying to locate ex-Nazi members in order for them to be punished by the government.

One thing to praise Picoult for, not just in The Storyteller, but also in all her novels is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written is such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!

The Storyteller is an amazing, beautiful book, which is not purely an enjoyable read. It informs, shocks and stays with you for a long time. You will question your own morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior from themselves?