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Balloons for Tiger
Balloons for Tiger
Lori Orlinsky | 2021 | Children
I am sure most, if not everyone as lost a pet or two in their lifetime. Whether you were a child yourself or you are a parent of one. I am sure it has been hard to tell your child or children about pet loss. Well, this book is called "Balloons for Tiger" is a book about pet loss.

It can show you how to deal with pet loss with your child or children. It is a good one for children to understand a pet's death, but that their pet's love is continual with them; It may help open your child or children to talk about their loss of their favorite pet.

You never know, maybe your child will want to send balloons to their lovely pet in haven. They will show it back in another way. You may find another way to show your child grief for their precious pet. It is suitable for adults as well.

This book reminded me of my loving cat that has passed away. I loved Pumpkin dearly, and I still miss him today, And it has been two or three years since the cat passed. I keep him and his brother. We couldn't own one and let the other one go. His name is Pumpkin, and I still love him, and his brother Patches is still around somewhere in the neighborhood.

I miss my little boy. He was just so cuddly and my reading buddy. This book reminded me to keep those memories alive, and I will send my love for him. I hope to see him on the rainbow bridge when coming home to be with him.

Children will love this book. Parents will like it as well. It got some good tips in the back of the book to help guide or guide children with talking about pet loss or ideas to deal with the loss of a pet. The book is good even if you lose a pet that is not a cat. You can change the pet to a fish if you so wish. Or even a dog. The pet can signify adjusted to whatever pet you want it to be for your family. Pets are family members too.
  
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Dave Eggers recommended Local Hero (1983) in Movies (curated)

 
Local Hero (1983)
Local Hero (1983)
1983 | Comedy, Drama
7.5 (2 Ratings)
Movie Favorite

"If I had to have one favorite movie that I’ve seen a hundred times, it’s probably that. I’m not really sure why I first liked it; I must have been fourteen or something like that when I first saw it. It’s always meant so much to me. Peter Riegert plays a maybe 40-year-old businessman who’s in the oil business and is called and sent up to the coast of Scotland to look into buying some land where they found some oil and he has to negotiate with the local village. [He] thinks it’s going to be a very tough thing to sort of uproot all these people, [and] the comedy is that they’re only too happy to sell out. They’re just trying to negotiate the price up as much as possible. It unfolds at its own pace, and he falls in love with this town and with the sea and cares less and less about the deal. He more and more wants to trade places with the local innkeeper and move to this town and stay there. A beautifully made film and I feel like there was a rash of movies right afterward that sort of tried to capture what he achieved. These people sort of coming to some little town and being transformed. It’s so touching and so funny and warm, and has so many moments of grief and elegance and delicacy. It’s got beautiful music by Mark Knopfler. That might have been the first movie that I felt that strongly about at that sort of formative time. But it’s very strange to feel like that’s the movie, you know? It doesn’t have some young protagonist. [But] from then on I was obsessed with Scotland and Ireland. Wanting desperately to go up there, and then when I did, it was very similar to that feeling. I went [on] a Bill Forsyth binge and watched all of his movies, like Gregory’s Two Girls, and Comfort and Joy, and Breaking In, even, with Burt Reynolds of all people. I wish he were still making movies."

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The Beauty of Your Face
The Beauty of Your Face
Sahar Mustafah | 2020 | Fiction & Poetry, History & Politics, Mind, Body & Spiritual, Religion
10
10.0 (1 Ratings)
Book Rating
You can also read my review at my blog - roamingthroughbooks@wordpress.com" rel="nofollow noopener" target="_blank">https://roamingthroughbooks@wordpress.com

The Beauty of Your Face by Sahar Mustafah is a poignantly written story of a Muslim Palestinian family living in America which challenges stereotypes and prejudice through rich characterisation and a moving plotline.

The novel follows the life of Afaf Rahman, beginning at the nail-biting attack of a white extremist at the Muslim high-school of which Afaf is principal. The story then begins to intersperse these dramatic present day events with flashbacks of Afaf’s past, telling us of how an equally devastating event has destructive repercussions upon her family affecting profoundly the woman Afaf has become.

When Afaf was a girl her sister disappears. Each member of the family is impacted by this differently and we see how the different emotions they experience sadly divides the home, leading each of the characters to become more and more isolated in their private, emotional turmoil, unable to share this pain with anyone else.

The emotional level of this book is deep and Mustafah skillfully draws the reader to understand the emotions of each member of the Rahman family, and we become empathetic observers of their descent to a fragmented family torn apart by their grief.

Yet the present day Afaf we meet at the beginning of the book is a strong woman of faith, who appears to be far removed from the young girl of her past. As we journey alongside her we see how her tragic life experiences are not merely deeply painful, but formative and how her Muslim faith becomes the pillar to which she is able to cling and withstand the most horrific of circumstances.

The Beauty of Your Face explores what it means to be a Muslim living in a Western country developing a narrative pursuing themes of assimilation, xenophobia, racism, identity and forgiveness. It is harrowing and shocking at times and does not balk from describing the ugliness of prejudice and racial hatred. Yet, Mustafah ultimately tells a tale of redemption and hope, showing that we can transcend these attitudes and grow instead peace, forgiveness and love.
  
The Lion and the Cobra by Sinead O'Connor
The Lion and the Cobra by Sinead O'Connor
1987 | Pop, Rock, Singer-Songwriter
7.0 (1 Ratings)
Album Favorite

"She's one of my all-time favourite artists, all-time favourite spirits and one of my all-time favourite voices. I think she's incredibly fragile and I continue to worry for her because I don't think she's being very well taken care of as an artist. There's certain artists need everybody's help to continue to be creative and she's one of them. 

 I'm a tank – I can take care of myself and I don't need anybody's help, but Sinéad O'Connor is a jewel and has a voice like no other – one of the great voices of this century. I worry that we're going to lose her. She has mental health problems and has spoken very openly about them and is really brave and courageous for doing so. She's a great rebellious spirit who was punished for being a rebel in ways that we can barely imagine or conceive of. I have nothing but great admiration for her. 

 She has this extraordinary voice that just does things to my insides. She's a complete iconic gem and touches me in ways that so few can; she's made so many beautiful records. I wish I could sort of throw myself at her feet, because I feel like she finds love, I think, difficult to absorb, and yet she's so deserving of it. This voice comes, again, from a different universe. Its spectacular ability to both emote and communicate. I'm so grateful to her for this record; I just love it and I love hearing her sing so much. She's one of my touchstones, someone I always can rely on to bring magic. 
 When greats die, like when David Bowie died, there's this great outpouring of grief as I know there will be if and when, god forbid, we lose, finally, an artist like Sinéad O'Connor. Yet she's alive now and is capable of producing these spectacular pieces of work, and yet she's treated so brutally by the music industry – an industry who would rather laude in applause an uncreative, stage-schooled kid who's got a great voice but no soul. They'll get more excited about that than they will the possibility of signing a great like Sinéad O'Connor. And therein lies the ludicrousness of the modern music business."

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