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Ari Augustine (10 KP) rated Honeybee in Books
May 4, 2020
This is the first time I read any of Trista's poetry, but I'm so glad I did.
Sure, her poetry is not in any format most people are accustomed to, but that's actually why I loved it.
I loved the little photos/images inside the book - simple, sweet, delicate. I felt it went with the fragile and vulnerable tone of the book.
Her poems explore her own sexuality, her experiences with loss, loss, grief, and identity. It's modern poetry that reads like words tucked away, hidden on random pages of a forgotten book in the library and I loved this about it. I loved how random, thoughtful, sentimental,and raw some of the poems were.
Sure, her poetry is not in any format most people are accustomed to, but that's actually why I loved it.
I loved the little photos/images inside the book - simple, sweet, delicate. I felt it went with the fragile and vulnerable tone of the book.
Her poems explore her own sexuality, her experiences with loss, loss, grief, and identity. It's modern poetry that reads like words tucked away, hidden on random pages of a forgotten book in the library and I loved this about it. I loved how random, thoughtful, sentimental,and raw some of the poems were.
Source by Nubya Garcia
Album
'Source' is the multi award-winning saxophonist and composer. A collection of sonic mantras to live...
Jesus' Son
Book
Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of...
Mercury - Act 1 by Imagine Dragons
Album
Fifth studio album by Grammy-winning, multi-Platinum band Imagine Dragons, released in September,...
![The Girl Upstairs [Audiobook]](/uploads/profile_image/761/ce80efbf-8c94-4858-87df-e1d1c7d65761.jpg?m=1639925089)
The Girl Upstairs [Audiobook]
7.0
Rate It
Book
I heard Emily before I saw her. The harsh smack of heels against cheap wooden floorboards. The loud...
The Silvery Path (The Underworlds #4)
Book
Will it end in peace or a silvery dose of fate? Henna’s manipulation knows no bounds, Denida is...
Fantasy Science Fiction
Lee (2222 KP) rated Pieces of a Woman (2020) in Movies
Dec 29, 2020
Vanessa Kirby (1 more)
The birth scene
Pieces of a Woman stars Vanessa Kirby and Shia LaBeouf as Martha and Sean, a married couple preparing for the imminent arrival of their first child. But a heartbreaking home birth leaves Martha struggling with grief and becoming increasingly isolated from Sean and her family.
If you've heard anything about Pieces of a Woman recently, it will no doubt be in relation to the home birth scene. Coming right at the start of the movie, and following a brief introduction to our two parents to be, the birth is shot in a single 22 minute take, from the point of Martha's waters breaking in the kitchen, to the arrival of the midwife and the eventual birth of the baby. As with any childbirth, there's a lot going on, a lot of emotions as the drama moves between the various rooms of the house. And everyone involved is outstanding, particularly Vanessa Kirby who is completely convincing. With the impressive, extended intro over, we cut to black and the title of the movie appears on screen. We then move onto the aftermath.
At first, we don't know exactly what went wrong with the birth and Martha and Sean do not have all of the answers either, which is essentially where a lot of the grief and tension arise from. Martha returns to work, to the shock of her co-workers, and it's clear that both her and Sean are very quickly beginning to drift apart, dealing with their grief in very different ways. Sean resorts to drinking, sleeping with Martha's cousin and having emotional outbursts, while Martha remains quietly detached from everyone and everything, and even meets with a local university to discuss donating their baby's body to medical science. Dirty plates stack up in the kitchen, house plants become limp from lack of water and attention.
We also discover that, in among all of the grief, everyone seems determined that the midwife who delivered their baby be blamed, prosecuted and sent to jail for five years, due to negligence and manslaughter. This is something which makes absolutely no sense when you first learn of it and even less sense when we finally arrive in the courtroom towards the end.
As we limp from month to month, the writing becomes worse and the film becomes increasingly frustrating and baffling. There's an impressive supporting cast of friends and family, all delivering their melodramatic monologues with flair, but the writing holds them back and prevents the movie from delivering any of the much needed emotional impact. At times, conversations appear to be badly improvised and just as it feels like we're about to get something of significance out of a scene or character, we cut to a different setting or later period in time, and all momentum is lost.
A bold, impressive 30 minute opening and a performance from Vanessa Kirby which continues to highlight just how talented she is. But apart from that, Pieces of a Woman just feels flat.
If you've heard anything about Pieces of a Woman recently, it will no doubt be in relation to the home birth scene. Coming right at the start of the movie, and following a brief introduction to our two parents to be, the birth is shot in a single 22 minute take, from the point of Martha's waters breaking in the kitchen, to the arrival of the midwife and the eventual birth of the baby. As with any childbirth, there's a lot going on, a lot of emotions as the drama moves between the various rooms of the house. And everyone involved is outstanding, particularly Vanessa Kirby who is completely convincing. With the impressive, extended intro over, we cut to black and the title of the movie appears on screen. We then move onto the aftermath.
At first, we don't know exactly what went wrong with the birth and Martha and Sean do not have all of the answers either, which is essentially where a lot of the grief and tension arise from. Martha returns to work, to the shock of her co-workers, and it's clear that both her and Sean are very quickly beginning to drift apart, dealing with their grief in very different ways. Sean resorts to drinking, sleeping with Martha's cousin and having emotional outbursts, while Martha remains quietly detached from everyone and everything, and even meets with a local university to discuss donating their baby's body to medical science. Dirty plates stack up in the kitchen, house plants become limp from lack of water and attention.
We also discover that, in among all of the grief, everyone seems determined that the midwife who delivered their baby be blamed, prosecuted and sent to jail for five years, due to negligence and manslaughter. This is something which makes absolutely no sense when you first learn of it and even less sense when we finally arrive in the courtroom towards the end.
As we limp from month to month, the writing becomes worse and the film becomes increasingly frustrating and baffling. There's an impressive supporting cast of friends and family, all delivering their melodramatic monologues with flair, but the writing holds them back and prevents the movie from delivering any of the much needed emotional impact. At times, conversations appear to be badly improvised and just as it feels like we're about to get something of significance out of a scene or character, we cut to a different setting or later period in time, and all momentum is lost.
A bold, impressive 30 minute opening and a performance from Vanessa Kirby which continues to highlight just how talented she is. But apart from that, Pieces of a Woman just feels flat.
Melanie Caldicott (6 KP) rated Afterlove in Books
Apr 29, 2021
*thank you to NetGalley for providing an eArc in exchange for an honest review* You can also read my review at my blog - roamingthroughbooks@wordpress.com" rel="nofollow noopener" target="_blank">https://roamingthroughbooks@wordpress.com
Afterlove is the story of Ash and Poppy and so powerful is their love for each other that it can transcend everything, even death!
I have mixed feelings about this book.
Ash and Poppy were likeable characters who Byrne depicts authentically with gorgeous, small details which helped to bring them to life. However, there were aspects of them that were opaque and I felt that some of the events they shared needed to be explored in more depth as sometimes I felt it made them seem a little shallow. For example, their family lives are explored in certain parts of the book but it felt to me like they were ignored when it was convenient for the author.
Their relationship was at times beautifully depicted, yet I also felt it had a tinge of Romeo and Juliet to it where it felt a little bit too all-consuming, too tragic and didn't reflect the other parts of who Ash and Poppy really were. I think love stories that constrict the meaning of a person's life to this one relationship can feel a little unrealistic and over-simplistic. I would have preferred to have the complexity of the grief the characters must have felt for the the loss of life explored more broadly than just how it related to the love of each other.
It was obvious that Byrne had a lot to say about grief and loss in this book and this was handled well, exploring their pain with tenderness and the emptiness loss leaves with hope. However, whilst the device of Ash becoming a grim reaper was novel I felt it left me a little dry and, along with the conclusion of the novel it did not adequately cover the depths of loss or what it can feel like to be left alone when someone dies.
I'm sure that there are many readers who will enjoy this YA book both for its exploration of teenage lesbian romance and for the way it grapples with grief and loss. Overall, I found the book enjoyable and engaging, but with a few flaws which led to the plot not quite melding with the themes it was trying to explore.
You can also read my review and others at https://roamingthroughbooks.wordpress.com/
Afterlove is the story of Ash and Poppy and so powerful is their love for each other that it can transcend everything, even death!
I have mixed feelings about this book.
Ash and Poppy were likeable characters who Byrne depicts authentically with gorgeous, small details which helped to bring them to life. However, there were aspects of them that were opaque and I felt that some of the events they shared needed to be explored in more depth as sometimes I felt it made them seem a little shallow. For example, their family lives are explored in certain parts of the book but it felt to me like they were ignored when it was convenient for the author.
Their relationship was at times beautifully depicted, yet I also felt it had a tinge of Romeo and Juliet to it where it felt a little bit too all-consuming, too tragic and didn't reflect the other parts of who Ash and Poppy really were. I think love stories that constrict the meaning of a person's life to this one relationship can feel a little unrealistic and over-simplistic. I would have preferred to have the complexity of the grief the characters must have felt for the the loss of life explored more broadly than just how it related to the love of each other.
It was obvious that Byrne had a lot to say about grief and loss in this book and this was handled well, exploring their pain with tenderness and the emptiness loss leaves with hope. However, whilst the device of Ash becoming a grim reaper was novel I felt it left me a little dry and, along with the conclusion of the novel it did not adequately cover the depths of loss or what it can feel like to be left alone when someone dies.
I'm sure that there are many readers who will enjoy this YA book both for its exploration of teenage lesbian romance and for the way it grapples with grief and loss. Overall, I found the book enjoyable and engaging, but with a few flaws which led to the plot not quite melding with the themes it was trying to explore.
You can also read my review and others at https://roamingthroughbooks.wordpress.com/
Kristy H (1252 KP) rated Little Black Lies in Books
Feb 13, 2018
Catrin Quinn is still reeling from the loss of her two sons nearly three years ago. Her grief and anger is exacerbated by the fact that Catrin blames her (now former) best friend, Rachel, for their deaths. Catrin lives on the isolated community of the Falkland Islands, where people generally know one another - and everyone's business. When several children go missing over a short period of time, even the tight-knit community must admit that something is going on. Catrin finds herself drawn into the search for the latest missing boy, despite the fact that she just wishes to wallow in her grief as the third anniversary of her sons' death approaches.
This was a great book - I love all of Bolton's Lacey Flint novels, but this standalone is excellent, too. It's told from the varying viewpoints of three people - Catrin, her ex-best friend Rachel, and Catrin's acquaintance, Callum, a former solider who was once stationed on the island. Bolton goes back and forth over a short time period, slowly unraveling events, first from Catrin, then Callum, and finally Rachel. It's a mesmerizing approach, as we try to decipher how much to trust each of our narrators. During each character's turn, I found myself completely enthralled and wrapped up in their life. I eventually stayed up far too late the final night, frantically finishing the book to find out what happened. Bolton has created yet another fascinating mystery that will have you guessing the entire time.
(Note: I received an ARC from Netgalley in return for an unbiased review.)
This was a great book - I love all of Bolton's Lacey Flint novels, but this standalone is excellent, too. It's told from the varying viewpoints of three people - Catrin, her ex-best friend Rachel, and Catrin's acquaintance, Callum, a former solider who was once stationed on the island. Bolton goes back and forth over a short time period, slowly unraveling events, first from Catrin, then Callum, and finally Rachel. It's a mesmerizing approach, as we try to decipher how much to trust each of our narrators. During each character's turn, I found myself completely enthralled and wrapped up in their life. I eventually stayed up far too late the final night, frantically finishing the book to find out what happened. Bolton has created yet another fascinating mystery that will have you guessing the entire time.
(Note: I received an ARC from Netgalley in return for an unbiased review.)
I had to read this book for my craft of fiction class. This was my first time reading it, but we were able to look at it as more than just plot, and more about how it was written and why it was written that way.
There are spoilers, so read at your own risk.
I very much enjoyed this book. I loved this view into a post slavery world filled of women who have to deal with the grief that has followed them throughout their lives. Sethe, though she has made her mistakes in her life, is still a sympathetic character who relies on her grief to survive through what she has done. Her daughters are strong women in their own rights. Beloved, being childlike and taking out her rage of her death on her mother and her family through stealing the attention and food for herself. She isolates, makes it so the others feel death hanging over themselves to understand her pain.
The format, being more stream of consciousness and not a cohesive, linear narrative, lends itself well to the magical realism of this book. This is nothing like a Harry Potter type of magical realism though. This is steeped in the tradition of former slaves, magical in their beliefs of the world and the afterlife. Not the people being able to control magic, but allowing it to be a real thing in their lives either way.
I really liked this book. If you want to understand why, check it out for yourself.
There are spoilers, so read at your own risk.
I very much enjoyed this book. I loved this view into a post slavery world filled of women who have to deal with the grief that has followed them throughout their lives. Sethe, though she has made her mistakes in her life, is still a sympathetic character who relies on her grief to survive through what she has done. Her daughters are strong women in their own rights. Beloved, being childlike and taking out her rage of her death on her mother and her family through stealing the attention and food for herself. She isolates, makes it so the others feel death hanging over themselves to understand her pain.
The format, being more stream of consciousness and not a cohesive, linear narrative, lends itself well to the magical realism of this book. This is nothing like a Harry Potter type of magical realism though. This is steeped in the tradition of former slaves, magical in their beliefs of the world and the afterlife. Not the people being able to control magic, but allowing it to be a real thing in their lives either way.
I really liked this book. If you want to understand why, check it out for yourself.