Search
Search results
Gareth von Kallenbach (980 KP) rated Brooklyn's Finest (2010) in Movies
Aug 8, 2019
The story of three cops Sal, Tango, and Eddie, “Brooklyn’s Finest” depicts a graphic understanding of the challenges faced by hardened policemen. Eddie (Richard Gere) is disgruntled and seven days away from retirement from the police force. Tango (Don Cheadle) is stuck undercover while his real life is breaking apart. Sal (Ethan Hawke) can’t afford to support his growing family. All three of them are about to have a week that will test who they are as cops in the not so clear-cut morals of the Brooklyn police force.
A hard-hitting and graphic film, “Brooklyn’s Finest” shows the complicated life of cops struggling to balance morals and justice. Audiences will find it strongly languaged, visually appalling, and emotionally striking. These cops are not the clean-cut ideals that serve and protect, but rather people who have intensified problems on the mean streets of Brooklyn.
For the three lead actors these roles offer significant stretch, particularly in the case of Gere, who displays a physical and emotional depth in the film that is engrossing. Another worthy performance is that of Wesley Snipes as Caz, a gang leader who has recently returned from prison and is now seeking a path to new better life. With complicated characters like these, the film takes a hold of viewers by examining right and wrong in the world of both cops and criminals.
In short, “Brooklyn’s Finest” is a well-paced gripping story played by strong actors. However, audiences should be warned that the tough subject matter and hardened characters make it a far cry from traditional police dramas. This is a film that is likely to offend those who have strong ties to the ideals of police life or a distinct dislike for violence. For the rest of the movie-going public, “Brooklyn’s Finest” is a well-scripted film that is hard to ignore.
A hard-hitting and graphic film, “Brooklyn’s Finest” shows the complicated life of cops struggling to balance morals and justice. Audiences will find it strongly languaged, visually appalling, and emotionally striking. These cops are not the clean-cut ideals that serve and protect, but rather people who have intensified problems on the mean streets of Brooklyn.
For the three lead actors these roles offer significant stretch, particularly in the case of Gere, who displays a physical and emotional depth in the film that is engrossing. Another worthy performance is that of Wesley Snipes as Caz, a gang leader who has recently returned from prison and is now seeking a path to new better life. With complicated characters like these, the film takes a hold of viewers by examining right and wrong in the world of both cops and criminals.
In short, “Brooklyn’s Finest” is a well-paced gripping story played by strong actors. However, audiences should be warned that the tough subject matter and hardened characters make it a far cry from traditional police dramas. This is a film that is likely to offend those who have strong ties to the ideals of police life or a distinct dislike for violence. For the rest of the movie-going public, “Brooklyn’s Finest” is a well-scripted film that is hard to ignore.
JT (287 KP) rated The Boy (2016) in Movies
Mar 2, 2020 (Updated Mar 3, 2020)
Gripping in parts but not a standout
d put off watching this for some time, but when I caught the trailer for Brahms: The Boy II which on the face of it looked quite good, I had to give the original one a go.
Having seen Lauren Cohan as Maggie in The Walking Dead for as many seasons as I could stand before I gave up on it, she always stood out as a talented actress.
Here she plays Greta Evans who is looking to escape an abusive past and finds sanctuary in a small English village as a nanny for a wealthy couple and their 8-year old boy, Brahms.
Turns out that young Brahms is a doll and parents Mr and Mrs Heelshire care for him just like a real boy, as a way to cope with the death of their actual son 20-years earlier.
The Boy is a horror film that does little to ignite the nerves but it does hold a degree of suspense. Greta, unconvinced by Brahms flaunts a set of strict rules set by the parents and it’s only then that things start to get eerie.
With no one to turn to except local deliveryman Malcolm (Rupert Evans), she is convinced there is something more to Brahms than just his creepy blank stare. And she would be right, as the little wooden boy goes full Pinocchio and starts moving about, or does he?
While it’s daft I did find myself gripped in certain parts although I’m not sure it warranted a sequel but a sequel it has got – just don’t expect a standout horror film.
Having seen Lauren Cohan as Maggie in The Walking Dead for as many seasons as I could stand before I gave up on it, she always stood out as a talented actress.
Here she plays Greta Evans who is looking to escape an abusive past and finds sanctuary in a small English village as a nanny for a wealthy couple and their 8-year old boy, Brahms.
Turns out that young Brahms is a doll and parents Mr and Mrs Heelshire care for him just like a real boy, as a way to cope with the death of their actual son 20-years earlier.
The Boy is a horror film that does little to ignite the nerves but it does hold a degree of suspense. Greta, unconvinced by Brahms flaunts a set of strict rules set by the parents and it’s only then that things start to get eerie.
With no one to turn to except local deliveryman Malcolm (Rupert Evans), she is convinced there is something more to Brahms than just his creepy blank stare. And she would be right, as the little wooden boy goes full Pinocchio and starts moving about, or does he?
While it’s daft I did find myself gripped in certain parts although I’m not sure it warranted a sequel but a sequel it has got – just don’t expect a standout horror film.
JT (287 KP) rated Chloe (2010) in Movies
Mar 10, 2020
As sexual thrillers go this is hardly up there with the best of them, in fact it boarder lines on B-movie soft porn. Director Atom Egoyan is no stranger to this type of erotic genre having previously helmed such films as Exotica and Where The Truth Lies. But this latest turn lacked something in the plot and it just seemed to fall at the last hurdle.
With three exceptional acting talents, more so from Seyfried whose role in this as the sexy femme fatal is a far cry from Mamma Mia. For Moore it was a role that may have caused much whispering in Hollywood if anything for the lesbian clinch mid way through.
From the outset it looks as if we are going to be in for a great little thriller. Moore’s Catherine is desperate to find out if her husband (Neeson) is as honest as he says he is. But she is apparently drawn into Chloe’s sexual tales and meets up with her on countless occasions to have the events graphically recited back to her like some x-rated book club.
This is where the film seems to lack the tension that we might have been hoping for, with the exception of maybe a little flurry at the end. It never really digs its nails underneath the skin and claws at us, we hope that it will arrive at some point but alas it never does. The ending is disappointing.
However, Seyfried’s sheer beauty is not for question, she is curvaceous and captivating and her scenes with Moore are extremely sensuous, one in particular will make you sit bolt up right in your seat.
At the end of it all you’ll walk away flustered, but it certainly won’t be from the gripping suspense.
With three exceptional acting talents, more so from Seyfried whose role in this as the sexy femme fatal is a far cry from Mamma Mia. For Moore it was a role that may have caused much whispering in Hollywood if anything for the lesbian clinch mid way through.
From the outset it looks as if we are going to be in for a great little thriller. Moore’s Catherine is desperate to find out if her husband (Neeson) is as honest as he says he is. But she is apparently drawn into Chloe’s sexual tales and meets up with her on countless occasions to have the events graphically recited back to her like some x-rated book club.
This is where the film seems to lack the tension that we might have been hoping for, with the exception of maybe a little flurry at the end. It never really digs its nails underneath the skin and claws at us, we hope that it will arrive at some point but alas it never does. The ending is disappointing.
However, Seyfried’s sheer beauty is not for question, she is curvaceous and captivating and her scenes with Moore are extremely sensuous, one in particular will make you sit bolt up right in your seat.
At the end of it all you’ll walk away flustered, but it certainly won’t be from the gripping suspense.
Kim Pook (101 KP) rated Bates Motel in TV
Aug 6, 2019
Acting (1 more)
Storylines
Hated psycho but enjoyed this
Contains spoilers, click to show
I never saw the original psycho but i did watch the 90s remake which i found very boring, so i went into this not expecting much at all. However, after the first episode i was hooked and bingewatched all 5 seasons in about 3 weeks.
Incase you have never seen or heard of psycho, it's about the teenage life of a boy called Norman Bates, who suffers with blackouts where he becomes violent. Norman helps run a motel with his mother Norma (yes, that's right - Norman and Norma haha!!) Who is very protective of her son. Seasons 1-3 we get to know about the bates and why they are unlike any normal family, there's a few murders but we wonder was it Norman or not? Season 4 and 5 is where it gets very good and Normans shy side of his personality starts to completely diminish and his 'mother' personality takes over more frequently.
Throughout the seasons there wasn't really any main character i disliked, each one had a gripping story attached to them and I even started to like chick - the strange trailer guy who had beef with Dylans dad (and normas brother). The only part of the show i wasn't interested in was Dylans job in the weed selling business but that didn't last long thankfully.
Funny enough I even felt sorry for Norman but at the same time i wanted to smack some sense into Norma for protecting him right up until he killed her.
The final episode was very sad but at the same time you feel happy because Norman got his wish and no longer had to fight 'Mother'. I know many people think a season 6 was needed but i think season 5 ended perfectly. I feel lost now I'm finished though.
Incase you have never seen or heard of psycho, it's about the teenage life of a boy called Norman Bates, who suffers with blackouts where he becomes violent. Norman helps run a motel with his mother Norma (yes, that's right - Norman and Norma haha!!) Who is very protective of her son. Seasons 1-3 we get to know about the bates and why they are unlike any normal family, there's a few murders but we wonder was it Norman or not? Season 4 and 5 is where it gets very good and Normans shy side of his personality starts to completely diminish and his 'mother' personality takes over more frequently.
Throughout the seasons there wasn't really any main character i disliked, each one had a gripping story attached to them and I even started to like chick - the strange trailer guy who had beef with Dylans dad (and normas brother). The only part of the show i wasn't interested in was Dylans job in the weed selling business but that didn't last long thankfully.
Funny enough I even felt sorry for Norman but at the same time i wanted to smack some sense into Norma for protecting him right up until he killed her.
The final episode was very sad but at the same time you feel happy because Norman got his wish and no longer had to fight 'Mother'. I know many people think a season 6 was needed but i think season 5 ended perfectly. I feel lost now I'm finished though.
The Launch Pad: Inside Y Combinator, Silicon Valley's Most Exclusive School for Startups
Book
In The Launch Pad, Randall Stross, author of eBoys and Planet Google, takes a behind-the-scenes look...
The Wicked Boy: The Mystery of a Victorian Child Murderer
Book
The gripping, fascinating account of a shocking murder case that sent late Victorian Britain into a...
They All Love Jack: Busting the Ripper
Book
LONGLISTED FOR THE SAMUEL JOHNSON PRIZE FOR NON-FICTION A book like no other - the tale of a...
Viper Pilot: A Memoir of Air Combat
Book
"Viper Pilot" is the high-octane memoir of one of America's elite aviators: a twenty-year...
What Fresh Lunacy is This?: The Authorized Biography of Oliver Reed
Book
Oliver Reed may not have been Britain's biggest film star - for a period in the early 70s he came...
Pathfinder: A Special Forces Mission Behind Enemy Lines
Book
Nine men. 2,000 enemies. No back-up. No air support. No rescue. No chance...First in - the official...