Phillip McSween (751 KP) rated Rabid (2019) in Movies
Mar 9, 2020
Acting: 10
Beginning: 5
Rabid could have gotten to the point a lot faster and didn’t. I was waiting for the kicker that would get my attention. When it finally hit, it was a bit of a shoulder shrug for me. I had to force myself to get into it, telling myself that things would eventually get better.
Characters: 5
Not only were the characters one-dimensional and flat, but they left me with little to no interest in the story at all. I didn’t much care what happened to the protagonist or anyone. Having seen this movie a few weeks ago, I can’t think of any characters that really stood out for me.
Cinematography/Visuals: 3
Conflict: 3
Entertainment Value: 3
Memorability: 7
Pace: 5
Plot: 3
I thought the story had potential to be intriguing, but it ended up feeling more bland than anything else. Too much of nothing, too much waiting for things to happen. There were no moments or pieces of anything to really connect me to the characters which checked me out of the story as a whole.
Resolution: 5
Overall: 49
There are some indy movies that blow me away and stand out above even the larger in-theatre titles. Rabid falls short for me due to weak story progression and weak characters. I don’t recommend.
JT (287 KP) rated Rec 3: Genesis (2012) in Movies
Mar 10, 2020
The opening twenty minutes are shot from the viewpoint of a handheld camera by one of the guests as well as the occasional cut shot to the official wedding videographer. For Clara (Leticia Dolera) and Koldo (Diego Martín) this is the happiest day of their lives and we witness everything from the arrival of the guests, service and the wedding breakfast. The film then suddenly turns on its head when one of the guests starts showing the signs of a strange illness, then the shit hits the fan.
The handheld camera shot is abruptly dropped in a neat edit that adds in the title sequence, although we still get glimpses of flesh eating carnage from security cameras scattered around the venue. Clara and Koldo the pair are separated amidst all the mayhem and they have to fight their way back together, how romantic.
The first film’s apartment block location had the effectiveness of delivering high tension in a relatively enclosed and tight space, with Génesis the location is more vast and so at times it doesn’t feel as gripping, given also that some of the occurances happen in broad daylight.
Once the film gets going the gore is ramped up a few more levels, and when Clara turns into some sort of bridezilla complete with ripped wedding dress and chainsaw any more scares are lost in the comedy of death scenes for the unlucky few who choose to get in her way. It is certainly not the best of the three but it offers enough to keep the connections of the story-line going, perhaps even for one more film?
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