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Billie Wichkan (118 KP) rated The Killer in Me (Frankie Sheehan, #2) in Books
May 22, 2019
Detective Chief Superintendent Frankie Sheehan does not wish to linger on the grisly scene before her eyes. Two mutilated corpses. In a church. In Clontarf. Her profiling background screams one fact: this is just the beginning of a sickening message.
Meanwhile, a 17-year-old case is playing out on a TV documentary, the convicted professing his innocence and historical police errors being exposed daily in the media. Frankie's superior, commissioner Donna Hegarty, makes no bones about who she expects to clean things up - both in terms of past mishandlings and the present murders.
But not everyone working the cases wants the truth to come out. And the corridors of power have their own vested interest. Soon Frankie pinpoints just what is making her so nervous: the fact that anyone could be the next victim when justice is the killer.
The Killer In Me is a fast-paced thriller in which lies are safer than the truth, the past is never far from the present, and the ability to kill could well, it seems, live in everyone.
I would like to thank Netgalley and Quercus Books for an advance copy of The Killer in Me.
The Killer in Me is the second novel to feature Dublin based Detective Chief Superintendent Frankie Sheehan of An Garda Síochánas Bureau for Serious Crime.
I could use a lot of words to describe this book and how much I liked it, but I want to summarize it in few words: it's amazing and gripping.
This novel is fast paced and full of twists and turns which just ramp the suspense level up.
I was gripped from the start and read this book in one go. It is really well written and very cleverly thought out.
Dark and intense, this story is told wonderfully well.
I found the characters very interesting and also full of depth.
Lot of red herrings about to keep you guessing all the way to the end.
Highly Recommend.
I would like to thank Netgalley and Quercus Books for an advance copy of The Killer in Me; this is my honest voluntary review.
Meanwhile, a 17-year-old case is playing out on a TV documentary, the convicted professing his innocence and historical police errors being exposed daily in the media. Frankie's superior, commissioner Donna Hegarty, makes no bones about who she expects to clean things up - both in terms of past mishandlings and the present murders.
But not everyone working the cases wants the truth to come out. And the corridors of power have their own vested interest. Soon Frankie pinpoints just what is making her so nervous: the fact that anyone could be the next victim when justice is the killer.
The Killer In Me is a fast-paced thriller in which lies are safer than the truth, the past is never far from the present, and the ability to kill could well, it seems, live in everyone.
I would like to thank Netgalley and Quercus Books for an advance copy of The Killer in Me.
The Killer in Me is the second novel to feature Dublin based Detective Chief Superintendent Frankie Sheehan of An Garda Síochánas Bureau for Serious Crime.
I could use a lot of words to describe this book and how much I liked it, but I want to summarize it in few words: it's amazing and gripping.
This novel is fast paced and full of twists and turns which just ramp the suspense level up.
I was gripped from the start and read this book in one go. It is really well written and very cleverly thought out.
Dark and intense, this story is told wonderfully well.
I found the characters very interesting and also full of depth.
Lot of red herrings about to keep you guessing all the way to the end.
Highly Recommend.
I would like to thank Netgalley and Quercus Books for an advance copy of The Killer in Me; this is my honest voluntary review.
Zuky the BookBum (15 KP) rated Copycat in Books
Mar 15, 2018
Sometimes you come across a really easy to read and exciting thriller novel, that doesn’t take up too much head space, and is alotta fun… Copycat is exactly that! This one really helped me out of a reading slump, hallelujah!
I can’t turn around to you and say this is the most menacing, gripping and terrific thriller I’ve ever read, but I can say that it’s worth picking up if you’re looking for a non-challenging but exciting read.
The characters in this one are nicely developed, but there was a bit of a lack of connection between me and our main character Sarah. I think if I’d been able to get to know her better, I might have had more sympathy for her in parts, but alas. I found a lot of the family related situations to be very realistic, and liked the dynamic between husband and wife.
As for the rest of the story, the plot wasn’t particularly realistic, but that didn’t ruin the book in any way. Sometimes you just need a story to take you away from real life and give you a fun fictional tale to follow. Now, just because I didn’t feel like this one was extremely realistic, doesn’t mean I didn’t find parts of it creepy! Some of the “stalkers” ploys at getting Sarah nervous and afraid were really creative and menacing!
In the end, I had guessed how the story was going to play out, but I didn’t have a reason as to why it was going to play out that way. Even though I had my theory on the “stalker”, which turned out to be correct, I didn’t find this took away from the excitement of the end of the novel. I still got to enjoy the now knowing of how the book was going to conclude.
Overall, I really enjoyed this thriller and would definitely say it’s one to look out for if you’re looking for something a little less challenging, but still just as exciting to read as some other darker, more meaningful thrillers on the market (like Watching Edie or My Sister’s Bones, for example).
Thanks to HarperCollins for sending me an ARC in exchange for an honest review.
I can’t turn around to you and say this is the most menacing, gripping and terrific thriller I’ve ever read, but I can say that it’s worth picking up if you’re looking for a non-challenging but exciting read.
The characters in this one are nicely developed, but there was a bit of a lack of connection between me and our main character Sarah. I think if I’d been able to get to know her better, I might have had more sympathy for her in parts, but alas. I found a lot of the family related situations to be very realistic, and liked the dynamic between husband and wife.
As for the rest of the story, the plot wasn’t particularly realistic, but that didn’t ruin the book in any way. Sometimes you just need a story to take you away from real life and give you a fun fictional tale to follow. Now, just because I didn’t feel like this one was extremely realistic, doesn’t mean I didn’t find parts of it creepy! Some of the “stalkers” ploys at getting Sarah nervous and afraid were really creative and menacing!
In the end, I had guessed how the story was going to play out, but I didn’t have a reason as to why it was going to play out that way. Even though I had my theory on the “stalker”, which turned out to be correct, I didn’t find this took away from the excitement of the end of the novel. I still got to enjoy the now knowing of how the book was going to conclude.
Overall, I really enjoyed this thriller and would definitely say it’s one to look out for if you’re looking for something a little less challenging, but still just as exciting to read as some other darker, more meaningful thrillers on the market (like Watching Edie or My Sister’s Bones, for example).
Thanks to HarperCollins for sending me an ARC in exchange for an honest review.
Lee (2222 KP) rated Sicario: Day of the Soldado (2018) in Movies
Jul 3, 2018
Not quite as good as the original
Before watching Sicario 2, I really wanted to try and watch the original movie again, but never got a chance. I remember it being brutal and intense, with outstanding performances from Emily Blunt and Benicio Del Toro. I remember it gripping me from beginning to end. But, strangely, I couldn't remember very much about it at all other than basic plot details. I know I would recommend it in a heartbeat though, so I was excited for what the sequel would bring.
In Sicario: Day of the Solado (or just Sicario 2: Soldado here in the UK...), the brutal intensity is introduced right from the start. A suicide bomber blows himself up at the U.S. - Mexican border. Then, in a Kansas supermarket, terrorists enter and detonate two bombs, followed by a third which is detonated while a woman and child plead to be set free. It's shocking, upsetting, and sticks with you uncomfortably for a while, serving as a push to get you behind federal agent Matt Graver (Josh Brolin) as he's brought in to start a war between the Mexican drug cartels. The plan has something to do with securing the border from terrorists, which kind of doesn't make much sense, but after the events in the opening scenes, you just want somebody to get out there and kick some ass. And with the promise that he's allowed to play things "dirty", you know that Josh Brolin is more than capable. He locates and recruits Alejandro (Benicio Del Toro) to help him out, with the promise of getting revenge against the family responsible for the death of his own family. They kidnap the daughter of a top gang boss, and attempt to blame it on a rival gang. But things don't go according to plan.
Like the original, there are plenty of intense, well executed scenes, but this just didn't grip me in the same way as the first movie did. Benicio Del Toro is just brilliant, but the lack of Emily Blunt was noticeable. Still a very enjoyable movie though.
In Sicario: Day of the Solado (or just Sicario 2: Soldado here in the UK...), the brutal intensity is introduced right from the start. A suicide bomber blows himself up at the U.S. - Mexican border. Then, in a Kansas supermarket, terrorists enter and detonate two bombs, followed by a third which is detonated while a woman and child plead to be set free. It's shocking, upsetting, and sticks with you uncomfortably for a while, serving as a push to get you behind federal agent Matt Graver (Josh Brolin) as he's brought in to start a war between the Mexican drug cartels. The plan has something to do with securing the border from terrorists, which kind of doesn't make much sense, but after the events in the opening scenes, you just want somebody to get out there and kick some ass. And with the promise that he's allowed to play things "dirty", you know that Josh Brolin is more than capable. He locates and recruits Alejandro (Benicio Del Toro) to help him out, with the promise of getting revenge against the family responsible for the death of his own family. They kidnap the daughter of a top gang boss, and attempt to blame it on a rival gang. But things don't go according to plan.
Like the original, there are plenty of intense, well executed scenes, but this just didn't grip me in the same way as the first movie did. Benicio Del Toro is just brilliant, but the lack of Emily Blunt was noticeable. Still a very enjoyable movie though.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest</i>
People grieve in many different ways, as Shari Arnold shows in her young adult novel <i>Neverland</i>. It has been four months since seventeen-year-old Livy lost her little sister Jenna to leukemia. Her mother has become a workaholic, her father a ghost, but Livy has become determined to help as many sick children as she can, either by reading to them or becoming a bone marrow donor. Livy’s life revolves solely around the children at the hospital but things begin to change when she meets the mysterious Meyer who takes her out of her comfort zone and challenges her to have fun.
As suggested by the title, <i>Neverland</i> is based upon the well-known story of Peter Pan. Meyer, like Peter, loves an adventure and whisks Livy away to do things she would never have thought to do on her own. By showing Livy how to have fun, Meyer hopes to encourage her to move on, but the big question is, is Livy ready to live without her sister?
The first part of the book has a contemporary setting that makes the story appear to be the typical girl meets boy who makes everything better type of novel, however the second section is completely different. Part two is so full of fantasy and magical ideas that it feels like a completely different book. Initially it was exciting when Meyer was something of an enigma, but suddenly the story becomes childish and fake once his true identity has been revealed, thus making the novel less gripping.
Nonetheless, <i>Neverland</i> is very moving as is anything regarding the death of young children. Arnold provides an interesting retelling of the delightful fairytale giving a totally new meaning to the children who do not grow up. Those who enjoy contemporary and fantasy novels will enjoy both elements however some readers expecting a young adult love story may be disappointed with the unrealistic turn the novel takes part way through.
People grieve in many different ways, as Shari Arnold shows in her young adult novel <i>Neverland</i>. It has been four months since seventeen-year-old Livy lost her little sister Jenna to leukemia. Her mother has become a workaholic, her father a ghost, but Livy has become determined to help as many sick children as she can, either by reading to them or becoming a bone marrow donor. Livy’s life revolves solely around the children at the hospital but things begin to change when she meets the mysterious Meyer who takes her out of her comfort zone and challenges her to have fun.
As suggested by the title, <i>Neverland</i> is based upon the well-known story of Peter Pan. Meyer, like Peter, loves an adventure and whisks Livy away to do things she would never have thought to do on her own. By showing Livy how to have fun, Meyer hopes to encourage her to move on, but the big question is, is Livy ready to live without her sister?
The first part of the book has a contemporary setting that makes the story appear to be the typical girl meets boy who makes everything better type of novel, however the second section is completely different. Part two is so full of fantasy and magical ideas that it feels like a completely different book. Initially it was exciting when Meyer was something of an enigma, but suddenly the story becomes childish and fake once his true identity has been revealed, thus making the novel less gripping.
Nonetheless, <i>Neverland</i> is very moving as is anything regarding the death of young children. Arnold provides an interesting retelling of the delightful fairytale giving a totally new meaning to the children who do not grow up. Those who enjoy contemporary and fantasy novels will enjoy both elements however some readers expecting a young adult love story may be disappointed with the unrealistic turn the novel takes part way through.
Hazel (2934 KP) rated The Rumour in Books
Jan 28, 2019
A great debut
What a great debut and yet another author to keep my eyes on and a British one too ?
As the blurb says, Joanna hears a rumour and ends up passing it on even though she knows it's probably not the best decision she has ever made however, she feels the need to fit in and make friends since moving to a small seaside town from London ... what harm can it do? Well as most of us know, rumours can be extremely damaging and this book is a pretty good example of that.
Well written with great characters and setting, a gripping and relevant story line written at a good pace and with excellent twists, this book is definitely one for lovers of books that draw you in, spin you around and spit you out leaving you feeling like you're on a rollercoaster but not wanting it to end and when it does, you want to go back and have another go.
I wish to express my thanks to Random House UK/Transworld Publishers for my copy via NetGalley in return for an honest review and for, once again, introducing me to another new author to follow.
Having just clicked on the publisher website, it appears Lesley Kara has a new book coming out called "Who Did You Tell?"; the blurb sounds great and I am so looking forward to reading it especially if it's as well written as "The Rumour".
Blurb taken from the publisher website:
"It’s been 192 days, seven hours and fifteen minutes since her last drink. Now Astrid is trying to turn her life around.
Having reluctantly moved back in with her mother, in a quiet seaside town away from the temptations and painful memories of her life before, Astrid is focusing on her recovery She's going to meetings. Confessing her misdeeds. Making amends to those she's wronged.
But someone knows exactly what Astrid is running from. And they won't stop until she learns that some mistakes can't be corrected.
Some mistakes, you have to pay for..."
BUT it's not out until December 2019!! Guess I'll just have to wait then ?
As the blurb says, Joanna hears a rumour and ends up passing it on even though she knows it's probably not the best decision she has ever made however, she feels the need to fit in and make friends since moving to a small seaside town from London ... what harm can it do? Well as most of us know, rumours can be extremely damaging and this book is a pretty good example of that.
Well written with great characters and setting, a gripping and relevant story line written at a good pace and with excellent twists, this book is definitely one for lovers of books that draw you in, spin you around and spit you out leaving you feeling like you're on a rollercoaster but not wanting it to end and when it does, you want to go back and have another go.
I wish to express my thanks to Random House UK/Transworld Publishers for my copy via NetGalley in return for an honest review and for, once again, introducing me to another new author to follow.
Having just clicked on the publisher website, it appears Lesley Kara has a new book coming out called "Who Did You Tell?"; the blurb sounds great and I am so looking forward to reading it especially if it's as well written as "The Rumour".
Blurb taken from the publisher website:
"It’s been 192 days, seven hours and fifteen minutes since her last drink. Now Astrid is trying to turn her life around.
Having reluctantly moved back in with her mother, in a quiet seaside town away from the temptations and painful memories of her life before, Astrid is focusing on her recovery She's going to meetings. Confessing her misdeeds. Making amends to those she's wronged.
But someone knows exactly what Astrid is running from. And they won't stop until she learns that some mistakes can't be corrected.
Some mistakes, you have to pay for..."
BUT it's not out until December 2019!! Guess I'll just have to wait then ?
Gareth von Kallenbach (980 KP) rated Kick-Ass (2010) in Movies
Aug 8, 2019
Kick-Ass starts out as a clever action movie with good humor interspersed throughout the first half, but by the second half the jokes trail off as the movie takes a blacker turn toward a mindless and confusing tale of morality.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.
Elli H Burton (1288 KP) rated The Silence of the Lambs (1991) in Movies
Nov 7, 2019
The acting is 100% (2 more)
The story is fantastic
The way it is shot is genuinely awesome.
Have the lambs stopped screaming?
Okay so this is one of my favourite films because it just ticks every box.
Acting - Anthony Hopkins won an oscar for best actor because of this film. He is excellent, he is so creepy, elegant, scary, inviting, chilling, intriguing and he just oozes the sophistication, intelligence and depth of the character. He delivers his performance in this with a real passion. He is also so limited with what he can do physically (usually locked up) but he owns the set when the cameras are rolling.
Jodie Foster - I haven't seen her in anything else which I am actually embarrassed about because I loved her in this. No surprise, she won an oscar for best actress in this film. I genuinely feel like (towards the end mainly, as she has said in an interview that Anthony Hopkins did actually frighten her) she was terrified for her life. She could have been in the situation irl and i wouldn't be shocked. The character could have been played so many ways but Jodie played it perfectly. A clever, naive, strong, determined woman.
All other supporting actors were fantastic, such as Ted Levine as Buffalo Bill (my goodness he is so creepy he makes your skin crawl) and Scott Glenn as Jack Crawford (definitely feel the underlying tones of an unsavory character).
It is shot in such a way you dont see often, the talking to the camera shots, showing you things in Bills house like the pictures are all such subtle things but make it even more chilling. They also don't shy away with language(a word is said in this film atleast twice and it's so rare to hear on film) which sometimes, as not very nice this word is, the situation calls for it in this unnerving thriller, gross words and scenes need to be real to feel uneasy which you do in this.
Hats off to the wonderful Thomas Harris for writing such a gripping, interesting story that we were fortunate enough to see made to this magnificent film.
Acting - Anthony Hopkins won an oscar for best actor because of this film. He is excellent, he is so creepy, elegant, scary, inviting, chilling, intriguing and he just oozes the sophistication, intelligence and depth of the character. He delivers his performance in this with a real passion. He is also so limited with what he can do physically (usually locked up) but he owns the set when the cameras are rolling.
Jodie Foster - I haven't seen her in anything else which I am actually embarrassed about because I loved her in this. No surprise, she won an oscar for best actress in this film. I genuinely feel like (towards the end mainly, as she has said in an interview that Anthony Hopkins did actually frighten her) she was terrified for her life. She could have been in the situation irl and i wouldn't be shocked. The character could have been played so many ways but Jodie played it perfectly. A clever, naive, strong, determined woman.
All other supporting actors were fantastic, such as Ted Levine as Buffalo Bill (my goodness he is so creepy he makes your skin crawl) and Scott Glenn as Jack Crawford (definitely feel the underlying tones of an unsavory character).
It is shot in such a way you dont see often, the talking to the camera shots, showing you things in Bills house like the pictures are all such subtle things but make it even more chilling. They also don't shy away with language(a word is said in this film atleast twice and it's so rare to hear on film) which sometimes, as not very nice this word is, the situation calls for it in this unnerving thriller, gross words and scenes need to be real to feel uneasy which you do in this.
Hats off to the wonderful Thomas Harris for writing such a gripping, interesting story that we were fortunate enough to see made to this magnificent film.
Hazel (2934 KP) rated Die Alone (The Bone Field #3) in Books
Nov 10, 2019
Wow ... just wow!
Wow ... just wow!
What a thrill-a-page that was!
This is the third and final instalment of "The Bone Field" series and what a series it's been. You could read this part as a standalone but I think you would appreciate and have a clearer and better understanding of Ray's motivations if you read the previous books although not essential as Mr Kernick provides adequate snippets so you can easily keep up.
This book is just brilliant; full of action, scenes of peril, violence, tense and tender moments, fast-paced, gripping, well written and easy to read.
DI Ray Mason is a complex and very interesting character and although he may not always follow the rule of law, you find yourself rooting for him and willing him on through his many scrapes, tussles and near misses with the "goodies" and the "baddies".
Tina Boyd is one of my all-time favourite female characters and I loved that she returned for this final outing - more books with Tina as the central character please Mr Kernick 😀
Alastair Sheridan is a fantastic baddie. Politician, murderer, arrogant, full of his own self-importance and a thoroughly repulsive and obnoxious creature ... yes, I say creature because he's not good enough to be called a man, a human being or even an animal! The seething hatred I have for this "thing" oozed from my every pore as I read this book and I couldn't read it fast enough to find out what fate had in store for him.
I feel quite sad that this is the final part and although I realise that to eek it out would dilute the impact and stretch the bounds of reality somewhat but I really, really would like to read more books featuring Ray - maybe a series of stories of his life "on the run" in various countries around the world - I would be the first in line ... hint, hint Mr Kernick 😀
I can't thank Cornerstone, Penguin Random House UK via NetGalley enough for my advance copy in return for an honest review; I am very grateful that I was chosen and thank you.
What a thrill-a-page that was!
This is the third and final instalment of "The Bone Field" series and what a series it's been. You could read this part as a standalone but I think you would appreciate and have a clearer and better understanding of Ray's motivations if you read the previous books although not essential as Mr Kernick provides adequate snippets so you can easily keep up.
This book is just brilliant; full of action, scenes of peril, violence, tense and tender moments, fast-paced, gripping, well written and easy to read.
DI Ray Mason is a complex and very interesting character and although he may not always follow the rule of law, you find yourself rooting for him and willing him on through his many scrapes, tussles and near misses with the "goodies" and the "baddies".
Tina Boyd is one of my all-time favourite female characters and I loved that she returned for this final outing - more books with Tina as the central character please Mr Kernick 😀
Alastair Sheridan is a fantastic baddie. Politician, murderer, arrogant, full of his own self-importance and a thoroughly repulsive and obnoxious creature ... yes, I say creature because he's not good enough to be called a man, a human being or even an animal! The seething hatred I have for this "thing" oozed from my every pore as I read this book and I couldn't read it fast enough to find out what fate had in store for him.
I feel quite sad that this is the final part and although I realise that to eek it out would dilute the impact and stretch the bounds of reality somewhat but I really, really would like to read more books featuring Ray - maybe a series of stories of his life "on the run" in various countries around the world - I would be the first in line ... hint, hint Mr Kernick 😀
I can't thank Cornerstone, Penguin Random House UK via NetGalley enough for my advance copy in return for an honest review; I am very grateful that I was chosen and thank you.
Phil Leader (619 KP) rated The Tiger Warrior (Jack Howard #4) in Books
Nov 26, 2019
The Tiger Warrior follows archaeologist and adventurer Jack Howard as he follows a tantalising clue that perhaps some escaped Roman legionaries had found themselves pitched against the bodyguard of the First Emperor of China and one had taken refuge in the jungles of India.
This might sound far-fetched but Gibbins knows his archaeology and comes up with a plausible (if tenuous) story to make this work. The story is then taken up at the end of the 19th century in India when Howard's great great grandfather is part of the British Royal Engineers Corps trying to push roads - and hence British rule - into the jungle. He stumbles across an old temple that contains a secret.
The story roves around the the world showing us some incredible - but real - historic sites across Asia. Genuine books and records are quoted to back up the (modern day) Howard's quest to find out what happened - to both the Romans and his antecedant. Everything has very solid historical underpinnings with the more fantastic elements of the story cleverly weaved between them.
I did enjoy the book but it wasn't an unqualified success. There isn't really much menace, threat or drama in what happens to Jack Howard and his associates as they follow the past (told in a series of flashback chapters), uncovering clues one step at a time. Yes there are 'bad guys' but they seem quite ineffectual and the 'big boss' is in fact never seen at all but only mentioned in passing towards the end of the book. Judging by the notes from the author this is a very personal book - the character and story of Jack's ancestor in India is very much based on his own forebear - and this limits the scope for making the pieces fit into a pleasing whole.
That isn't to say I didn't enjoy reading it - as a subtle way of introducing surprising archaeological facts it works well (I didn't know that Ancient Rome traded with India but apparently so) and some of the set pieces are gripping to read. I will certainly be finding another Jack Howard book to read, but I suspect this was too personal a project for my first taste, which is s shame.
This might sound far-fetched but Gibbins knows his archaeology and comes up with a plausible (if tenuous) story to make this work. The story is then taken up at the end of the 19th century in India when Howard's great great grandfather is part of the British Royal Engineers Corps trying to push roads - and hence British rule - into the jungle. He stumbles across an old temple that contains a secret.
The story roves around the the world showing us some incredible - but real - historic sites across Asia. Genuine books and records are quoted to back up the (modern day) Howard's quest to find out what happened - to both the Romans and his antecedant. Everything has very solid historical underpinnings with the more fantastic elements of the story cleverly weaved between them.
I did enjoy the book but it wasn't an unqualified success. There isn't really much menace, threat or drama in what happens to Jack Howard and his associates as they follow the past (told in a series of flashback chapters), uncovering clues one step at a time. Yes there are 'bad guys' but they seem quite ineffectual and the 'big boss' is in fact never seen at all but only mentioned in passing towards the end of the book. Judging by the notes from the author this is a very personal book - the character and story of Jack's ancestor in India is very much based on his own forebear - and this limits the scope for making the pieces fit into a pleasing whole.
That isn't to say I didn't enjoy reading it - as a subtle way of introducing surprising archaeological facts it works well (I didn't know that Ancient Rome traded with India but apparently so) and some of the set pieces are gripping to read. I will certainly be finding another Jack Howard book to read, but I suspect this was too personal a project for my first taste, which is s shame.
JT (287 KP) rated Richard Jewell (2019) in Movies
Mar 10, 2020
Richard Jewell (Paul Walter Hauser) is a softly spoken, overzealous university campus security guard whose heart is in the right place and is dedicated to his job – maybe a little too much.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.