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Mayhawke (97 KP) rated Wilde Lake in Books
Feb 13, 2018
A gripping thriller chronicling the awful collision of events past and present for a newly inaugurated District Attorney
Thank you to Andrew at Faber & Faber for the ARC.
OK - so my first admission here is that, although I read a lot of crime I have somehow managed to remain completely oblivious to the (quite large!) body of work from Ms. Lippman!
That said the, fact that there exists such a body to give evidence to her long experience as a writer goes someway to explaining the smooth skill with which the story of newly-appointed State's Attorney, Lu Brandt, is unpackaged and delivered to the reader.
The story is told in a combination of first- and third-person relating current and past events. I found this a slightly odd and unsettling, though effective, way to use the voice of the narrator, and I was constantly bothered by who was narrating in the third-person sequences.
Lu Brandt, scion of a former and legendary State's Attorney , grew up in the experimental new town of Columbia, in a house on the edge of Wilde Lake. For me she is one of the most realistic characters I have ever read, and I felt a strong empathy for the child Lu in the historic sequences, though she was far smarter than I ever was!
Her mother's death early in Lu's life, her father's immersion in his job and the age gap between Lu and her older brother left the precocious Lu with the feeling of always being an outsider in her own life, yet one with a unique and largely over-looked position from which to view the events of all their lives. In childhood this externalism simply confused her: as an adult she misconstrues it as casual and unintentional neglect - nothing she can't overcome or forgive with an adult's perspective.
The plotline is simple: The first case to land on Lu's desk in her new job is a mundane but nasty murder. Directing the police to be more thorough than her predecessor demanded Lu finds occasional links back to her earlier life in Colombia. At first these seem like nothing more than the kind of inter-connection of lives that is to be expected in small town, but the further she digs the closer to home the connections appear to come, and her earlier childhood observations begin to take on a more menacing cast.
This is not an original format or even a particularly uncommon story but it is in the details and the delivery that Lippman's skill is brought to bear. The steady rhythm with which the facts and fictions, truth and lies are laid before the reader; the characters, who are developed from bright-eyed high-schoolers, through college and into more cynical middle-age; the events that carry those same characters to that darker stage of their lives - all of these aspects of the story are delivered with a style and depth that make this one of the most thoroughly engaging books I have read this year.
This is a good representation of the book I would like all my ARC's and proofs to be.
OK - so my first admission here is that, although I read a lot of crime I have somehow managed to remain completely oblivious to the (quite large!) body of work from Ms. Lippman!
That said the, fact that there exists such a body to give evidence to her long experience as a writer goes someway to explaining the smooth skill with which the story of newly-appointed State's Attorney, Lu Brandt, is unpackaged and delivered to the reader.
The story is told in a combination of first- and third-person relating current and past events. I found this a slightly odd and unsettling, though effective, way to use the voice of the narrator, and I was constantly bothered by who was narrating in the third-person sequences.
Lu Brandt, scion of a former and legendary State's Attorney , grew up in the experimental new town of Columbia, in a house on the edge of Wilde Lake. For me she is one of the most realistic characters I have ever read, and I felt a strong empathy for the child Lu in the historic sequences, though she was far smarter than I ever was!
Her mother's death early in Lu's life, her father's immersion in his job and the age gap between Lu and her older brother left the precocious Lu with the feeling of always being an outsider in her own life, yet one with a unique and largely over-looked position from which to view the events of all their lives. In childhood this externalism simply confused her: as an adult she misconstrues it as casual and unintentional neglect - nothing she can't overcome or forgive with an adult's perspective.
The plotline is simple: The first case to land on Lu's desk in her new job is a mundane but nasty murder. Directing the police to be more thorough than her predecessor demanded Lu finds occasional links back to her earlier life in Colombia. At first these seem like nothing more than the kind of inter-connection of lives that is to be expected in small town, but the further she digs the closer to home the connections appear to come, and her earlier childhood observations begin to take on a more menacing cast.
This is not an original format or even a particularly uncommon story but it is in the details and the delivery that Lippman's skill is brought to bear. The steady rhythm with which the facts and fictions, truth and lies are laid before the reader; the characters, who are developed from bright-eyed high-schoolers, through college and into more cynical middle-age; the events that carry those same characters to that darker stage of their lives - all of these aspects of the story are delivered with a style and depth that make this one of the most thoroughly engaging books I have read this year.
This is a good representation of the book I would like all my ARC's and proofs to be.
Daniel Boyd (1066 KP) rated Searching (2018) in Movies
Oct 24, 2018 (Updated Oct 24, 2018)
Stylish (2 more)
Well acted
Good script
The Surprise Hit Of 2018
I eventually got around to seeing Searching a couple of nights ago and I liked it way more than I thought I would. By all accounts, I should have hated this movie. I am not a fan of gimmicky webcam style movies, from the trailer this movie looked cheap and one-dimensional and possibly the most offensive aspect of the trailer was how unoriginal it came across. The marketing basically sold this movie as a Taken clone shot on a webcam.
There are a few times a year when I am absolutely delighted to be proven wrong and this is one of those rare times.
Searching is innovative, gripping and strikingly original. Unfortunately the movie doesn't really follow the formula that the academy looks for when handing out their nominations, but if John Cho doesn't get a nod come Oscar season for this performance, it will be a travesty. He carries this entire project on his shoulders and acts as the link that could make or break it throughout. Thankfully, he uses his impressive skills as an actor and pulls off a flawless performance while making it look effortless. The supporting cast do a decent job too.
The best thing about a movie that uses a gimmick well, is that you forget that the gimmick is even present after a while because it is so expertly woven into the narrative. That is the case here. The unfolding narrative is so engaging and the decision to tell it though PC and phone screens actually greatly helps the urgency and personalisation of the story, it really allows the audience to be right in the main character's shoes every step of the way.
The only slight negatives that I have is that I didn't love the ending and I seen some of the twists coming. However, this is very much down to my personal taste and I can't knock the movie too much for it. Also the marketing team for this movie should all be fired, like immediately. The only reason that I bothered to seek this film out was because of the positive response it was getting via word of mouth. If I was just going based on the movie's trailers I would have avoided this thing like the plague and missed out on an exciting, fun ride. Also when the movie dropped it was lucky if it was getting 3 showings per day in my local cinema and it was only showing in one cinema in my area, the distributors should really have done a better job of getting this film in front of an audience. It was as if they were putting this thing out to die to some extent.
Overall, Searching is the sleeper hit of the year. Sadly it will probably fly under a lot of people's radar due to the piss poor marketing, but I implore you to seek this one out, as it is an exciting, edge-of-your-seat thriller that is well worth your time.
There are a few times a year when I am absolutely delighted to be proven wrong and this is one of those rare times.
Searching is innovative, gripping and strikingly original. Unfortunately the movie doesn't really follow the formula that the academy looks for when handing out their nominations, but if John Cho doesn't get a nod come Oscar season for this performance, it will be a travesty. He carries this entire project on his shoulders and acts as the link that could make or break it throughout. Thankfully, he uses his impressive skills as an actor and pulls off a flawless performance while making it look effortless. The supporting cast do a decent job too.
The best thing about a movie that uses a gimmick well, is that you forget that the gimmick is even present after a while because it is so expertly woven into the narrative. That is the case here. The unfolding narrative is so engaging and the decision to tell it though PC and phone screens actually greatly helps the urgency and personalisation of the story, it really allows the audience to be right in the main character's shoes every step of the way.
The only slight negatives that I have is that I didn't love the ending and I seen some of the twists coming. However, this is very much down to my personal taste and I can't knock the movie too much for it. Also the marketing team for this movie should all be fired, like immediately. The only reason that I bothered to seek this film out was because of the positive response it was getting via word of mouth. If I was just going based on the movie's trailers I would have avoided this thing like the plague and missed out on an exciting, fun ride. Also when the movie dropped it was lucky if it was getting 3 showings per day in my local cinema and it was only showing in one cinema in my area, the distributors should really have done a better job of getting this film in front of an audience. It was as if they were putting this thing out to die to some extent.
Overall, Searching is the sleeper hit of the year. Sadly it will probably fly under a lot of people's radar due to the piss poor marketing, but I implore you to seek this one out, as it is an exciting, edge-of-your-seat thriller that is well worth your time.
Hazel (1853 KP) rated The Wolf Road in Books
Dec 14, 2018
3.5 Stars
<i>I received this book for free through Goodreads First Reads.</i>
“Any lie can turn into the truth if you believe it long enough.” <i>The Wolf Road</i> is the debut literary thriller by British author Beth Lewis. The post-apocalyptic world is not a very safe place to be, especially for a seven year old during a fierce and dangerous storm. Lost in the woods, a young girl comes across a man who, after naming her Elka, gives her a place to stay for the next ten years of her life. During this time he teaches her how to trap animals, use hunting knives and move silently between the trees – all the vital things needed to survive in the wild. For a long time Elka views this man as a father figure, but on discovering that her beloved Daddy is a serial killer, she realizes she has been living a life of lies.
Desperate to get away from the horrifying realization, Elka runs off deep into the forest with only a hunting knife and the clothes on her back. With nowhere to go, she decides to try and find her birth parents, but although she can easily survive in the wild, she is completely unprepared for the human world. With a childlike innocence, Elka finds herself in trouble on numerous occasions, only feeling at ease once she is back in the woods living the life of wolves. However she soon realizes that she will never be safe no matter how far she travels – not until that murderer is dead himself.
Once you get used to Elka’s colourful dialect, the gripping narrative pulls us into a world with danger around every corner. Elka’s revelation at the beginning of the book seems like a small issue compared with all the trouble she finds herself in later on. The reader will sympathize with Elka as she discovers the evils of man, and admire her strength as well as the development of a conscience after meeting and making her first ever friend. But whilst Elka learns how to walk amongst humans, there is a foreboding sense of doom as evilness keeps her within its sights.
<i>The Wolf Road</i> is a great post-apocalyptic story with a strong protagonist. At times it takes on a similar theme to a western novel, with guns, gold mining, and violence; but it is essentially a thriller built up of lies that are gradually unpicked. There is no psychological element to the book, thus nothing to try and work out for yourself. You simply need to read and discover what happens. As a result this book is the kind you will either love or hate. Some people may find it disturbing or gruesome, whereas others may find it exciting and enjoy reading about the unique main character.
Personally I think <i>The Wolf Road</i> is a great, original piece of work, and it only loses stars because I found a few parts a bit too grisly. Beth Lewis writes well and it cannot have been easy to keep the dialect up for the entire novel. This is an author who definitely has promise for the future.
<i>I received this book for free through Goodreads First Reads.</i>
“Any lie can turn into the truth if you believe it long enough.” <i>The Wolf Road</i> is the debut literary thriller by British author Beth Lewis. The post-apocalyptic world is not a very safe place to be, especially for a seven year old during a fierce and dangerous storm. Lost in the woods, a young girl comes across a man who, after naming her Elka, gives her a place to stay for the next ten years of her life. During this time he teaches her how to trap animals, use hunting knives and move silently between the trees – all the vital things needed to survive in the wild. For a long time Elka views this man as a father figure, but on discovering that her beloved Daddy is a serial killer, she realizes she has been living a life of lies.
Desperate to get away from the horrifying realization, Elka runs off deep into the forest with only a hunting knife and the clothes on her back. With nowhere to go, she decides to try and find her birth parents, but although she can easily survive in the wild, she is completely unprepared for the human world. With a childlike innocence, Elka finds herself in trouble on numerous occasions, only feeling at ease once she is back in the woods living the life of wolves. However she soon realizes that she will never be safe no matter how far she travels – not until that murderer is dead himself.
Once you get used to Elka’s colourful dialect, the gripping narrative pulls us into a world with danger around every corner. Elka’s revelation at the beginning of the book seems like a small issue compared with all the trouble she finds herself in later on. The reader will sympathize with Elka as she discovers the evils of man, and admire her strength as well as the development of a conscience after meeting and making her first ever friend. But whilst Elka learns how to walk amongst humans, there is a foreboding sense of doom as evilness keeps her within its sights.
<i>The Wolf Road</i> is a great post-apocalyptic story with a strong protagonist. At times it takes on a similar theme to a western novel, with guns, gold mining, and violence; but it is essentially a thriller built up of lies that are gradually unpicked. There is no psychological element to the book, thus nothing to try and work out for yourself. You simply need to read and discover what happens. As a result this book is the kind you will either love or hate. Some people may find it disturbing or gruesome, whereas others may find it exciting and enjoy reading about the unique main character.
Personally I think <i>The Wolf Road</i> is a great, original piece of work, and it only loses stars because I found a few parts a bit too grisly. Beth Lewis writes well and it cannot have been easy to keep the dialect up for the entire novel. This is an author who definitely has promise for the future.
Hazel (1853 KP) rated Way Down Dark (The Australia Trilogy, #1) in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.
Way Down Dark</i> is the first in the <i>Australia</i> trilogy by J.P. Smythe, a brand new dystopian series for young adult readers. The world has been destroyed and humans boarded space ships in order to find somewhere to live, however, generations later the passengers aboard <i>Australia</i> have not found anywhere. The years have taken their toll on the ship, which is slowly falling to pieces, it’s inhabitants reduced to scavengers.
Recently orphaned Chan is living alone and trying to fend for herself as the Lows, an ever-increasing band of murderous thugs, wage war on everyone else. Nowhere is safe and quite often Chan finds herself in a situation where it is either kill or be killed. When Chan’s mother died her last instructions were to stay out of trouble, be selfish and don’t die. Chan on the other hand finds it extremely difficult to be selfish when she sees other people in life threatening situations. Thankfully she has Angela, a fifty something woman, looking out for her. But then Angela introduces Chan to a part of the ship no one has ever been to before, a part that challenges the truth behind the stories believed by everyone about the destruction of Earth. This new knowledge fuels Chan’s determination to save the lives of as many she can, thus finding herself in perilous situations.
Despite being set in the distant future, the characters at the beginning are living lives similar to those of the past – making clothes, shoes and weapons from scratch, picking fruit in the arboretum in order to eat. So although many dystopian novels involve some kind of enhanced technology, <i>Way Down Dark</i> does not, which separates it from other books of the same genre.
As well as Chan’s narrative, the novel also contains Angela’s stories of the past when Chan’s mother was young. These help to explain some of the situations the characters find themselves in now. It is also through Angela that Chan begins to discover the truth about the ship <i>Australia</i> and the lies they have been led to believe.
The main characters are very likable and display a range of personalities, each adding something different to the story. Chan is quick thinking, strong-willed and unselfish whereas, although Angela cares and protects, she keeps more to herself rather than jump into the fight in order to be a hero. Finally, Jonah, a young man who teams up with Chan and Angela, is a mix of Chan’s personalities with a religious streak, or what passes as religious on the <i>Australia</i>.
Although it is less futuristic than other popular young adult novels such as <i>Divergent</i> or <i>The Hunger Games</i>, readers are bound to enjoy <i>Way Down Dark</i> and its sequels. It is full of action, violence and survival told from the point of view of a teenage girl. <i>Way Down Dark</i> is a highly recommended, gripping novel, which promises to satisfy the needs of dystopian lovers.
Way Down Dark</i> is the first in the <i>Australia</i> trilogy by J.P. Smythe, a brand new dystopian series for young adult readers. The world has been destroyed and humans boarded space ships in order to find somewhere to live, however, generations later the passengers aboard <i>Australia</i> have not found anywhere. The years have taken their toll on the ship, which is slowly falling to pieces, it’s inhabitants reduced to scavengers.
Recently orphaned Chan is living alone and trying to fend for herself as the Lows, an ever-increasing band of murderous thugs, wage war on everyone else. Nowhere is safe and quite often Chan finds herself in a situation where it is either kill or be killed. When Chan’s mother died her last instructions were to stay out of trouble, be selfish and don’t die. Chan on the other hand finds it extremely difficult to be selfish when she sees other people in life threatening situations. Thankfully she has Angela, a fifty something woman, looking out for her. But then Angela introduces Chan to a part of the ship no one has ever been to before, a part that challenges the truth behind the stories believed by everyone about the destruction of Earth. This new knowledge fuels Chan’s determination to save the lives of as many she can, thus finding herself in perilous situations.
Despite being set in the distant future, the characters at the beginning are living lives similar to those of the past – making clothes, shoes and weapons from scratch, picking fruit in the arboretum in order to eat. So although many dystopian novels involve some kind of enhanced technology, <i>Way Down Dark</i> does not, which separates it from other books of the same genre.
As well as Chan’s narrative, the novel also contains Angela’s stories of the past when Chan’s mother was young. These help to explain some of the situations the characters find themselves in now. It is also through Angela that Chan begins to discover the truth about the ship <i>Australia</i> and the lies they have been led to believe.
The main characters are very likable and display a range of personalities, each adding something different to the story. Chan is quick thinking, strong-willed and unselfish whereas, although Angela cares and protects, she keeps more to herself rather than jump into the fight in order to be a hero. Finally, Jonah, a young man who teams up with Chan and Angela, is a mix of Chan’s personalities with a religious streak, or what passes as religious on the <i>Australia</i>.
Although it is less futuristic than other popular young adult novels such as <i>Divergent</i> or <i>The Hunger Games</i>, readers are bound to enjoy <i>Way Down Dark</i> and its sequels. It is full of action, violence and survival told from the point of view of a teenage girl. <i>Way Down Dark</i> is a highly recommended, gripping novel, which promises to satisfy the needs of dystopian lovers.
Gareth von Kallenbach (980 KP) rated Gridiron Gang (2006) in Movies
Aug 14, 2019
Often the true mark of cinema, this is the category where you will often find the majority of the award winners. The challenge of combining realistic yet sympathetic characters with gripping stories and emotional themes can be a true challenge, but when it works, this is where Hollywood truly shines.
In his latest film Gridiron Gang Dwayne Johnson, better known as the Rock has an appealing mix of sports action, drama, and comedy on his hands that will not only touch you, but will have you cheering.
The Rock stars as Sean Porter, a former college football star who works in a L.A. Area detention center for juvenile offenders. Saddened by the wasted lives of the young men, Sean looks for them to find an alternative to the life of crime, violence, and early death that so many of his inmates face.
With 75% of offenders likely to become repeat offenders, Sean decides to start a football team with the hope of teaching the young inmates the value of hard work, sacrifice, playing as a team, and duty.
Despite some initial obstacles from the system as well as school leagues hesitant to play against convicted offenders, the team son finds themselves with a full schedule and less than three weeks to go before their first game.
The hard practice and coaching style of Sean wears on the players, but they soon find themselves in their first game against a hardened and proven team which underscores just how much work they have to do.
As pressure mounts from all sides, Sean must find a way to meld his team into a winner and prove that this is a project worth doing and that the young men in his care are not lost causes, but are deserving of a new start.
While much of the film may play out as you would expect with the team coming together to play the big game, what is refreshing about the film is the solid performance of The Rock who shows that he is more than just an action star and is very capable of acting. He mixes his portrayal of Sean with equal amounts toughness and caring, to create what is easily his most mature and well defined character to date.
The supporting cast is good, especially Xzibit as Malcolm Moore, who provides a solid supporting presence to The Rock.
While the film is heavy on football action, it also does not shy away from giving the audience a glimpse of the life that the team comes from and how old rivalries and
hostilities can follow them even when they try to leave them behind with the best of intentions.
The action on the field is first-rate as the game choreography never lets up, and is easily the most accurate portrayal of the sport ever committed to film. You can tell that the cast is playing with heart and passion and not simply going through the motions.
Despite a few predictable moments, Gridiron Gang is a very pleasant surprise that is one of the years most enjoyable and satisfying films.
In his latest film Gridiron Gang Dwayne Johnson, better known as the Rock has an appealing mix of sports action, drama, and comedy on his hands that will not only touch you, but will have you cheering.
The Rock stars as Sean Porter, a former college football star who works in a L.A. Area detention center for juvenile offenders. Saddened by the wasted lives of the young men, Sean looks for them to find an alternative to the life of crime, violence, and early death that so many of his inmates face.
With 75% of offenders likely to become repeat offenders, Sean decides to start a football team with the hope of teaching the young inmates the value of hard work, sacrifice, playing as a team, and duty.
Despite some initial obstacles from the system as well as school leagues hesitant to play against convicted offenders, the team son finds themselves with a full schedule and less than three weeks to go before their first game.
The hard practice and coaching style of Sean wears on the players, but they soon find themselves in their first game against a hardened and proven team which underscores just how much work they have to do.
As pressure mounts from all sides, Sean must find a way to meld his team into a winner and prove that this is a project worth doing and that the young men in his care are not lost causes, but are deserving of a new start.
While much of the film may play out as you would expect with the team coming together to play the big game, what is refreshing about the film is the solid performance of The Rock who shows that he is more than just an action star and is very capable of acting. He mixes his portrayal of Sean with equal amounts toughness and caring, to create what is easily his most mature and well defined character to date.
The supporting cast is good, especially Xzibit as Malcolm Moore, who provides a solid supporting presence to The Rock.
While the film is heavy on football action, it also does not shy away from giving the audience a glimpse of the life that the team comes from and how old rivalries and
hostilities can follow them even when they try to leave them behind with the best of intentions.
The action on the field is first-rate as the game choreography never lets up, and is easily the most accurate portrayal of the sport ever committed to film. You can tell that the cast is playing with heart and passion and not simply going through the motions.
Despite a few predictable moments, Gridiron Gang is a very pleasant surprise that is one of the years most enjoyable and satisfying films.
Gareth von Kallenbach (980 KP) rated Firewall (2006) in Movies
Aug 14, 2019
Following a three year absence from the big screen, box office megastar Harrison Ford returns in Firewall as Ford Jack Stanfield, a devoted family man who works designing and maintaining networks and security systems for a small chain of banks. Jack who along with his wife Beth (Virginia Madsen), and their two children live a comfortable life in a Seattle suburb in a luxurious home that Beth designed.
The twenty-four banks owned by Jack’s firm are in the process of being acquired by a large chain and the resulting windfall from this venture is making people on both sides tense and excited as the merger draws closure. Jack has some reservations about the new firm’s lack of customer service and acceptance of security losses which he believes will be passed on to their customers. This stance draws tension from a representative of the new partner (Robert Patrick), and has caused Jack to go to a meeting with a potential client who is looking to engage Jack’s services.
What begins as a promising business venture soon takes a dangerous turn as Jack is hijacked and learns that he and his family are being held hostage by a gang of thugs lead by the charismatic and dangerous Bill Cox (Paul Bettany), who wires Jack for sight and sound so they can monitor his every move at work. Jack is told that should he deviate from instructions or attempt to alert others to his situation, his family will be killed for his defiance.
In time, Jack is instructed to withdraw $10,000 from several of the banks top accounts and erase any history of the transactions or the resulting deposits in offshore accounts. The plan hits an unexpected snag when as a result of the pending merger, the hardware needed for Jack to input his requests has been moved to a remote locale out of state.
Undaunted Bill ups the stakes and forces Jack to find a way to get the money to him before time is up and his family is killed. Things go from bad to worse when complications arise forcing Jack to take desperate measures that soon has him fighting both his captors, his co-workers, and the law as he attempts to free his family and save them from their captors.
Firewall like last years Hostage suffers from a severe lack of urgency. We are told and shown just how evil the captors are yet, when people are told not do certain things and they continue to do so without repercussions, one would have to think that they would eventually cut their losses and start killing people off.
Ford does his best to make the by-the-numbers story work, but there are just not enough thrills and tension in the film to make it gripping. There is a heavy sense of “been there, seen that” to almost every portion of the film. What could have been a tight thriller is lost in clichés and gaps in logic that undermine the supposed seriousness of the situation.
The twenty-four banks owned by Jack’s firm are in the process of being acquired by a large chain and the resulting windfall from this venture is making people on both sides tense and excited as the merger draws closure. Jack has some reservations about the new firm’s lack of customer service and acceptance of security losses which he believes will be passed on to their customers. This stance draws tension from a representative of the new partner (Robert Patrick), and has caused Jack to go to a meeting with a potential client who is looking to engage Jack’s services.
What begins as a promising business venture soon takes a dangerous turn as Jack is hijacked and learns that he and his family are being held hostage by a gang of thugs lead by the charismatic and dangerous Bill Cox (Paul Bettany), who wires Jack for sight and sound so they can monitor his every move at work. Jack is told that should he deviate from instructions or attempt to alert others to his situation, his family will be killed for his defiance.
In time, Jack is instructed to withdraw $10,000 from several of the banks top accounts and erase any history of the transactions or the resulting deposits in offshore accounts. The plan hits an unexpected snag when as a result of the pending merger, the hardware needed for Jack to input his requests has been moved to a remote locale out of state.
Undaunted Bill ups the stakes and forces Jack to find a way to get the money to him before time is up and his family is killed. Things go from bad to worse when complications arise forcing Jack to take desperate measures that soon has him fighting both his captors, his co-workers, and the law as he attempts to free his family and save them from their captors.
Firewall like last years Hostage suffers from a severe lack of urgency. We are told and shown just how evil the captors are yet, when people are told not do certain things and they continue to do so without repercussions, one would have to think that they would eventually cut their losses and start killing people off.
Ford does his best to make the by-the-numbers story work, but there are just not enough thrills and tension in the film to make it gripping. There is a heavy sense of “been there, seen that” to almost every portion of the film. What could have been a tight thriller is lost in clichés and gaps in logic that undermine the supposed seriousness of the situation.
Gareth von Kallenbach (980 KP) rated Midway (2019) in Movies
Nov 7, 2019
The events of December 7th 1941 left an indelible mark on the psyche of America and became a date that truly has lived in infamy. Though historians, authors, and filmmakers have attempted to analyze the events during and leading to the attack on Pearl Harbor; there is still a great deal of interest about the attack and the aftermath.
While Pearl Harbor was for many the opening shots of the U.S. entry into World War II; some would say that the stage was set earlier when the United States attempted to curtail what they saw as an aggressive and Imperialistic Japan by placing restrictions on their vital resources such as oil and the tonnage of their Navy.
In the new film “Midway” we are given a glimpse into this when four years before the attack, when Edwin Layton (Patrick Wilson) meets with Admiral Nagumo (Jun Kunimura) who lets him know that hardline factions in his government have been buoyed by their invasion of China and will do what is needed to make sure the vital oil that is supplied by the U.S. remains constant.
Flash forward to the day of the attack and Layton who has warned that an attack was possible at Pearl Harbor is seeing his worst predictions come true. In the aftermath he is assigned to Admiral Nimitz (Woody Harrelson); who has been given the thankless task of taking charge of what is left of the Pacific Fleet and finding a way to stop the Japanese fleet.
The U.S. finds themselves outnumbered, outgunned, and waging war with ships and planes that are inferior to the Japanese but they must find a way to overcome the great obstacles before them and defeat a relentless enemy.
Layton and a team of code breakers are convinced the Japanese intend to attack the island of Midway and go all in to set a trap with the goal of destroying the enemy carriers so the U.S. can gain an aerial advantage in the Pacific.
With a strong cast which features Luke Evans, Dennis Quaid, Mandy Moore, Aaron Eckhart, Nick Jonas and a fine supporting cast, Director Roland Emmerich has given audiences a gripping war movie that despite the impressive visual effects; never loses site of the fact that this is a story of real people who found themselves in pivotal moments of history.
The film also shows how the Japanese commanders had differing views of the Americans they fought. Some considered them to lack braveness while others admired their tenacity and were grateful that they had what they saw as inferior and outdated planes to attack them in.
The film also does a great job showing the Doolittle Raid and how what from a military standpoint caused minor damage yet was a huge psychological boost as Japan believed they were immune from attack yet the American forces found a way to bomb Tokyo by the impossible task of using land based bombers off a carrier.
The film is a great mix of human drama that shows not only the terrible toll of war but how a group of extraordinary individuals gave their all.
While Pearl Harbor was for many the opening shots of the U.S. entry into World War II; some would say that the stage was set earlier when the United States attempted to curtail what they saw as an aggressive and Imperialistic Japan by placing restrictions on their vital resources such as oil and the tonnage of their Navy.
In the new film “Midway” we are given a glimpse into this when four years before the attack, when Edwin Layton (Patrick Wilson) meets with Admiral Nagumo (Jun Kunimura) who lets him know that hardline factions in his government have been buoyed by their invasion of China and will do what is needed to make sure the vital oil that is supplied by the U.S. remains constant.
Flash forward to the day of the attack and Layton who has warned that an attack was possible at Pearl Harbor is seeing his worst predictions come true. In the aftermath he is assigned to Admiral Nimitz (Woody Harrelson); who has been given the thankless task of taking charge of what is left of the Pacific Fleet and finding a way to stop the Japanese fleet.
The U.S. finds themselves outnumbered, outgunned, and waging war with ships and planes that are inferior to the Japanese but they must find a way to overcome the great obstacles before them and defeat a relentless enemy.
Layton and a team of code breakers are convinced the Japanese intend to attack the island of Midway and go all in to set a trap with the goal of destroying the enemy carriers so the U.S. can gain an aerial advantage in the Pacific.
With a strong cast which features Luke Evans, Dennis Quaid, Mandy Moore, Aaron Eckhart, Nick Jonas and a fine supporting cast, Director Roland Emmerich has given audiences a gripping war movie that despite the impressive visual effects; never loses site of the fact that this is a story of real people who found themselves in pivotal moments of history.
The film also shows how the Japanese commanders had differing views of the Americans they fought. Some considered them to lack braveness while others admired their tenacity and were grateful that they had what they saw as inferior and outdated planes to attack them in.
The film also does a great job showing the Doolittle Raid and how what from a military standpoint caused minor damage yet was a huge psychological boost as Japan believed they were immune from attack yet the American forces found a way to bomb Tokyo by the impossible task of using land based bombers off a carrier.
The film is a great mix of human drama that shows not only the terrible toll of war but how a group of extraordinary individuals gave their all.
JT (287 KP) rated Buried (2010) in Movies
Mar 10, 2020
Shot with a low budget and entirely in one location (inside Paul’s coffin), Buried is a very intense and gripping movie, which plays on the age-old human fear of being buried alive and takes it to whole new levels.
Paul not only has to deal with thoughts of his almost imminent demise, but he also has to endure the psychological torment that comes with realising that your loved ones are in terrible danger and that the people whom your life depends upon don’t really care about your fate. This is the story of Paul Conroy (Ryan Reynolds), an American contractor working on an assignment in Iraq, who wakes up in something which looks like a makeshift wooden coffin, alone, and with no recollection of when and how he ended up there. All he remembers is that he and his colleagues were attacked by a group of Iraqi insurgents.
Understandably, he begins to panic, frantically trying to escape before realising that he won’t be able to do it on his own. Whoever buried him left a mobile phone, a lighter, a knife, a torch and some glow sticks in the coffin, and such items quickly become Paul’s connection to the outside world and his only hope of survival.
This situation is so exceptional (thankfully) that the film’s real challenge is to try and represent it as realistically as possible. What would you do? Would you let the nerves get the better of you, or would your will to live step in instead, and make you stay focused in trying to save yourself?
Ryan Reynolds does an excellent job in this, his Paul Conroy is human, desperate, scared, with no superhero pretence. The direction, by Rodrigo Cortes, is vivid, realistic, and makes good use of the limited space that the coffin setting allows to show; anxious people should try watching this anyway because, while it is undoubtedly claustrophobic, Paul’s determination to stay alive and the pull of wanting to know what’s going on outside keeps the mind occupied.
The voice of Hostage Work Group operator Dan Brenner (Robert Paterson) is possibly a little too “staged” and “actorish”, making it sound somewhat fake but also sinister, going to heighten the feeling of dread. Buried manages to be scary, tense, and yet ironic in representing the ignorance, incompetence and cowardice behind the behaviours of people we are supposed to trust in dangerous situations.
The whole film maintains a focused and realistic eye on the suffering of the protagonist – because we are supposed to feel what he feels, to be there with him in his fight for life- except maybe in a few moments when it slips into “mainstream”, cheap stratagems to reiterate that Paul is a good man who doesn’t deserve his fate (for example, when he calls his ill, senile mother who lives in a home and can’t even remember him).
Definitely best watched in a cinema screen rather than on DVD, this is a film which is very well done, and interesting; you will want to see what happens of Paul but also how his story is told from the confines of his coffin buried underground.
Paul not only has to deal with thoughts of his almost imminent demise, but he also has to endure the psychological torment that comes with realising that your loved ones are in terrible danger and that the people whom your life depends upon don’t really care about your fate. This is the story of Paul Conroy (Ryan Reynolds), an American contractor working on an assignment in Iraq, who wakes up in something which looks like a makeshift wooden coffin, alone, and with no recollection of when and how he ended up there. All he remembers is that he and his colleagues were attacked by a group of Iraqi insurgents.
Understandably, he begins to panic, frantically trying to escape before realising that he won’t be able to do it on his own. Whoever buried him left a mobile phone, a lighter, a knife, a torch and some glow sticks in the coffin, and such items quickly become Paul’s connection to the outside world and his only hope of survival.
This situation is so exceptional (thankfully) that the film’s real challenge is to try and represent it as realistically as possible. What would you do? Would you let the nerves get the better of you, or would your will to live step in instead, and make you stay focused in trying to save yourself?
Ryan Reynolds does an excellent job in this, his Paul Conroy is human, desperate, scared, with no superhero pretence. The direction, by Rodrigo Cortes, is vivid, realistic, and makes good use of the limited space that the coffin setting allows to show; anxious people should try watching this anyway because, while it is undoubtedly claustrophobic, Paul’s determination to stay alive and the pull of wanting to know what’s going on outside keeps the mind occupied.
The voice of Hostage Work Group operator Dan Brenner (Robert Paterson) is possibly a little too “staged” and “actorish”, making it sound somewhat fake but also sinister, going to heighten the feeling of dread. Buried manages to be scary, tense, and yet ironic in representing the ignorance, incompetence and cowardice behind the behaviours of people we are supposed to trust in dangerous situations.
The whole film maintains a focused and realistic eye on the suffering of the protagonist – because we are supposed to feel what he feels, to be there with him in his fight for life- except maybe in a few moments when it slips into “mainstream”, cheap stratagems to reiterate that Paul is a good man who doesn’t deserve his fate (for example, when he calls his ill, senile mother who lives in a home and can’t even remember him).
Definitely best watched in a cinema screen rather than on DVD, this is a film which is very well done, and interesting; you will want to see what happens of Paul but also how his story is told from the confines of his coffin buried underground.
BookInspector (124 KP) rated Feel Me Fall in Books
Sep 24, 2020
More reviews at https://bbookinspector.wordpress.com
Sometimes I wonder, why great books like this one don’t get published, and you hardly will find it in the book stores, and other, average books, get published and sold everywhere… It is my little mystery, to which I do not have an answer
Three boys and three girls, magically survive a plane crash. Their main goal is to survive, to survive in Amazon, where danger is behind every tree. They need to work as a team to get back to civilisation, find food, shelter and overcome the past which follows them even in a middle of a jungle. Eventually, only Emily Duran is saved, so what happened to the rest of her friends? That was the question, which kept me glued to this book.
I absolutely loved the characters of this book, they all are teenagers who went to same school and are sharing some difficult relationships. I really enjoyed the different personalities of each and every character. All characters are incredibly complex, charismatic, realistic and very interesting personas. Everyone will have a great variety to choose from as their favourite. I really couldn’t pick one as my favourite, because they all had some great qualities, which left me baffled.
The narrative of this novel is told by moving between past and present. Emily is telling the story of what happened in Amazon, and she comes back to the present, to share how all this influenced her present life and relationships. I really enjoyed how Morris manipulated readers mind in this novel. When I started believing in some course of action, author threw in a turn or twist which changed everything, and left me guessing again. This book is not long, that’s why the action and pace had to keep happening in every chapter, and I am thankful that there was no unnecessary writing.
The writing style of this book is very pleasant, it is easy to read this novel, and it is very skillfully written. It is a survival novel, and people died in this book, and to be honest, it is quite graphic, so if you are sensitive and don’t like graphic death scenes, you might want to avoid this book. The chapters of this book were pleasantly designed, dividing the chapters into smaller sub-chapters, which didn’t leave me uninterested, and kept the suspense going. I was absolutely amused and shocked by the ending of this novel and I give nothing but applause to the author for it. I think that ending was absolutely fantastic!
I could carry on praising this book, but the only thing anyone could do, is read it. It is not a typical survival novel, it has fresh approach to it, it is very nicely written, gripping, twisty and very enjoyable to read. Not to forget, it discusses some very important issues, which teenagers are facing, and how it can change in a matter of minutes. So, yes, I do strongly recommend this book and I really hope that publishers will notice this great work, and one day people will be able to buy it everywhere.
Was given this book by author for honest review.
Sometimes I wonder, why great books like this one don’t get published, and you hardly will find it in the book stores, and other, average books, get published and sold everywhere… It is my little mystery, to which I do not have an answer
Three boys and three girls, magically survive a plane crash. Their main goal is to survive, to survive in Amazon, where danger is behind every tree. They need to work as a team to get back to civilisation, find food, shelter and overcome the past which follows them even in a middle of a jungle. Eventually, only Emily Duran is saved, so what happened to the rest of her friends? That was the question, which kept me glued to this book.
I absolutely loved the characters of this book, they all are teenagers who went to same school and are sharing some difficult relationships. I really enjoyed the different personalities of each and every character. All characters are incredibly complex, charismatic, realistic and very interesting personas. Everyone will have a great variety to choose from as their favourite. I really couldn’t pick one as my favourite, because they all had some great qualities, which left me baffled.
The narrative of this novel is told by moving between past and present. Emily is telling the story of what happened in Amazon, and she comes back to the present, to share how all this influenced her present life and relationships. I really enjoyed how Morris manipulated readers mind in this novel. When I started believing in some course of action, author threw in a turn or twist which changed everything, and left me guessing again. This book is not long, that’s why the action and pace had to keep happening in every chapter, and I am thankful that there was no unnecessary writing.
The writing style of this book is very pleasant, it is easy to read this novel, and it is very skillfully written. It is a survival novel, and people died in this book, and to be honest, it is quite graphic, so if you are sensitive and don’t like graphic death scenes, you might want to avoid this book. The chapters of this book were pleasantly designed, dividing the chapters into smaller sub-chapters, which didn’t leave me uninterested, and kept the suspense going. I was absolutely amused and shocked by the ending of this novel and I give nothing but applause to the author for it. I think that ending was absolutely fantastic!
I could carry on praising this book, but the only thing anyone could do, is read it. It is not a typical survival novel, it has fresh approach to it, it is very nicely written, gripping, twisty and very enjoyable to read. Not to forget, it discusses some very important issues, which teenagers are facing, and how it can change in a matter of minutes. So, yes, I do strongly recommend this book and I really hope that publishers will notice this great work, and one day people will be able to buy it everywhere.
Was given this book by author for honest review.
Gareth von Kallenbach (980 KP) rated The Little Things (2021) in Movies
Jan 26, 2021
Academy Award Winners Denzel Washington, Jared Leto, and Remi Malik star in the new thriller “The Little Things” and combine to make very gripping and memorable performances.
The script was reportedly written over thirty years ago by John Lee Hancock who has gone on to write, direct, and produce multiple films of note in the decades since he first created the screenplay.
The film is set in 1990 and involves a cop named Joe Deacon (Denzel Washington), who travels from his small California town to Los Angeles to get information on a suspect.
Joe has a history in L.A as he used to be a homicide detective for the department which combined with his meltdown while obsessing over a murder case has caused him more than a bit of notoriety.
Jim Baxter (Remi Malik) is the hotshot new Detective who has been leading the investigation into a string of unsolved murders. Joe accompanies Jim to a new crime scene and notes some similarities with his unsolved case. Joe takes some personal days and begins to do some legwork on the case and reports his findings to Jim which causes Joe to remember aspects of what drove him to his marital, health, and career issues as he is unable and unwilling to let the case drop.
When a prime suspect no longer fits into the picture; suspicions fall on a crime enthusiast named Albert (Jared Leto) who seems to check all the boxes but is also taking delight in winding up Joe which causes Jim to question if he is a viable suspect or just an oddball who gets off on crimes and winding up the cops but does not actually commit any offenses.
As the delicate dance unfolds between the characters the fact that this is an era before Cell Phones, DNA tests, GPS, and elaborate computer networks helps underscore the plight of the officers. If the film was set in a modern setting much of the suspense and uncertainty of the story and characters would be moot thanks to technology.
As the game of cat and mouse unfolds between the characters Jim learns how a person can become obsessed with a case and Joe attempts to mentor him from the success and failures of his life which includes some gray areas.
Aside from the strong performances and engaging story what makes “The Little Things” work is that it is a film that does not take the Hollywood fallbacks of extended gunfights, car chases, and over the top action scenes. What it does show is real and flawed characters that are doing what they think are right and does not attempt to wrap things up nice and tidy.
The film uses the element of doubt to not only drive the story but the actions of the characters which underscores that an element of uncertainty exists in some investigations and in with the resources available to police at the time; things are not always certain.
The film will appear in cinemas and HBO Max and is a compelling and well-crafted thriller that is not to be missed.
4.5 stars out of 5
The script was reportedly written over thirty years ago by John Lee Hancock who has gone on to write, direct, and produce multiple films of note in the decades since he first created the screenplay.
The film is set in 1990 and involves a cop named Joe Deacon (Denzel Washington), who travels from his small California town to Los Angeles to get information on a suspect.
Joe has a history in L.A as he used to be a homicide detective for the department which combined with his meltdown while obsessing over a murder case has caused him more than a bit of notoriety.
Jim Baxter (Remi Malik) is the hotshot new Detective who has been leading the investigation into a string of unsolved murders. Joe accompanies Jim to a new crime scene and notes some similarities with his unsolved case. Joe takes some personal days and begins to do some legwork on the case and reports his findings to Jim which causes Joe to remember aspects of what drove him to his marital, health, and career issues as he is unable and unwilling to let the case drop.
When a prime suspect no longer fits into the picture; suspicions fall on a crime enthusiast named Albert (Jared Leto) who seems to check all the boxes but is also taking delight in winding up Joe which causes Jim to question if he is a viable suspect or just an oddball who gets off on crimes and winding up the cops but does not actually commit any offenses.
As the delicate dance unfolds between the characters the fact that this is an era before Cell Phones, DNA tests, GPS, and elaborate computer networks helps underscore the plight of the officers. If the film was set in a modern setting much of the suspense and uncertainty of the story and characters would be moot thanks to technology.
As the game of cat and mouse unfolds between the characters Jim learns how a person can become obsessed with a case and Joe attempts to mentor him from the success and failures of his life which includes some gray areas.
Aside from the strong performances and engaging story what makes “The Little Things” work is that it is a film that does not take the Hollywood fallbacks of extended gunfights, car chases, and over the top action scenes. What it does show is real and flawed characters that are doing what they think are right and does not attempt to wrap things up nice and tidy.
The film uses the element of doubt to not only drive the story but the actions of the characters which underscores that an element of uncertainty exists in some investigations and in with the resources available to police at the time; things are not always certain.
The film will appear in cinemas and HBO Max and is a compelling and well-crafted thriller that is not to be missed.
4.5 stars out of 5