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Night Reader Reviews (683 KP) rated Scavengers in Books
Dec 5, 2020
Surprisingly amazing book!!
Scavengers by Alessandra Melville is ideal for those who like post-apocalyptic stories. While readers won’t find zombies in these pages they will discover a world with Fallout tones mixed with Divergent.
Olivia Taylor lives safely within the confines of the Community along with other survivors. This Community was founded after a virus outbreak to protect the survivors from raider attacks. Unfortunately not all is perfect in the Community. Soaring temperatures and a lack of resources mixed with the ever present threat of discovery cause the Community’s numbers to drop, resulting in the need for a Scavenging trip. Olivia and all the other children of the Community that are of age report to volunteer to scavenge and this year she is finally picked. Now along with four others Olivia must leave the safety of the Community in an attempt to bring back supplies, food, and new members or not come back at all.
Before the foundation of the Community disaster struck the world. A virus ran rampant and high temperatures cause drought and dehydration. Out of desperation the entire Taylor family leaves their home, along with many others, in search of a safer place to live. Yet in a world that is falling apart danger is everywhere and the journey is not an easy one. Finally they meet up with others fleeing the city but they have to stop and wonder if anywhere is safe anymore.
I was very happy to find halfway through the book that it changes focus from Olivia to Grace. This answered many questions that I was beginning to forum but was afraid I would never get an answer too, and yet did not explain everything. The book is also well detailed and I can sense a well thought out backstory driving everything. I wanted more out of the book in the end for both parts of the story. The cliffhangers and unanswered questions would easily be fixed with a sequel that I feel this book deserves. Although this is a full length book it still felt more like a teaser than anything.
Teens and young adults will enjoy this book just as much if not more so than adults. While there are hints toward sexual activities both wanted and not nothing happens with any detail and will go over the heads of many young readers. The young readers will enjoy the story and I suppose some of the older readers will start questioning just how these events came to pass. I rate this book 4 out of 4. This book deserves a sequel. It is very well written and an enjoyable book with a style that reminded me of Hunger Games (along with a few others previously mentioned). It could easily make itself at home on shelves right alongside other such dystopian books. This book is so gripping a read that many reader should be able to finish it in just a couple of days.
Scavengers | Book| Austin Macauley Publishers
Olivia Taylor lives safely within the confines of the Community along with other survivors. This Community was founded after a virus outbreak to protect the survivors from raider attacks. Unfortunately not all is perfect in the Community. Soaring temperatures and a lack of resources mixed with the ever present threat of discovery cause the Community’s numbers to drop, resulting in the need for a Scavenging trip. Olivia and all the other children of the Community that are of age report to volunteer to scavenge and this year she is finally picked. Now along with four others Olivia must leave the safety of the Community in an attempt to bring back supplies, food, and new members or not come back at all.
Before the foundation of the Community disaster struck the world. A virus ran rampant and high temperatures cause drought and dehydration. Out of desperation the entire Taylor family leaves their home, along with many others, in search of a safer place to live. Yet in a world that is falling apart danger is everywhere and the journey is not an easy one. Finally they meet up with others fleeing the city but they have to stop and wonder if anywhere is safe anymore.
I was very happy to find halfway through the book that it changes focus from Olivia to Grace. This answered many questions that I was beginning to forum but was afraid I would never get an answer too, and yet did not explain everything. The book is also well detailed and I can sense a well thought out backstory driving everything. I wanted more out of the book in the end for both parts of the story. The cliffhangers and unanswered questions would easily be fixed with a sequel that I feel this book deserves. Although this is a full length book it still felt more like a teaser than anything.
Teens and young adults will enjoy this book just as much if not more so than adults. While there are hints toward sexual activities both wanted and not nothing happens with any detail and will go over the heads of many young readers. The young readers will enjoy the story and I suppose some of the older readers will start questioning just how these events came to pass. I rate this book 4 out of 4. This book deserves a sequel. It is very well written and an enjoyable book with a style that reminded me of Hunger Games (along with a few others previously mentioned). It could easily make itself at home on shelves right alongside other such dystopian books. This book is so gripping a read that many reader should be able to finish it in just a couple of days.
Scavengers | Book| Austin Macauley Publishers
James P. Sumner (65 KP) rated The Informer (2019) in Movies
Sep 10, 2019
A real hidden gem.
I went into this film knowing very little about it, other than the two-line blurb on my local cinema's website. Released to a muted fanfare, this twisty-turny crime drama is a surprisingly gripping and taut thriller, with some stand-out performances from the cast.
Joel Kinnaman plays Pete Koslow, an ex-con that we soon discover is working undercover for the FBI to help take down a mob boss in New York City. Not much is known (or, frustratingly, revealed) about Koslow's backstory, but Kinnaman plays the part very well. It's not as in-depth as maybe it could've been, but his personal arc is a fresh and original spin on a tried-and-tested formula, and it is, at times, compelling to watch.
Needless to say, Koslow's arrangement with the FBI goes sour before too long, and he's left alone in prison with multiple groups of enemies with their own agendas trying to kill him. The second half of the film, where the twists and turns and clever plotting flows more freely, reminded me of Will Smith's "Enemy of the State" and Liam Neeson's "A Walk Among The Tombstones", in terms of the complex approach and execution to resolving a seemingly inescapable situation.
The story was told to great effect, with the gritty tone and the deliberate pacing perfectly suiting this competent thriller.
Ana de Armas is terrific as Koslow's long-suffering and admiringly-loyal partner, Sofia. She has a look of naivety and innocence throughout, with her perma-watering wide eyes and youthful good looks, yet she is as tough as they come and the perfect match for Kinnaman's lead.
Clive Owen also deserves a mention for another consistent performance, despite him being woefully underused here. He steals every scene he's in, playing a menacing background antagonist incredibly well.
For me, this movie was let down by two things. First, its ending, which felt sudden and rushed, as if it stopped mid-sentence. It's not the kind of film that warrants a sequel, nor was it, I imagine, made with the intention of one. So to leave so many questions unanswered serves little purpose and ultimately leaves you disappointed after what was otherwise a very, very clever film.
Secondly, Rosamund Pike's performance left a lot to be desired. Because of her outstanding lack of on-screen charisma, you never truly connect with her character, Agent Wilcox. Her handling of Koslow's operation felt hollow. She showed no emotional range whatsoever, and wore the same expression throughout the entire film. Consequently, the journey of her character and the impact her decisions have on both other people, and the movie's eventual outcome, felt empty and pointless.
Despite that, this is a real hidden gem. As I noted earlier, this wasn't what you would call a "big" release. It came out under the radar and, as a result, was the subject of very few expectations. But what you have here is an intelligent thriller that provides an original take on a typical storyline that delivers in almost every way it intended to.
This is the film you stream off Netflix on a Friday night while eating a takeaway after a hard week at work.
Joel Kinnaman plays Pete Koslow, an ex-con that we soon discover is working undercover for the FBI to help take down a mob boss in New York City. Not much is known (or, frustratingly, revealed) about Koslow's backstory, but Kinnaman plays the part very well. It's not as in-depth as maybe it could've been, but his personal arc is a fresh and original spin on a tried-and-tested formula, and it is, at times, compelling to watch.
Needless to say, Koslow's arrangement with the FBI goes sour before too long, and he's left alone in prison with multiple groups of enemies with their own agendas trying to kill him. The second half of the film, where the twists and turns and clever plotting flows more freely, reminded me of Will Smith's "Enemy of the State" and Liam Neeson's "A Walk Among The Tombstones", in terms of the complex approach and execution to resolving a seemingly inescapable situation.
The story was told to great effect, with the gritty tone and the deliberate pacing perfectly suiting this competent thriller.
Ana de Armas is terrific as Koslow's long-suffering and admiringly-loyal partner, Sofia. She has a look of naivety and innocence throughout, with her perma-watering wide eyes and youthful good looks, yet she is as tough as they come and the perfect match for Kinnaman's lead.
Clive Owen also deserves a mention for another consistent performance, despite him being woefully underused here. He steals every scene he's in, playing a menacing background antagonist incredibly well.
For me, this movie was let down by two things. First, its ending, which felt sudden and rushed, as if it stopped mid-sentence. It's not the kind of film that warrants a sequel, nor was it, I imagine, made with the intention of one. So to leave so many questions unanswered serves little purpose and ultimately leaves you disappointed after what was otherwise a very, very clever film.
Secondly, Rosamund Pike's performance left a lot to be desired. Because of her outstanding lack of on-screen charisma, you never truly connect with her character, Agent Wilcox. Her handling of Koslow's operation felt hollow. She showed no emotional range whatsoever, and wore the same expression throughout the entire film. Consequently, the journey of her character and the impact her decisions have on both other people, and the movie's eventual outcome, felt empty and pointless.
Despite that, this is a real hidden gem. As I noted earlier, this wasn't what you would call a "big" release. It came out under the radar and, as a result, was the subject of very few expectations. But what you have here is an intelligent thriller that provides an original take on a typical storyline that delivers in almost every way it intended to.
This is the film you stream off Netflix on a Friday night while eating a takeaway after a hard week at work.
Darren (1599 KP) rated Destroyer (2018) in Movies
Sep 13, 2019
Characters – Erin Bell is a police officer that went so deep undercover that she lost her family, 17-years-later the leader of that gang has returned, this will give the Erin a chance to make peace with this case, trying to put her addiction problems a side, Erin won’t take any abuse from anybody, she will step over the line of the law to make sure she puts an end to this case. Silas is the leader of the gang, he makes his followers do anything to prove themselves to him and will lead them in breaking the law, he has gone into hiding, with his return making him a target for Erin. Petra is one of the main followers in the gang, she is one that is still active with Silas, showing that her addiction is still controlling her life. Chris is the partner that worked with Erin in the undercover job, we see how they got to learn to work together to make themselves seem like a couple.
Performances – Nicole Kidman gives one of her career best performances ever single scene we see her committed to this role where she demands your attention unlike any performance, we have ever seen from her before. Toby Kebbell does make us believe his character is on edge and a threat through each and every scene he appears in. Tatiana Maslany and Sebastian Stan complete the main supporting cast which shows us they can step up to look strong against Kidman through the film.
Story – The story here follows a former undercover police officers that wants to make amends for her case which ended in tragedy and has made her lose out part of her life when it comes to family, turning her to her own addictions. The first thing to know about this that we have two times being viewed, it is easy to tell the two apart because of the length of Erin’s hair. As Erin is trying to locate Silas, we get the flashbacks to her interactions with the gang members as she gets to relocate them as she is searching for Silas. Away from the investigation side of the story, Erin is also trying to rebuild her relationship with her daughter one that she shattered with her problems in the past. The mix of the two stories shows us just how dysfunctional this life can become for anyone that gets too deep within the undercover job.
Action/Crime – The action in the film follows the events of the robbery, how it went down and how the escape was planned. We do enter the crime world, which sees how Erin went undercover and operated within the gang, followed by how she bent the laws to track Silas back down.
Settings – The film is set in LA which as always is a wonderful backdrop for the criminal underworld, it shows us just how crime can get done around the city without people seeing it come.
Scene of the Movie – The robbery.
That Moment That Annoyed Me – The final encounter.
Final Thoughts – This is brilliant crime thriller that shows that Nicole Kidman is one of the greatest actresses of her generation, we have a story that keeps you guessing with an anti-hero in Erin that needs to fix her life.
Overall: Gripping Tense Thriller
Performances – Nicole Kidman gives one of her career best performances ever single scene we see her committed to this role where she demands your attention unlike any performance, we have ever seen from her before. Toby Kebbell does make us believe his character is on edge and a threat through each and every scene he appears in. Tatiana Maslany and Sebastian Stan complete the main supporting cast which shows us they can step up to look strong against Kidman through the film.
Story – The story here follows a former undercover police officers that wants to make amends for her case which ended in tragedy and has made her lose out part of her life when it comes to family, turning her to her own addictions. The first thing to know about this that we have two times being viewed, it is easy to tell the two apart because of the length of Erin’s hair. As Erin is trying to locate Silas, we get the flashbacks to her interactions with the gang members as she gets to relocate them as she is searching for Silas. Away from the investigation side of the story, Erin is also trying to rebuild her relationship with her daughter one that she shattered with her problems in the past. The mix of the two stories shows us just how dysfunctional this life can become for anyone that gets too deep within the undercover job.
Action/Crime – The action in the film follows the events of the robbery, how it went down and how the escape was planned. We do enter the crime world, which sees how Erin went undercover and operated within the gang, followed by how she bent the laws to track Silas back down.
Settings – The film is set in LA which as always is a wonderful backdrop for the criminal underworld, it shows us just how crime can get done around the city without people seeing it come.
Scene of the Movie – The robbery.
That Moment That Annoyed Me – The final encounter.
Final Thoughts – This is brilliant crime thriller that shows that Nicole Kidman is one of the greatest actresses of her generation, we have a story that keeps you guessing with an anti-hero in Erin that needs to fix her life.
Overall: Gripping Tense Thriller
The Last Collection
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An American woman becomes entangled in the intense rivalry between iconic fashion designers Coco...
Historical Romance
DaveySmithy (107 KP) rated Casablanca (1942) in Movies
Dec 3, 2024
A Timeless Classic: Casablanca - A 10/10 Masterpiece
Few films manage to withstand the test of time quite like Casablanca. Released in 1942, this cinematic gem not only defines its era but also transcends it, continuing to captivate audiences decades later. Directed by Michael Curtiz and featuring unforgettable performances by Humphrey Bogart and Ingrid Bergman, Casablanca is a rare film that combines stellar storytelling, iconic performances, and a profound emotional core into an unparalleled movie experience.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.
BankofMarquis (1832 KP) rated Bird Box (2018) in Movies
Feb 1, 2019
Almost a good movie
One of my favorite films of 2018 is A QUIET PLACE where aliens with extreme hearing can get you if you make a noise. It is a quite interesting and well made film (with a bravura performance by Emily Blunt), so when I heard there was a variant of this theme (this time you can't use your eyes), I decided to check it out and to see if Sandra Bullock could pull off the same sort of bravura performance as Blunt.
And, that's too bad, for by comparison the Netflix flick BIRD BOX is no A QUIET PLACE, but if I don't try to compare it to A QUIET PLACE, BIRD BOX is a very entertaining film, indeed.
The story follows Bullock as Malorie a pregnant single woman who holds no "maternal instinct" towards her unborn child. Malorie is devoid of emotion and compassion and is dreading the day that her child will be born. Enter into this an "end of world event" where unseen aliens show up and, if you look at them, you go insane and try to commit suicide. Amidst this chaos, Malorie and a ragtag assortment of survivors find shelter in the house of Douglas (John Malkovich). Can this disparate group of strangers find a way to survive in this insane new world?
Well...the fun in this kind of movie is in the characters trapped together and the "10 Little Indians" style of demise as the house guests are picked off one by one by the aliens (or each other). It is the drama of these trapped individuals, and the surprise and the ingenuity of how they are killed off that makes or breaks these types of films.
And in this way, this film succeeds very well for besides Bullock and Malkovich, the housemates are filled with (for the most part) a strong grouping of actors led, most notably, by Trevante Rhodes (MOONLIGHT) and Jacki Weaver (ANIMAL KINGDOM). They are strong presences in this household and are interesting to watch. Good ol' B.D. Wong (JURASSIC PARK among many, many credits) brings his usual, solid game and Lil Rey Howery (GET OUT) brings much needed energy and humor to the proceedings. Add to this the usual, creepy Tom Hollander (IN THE LOOP) as a mysterious houseguest who is...creepy...and there is enough going on to keep my interest.
Add to this the always intriguing work of Malkovich as the paranoid, "me first" homeowner and Bullock underplaying her emotions as a counterbalance to Malkovich overplaying his emotions and the scenes in the house were interesting and (at times) gripping.
The problem I have with this film is that it inter cuts these scenes with scenes of Bullock (and a few other survivors from the house) "5 years later" - so, you already know who makes it and who doesn't - which takes away the tension of the house scenes. It also has an ending that, quite frankly, I saw coming a mile off and so it was not a satisfying conclusion to the proceedings for the ending was uneventful and unsurprising. A poor way to end this sort of film.
Don't get me wrong, the scenes in the house of the initial group of survivors is well worth viewing this film, I just wish Director Susanne Bier (THE NIGHT MANAGER) didn't dilute these scenes by bringing us forward in time too soon. I wonder how much better this film could have been had we just watched the events of the film (including all of the "5 years later scenes") in chronological order, I gotta think it would have been a better film.
This is, by every definition of the term, a "B" film, perfect for a snow, rain or cold-bound afternoon at home.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
And, that's too bad, for by comparison the Netflix flick BIRD BOX is no A QUIET PLACE, but if I don't try to compare it to A QUIET PLACE, BIRD BOX is a very entertaining film, indeed.
The story follows Bullock as Malorie a pregnant single woman who holds no "maternal instinct" towards her unborn child. Malorie is devoid of emotion and compassion and is dreading the day that her child will be born. Enter into this an "end of world event" where unseen aliens show up and, if you look at them, you go insane and try to commit suicide. Amidst this chaos, Malorie and a ragtag assortment of survivors find shelter in the house of Douglas (John Malkovich). Can this disparate group of strangers find a way to survive in this insane new world?
Well...the fun in this kind of movie is in the characters trapped together and the "10 Little Indians" style of demise as the house guests are picked off one by one by the aliens (or each other). It is the drama of these trapped individuals, and the surprise and the ingenuity of how they are killed off that makes or breaks these types of films.
And in this way, this film succeeds very well for besides Bullock and Malkovich, the housemates are filled with (for the most part) a strong grouping of actors led, most notably, by Trevante Rhodes (MOONLIGHT) and Jacki Weaver (ANIMAL KINGDOM). They are strong presences in this household and are interesting to watch. Good ol' B.D. Wong (JURASSIC PARK among many, many credits) brings his usual, solid game and Lil Rey Howery (GET OUT) brings much needed energy and humor to the proceedings. Add to this the usual, creepy Tom Hollander (IN THE LOOP) as a mysterious houseguest who is...creepy...and there is enough going on to keep my interest.
Add to this the always intriguing work of Malkovich as the paranoid, "me first" homeowner and Bullock underplaying her emotions as a counterbalance to Malkovich overplaying his emotions and the scenes in the house were interesting and (at times) gripping.
The problem I have with this film is that it inter cuts these scenes with scenes of Bullock (and a few other survivors from the house) "5 years later" - so, you already know who makes it and who doesn't - which takes away the tension of the house scenes. It also has an ending that, quite frankly, I saw coming a mile off and so it was not a satisfying conclusion to the proceedings for the ending was uneventful and unsurprising. A poor way to end this sort of film.
Don't get me wrong, the scenes in the house of the initial group of survivors is well worth viewing this film, I just wish Director Susanne Bier (THE NIGHT MANAGER) didn't dilute these scenes by bringing us forward in time too soon. I wonder how much better this film could have been had we just watched the events of the film (including all of the "5 years later scenes") in chronological order, I gotta think it would have been a better film.
This is, by every definition of the term, a "B" film, perfect for a snow, rain or cold-bound afternoon at home.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
TerraBlizzard (18 KP) rated Aladdin (2019) in Movies
May 24, 2019
The heritage to the orignal (5 more)
Sublime acting from a majority of unknowns in the industry.
"Spices" up and make it's own mark in the Disney world.
The addition and alterations.
One liners.
Disney parks hidden in the film.
True to the orignal but a stand alone.
A must watch for all ages and with that comes a range of open doors and closed comments.
If you have seen the orignal and loved it you might find it hard to get on with. But please if you do anything before watching this addition to the live action roster Disney are working hard on, go in with no expectations as if you thought this was the original.
If you haven't seen this before then prepare for bright colour, songs that make you tap your feet and a story driven hard by characters that develope through the film.
Guy Ritchie has done a great job with keeping the roots of this film in true disney essence with putting modern twist to make it a more enjoyable watch for adults who grew up with disney. Guy has a way of bringing darkness and edge to a film, like his work on Sherlock Holmes (Another must wacth) and with this edge comes gripping depth to the story. So much so I was desperate for a toilet break but could not leave my seat as I was worried I'd miss a key part.
With the addition of 2 relative unknown leads in a well loved story was a marvellous move on the casting department. Mena Mossuod and Naomi Scott play brilliant parts and fit right into characters with the addittion of Will Smith a strong and dependable actor who you know always does a good job makes the trio stand out.
With the addition of songs and changes of genre to songs. Everything works and works well. "Speechless" a welcomed addition to the set list that empowers girls and boys to stand up and speek out agiasnt those that push them down and genre swap of "Friend like me".
For instance my favourite Disney song is "Friend like me" sung by the genie or genie's if you "wish" the hard hitting jazz number that breaks the bollywood theme. In the orignal and west end the song is similar in both. Robbin Williams and Trevor Dion Nicholas make this song their own keeping to what the disney song writter wanted and to what their good at. HOWEVER this song I don't think could ever work for Will Smith as a jazz number but by god he pulled it off as a R&B. Agiasnt popular oppion Nicholas version Is the one I love follower by both Robbins and Smith versions.
If you have ever been to a disney park you know that they believe in the story's their telling, the work and detail of everything from sets, Background details, outfits and even the god dam smells of the sweets they sell or the rides they have and even the streets you walk on. They work hard and they do it well (their not perfect but they give it a heck of a running start to get close) The same goes for their movies.
This movie wasn't a disappointment or better film for me as I don't compare it to the original.
It is a film that is done well and played well and makes you believe in it. As what all good story telling needs to do to those who watch and listen.
If you have seen the orignal and loved it you might find it hard to get on with. But please if you do anything before watching this addition to the live action roster Disney are working hard on, go in with no expectations as if you thought this was the original.
If you haven't seen this before then prepare for bright colour, songs that make you tap your feet and a story driven hard by characters that develope through the film.
Guy Ritchie has done a great job with keeping the roots of this film in true disney essence with putting modern twist to make it a more enjoyable watch for adults who grew up with disney. Guy has a way of bringing darkness and edge to a film, like his work on Sherlock Holmes (Another must wacth) and with this edge comes gripping depth to the story. So much so I was desperate for a toilet break but could not leave my seat as I was worried I'd miss a key part.
With the addition of 2 relative unknown leads in a well loved story was a marvellous move on the casting department. Mena Mossuod and Naomi Scott play brilliant parts and fit right into characters with the addittion of Will Smith a strong and dependable actor who you know always does a good job makes the trio stand out.
With the addition of songs and changes of genre to songs. Everything works and works well. "Speechless" a welcomed addition to the set list that empowers girls and boys to stand up and speek out agiasnt those that push them down and genre swap of "Friend like me".
For instance my favourite Disney song is "Friend like me" sung by the genie or genie's if you "wish" the hard hitting jazz number that breaks the bollywood theme. In the orignal and west end the song is similar in both. Robbin Williams and Trevor Dion Nicholas make this song their own keeping to what the disney song writter wanted and to what their good at. HOWEVER this song I don't think could ever work for Will Smith as a jazz number but by god he pulled it off as a R&B. Agiasnt popular oppion Nicholas version Is the one I love follower by both Robbins and Smith versions.
If you have ever been to a disney park you know that they believe in the story's their telling, the work and detail of everything from sets, Background details, outfits and even the god dam smells of the sweets they sell or the rides they have and even the streets you walk on. They work hard and they do it well (their not perfect but they give it a heck of a running start to get close) The same goes for their movies.
This movie wasn't a disappointment or better film for me as I don't compare it to the original.
It is a film that is done well and played well and makes you believe in it. As what all good story telling needs to do to those who watch and listen.
Movie Metropolis (309 KP) rated Contagion (2011) in Movies
Jun 11, 2019
Steven Soderbergh has produced some fine films in his time as an established director; Ocean’s Eleven was a sublime mix of dark humour and action, whilst Ocean’s Twelve and Thirteen remained decent but not exactly pulse-racing. Here, it seems Soderbergh sticks to what he knows best, how to deliver a brilliantly shot, gripping film. Here we have, Contagion.
An all-star cast with the likes of Gwyneth Paltrow, Kate Winslet, Matt Damon and Jude Law is bolstered by excellent cinematography and nail-biting claustrophobia in a film which never forgets its purpose: to shock.
Contagion starts with a cough, a single cough from a single woman, which in turn spreads across the globe, killing over 20 million people in every country on the planet and becoming one of the worst viral epidemics the world has ever seen. The directing style is exquisite and focuses on the days after the first contraction of the deadly virus; close-ups of door knobs and drinking fountains add to the heightened panic and sense of claustrophobia and the continuous references to bird-flu bring it home how frail a race we actually are.
Soderbergh gets stuck into the details of the virus straight away and the pace never lets up, you’ll be gasping for air with the infected as you struggle to keep pace with what’s going on; it’s a relentless film, much like the disease itself. The movie is one of many recent developments that have parallel storylines running throughout; Kate Winslet is a scientist at the centre of disease research, whilst Matt Damon plays a middle aged father protecting his daughter.
Gwyneth Paltrow plays a wife and mother who has been embarking on a dangerous affair whilst away on business and it has to be said, she is excellent in her role, even though it lasts a mere 20 minutes before she pegs it. Her illness is well controlled on screen and you share the pain she is in.
Matt Damon is somehow immune to the virus after losing his wife (Paltrow) and more disturbingly, his son in scenes unbefitting of the films 12A certificate and Kate Winslet looks surprisingly angelic in her body bag… oops, didn’t mean to spoil that for you.
Alas, it’s not all good news as Jude Law pops up now and again as an annoying journalist trying to discover a cure and shame the money grabbing pharmaceutical companies, he plays the character well and you definitely buy into his sense of ‘crazy’ but out of all the stories shuffling for your attention, his is the one you care least about.
Unfortunately, some other small issues hold the film from being a complete success. Parallel storylines are all well and good but there are perhaps too many here. Whilst focusing on Winslet dealing with the fact she has contracted the virus, you forget about how Mr. Damon is coping looking after his potentially not immune daughter and the same can be said for Law’s character too. Which one are we to focus on?
Contagion is artistically, a brilliant film, but it could be said that it’s more style over substance. Yes, the characters have depth, though not as much as we’d like, the story is well written and the shots are beautifully choreographed but that good, solid story is lost about half way through as Soderbergh tries to handle all the different viewpoints. It’s a fantastic film, but not the outright success it could have been. You will however, be reaching for that anti-bacterial hand cleanser a little more often.
https://moviemetropolis.net/2011/11/08/review-contagion-2011/
An all-star cast with the likes of Gwyneth Paltrow, Kate Winslet, Matt Damon and Jude Law is bolstered by excellent cinematography and nail-biting claustrophobia in a film which never forgets its purpose: to shock.
Contagion starts with a cough, a single cough from a single woman, which in turn spreads across the globe, killing over 20 million people in every country on the planet and becoming one of the worst viral epidemics the world has ever seen. The directing style is exquisite and focuses on the days after the first contraction of the deadly virus; close-ups of door knobs and drinking fountains add to the heightened panic and sense of claustrophobia and the continuous references to bird-flu bring it home how frail a race we actually are.
Soderbergh gets stuck into the details of the virus straight away and the pace never lets up, you’ll be gasping for air with the infected as you struggle to keep pace with what’s going on; it’s a relentless film, much like the disease itself. The movie is one of many recent developments that have parallel storylines running throughout; Kate Winslet is a scientist at the centre of disease research, whilst Matt Damon plays a middle aged father protecting his daughter.
Gwyneth Paltrow plays a wife and mother who has been embarking on a dangerous affair whilst away on business and it has to be said, she is excellent in her role, even though it lasts a mere 20 minutes before she pegs it. Her illness is well controlled on screen and you share the pain she is in.
Matt Damon is somehow immune to the virus after losing his wife (Paltrow) and more disturbingly, his son in scenes unbefitting of the films 12A certificate and Kate Winslet looks surprisingly angelic in her body bag… oops, didn’t mean to spoil that for you.
Alas, it’s not all good news as Jude Law pops up now and again as an annoying journalist trying to discover a cure and shame the money grabbing pharmaceutical companies, he plays the character well and you definitely buy into his sense of ‘crazy’ but out of all the stories shuffling for your attention, his is the one you care least about.
Unfortunately, some other small issues hold the film from being a complete success. Parallel storylines are all well and good but there are perhaps too many here. Whilst focusing on Winslet dealing with the fact she has contracted the virus, you forget about how Mr. Damon is coping looking after his potentially not immune daughter and the same can be said for Law’s character too. Which one are we to focus on?
Contagion is artistically, a brilliant film, but it could be said that it’s more style over substance. Yes, the characters have depth, though not as much as we’d like, the story is well written and the shots are beautifully choreographed but that good, solid story is lost about half way through as Soderbergh tries to handle all the different viewpoints. It’s a fantastic film, but not the outright success it could have been. You will however, be reaching for that anti-bacterial hand cleanser a little more often.
https://moviemetropolis.net/2011/11/08/review-contagion-2011/
Zuky the BookBum (15 KP) rated The Girl Before in Books
Mar 15, 2018
Read my first ever author Q&A, with Rena Olsen! http://bookbum.weebly.com/author-qas/qa-with-rena-olsen-author-of-the-girl-before
Also read my review here: http://bookbum.weebly.com/book-reviews/the-girl-before-by-rena-olsen
<b><i>I am nothing if not obedient.</b></i>
I was anticipating this novel for a goddamn long time and so when it finally showed up at work (Id preordered it months in advance) I was so excited to finally get my hands on it and start reading it and from page 1 it did not disappoint! This novel got more and more gripping with each page, I didnt want to put it down!
I have voiced my opinion on books that flit about between the past and the present and in case you missed my last rant, I <i>usually</i> hate it because it confuses me a lot of the time (simple mind, I know). But it worked excellently in this novel because, for one, it made it <b>very</b> clear when we were in the past and when we were back to the present, and secondly the two flowed really well together. I loved how Olsen made the stories of the past connect so perfectly with the present - this whole book was written beautifully.
Claras refusal to cooperate got a little irritating after a while, but you cant really expect anything different from such a brainwashed woman, and just hold out a little longer and things might just start going your way! The plot for this wasnt exactly unique, <a href="https://www.goodreads.com/review/show/1640564203?book_show_action=false&from_review_page=1">The Butterfly Garden</a> <i>kind of</i> has the same storyline, to name something recent, but there were no faults in this book. Olsen worked out exactly how to progress with this book, it was flawless. Granted, there were a couple of predictable parts, <spoiler>the fact she was pregnant, the real use of the morning sickness tea</spoiler>, but they didnt make the story less exciting in anyway.
I was so close to giving this 4 stars for the reason of me not liking Glen but then I realised, no. We werent suppose to like Glen. He was a manipulative, evil, disgusting human being and I <i>hated</i> him. The fact that Olsen could make me hate him so much just shows how amazing her writing was. She brought out a really strong emotion in me that often times made me feel anxious and sick. Hating a character as much as I did isnt at all a bad thing when the character is there to be hated.
This is a really emotional read. I'm sure if it wasn't for the fact I mainly only read this on the train, I definitely would have bawled over this, hence the reason I'm classing this as a book that made me cry. I cant even imagine the feelings Clara goes through as this book progresses and she begins to find out things shes believed her entire life are not all that they seem. Its so horrible to think this kind of thing isnt just a figment of someones creative mind, my heart goes out to all those men and women that have been subject to this kind of twisted abuse - this is one of many reasons I give so much to human right charities every month.
I cannot believe this is a debut novel. I am stunned at the quality of Olsens writing and story-telling, I cant wait to read more from her. This tackles many difficult subjects but if youre a lover of all things suspense and thriller, then you definitely <b>need</b> to pick this up in the future. <b>Its 2016 must read!</b>
Also read my review here: http://bookbum.weebly.com/book-reviews/the-girl-before-by-rena-olsen
<b><i>I am nothing if not obedient.</b></i>
I was anticipating this novel for a goddamn long time and so when it finally showed up at work (Id preordered it months in advance) I was so excited to finally get my hands on it and start reading it and from page 1 it did not disappoint! This novel got more and more gripping with each page, I didnt want to put it down!
I have voiced my opinion on books that flit about between the past and the present and in case you missed my last rant, I <i>usually</i> hate it because it confuses me a lot of the time (simple mind, I know). But it worked excellently in this novel because, for one, it made it <b>very</b> clear when we were in the past and when we were back to the present, and secondly the two flowed really well together. I loved how Olsen made the stories of the past connect so perfectly with the present - this whole book was written beautifully.
Claras refusal to cooperate got a little irritating after a while, but you cant really expect anything different from such a brainwashed woman, and just hold out a little longer and things might just start going your way! The plot for this wasnt exactly unique, <a href="https://www.goodreads.com/review/show/1640564203?book_show_action=false&from_review_page=1">The Butterfly Garden</a> <i>kind of</i> has the same storyline, to name something recent, but there were no faults in this book. Olsen worked out exactly how to progress with this book, it was flawless. Granted, there were a couple of predictable parts, <spoiler>the fact she was pregnant, the real use of the morning sickness tea</spoiler>, but they didnt make the story less exciting in anyway.
I was so close to giving this 4 stars for the reason of me not liking Glen but then I realised, no. We werent suppose to like Glen. He was a manipulative, evil, disgusting human being and I <i>hated</i> him. The fact that Olsen could make me hate him so much just shows how amazing her writing was. She brought out a really strong emotion in me that often times made me feel anxious and sick. Hating a character as much as I did isnt at all a bad thing when the character is there to be hated.
This is a really emotional read. I'm sure if it wasn't for the fact I mainly only read this on the train, I definitely would have bawled over this, hence the reason I'm classing this as a book that made me cry. I cant even imagine the feelings Clara goes through as this book progresses and she begins to find out things shes believed her entire life are not all that they seem. Its so horrible to think this kind of thing isnt just a figment of someones creative mind, my heart goes out to all those men and women that have been subject to this kind of twisted abuse - this is one of many reasons I give so much to human right charities every month.
I cannot believe this is a debut novel. I am stunned at the quality of Olsens writing and story-telling, I cant wait to read more from her. This tackles many difficult subjects but if youre a lover of all things suspense and thriller, then you definitely <b>need</b> to pick this up in the future. <b>Its 2016 must read!</b>
Gareth von Kallenbach (980 KP) rated the PC version of Titanfall 2 in Video Games
Jun 19, 2019
Respawn and EA have returned with TitanFall 2 which is the rare sequel
that improves upon the original in almost every way.
The game now features a solo campaign which is a solid and gripping
adventure which adds greater depth to the TitanFall Universe and contains
some great level designs as well as graphics.
Cast as a Rifle Corps member who is suddenly forced into the coveted role of
Titan Pilot by fate, players must embark on a series of missions both
inside and outside of their massive Titan in order to save the Resistance.
Players have numerous weapon loadouts for themselves and their Titan at
their disposals and everything from ballistic to energy based weapons are
available as well as some brutal melee options.
The story was very engrossing and entertaining and presented plenty of
challenges, my biggest frustration was with the numerous timed jumps that
are required to complete segments of a chapter.
I have never been a fan of precision leaps and although I know it is a
part of the game, it does get frustrating at times. Most were able to be
resolved in a couple of efforts but one had me frustrated after numerous
attempts, until I figured out that it required a temporal phase during a
leap in order to complete it successfully.
The solo campaign gives the series a greater depth than the previous game
offered and it is filled with some very solid action and characters that
will compel you throughout the game.
Of course Multiplayer is a big part of the game and that has continued
with TitanFall 2 offering new modes such as a bank where players must cash
in money they have earned or risk losing it should they be taken down by
enemy units.
Enemies are a mix of bots and online players which offers differing
degrees of difficulty. It was frustrating at first to be trying to learn a
map and the new grapple hook when players who had powered leveled since
launch were able to pick me off with vastly superior weapons and power ups
before I had ventured into the battle.
Calling in your Titan is still as big a thrill as ever and some of the new
abilities such as the devastating energy weapon that can be emitted from
your unit once your timer has been reached is a real game changer.
It is still tricky to take down a Titan on foot as anyone who has
attempted to collect a Bounty in the game will attest to.
The level design stays true to what players have expected from the first
game and the developers have promised that all DLC for the game will be
offered free of charge to all players.
I did not find the online play as compelling as the solo mode, but that is
largely due to the fact that I had some lag and balance issues at launch
which hampered my online experience. I can say that recent updates have
made online play significantly better and more enjoyable and I look
forward to seeing what the future DLC will bring to the game.
I played the game on a 1060 Legacy Edition by NVIDIA and on the highest
settings the game looked amazing and ran very smoothly. Reports have said
that the sales for the game were slower than for the previous game which
is a shame as TitanFall 2 is a very solid and enjoyable game that deftly
combines a First Person Shooter with a Mech combat game to create a
visually impressive and very entertaining game which I hope will spawn
further chapters in the series.
http://sknr.net/2016/12/06/titanfall-2/
that improves upon the original in almost every way.
The game now features a solo campaign which is a solid and gripping
adventure which adds greater depth to the TitanFall Universe and contains
some great level designs as well as graphics.
Cast as a Rifle Corps member who is suddenly forced into the coveted role of
Titan Pilot by fate, players must embark on a series of missions both
inside and outside of their massive Titan in order to save the Resistance.
Players have numerous weapon loadouts for themselves and their Titan at
their disposals and everything from ballistic to energy based weapons are
available as well as some brutal melee options.
The story was very engrossing and entertaining and presented plenty of
challenges, my biggest frustration was with the numerous timed jumps that
are required to complete segments of a chapter.
I have never been a fan of precision leaps and although I know it is a
part of the game, it does get frustrating at times. Most were able to be
resolved in a couple of efforts but one had me frustrated after numerous
attempts, until I figured out that it required a temporal phase during a
leap in order to complete it successfully.
The solo campaign gives the series a greater depth than the previous game
offered and it is filled with some very solid action and characters that
will compel you throughout the game.
Of course Multiplayer is a big part of the game and that has continued
with TitanFall 2 offering new modes such as a bank where players must cash
in money they have earned or risk losing it should they be taken down by
enemy units.
Enemies are a mix of bots and online players which offers differing
degrees of difficulty. It was frustrating at first to be trying to learn a
map and the new grapple hook when players who had powered leveled since
launch were able to pick me off with vastly superior weapons and power ups
before I had ventured into the battle.
Calling in your Titan is still as big a thrill as ever and some of the new
abilities such as the devastating energy weapon that can be emitted from
your unit once your timer has been reached is a real game changer.
It is still tricky to take down a Titan on foot as anyone who has
attempted to collect a Bounty in the game will attest to.
The level design stays true to what players have expected from the first
game and the developers have promised that all DLC for the game will be
offered free of charge to all players.
I did not find the online play as compelling as the solo mode, but that is
largely due to the fact that I had some lag and balance issues at launch
which hampered my online experience. I can say that recent updates have
made online play significantly better and more enjoyable and I look
forward to seeing what the future DLC will bring to the game.
I played the game on a 1060 Legacy Edition by NVIDIA and on the highest
settings the game looked amazing and ran very smoothly. Reports have said
that the sales for the game were slower than for the previous game which
is a shame as TitanFall 2 is a very solid and enjoyable game that deftly
combines a First Person Shooter with a Mech combat game to create a
visually impressive and very entertaining game which I hope will spawn
further chapters in the series.
http://sknr.net/2016/12/06/titanfall-2/