"My parents took me to see this at a young age, probably at the 68th Street Playhouse. Let’s see how many defunct art houses I can name throughout this list (although back then, they were just called movie theaters). I was a little too young to fully grasp the extent of Buñuel’s satire and his vast imagination. I recall being vaguely disturbed by the lack of a concrete (happy) ending, not to mention the feeling of discomfort brought on by “not getting it.” Both my parents loved Buñuel, and I am grateful that they had the good sense to drag me to many of the movies they wanted to see. My guess is that they probably didn’t want to leave me sitting at home in front of the TV set with a package of Yodels, a scenario I put myself in often enough despite their efforts. Ah, the thrill of growing up with (and not being shielded from) the most unusual and unsettling of movies. Actually, the Yodels were pretty good too."

"Here, Vincent Price is reciting all the witches' spells from a place I can't quite remember in England. It was meant to be around a Halloween vibe, which in the Catskills is everything. That's our Christmas, that's our New Year, May Day, Wicker Man… that's our pagan holiday supreme. Holiday ornaments are already out right now - you can go into any store and buy Halloween stuff. Growing up here, it wasn't a stretch that these kinds of records would be played by my mother or at elementary school almost ad nauseam. I became so inoculated to spooky, scary stories that they just became like urban legends. Another case of a children's story narration that was entrancing. These weren't just songs, these were whole inner emotional moments for young kids like me. When you're six and hearing about witches, ghosts and goblins, it's permeating your whole being and likely to shape the rest of your life, certainly in terms of the possibility of a supernatural world. Or probable, in my case."

"The second film that I suggest is called The 36th Chamber of Shaolin, also called The Master Killer. This film moved me so much not only from the martial arts action and the philosophy of Buddhism that was instilled in the movie, but also the overcoming of oppression. Growing up, I knew that I was being oppressed; I knew the black man’s struggle was oppressive in America, you know, reading Malcolm X and Martin Luther King. I knew of our struggle. But I didn’t know that that struggle was all around the world. I didn’t know that struggle was in all time periods. And when I saw this movie, it resonated with me in a way that I was like, “Wow, the government is just oppressing them, coming in and taking their homes, destroying their property. How they gonna win?” And from a single word, which was “Shaolin,” our hero was able to go find himself and find the way to help bring the end to that oppression."