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After the death of her husband, Jocelyn "Jo" must return home with her ten-year-old daughter, Ruby. His death has left her in financial trouble, and she has no choice but to head back to Lake Hall, the aristocratic home she shared with her parents when growing up. It's a far cry from California where she lived with Chris and Ruby, escaping a stifling childhood with her mother. Jo's happiest childhood memories involve her nanny, Hannah, but Hannah disappeared suddenly one summer when Jo was seven. Her mother blamed Jo, and the two never repaired their relationship. Back now, thirty years later, Jo must deal with her mother and their fractured relationship. And when she and Ruby find a skull in the lake behind the house, she begins to wonder exactly what happened to Hannah. Jo isn't sure of anything anymore, or who she can trust, even her own memories.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
Chris Sawin (602 KP) rated Moon (2009) in Movies
Jun 22, 2019
Sam Bell is at the end of his rope. He's an astronaut that took a job on the moon whose contract lasted three long years. The job requires him to send storage containers of Helium-3 back to Earth, which would essentially help with the planet's power situation. Other than his computer assistant, GERTY, Sam is alone. He's started talking to himself and basically feels like he's losing his mind since he's been on the moon for so long in this lonely state. The only thing that's really keeping him straight is the fact that he's supposed to go home in two weeks. Sam just wants to get home and see his wife and daughter, who's already growing up without him in her life. As Sam ventures outside for some everyday maintenance, he discovers something disturbing. An accident occurred while somebody was behind the wheel of one of the lunar vehicles and the unconscious man Sam pulls out of the vehicle looks exactly like him. Sam is then given the unfortunate task of trying to figure out if he's lost his marbles or if some conspiracy scheme has been transpiring right under his nose this entire time.
Moon has been one of my most anticipated films of the year ever since I saw the trailer a few months ago. Everything about the trailer pulled me in. Sam Rockwell looked to put in an incredible performance, the score sounded incredibly solid and fit the film like a glove, and it just looked like a really amazing sci-fi film. Have you ever walked away from a film completely satisfied? That feeling you have when you see a film that just sticks with you as its most memorable moments play through your head and you smile a little as you walk to your car? That's the feeling that pulsed through me after seeing Moon. A feeling that I've only felt a handful of times (The Dark Knight, Benjamin Button, Up, and Moon come to mind).
Sam Rockwell is really in top form here. I've always wanted to like him, but had always seen him in films where it felt like he was holding back and not showing his full potential. Moon definitely corrected that as Rockwell is really able to portray his acting range and how wonderful he really is. When I saw 1408, the first thing that crossed my mind after it ended was that John Cusack really carried that film. It was just him alone in a hotel room the majority of the film and he was able to make that worth watching. What John Cusack is to 1408, Sam Rockwell is to Moon as it's just Sam reacting to himself during the film's duration.
It's not often that I get to say a film met my expectations or satisfied me in every way, but Moon did just that. This is Sam Rockwell at his best. The film pulls you in as soon as the opening scene hits with Sam running on a treadmill and that familiar music from the trailer kicks in. My craving for an incredible and original sci-fi film for quite some time was met with this and it delivered in every aspect. It's definitely in the running for my favorite film of 2009.
Moon has been one of my most anticipated films of the year ever since I saw the trailer a few months ago. Everything about the trailer pulled me in. Sam Rockwell looked to put in an incredible performance, the score sounded incredibly solid and fit the film like a glove, and it just looked like a really amazing sci-fi film. Have you ever walked away from a film completely satisfied? That feeling you have when you see a film that just sticks with you as its most memorable moments play through your head and you smile a little as you walk to your car? That's the feeling that pulsed through me after seeing Moon. A feeling that I've only felt a handful of times (The Dark Knight, Benjamin Button, Up, and Moon come to mind).
Sam Rockwell is really in top form here. I've always wanted to like him, but had always seen him in films where it felt like he was holding back and not showing his full potential. Moon definitely corrected that as Rockwell is really able to portray his acting range and how wonderful he really is. When I saw 1408, the first thing that crossed my mind after it ended was that John Cusack really carried that film. It was just him alone in a hotel room the majority of the film and he was able to make that worth watching. What John Cusack is to 1408, Sam Rockwell is to Moon as it's just Sam reacting to himself during the film's duration.
It's not often that I get to say a film met my expectations or satisfied me in every way, but Moon did just that. This is Sam Rockwell at his best. The film pulls you in as soon as the opening scene hits with Sam running on a treadmill and that familiar music from the trailer kicks in. My craving for an incredible and original sci-fi film for quite some time was met with this and it delivered in every aspect. It's definitely in the running for my favorite film of 2009.
Darren (1599 KP) rated Freaks Of Nature (2015) in Movies
Nov 29, 2019
Verdict: Silly Sci-Fi Horror Comedy
Story: Freaks of Nature starts as we head to Dillford, where humans, vampires and zombies leave side by side, we follow three high school students, Dag (Braun) who doesn’t want to follow in his father’s footsteps, Petra (Davis) that has been crushing a vampire, hoping to get turned into one herself and Ned (Fadem) a school geek that is destiny for better things, but is tired of his parents dreams in his brother, deciding he wants to become a vampire.
When aliens arrive in the town, the vampires and zombies go on a feeding craze, where Dag, Petra and Ned, must stand together in an attempt to survive the alien invasion even if they are different species now, they must put these difference behind them to survive.
Thoughts on Freaks of Nature
Characters – Dag comes from a normal family that sees him being in the middle of the high school hierarchy, he gets picked on by the jocks and just wants to be something more, waiting for the day he can be with his dream girl. Petra is dreaming of a vampire party, which sees her getting turned into one, looking for a chance to learn about her new blood lust. She hasn’t always fitted in, which has never bothered her. Ned is the smartest kid in school, his parents are more interested in their jock son, which sees them ignoring him more often than not, making him want to become dumber like the zombies. We do meet a host of other characters that are different a mix of humans, vampires and zombies each with their own stigma.
Performances – Nicholas Braun, Mackenzie Davis and Josh Fadem in the leading roles do bring out the colourful side of their characters even if they fit the generic types for a high school movie. We do have some big name comic actors that get their moments to shine too.
Story – The story here follows three high school kids growing up in a world of humans, vampires and zombies when aliens visit causing chaos as the three unlikely friends must come together to save themselves and the town. This is meant to be more of a parody, more than a serious story, which for the most part is fine, it plays out like a zombie survival story when the outbreak just starts, finding a hiding place before figuring out what to do, while trying to deal with high school problems the three are facing. It isn’t as clever of a story as it thinks, which does leave parts of it feeling flat by the end.
Comedy/Horror/Sci-Fi – The comedy is meant to be more parody, which tries to poke fun at the invasion genre, while the horror is meant to be about the creatures in horror, rather than being scary in anyway, with the aliens being the sci-fi side of the film, which is the biggest threat, but not focused on enough.
Settings – The film is set in a small town which does bring the characters together through the problems they will be facing, how certain stories around town bring them together.
Scene of the Movie – Opening attack.
That Moment That Annoyed Me – Doesn’t get enough laughs for a comedy.
Final Thoughts – This is a comedy that just doesn’t get enough laughs and ends up feeling flat by the end of the film.
Overall: Flat Comedy.
Story: Freaks of Nature starts as we head to Dillford, where humans, vampires and zombies leave side by side, we follow three high school students, Dag (Braun) who doesn’t want to follow in his father’s footsteps, Petra (Davis) that has been crushing a vampire, hoping to get turned into one herself and Ned (Fadem) a school geek that is destiny for better things, but is tired of his parents dreams in his brother, deciding he wants to become a vampire.
When aliens arrive in the town, the vampires and zombies go on a feeding craze, where Dag, Petra and Ned, must stand together in an attempt to survive the alien invasion even if they are different species now, they must put these difference behind them to survive.
Thoughts on Freaks of Nature
Characters – Dag comes from a normal family that sees him being in the middle of the high school hierarchy, he gets picked on by the jocks and just wants to be something more, waiting for the day he can be with his dream girl. Petra is dreaming of a vampire party, which sees her getting turned into one, looking for a chance to learn about her new blood lust. She hasn’t always fitted in, which has never bothered her. Ned is the smartest kid in school, his parents are more interested in their jock son, which sees them ignoring him more often than not, making him want to become dumber like the zombies. We do meet a host of other characters that are different a mix of humans, vampires and zombies each with their own stigma.
Performances – Nicholas Braun, Mackenzie Davis and Josh Fadem in the leading roles do bring out the colourful side of their characters even if they fit the generic types for a high school movie. We do have some big name comic actors that get their moments to shine too.
Story – The story here follows three high school kids growing up in a world of humans, vampires and zombies when aliens visit causing chaos as the three unlikely friends must come together to save themselves and the town. This is meant to be more of a parody, more than a serious story, which for the most part is fine, it plays out like a zombie survival story when the outbreak just starts, finding a hiding place before figuring out what to do, while trying to deal with high school problems the three are facing. It isn’t as clever of a story as it thinks, which does leave parts of it feeling flat by the end.
Comedy/Horror/Sci-Fi – The comedy is meant to be more parody, which tries to poke fun at the invasion genre, while the horror is meant to be about the creatures in horror, rather than being scary in anyway, with the aliens being the sci-fi side of the film, which is the biggest threat, but not focused on enough.
Settings – The film is set in a small town which does bring the characters together through the problems they will be facing, how certain stories around town bring them together.
Scene of the Movie – Opening attack.
That Moment That Annoyed Me – Doesn’t get enough laughs for a comedy.
Final Thoughts – This is a comedy that just doesn’t get enough laughs and ends up feeling flat by the end of the film.
Overall: Flat Comedy.
Sophia (Bookwyrming Thoughts) (530 KP) rated Last of Her Name in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><em><strong>Last of Her Name</strong></em><strong> hits the ground running.</strong></h2>
Khoury's takes us on an adventure through the Belt of Jewels when the Direktor and the Union shows up on Stacia's planet and she is accused of being Princess Anya Leonova, a member of the royal family supposedly killed years ago by the Direktor. With the help of Pol, Stacia escapes from the home planet she's known throughout her life, leaving Clio behind with the others to be taken away.
<h2><strong>Friendships!</strong></h2>
I love the childhood friendship between Pol, Clio and Stacia told throughout the book with various memories as Stacia makes it her one mission to rescue Clio from the Direktor no matter what it takes among the chaos her life becomes. I enjoyed the backstory and learning more about them, and felt the memories were a great balance with the fast-paced action of the book in addition to being a driving force for Stacia.
While <em>Last of Her Name</em> primarily focuses on the strong friendship already developed in Stacia's childhood, Stacia and Pol create new friendships on the run as well. The two cross paths with Riyan shortly after escaping, a tensor from a distant planet who is also searching for someone he cares about. Although the three of them have a rough start, they develop a bond throughout the book.
<h2><strong>Identity!</strong></h2>
Stacia goes about her life normally until the Direktor shows up, forcing her to run away from all she knows. As she and Pol get chased across the galaxy, Stacia is trying to figure out who she <em>really</em> is as a person: is she Anya or is she Stacia? How can she accept a new part of herself without losing the self that she has always known about? In addition to figuring out who she is, Stacia is also battling her growing feelings for Pol, and those two are simply adorable as they circle around their feelings.
<s>This is why I have a soft spot for friends to lovers tropes I'm just saying.</s>
<h2><strong>Family and Community!</strong></h2>
There's not much I can say about family and community without giving spoilers away (can't have that!), but I really appreciated some of the gestures from Stacia's family and community. But there is so much different family drama, I would have had one too many popcorns if I could just watching the whole story unfold and come together. SO. MUCH. TEA. 🍵
<h2><b>Everything seemed a little too easy.</b></h2>
The only issue I had with this one is how everything seems a little too easy for Stacia and her companions. While there is a lot of tension throughout and much action, they get out of trouble with few hiccups. But overall, I enjoyed <em>Last of Her Name</em>. We've got royalty, family, friendship - all set in space with a rebellion.
<a href="http://bookwyrmingthoughts.com/last-of-her-name-by-jessica-khoury/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><em><strong>Last of Her Name</strong></em><strong> hits the ground running.</strong></h2>
Khoury's takes us on an adventure through the Belt of Jewels when the Direktor and the Union shows up on Stacia's planet and she is accused of being Princess Anya Leonova, a member of the royal family supposedly killed years ago by the Direktor. With the help of Pol, Stacia escapes from the home planet she's known throughout her life, leaving Clio behind with the others to be taken away.
<h2><strong>Friendships!</strong></h2>
I love the childhood friendship between Pol, Clio and Stacia told throughout the book with various memories as Stacia makes it her one mission to rescue Clio from the Direktor no matter what it takes among the chaos her life becomes. I enjoyed the backstory and learning more about them, and felt the memories were a great balance with the fast-paced action of the book in addition to being a driving force for Stacia.
While <em>Last of Her Name</em> primarily focuses on the strong friendship already developed in Stacia's childhood, Stacia and Pol create new friendships on the run as well. The two cross paths with Riyan shortly after escaping, a tensor from a distant planet who is also searching for someone he cares about. Although the three of them have a rough start, they develop a bond throughout the book.
<h2><strong>Identity!</strong></h2>
Stacia goes about her life normally until the Direktor shows up, forcing her to run away from all she knows. As she and Pol get chased across the galaxy, Stacia is trying to figure out who she <em>really</em> is as a person: is she Anya or is she Stacia? How can she accept a new part of herself without losing the self that she has always known about? In addition to figuring out who she is, Stacia is also battling her growing feelings for Pol, and those two are simply adorable as they circle around their feelings.
<s>This is why I have a soft spot for friends to lovers tropes I'm just saying.</s>
<h2><strong>Family and Community!</strong></h2>
There's not much I can say about family and community without giving spoilers away (can't have that!), but I really appreciated some of the gestures from Stacia's family and community. But there is so much different family drama, I would have had one too many popcorns if I could just watching the whole story unfold and come together. SO. MUCH. TEA. 🍵
<h2><b>Everything seemed a little too easy.</b></h2>
The only issue I had with this one is how everything seems a little too easy for Stacia and her companions. While there is a lot of tension throughout and much action, they get out of trouble with few hiccups. But overall, I enjoyed <em>Last of Her Name</em>. We've got royalty, family, friendship - all set in space with a rebellion.
<a href="http://bookwyrmingthoughts.com/last-of-her-name-by-jessica-khoury/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated Elysium (2013) in Movies
Mar 10, 2020
Neill Blomkamp came pretty much out of nowhere. Having only directed a handful of shorts he was handed $30m by Peter Jackson and told to make any film he wanted. That offer for any up and coming director would be as good as winning the lottery and he didn’t disappoint, making the dystopian District 9 which went on to become a smash hit.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
Gareth von Kallenbach (977 KP) rated Safe (2012) in Movies
Aug 7, 2019
I’ve returned with another movie review for y’all and it should certainly come as no surprise Whatsoever that my review covers the latest edition to Jason Statham’s growing resume of action Movies. After 3 delays for its U.S. release, “SAFE” has finally arrived.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
Justin Young recommended track Dancing Queen by ABBA in Gold: Greatest Hits by ABBA in Music (curated)
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BankofMarquis (1832 KP) rated The Menu (2022) in Movies
Nov 24, 2022
Puts the DARK in Dark Comedy
If a Film Comedy is Milk Chocolate and a Dark Comedy is Dark Chocolate, then the new film THE MENU (Directed by Mark Mylod - Game of Thrones) is the SPECIAL INTENSE (90%) Dark Chocolate of films.
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)