Search
Kristy H (1252 KP) rated Cut to the Bone in Books
Aug 6, 2020
I absolutely love the Sayer Altair series and book three didn't disappoint one bit. What is not to love about an incredibly intelligent kickass black FBI agent who takes no prisoners? While Sayer lost her FBI agent fiancé, Jake, several years ago--something she's still reeling from--she's now surrounded herself by her own makeshift family: Adi; her neighbor, Tino; and Ezra. And, of course, there's her witty and tough grandmother, Nana, who raised Sayer. Coming back to this crew as a reader feels like returning to family. Cooper excels at capturing each character's unique voice, and I'm so fond of them all. We even get an appearance from Sayer's former boss, Holt, who has been kicked out of the FBI in a scandal covered in the previous books.
The mystery plot here is a really wild but totally engaging case. There are lots of references to Egypt and plenty to keep you on your toes. It is a tense and suspenseful tale and Cooper throws in plenty of well-timed twists and turns. The story turns personal for Sayer, and I was certainly riveted. Cooper writes in a quick, fast-paced style that makes it easy to keep flipping the pages.
All the books in this series are dark, and this one is no exception. They are not especially for the faint of heart. A lot of death and gruesome descriptions. It is easy to see that Cooper, who has a Ph.D. in anthropology and worked as a murder investigator, knows her stuff. For me, the authenticity just makes the story pop off the pages even more.
This book ends with a total boom for Sayer, and I cannot wait for the next installment. As I said, I love this series and adore Sayer and her little family. If you haven't read the entire series, I recommend starting with book one, but this one will standalone, especially if you love a twisty and engaging thriller. 4+ stars.
The mystery plot here is a really wild but totally engaging case. There are lots of references to Egypt and plenty to keep you on your toes. It is a tense and suspenseful tale and Cooper throws in plenty of well-timed twists and turns. The story turns personal for Sayer, and I was certainly riveted. Cooper writes in a quick, fast-paced style that makes it easy to keep flipping the pages.
All the books in this series are dark, and this one is no exception. They are not especially for the faint of heart. A lot of death and gruesome descriptions. It is easy to see that Cooper, who has a Ph.D. in anthropology and worked as a murder investigator, knows her stuff. For me, the authenticity just makes the story pop off the pages even more.
This book ends with a total boom for Sayer, and I cannot wait for the next installment. As I said, I love this series and adore Sayer and her little family. If you haven't read the entire series, I recommend starting with book one, but this one will standalone, especially if you love a twisty and engaging thriller. 4+ stars.
Chasing Darkness
9.0
Rate It
Book
Elvis Cole is Back--In a Desperate Fight to Clear his Name... It's fire season, and the hills of...
Bonnie and Clyde: Dam Nation
Clark Hays and Kathleen McFall
Book
THE REDEMPTION OF BONNIE AND CLYDE Saving the working class from a river of greed. The year is...
series fiction alternative history Bonnie & Clyde Bonnie and Clyde
Merissa (12919 KP) rated Wait Until Dawn (Southern Spirits #4) in Books
Apr 19, 2023
So Wait Until Dawn is Rich's story. Like many, I assumed he would be getting together with Matt, but that obviously wasn't the case. What I love about Bailey Bradford's stories, is that she leads you one way before giving you a complete about-turn, but it completely works! Carlin is the perfect mate for Matt, and Chris - the gorgeous, pierced pacifist, who looks tough but is a teddy bear - is perfect for Rich.
Rich has been through hell and the start of this book reflects that. This is not for the faint-hearted as the torture that Rich has been living with is described in gruesome detail. Chris is the one person that refuses to take any c**p from Rich. Now, to be fair, this may well be because he is actually face-to-face with him. It is a lot easier to lie to people over the phone when they can't see you. I would have liked his friends to try to reach Rich on a more personal note over the past year, but then if they had, this story wouldn't have gone the way it did.
The ending for this one felt a bit rushed to me, with the actual fight to get McAllister and Trenton out of Rich glossed over. They have been fighting in his body throughout the whole story, causing him to contemplate suicide, but it's all over and done within a paragraph or two, but I still don't really know how.
Apart from that, I loved this book and am very happy now that Rich can start to heal. I did like how he and Matt sorted things out. Definitely recommended and a good, solid addition to this series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 26, 2015
Rich has been through hell and the start of this book reflects that. This is not for the faint-hearted as the torture that Rich has been living with is described in gruesome detail. Chris is the one person that refuses to take any c**p from Rich. Now, to be fair, this may well be because he is actually face-to-face with him. It is a lot easier to lie to people over the phone when they can't see you. I would have liked his friends to try to reach Rich on a more personal note over the past year, but then if they had, this story wouldn't have gone the way it did.
The ending for this one felt a bit rushed to me, with the actual fight to get McAllister and Trenton out of Rich glossed over. They have been fighting in his body throughout the whole story, causing him to contemplate suicide, but it's all over and done within a paragraph or two, but I still don't really know how.
Apart from that, I loved this book and am very happy now that Rich can start to heal. I did like how he and Matt sorted things out. Definitely recommended and a good, solid addition to this series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 26, 2015
Haley Mathiot (9 KP) rated Genocide of One: A Thriller in Books
Apr 27, 2018
Genocide of One completely blew my mind, multiple times. The plot twists just kept happening, new characters kept being introduced and then turning out to be totally different characters than I thought they’d be, and the adrenalin was pumping almost immediately. There were so many little things that became big later, so many details, so many connections, that I feel like if I read it again, it would be just as exciting, maybe more exciting the second time, because I might actually understand it on a deeper level. The ending was fulfilling but left opportunity and excitement. I definitely didn’t want it to end and I would read a sequel or another book by Takano in a heartbeat.
The book switches from one side of the world to the other every chapter. Initially I wasn’t sure how the two totally different stories were connected, but one connection at a time the two sides became one. There was a war thriller and a medical mystery happening at the same time and they were two different aspects of the same problem.
The hardest part of the book was the technical lingo and jargon in the medical chapters. I won’t say it was unnecessary because I’m not sure how else the author could have described the specifics of what went on, and being vague just wouldn’t have worked for this kind of story, but the jargon was a little hard to follow. I got won’t say I understand genetics now, but I do have a pretty good idea of what happened (medically speaking) in the story and I think it added to the book rather than taking away from it, so I’m okay with it.
The narration was excellent and not in any way distracting from the story. Joe Knezevich did an excellent job with all the different voices and accents, American and Japanese.
The bottom line is I loved this story and recommend it to anyone who likes thrillers or adventure stories. There was some violence during the war scenes, but it wasn’t gruesome or grotesque.
The book switches from one side of the world to the other every chapter. Initially I wasn’t sure how the two totally different stories were connected, but one connection at a time the two sides became one. There was a war thriller and a medical mystery happening at the same time and they were two different aspects of the same problem.
The hardest part of the book was the technical lingo and jargon in the medical chapters. I won’t say it was unnecessary because I’m not sure how else the author could have described the specifics of what went on, and being vague just wouldn’t have worked for this kind of story, but the jargon was a little hard to follow. I got won’t say I understand genetics now, but I do have a pretty good idea of what happened (medically speaking) in the story and I think it added to the book rather than taking away from it, so I’m okay with it.
The narration was excellent and not in any way distracting from the story. Joe Knezevich did an excellent job with all the different voices and accents, American and Japanese.
The bottom line is I loved this story and recommend it to anyone who likes thrillers or adventure stories. There was some violence during the war scenes, but it wasn’t gruesome or grotesque.
Haley Mathiot (9 KP) rated Blood Magic (The Blood Journals, #1) in Books
Apr 27, 2018
Books should capture you from the first page, right? They should cause you to want to read more and not be able to put it down. They should also have important interesting things happening in every scene.
This is the problem with Blood Magic. The very first chapter was interesting: beyond interesting. It felt like I'd opened up to the middle. It threw me into the story with no explanation, no development, and no mental preparation. Because I didn't know the character I was reading about, it felt out of place and I just didn't care. The excitement was gone: it could have been dramatic if it was in Chapter 7, but it wasn't, it was in Chapter 1. The pacing felt off.
Same with the romance between the two main characters: It was way too smooth, way to fast, and there was no chemistry. They kissed a lot, but there was no chemistry, because there wasn't enough time for the tension between them to build.
I felt like the story didn't really get started until halfway through the book. I kept wondering "what's the point of all this?" See, stuff was happening, but there was no real plot. A plot is the main point of the story, and events link together to form it. Blood Magic had lots of events, but they didn't start connecting until late, and by that time I was tired of lots of kissing and cutting and looking at each other with go-go eyes.
On the good side, I did like the female protagonist, Silla. Her personality and her character were fun, her responses and reactions were plausible. The blood magic she performs was intriguing, as all magic is to me, and I enjoyed reading about it (however gruesome cutting yourself to use your blood for magic potions is).
However I am terribly disappointed. I expected much more from a Randomhouse book. The concept of Blood Magic had so much potential… but I feel disappointed and annoyed after hitting the halfway point. And the thing about reading is, why read something disappointing when I could read something that will please me? So I'm moving on.
This is the problem with Blood Magic. The very first chapter was interesting: beyond interesting. It felt like I'd opened up to the middle. It threw me into the story with no explanation, no development, and no mental preparation. Because I didn't know the character I was reading about, it felt out of place and I just didn't care. The excitement was gone: it could have been dramatic if it was in Chapter 7, but it wasn't, it was in Chapter 1. The pacing felt off.
Same with the romance between the two main characters: It was way too smooth, way to fast, and there was no chemistry. They kissed a lot, but there was no chemistry, because there wasn't enough time for the tension between them to build.
I felt like the story didn't really get started until halfway through the book. I kept wondering "what's the point of all this?" See, stuff was happening, but there was no real plot. A plot is the main point of the story, and events link together to form it. Blood Magic had lots of events, but they didn't start connecting until late, and by that time I was tired of lots of kissing and cutting and looking at each other with go-go eyes.
On the good side, I did like the female protagonist, Silla. Her personality and her character were fun, her responses and reactions were plausible. The blood magic she performs was intriguing, as all magic is to me, and I enjoyed reading about it (however gruesome cutting yourself to use your blood for magic potions is).
However I am terribly disappointed. I expected much more from a Randomhouse book. The concept of Blood Magic had so much potential… but I feel disappointed and annoyed after hitting the halfway point. And the thing about reading is, why read something disappointing when I could read something that will please me? So I'm moving on.
Rachel King (13 KP) rated Darkest Mercy (Wicked Lovely, #5) in Books
Feb 11, 2019
The final book in the Wicked Lovely series, this book does a thorough job of wrapping up all of the sub-plots that were left hanging throughout the books. As with any decent book series, there were lots of what-ifs that I never got to see play out, but Marr's focus seemed to be on resolving the obstacles that blocked a number of romantic relationships within the series, such as Donia and Keenan's. Many of the main players made an appearance in the book, with quite a number of them exchanging point-of-view for the benefit of the reader. A few new characters were even introduced, such as the king of the water fey that Keenan sought out.
With the build-up to Aislinn deciding between Keenan and Seth in the previous books, her final decision seemed sort of anti-climactic, though I still liked her decision. I also really liked what followed, though I get the feeling that this series was more about female power, than a balance of power between male and female.
Reading about Niall's disconnection and madness was quite fascinating, though I believed for most of the book that it was for reasons other than what was revealed. I was quite thrilled when Leslie showed up, though her part seemed rather short and abrupt. Seth's part in the book also seemed stilted. For all his talk and potential, he is not allowed to do much due to poor circumstances, and I was really quite disappointed, as he has always been my favorite character in the series.
The final battle in the faery war was gruesome, but short and filled with more talk than necessary. The two faeries whose specialty was death seemed to have much potential for creating obstacles, but in the end they just seemed to have rather simple lives - even to the point of ignorance.
I actually would love for this series to continue, if only to focus more on the politics and power games, since this book seemed to be all about everyone's romantic happily ever after.
With the build-up to Aislinn deciding between Keenan and Seth in the previous books, her final decision seemed sort of anti-climactic, though I still liked her decision. I also really liked what followed, though I get the feeling that this series was more about female power, than a balance of power between male and female.
Reading about Niall's disconnection and madness was quite fascinating, though I believed for most of the book that it was for reasons other than what was revealed. I was quite thrilled when Leslie showed up, though her part seemed rather short and abrupt. Seth's part in the book also seemed stilted. For all his talk and potential, he is not allowed to do much due to poor circumstances, and I was really quite disappointed, as he has always been my favorite character in the series.
The final battle in the faery war was gruesome, but short and filled with more talk than necessary. The two faeries whose specialty was death seemed to have much potential for creating obstacles, but in the end they just seemed to have rather simple lives - even to the point of ignorance.
I actually would love for this series to continue, if only to focus more on the politics and power games, since this book seemed to be all about everyone's romantic happily ever after.
Phillip McSween (751 KP) rated Lords of Chaos (2018) in Movies
May 28, 2019
This Was a Miss For Me
Lords of Chaos is the tragic story of a teenager trying to bring Black Metal to Norway. Let’s get this out of the way now: The movie is a mess. I didn’t feel enriched after watching it in any shape, form, or fashion. Instead, I left with a very bad taste in my mouth and a desire to cut on a comedy after watching something so morbidly depressing.
Acting: 10
Beginning: 2
”What are you watching?” my wife asked from the other room. “Sounds awful!” She wasn’t wrong as the beginning attempts to explain all the W’s to the backdrop of hardcore, in-your-face metal. The music isn’t the problem, but I feel like they should have chosen one or the other: Either jump right into the metal music and set the tone or narrate the backstory first. Both made for a horrible mix.
Characters: 10
Cinematography/Visuals: 4
Conflict: 5
Genre: 3
Memorability: 4
Pace: 1
Show a gruesome suicide. Burn 100 churches. Stab a man in the woods. There was nothing that could be done to really get me interested in this movie. A lot of the film felt like shock value which diminished my interest in what was happening. My eyes spent more time running from what was happening than being engrossed in it. Pacing is one of the most important parts of a movie. You screw that up and it spells doom for the rest of the movie.
Plot: 7
Resolution: 3
One of the worst endings I’ve seen in movies. The worst part is you absolutely know it’s coming, but director Jonas Akerlund decides to make you sit through it anyway. After it was over, I felt like I had been skunked.
Overall: 49
There are some things that this movie did well. As you watch these characters go off the deep end, it definitely feels genuine and real. Unfortunately, for every one good thing I can name about Lords of Chaos, I can think of ten bad. This was a miss for me.
Acting: 10
Beginning: 2
”What are you watching?” my wife asked from the other room. “Sounds awful!” She wasn’t wrong as the beginning attempts to explain all the W’s to the backdrop of hardcore, in-your-face metal. The music isn’t the problem, but I feel like they should have chosen one or the other: Either jump right into the metal music and set the tone or narrate the backstory first. Both made for a horrible mix.
Characters: 10
Cinematography/Visuals: 4
Conflict: 5
Genre: 3
Memorability: 4
Pace: 1
Show a gruesome suicide. Burn 100 churches. Stab a man in the woods. There was nothing that could be done to really get me interested in this movie. A lot of the film felt like shock value which diminished my interest in what was happening. My eyes spent more time running from what was happening than being engrossed in it. Pacing is one of the most important parts of a movie. You screw that up and it spells doom for the rest of the movie.
Plot: 7
Resolution: 3
One of the worst endings I’ve seen in movies. The worst part is you absolutely know it’s coming, but director Jonas Akerlund decides to make you sit through it anyway. After it was over, I felt like I had been skunked.
Overall: 49
There are some things that this movie did well. As you watch these characters go off the deep end, it definitely feels genuine and real. Unfortunately, for every one good thing I can name about Lords of Chaos, I can think of ten bad. This was a miss for me.
Dana (24 KP) rated The Witch of Duva (Grisha Verse, #0.5) in Books
Mar 23, 2018
There will 100% be spoilers in this review, so read at your own caution.
Um. I did not see that ending coming. Not by a long shot.
Okay, Leigh Bardugo is a master wordsmith. This story was so creepy and foreboding, I just can't keep up with her. The writing style was kind of mystical and whimsical, but it a really dark way. I have no idea how she does it, but holy crap, she does it so freaking well!
I love how the ending was such a twist. I thought, in trying to "out-trick" Ms. Bardugo, that it was going to be Nadya who was the monster because that would be something weird, right? WRONG!! Wrong on every thought I had about that.
I did not see that her freaking father would be that weird!! Ugh. That was pretty gruesome to read, to be completely honest. There were only two points in this story that my stomach actually turned: when she got her freaking fingers chopped off and baked into a ginger-child and when her father ate the ginger-child and basically exploded all over the floor. Just thinking about it makes me shudder.
Bardugo loves drawing the attention one way then ripping the carped out from under everyone. Kinda like something Kaz would do. She's a trickster like that.
Again, with this story, Leigh Bardugo is creating a more immersive world that not only draws me in to the story more, but also creates a deeper world for the characters to live in. I could see a little Nina or Alina sitting by the fireplace being told these stories as little girls to keep them from being reckless. I just freaking love this so much.
If you haven't read the rest of her folk-tales, stop reading this review (it's almost over anyway) and go read them right now!!!
Lastly, I just want to say a big thank you to Leigh for writing these folk-tales. I have always loved any kind of folk-tale but coming from a world that I already love and know a lot about, this made me really happy!!
Um. I did not see that ending coming. Not by a long shot.
Okay, Leigh Bardugo is a master wordsmith. This story was so creepy and foreboding, I just can't keep up with her. The writing style was kind of mystical and whimsical, but it a really dark way. I have no idea how she does it, but holy crap, she does it so freaking well!
I love how the ending was such a twist. I thought, in trying to "out-trick" Ms. Bardugo, that it was going to be Nadya who was the monster because that would be something weird, right? WRONG!! Wrong on every thought I had about that.
I did not see that her freaking father would be that weird!! Ugh. That was pretty gruesome to read, to be completely honest. There were only two points in this story that my stomach actually turned: when she got her freaking fingers chopped off and baked into a ginger-child and when her father ate the ginger-child and basically exploded all over the floor. Just thinking about it makes me shudder.
Bardugo loves drawing the attention one way then ripping the carped out from under everyone. Kinda like something Kaz would do. She's a trickster like that.
Again, with this story, Leigh Bardugo is creating a more immersive world that not only draws me in to the story more, but also creates a deeper world for the characters to live in. I could see a little Nina or Alina sitting by the fireplace being told these stories as little girls to keep them from being reckless. I just freaking love this so much.
If you haven't read the rest of her folk-tales, stop reading this review (it's almost over anyway) and go read them right now!!!
Lastly, I just want to say a big thank you to Leigh for writing these folk-tales. I have always loved any kind of folk-tale but coming from a world that I already love and know a lot about, this made me really happy!!
Read my review here: https://bookbumzuky.wordpress.com/2017/01/23/the-spider-and-the-fly-by-claudia-rowe/
As you may have noticed from the other reviews, this book is <i>not</i> a retelling of a serial killer's crimes, how he did them, how he got away for so long, and eventually, how he got caught. This is much more about a (platonic) relationship between journalist and killer.
Rowe is a journalist who becomes <i>obsessed</i> with Kendall, a convicted convicted serial killer of eight women, and at times, reading about this deep fascination gets a little uncomfortable. Openly admitting that she feels a sense of importance and flattery at having so much on Kendalls attention seems pretty disgusting, but she then admits that she now knows these feelings were inappropriate and has come to realise that her obsession got the better of her.
I have to agree with other reviews, that this book is a little all over the place. Rowes writing is absolutely gorgeously put all the way through, its really poetic, its just that the structure is a bit off. Topics skip all over the place and it can sometimes be hard to grasp how one thing connects to the next.
In the end, I actually really enjoyed this novel even though it wasnt a classic true crime kinda novel. It was interesting seeing the correspondence between the two of them and getting the feel for how someone like Kendall works in a different way to us. Im not really interested to read all about the Attica riots, so that will be a new addition to my bookshelf soon, Im sure!
If you like going through a true crime novel finding out what the killer did in chronological order, what drove them to do it and some of the more gruesome details of their crimes, then this probably isnt the novel for you, but if you like something a little more personal and moving I would recommend giving this one a try.
Thanks to the publisher for sending me a free copy in exchange for a review!
As you may have noticed from the other reviews, this book is <i>not</i> a retelling of a serial killer's crimes, how he did them, how he got away for so long, and eventually, how he got caught. This is much more about a (platonic) relationship between journalist and killer.
Rowe is a journalist who becomes <i>obsessed</i> with Kendall, a convicted convicted serial killer of eight women, and at times, reading about this deep fascination gets a little uncomfortable. Openly admitting that she feels a sense of importance and flattery at having so much on Kendalls attention seems pretty disgusting, but she then admits that she now knows these feelings were inappropriate and has come to realise that her obsession got the better of her.
I have to agree with other reviews, that this book is a little all over the place. Rowes writing is absolutely gorgeously put all the way through, its really poetic, its just that the structure is a bit off. Topics skip all over the place and it can sometimes be hard to grasp how one thing connects to the next.
In the end, I actually really enjoyed this novel even though it wasnt a classic true crime kinda novel. It was interesting seeing the correspondence between the two of them and getting the feel for how someone like Kendall works in a different way to us. Im not really interested to read all about the Attica riots, so that will be a new addition to my bookshelf soon, Im sure!
If you like going through a true crime novel finding out what the killer did in chronological order, what drove them to do it and some of the more gruesome details of their crimes, then this probably isnt the novel for you, but if you like something a little more personal and moving I would recommend giving this one a try.
Thanks to the publisher for sending me a free copy in exchange for a review!