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Debbiereadsbook (1440 KP) rated Deadly Games (Dallas after Dark #2) in Books
Aug 3, 2018
kinda creeps up on ya!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in the Dallas After Dark series, but I have not read book one, Dangerous Games. I would like to, though. You don't NEED it, I don't think, I didn't feel I was missing anything by not having read it, but I would like to read Reese's story, she's the owner of the strip club here.
FBI Agent Katherine is out on a girls night out after her divorce in the male strip club, Dallas Heat. Nash is their star performer. Nash pulls Katherine (loved that it was not shortened, not once!) onto the stage, something he has NEVER done before. A night of passion follows but Katherine runs, knowing that it can only be that: one night. But Nash turns up at her office with information that might help find a serial killer. Together, they must catch this killer before one of Katherine's friends turns up dead, all the while with Katherine fighting their attraction. Nash, however, is already all in!
I really really enjoyed this book! Don't you just love being surprised by a book, but you've no particular idea why?? I *think* that it was probably Nash himself.
I must admit, I had preconceptions about a male stripper, and what he got up to with his customers. But Nash blew them all out the water. As did the fact that I, very wrongly, pegged Nash as all body and no brains! I've no idea WHY I thought that, but I did. And for that I'm truly sorry!
I liked the pace the story moved at, not too fast, at a fair and even pace so you can keep up. I DID get who the killer was, just as soon as they popped up in the story, but I did NOT get what they had done before! Loved watching the main play out, so many wrong turns!
It's not over explicit, but it is still incredibly sexy. It does get a little gruesome in the beginning, when it is describing a victim's suffering at the hands of the killer.
I do like the way Rock tells her tales, one to watch, me finks!
4 solid stars
**same worded review will appear elsewhere**
This is book two in the Dallas After Dark series, but I have not read book one, Dangerous Games. I would like to, though. You don't NEED it, I don't think, I didn't feel I was missing anything by not having read it, but I would like to read Reese's story, she's the owner of the strip club here.
FBI Agent Katherine is out on a girls night out after her divorce in the male strip club, Dallas Heat. Nash is their star performer. Nash pulls Katherine (loved that it was not shortened, not once!) onto the stage, something he has NEVER done before. A night of passion follows but Katherine runs, knowing that it can only be that: one night. But Nash turns up at her office with information that might help find a serial killer. Together, they must catch this killer before one of Katherine's friends turns up dead, all the while with Katherine fighting their attraction. Nash, however, is already all in!
I really really enjoyed this book! Don't you just love being surprised by a book, but you've no particular idea why?? I *think* that it was probably Nash himself.
I must admit, I had preconceptions about a male stripper, and what he got up to with his customers. But Nash blew them all out the water. As did the fact that I, very wrongly, pegged Nash as all body and no brains! I've no idea WHY I thought that, but I did. And for that I'm truly sorry!
I liked the pace the story moved at, not too fast, at a fair and even pace so you can keep up. I DID get who the killer was, just as soon as they popped up in the story, but I did NOT get what they had done before! Loved watching the main play out, so many wrong turns!
It's not over explicit, but it is still incredibly sexy. It does get a little gruesome in the beginning, when it is describing a victim's suffering at the hands of the killer.
I do like the way Rock tells her tales, one to watch, me finks!
4 solid stars
**same worded review will appear elsewhere**
Leigh J (71 KP) rated Doom Asylum (1987) in Movies
Nov 8, 2019
It's SO BAD... that it's actually quite good.
Contains spoilers, click to show
I honestly don't even know where to start with Doom Asylum. The dialogue is absolutely terrible and will leave you scratching your head (for example, a girl says to her Boyfriend "can I call you Mom?"... what?!), the acting is cringeworthy...I mean, it has to be bad if Kristin Davis (Sex in the City) is the best actor on the set and the Killer is confusing, to say the least.
Lemme tell you about the Plot... A couple get involved in a Car Accident and the woman in the accident subsequently dies, the man in the accident wakes up in the Morgue and, disfigured and in a rage of the untimely loss of his Partner, kills the 2 Morgue Assistants, who seem shockingly cavalier about their gruesome fate. However, it appears this Morgue is in an Asylum... not a Hospital. Why would you take a person injured in a Car crash to an Asylum? Why did they not check his pulse? I still have so many questions. Anyway, the Asylum is shut down, and 10 years later 2 groups of Teens decide to hang out and party there. One group being an all girl Punk band, the other being a small group of Friends... one of whom happens to be the daughter of the Woman who died in the Car accident 10 years before. The Killer sees that she looks just like the late love of his life, and he'll chop through anyone, and everyone, to get to her.
Honestly, this Movie is an acquired taste. Only for the die hard old school Horror fans, and they might even scoff at the idea of this 79 minute atrocity. I definitely left this Movie with an expression of dismay on my face... but something did keep me watching it until the end. I don't honestly know what, all I can say is that it was such a trainwreck that I couldn't look away, but this Movie is so bad that it's actually a little bit good. I will just never watch it again for a few years (hopefully) and will never admit to liking it in public. Only for the Horror fans who like a bit (okay, a lot) of cringe with their Gore.
Lemme tell you about the Plot... A couple get involved in a Car Accident and the woman in the accident subsequently dies, the man in the accident wakes up in the Morgue and, disfigured and in a rage of the untimely loss of his Partner, kills the 2 Morgue Assistants, who seem shockingly cavalier about their gruesome fate. However, it appears this Morgue is in an Asylum... not a Hospital. Why would you take a person injured in a Car crash to an Asylum? Why did they not check his pulse? I still have so many questions. Anyway, the Asylum is shut down, and 10 years later 2 groups of Teens decide to hang out and party there. One group being an all girl Punk band, the other being a small group of Friends... one of whom happens to be the daughter of the Woman who died in the Car accident 10 years before. The Killer sees that she looks just like the late love of his life, and he'll chop through anyone, and everyone, to get to her.
Honestly, this Movie is an acquired taste. Only for the die hard old school Horror fans, and they might even scoff at the idea of this 79 minute atrocity. I definitely left this Movie with an expression of dismay on my face... but something did keep me watching it until the end. I don't honestly know what, all I can say is that it was such a trainwreck that I couldn't look away, but this Movie is so bad that it's actually a little bit good. I will just never watch it again for a few years (hopefully) and will never admit to liking it in public. Only for the Horror fans who like a bit (okay, a lot) of cringe with their Gore.
Phil Leader (619 KP) rated The Rembrandt Secret in Books
Nov 25, 2019
The Rembrandt Secret is a thriller set in the closed and secretive art world. Set during a recession when many dealers and galleries are struggling, the gruesome murder of respected gallery owner Owen Ziegler threatens to reveal a secret that could rock the art world to its foundations.
As a thriller this book works really well; the secret itself (unsurprisingly involving the Dutch Old Master Rembrandt) is revealed fairly early on which means the book can concentrate on what it does best - instilling a sense of paranoia in both the hero (Owen's son Marshall) and the reader trying to work out who the murderer is.
The world of art is also a good choice for this kind of taut thriller; since everyone is trying to find that one previously unacknowledged masterpiece worth millions before their neighbour does nobody trusts anyone else. Marshill did not follow his father into the world of art and so is viewed with even more distrust.
A whole cast of eccentric characters appear, some of which could have a motive, most of them hiding some sort of underhand connection to the victim. As Marshal tries to make sense not only of his father's death but of the strange circles he moved in the secrets come to light one by one - and the body count rises. Someone is eliminating everyone who knows the Rembrandt Secret, including Marshall.
Although I know next to nothing about how the art world works (and I am assuming the portrayal is broadly accurate) it didn't lessen my enjoyment of the book. The plot is not filled with action by any means but instead is driven by the characters, every conversation feeling like the participants are carefully navigating their way thought it trying to gain advantage from the other. I did guess the 'who' in the whodunnit around half way through but it was more of an educated guess than anything concrete so was still fairly suprised when I was proved correct.
There is a lot of conversation about art which didn't interest me much but did add flavour and texture to the book, but it did get a little frustrating sometimes when it didn't have any bearing on moving the plot forward.
Overall I enjoyed this a lot and if I see another of Connor's books I will pick it up and no doubt enjoy reading that too.
As a thriller this book works really well; the secret itself (unsurprisingly involving the Dutch Old Master Rembrandt) is revealed fairly early on which means the book can concentrate on what it does best - instilling a sense of paranoia in both the hero (Owen's son Marshall) and the reader trying to work out who the murderer is.
The world of art is also a good choice for this kind of taut thriller; since everyone is trying to find that one previously unacknowledged masterpiece worth millions before their neighbour does nobody trusts anyone else. Marshill did not follow his father into the world of art and so is viewed with even more distrust.
A whole cast of eccentric characters appear, some of which could have a motive, most of them hiding some sort of underhand connection to the victim. As Marshal tries to make sense not only of his father's death but of the strange circles he moved in the secrets come to light one by one - and the body count rises. Someone is eliminating everyone who knows the Rembrandt Secret, including Marshall.
Although I know next to nothing about how the art world works (and I am assuming the portrayal is broadly accurate) it didn't lessen my enjoyment of the book. The plot is not filled with action by any means but instead is driven by the characters, every conversation feeling like the participants are carefully navigating their way thought it trying to gain advantage from the other. I did guess the 'who' in the whodunnit around half way through but it was more of an educated guess than anything concrete so was still fairly suprised when I was proved correct.
There is a lot of conversation about art which didn't interest me much but did add flavour and texture to the book, but it did get a little frustrating sometimes when it didn't have any bearing on moving the plot forward.
Overall I enjoyed this a lot and if I see another of Connor's books I will pick it up and no doubt enjoy reading that too.
LeftSideCut (3776 KP) rated American Horror Story - Season 6 in TV
Jan 16, 2020
Season 6 of AHS, subtitled Roanoke, may very well be my favourite season to date, if not it comes a very close second to Asylum.
The thing that really stands out for me is the pacing. It's pretty much perfect. The first half of Roanoke takes place in the form of a documentary, called My Roanoke Nightmare, where a young couple who moved into a run down house, recount their horrific experience of the spirits that haunted the ground, and endangered their lives. The documentary has a dramatisation of the events alongside the interviews, which effectively has the same AHS characters being played by two different people.
The build up is slow burning and hugely entertaining, as we know that these characters survive the ordeal, as they are involved in the documentary, so we can enjoy the ride without worrying about their fates.
In true AHS style though, the second half of the season takes place a few years after the documentary, and Roanoke truly kicks off in an epic fashion.
It's hard to properly describe the narrative, and it's really best experienced yourself. It's clever television.
The style of Roanoke is quite subtle, and gives the season a sort of old fashioned sense. It also experiments here and there with 'found footage', lending AHS a Blair Witch-esque edge.
All of the cast are once again great. Kathy Bates is a highlight, both her roles during the documentary, and after. Series regulars like Evan Peters, Angela Bassett and Lily Rabe are present and enjoyable, and it's awesome to see Cuba Gooding Jr. involved as well.
However this time around, AHS belongs to Sarah Paulson, who I thought really excelled during Roanoke, and Adina Porter, who gave the season it's more emotional moments. I think she's a fantastic actress, and was also a standout in her limited screentime during True Blood.
The gore and violence in Roanoke is probably at it's most visceral as far as AHS goes. There are some effectively gruesome moments littered throughout, and it's all looked like practical effects to me, which is how it should be! There are some really creepy shots as well, especially at the tail end of the season.
Roanoke is damn good. I'll be pleasantly surprised if AHS ever surpasses it.
The thing that really stands out for me is the pacing. It's pretty much perfect. The first half of Roanoke takes place in the form of a documentary, called My Roanoke Nightmare, where a young couple who moved into a run down house, recount their horrific experience of the spirits that haunted the ground, and endangered their lives. The documentary has a dramatisation of the events alongside the interviews, which effectively has the same AHS characters being played by two different people.
The build up is slow burning and hugely entertaining, as we know that these characters survive the ordeal, as they are involved in the documentary, so we can enjoy the ride without worrying about their fates.
In true AHS style though, the second half of the season takes place a few years after the documentary, and Roanoke truly kicks off in an epic fashion.
It's hard to properly describe the narrative, and it's really best experienced yourself. It's clever television.
The style of Roanoke is quite subtle, and gives the season a sort of old fashioned sense. It also experiments here and there with 'found footage', lending AHS a Blair Witch-esque edge.
All of the cast are once again great. Kathy Bates is a highlight, both her roles during the documentary, and after. Series regulars like Evan Peters, Angela Bassett and Lily Rabe are present and enjoyable, and it's awesome to see Cuba Gooding Jr. involved as well.
However this time around, AHS belongs to Sarah Paulson, who I thought really excelled during Roanoke, and Adina Porter, who gave the season it's more emotional moments. I think she's a fantastic actress, and was also a standout in her limited screentime during True Blood.
The gore and violence in Roanoke is probably at it's most visceral as far as AHS goes. There are some effectively gruesome moments littered throughout, and it's all looked like practical effects to me, which is how it should be! There are some really creepy shots as well, especially at the tail end of the season.
Roanoke is damn good. I'll be pleasantly surprised if AHS ever surpasses it.
LeftSideCut (3776 KP) rated Pride and Prejudice and Zombies (2016) in Movies
Jan 30, 2020 (Updated Jan 30, 2020)
Pride and Prejudice. Zombies. That's it pretty much!
The book was released a fair while back now, and it's a shame that a film adaption took so long to materialise - by 2016, countless 'quirky' zombie movies in a similar vain had saturated the market, and what we're presented with is a film that tries reasonably hard to be something 'out there' but ultimately feels uninspired.
The main issue I found with PPZ was the actual zombie side of things! The zombies themselves looked great, the make up used is gruesome and effective, but the scenes of horror are seldom, and just quite boring. The final act sees a massive horde introduced into the narrative, but said horde probably gets less than two minutes screen time.
The actual Pride and Prejudice side of things felt way more fun.
The cast is pretty strong, even if a few of the characters are insufferable. Lily James is a great lead as Elizabeth Bennet. Her and her sisters make for a strong band of kick-ass zombie slayers. Sam Riley as Mr. Darcy took a (really) long time to win me over, but I actually ended up enjoying him as well.
Lena Headey is entertaining as a badass eyepatched version of Lady Catherine, and it's clear in moments like this that PPZ is just a bit of fun horror comedy fluff that shouldn't be taken too seriously.
The undisputed highlight of the cast is Matt Smith though. His comedic timing is on point and got a few genuine laughs out of me.
Another thing I found frustrating is the story that we weren't being told...the film opens with an animated story book style flashback of how the zombie apocalypse came to be, and what happened in the ensuing chaos. Even the soothing tones of Charles Dance can't distract me from the fact that this exposition dump sounds like a far more interesting story!
Couple that with the fact that we only get glimpses in the distance of a zombie infested flaming London completely surrounded by a massive concrete wall, and you can't help but feel that the film is a bit of a missed opportunity.
Oh well - here's hoping we get a Sense and Sensibility and Sea Monsters adaption somewhere down the line!
The book was released a fair while back now, and it's a shame that a film adaption took so long to materialise - by 2016, countless 'quirky' zombie movies in a similar vain had saturated the market, and what we're presented with is a film that tries reasonably hard to be something 'out there' but ultimately feels uninspired.
The main issue I found with PPZ was the actual zombie side of things! The zombies themselves looked great, the make up used is gruesome and effective, but the scenes of horror are seldom, and just quite boring. The final act sees a massive horde introduced into the narrative, but said horde probably gets less than two minutes screen time.
The actual Pride and Prejudice side of things felt way more fun.
The cast is pretty strong, even if a few of the characters are insufferable. Lily James is a great lead as Elizabeth Bennet. Her and her sisters make for a strong band of kick-ass zombie slayers. Sam Riley as Mr. Darcy took a (really) long time to win me over, but I actually ended up enjoying him as well.
Lena Headey is entertaining as a badass eyepatched version of Lady Catherine, and it's clear in moments like this that PPZ is just a bit of fun horror comedy fluff that shouldn't be taken too seriously.
The undisputed highlight of the cast is Matt Smith though. His comedic timing is on point and got a few genuine laughs out of me.
Another thing I found frustrating is the story that we weren't being told...the film opens with an animated story book style flashback of how the zombie apocalypse came to be, and what happened in the ensuing chaos. Even the soothing tones of Charles Dance can't distract me from the fact that this exposition dump sounds like a far more interesting story!
Couple that with the fact that we only get glimpses in the distance of a zombie infested flaming London completely surrounded by a massive concrete wall, and you can't help but feel that the film is a bit of a missed opportunity.
Oh well - here's hoping we get a Sense and Sensibility and Sea Monsters adaption somewhere down the line!
The Tartan Turban: In Search of Alexander Gardner
Book
'Among the many gripping tales of travel and exploration the tale of Alexander Gardner is surely one...
history
Kristy H (1252 KP) rated Imperfect Women in Books
Sep 17, 2020
An engaging and suspenseful look into the power of secrets
Eleanor, Nancy, and Mary have been best friends since they met at Oxford. But then Nancy is murdered, leaving behind an adoring husband and a daughter. Her life, from the outside, was seemingly perfect. But Eleanor knows that the night Nancy died, she was going to meet her lover, hoping to break it off. And as the investigation into Nancy's death continues, both Eleanor and Mary struggle with their grief, the memories they have of their friend, and what her death means for those left behind.
"Eleanor felt a jolt of terror pass through her as she realized that everything about Nancy's death was worse than any other death anywhere. They would all suffer, and nothing would ever be the same again."
This was a truly fascinating book: it's part character-driven mystery and part insightful look at the role of women in society. It's told from the point of view of the three friends, but not the usual quick back and forth: we get large chunks of the story told from one woman at a time. Truths unfold slowly, as we learn bits and pieces about Eleanor, Nancy, and Mary--from themselves and each other.
The focal point of the story is Nancy's rather gruesome murder, but Hall fills her tale with thoughts and ruminations on women and how they are seen in society--and how they feel they are perceived. In some ways, it felt like a bunch broad generalizations applied to women, yet as I read, I found that most of them really rang true. I was furiously highlighting passages, nodding my head yes!
At times, it was hard to see where this book was going. Murder? Deep thoughts? It certainly straddled the line on both. In terms of Nancy's murder, I had a good chunk figured out early on, but the story certainly kept me engaged, reading and wondering if I was right. All three flawed (imperfect, indeed) women were interesting in their own way, and I liked each woman's section. I found this to be a very well-written book, but it's not a snappy thriller.
If you want a fast whodunit, this isn't for you. But if you want a well-done and thoughtful read, I recommend Hall's latest. It's a suspenseful and insightful look at love, marriage, and friendship. 4 stars.
"Eleanor felt a jolt of terror pass through her as she realized that everything about Nancy's death was worse than any other death anywhere. They would all suffer, and nothing would ever be the same again."
This was a truly fascinating book: it's part character-driven mystery and part insightful look at the role of women in society. It's told from the point of view of the three friends, but not the usual quick back and forth: we get large chunks of the story told from one woman at a time. Truths unfold slowly, as we learn bits and pieces about Eleanor, Nancy, and Mary--from themselves and each other.
The focal point of the story is Nancy's rather gruesome murder, but Hall fills her tale with thoughts and ruminations on women and how they are seen in society--and how they feel they are perceived. In some ways, it felt like a bunch broad generalizations applied to women, yet as I read, I found that most of them really rang true. I was furiously highlighting passages, nodding my head yes!
At times, it was hard to see where this book was going. Murder? Deep thoughts? It certainly straddled the line on both. In terms of Nancy's murder, I had a good chunk figured out early on, but the story certainly kept me engaged, reading and wondering if I was right. All three flawed (imperfect, indeed) women were interesting in their own way, and I liked each woman's section. I found this to be a very well-written book, but it's not a snappy thriller.
If you want a fast whodunit, this isn't for you. But if you want a well-done and thoughtful read, I recommend Hall's latest. It's a suspenseful and insightful look at love, marriage, and friendship. 4 stars.
A Stain in the Blood: The Remarkable Voyage of Sir Kenelm Digby
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SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE FOR BIOGRAPHY and THE ELIZABETH LONGFORD PRIZE FOR...
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JOIN THE MINI NINJAS – THE SMALLEST HEROES TAKING ON THE BIGGEST DANGERS Mini Ninjas is the...
The Bleikovat Event
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Among the close-kin clans of western farms and gelf ranches of Malfesian Murians times are good....