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Gareth von Kallenbach (977 KP) rated Jason X (2001) in Movies
Aug 14, 2019
Just when you thought it was safe to return to the local theater, along comes “Jason X”, the tenth installment of the popular Friday the 13th series. Having grown tired of the summer camp settings of the majority of the series the creators set recent installments in New York City as well as played with the formula by having Jason possess people as was shown in the last two films of the series.
This is a new era and this time Jason is back to his old tricks in an entirely new setting. After being cryogenically frozen in 2010, Jason and a female scientist are discovered by a student survey team and revived in the year 2455 where Earth has become uninhabitable. Warnings about Jason and his ability to regenerate from any injury are unheeded as the lure of big money is motivating the group’s leader Professor Lowe (Johnathan Potts) rather than the safety of the students and crew of the ship. Before long, Jason is up to his old tricks increasing his body count as he unleashes new and gruesome ways to dispatch the crew.
Being a horror film, the plot is secondary to the action and director James Isaac does not let the film get overly serious and even pokes fun at itself and the series. There are a number of lines and situations where the audience could ask if the characters could be any dumber, however in an interesting twist, these sort of situations as well as others are setup and carried off with intentional comedic results that had the audience laughing and thus providing a nice break from the scares and gore.
The cast is made up of largely unknowns and they are about as forgettable as the movie as they exist to be little more than fodder for Jason. I found it interesting to note that by the year 2455, students are still as ditzy as they are portrayed in 2002, and have libidos that make the 1984 LA Lakers look like a Vestal Virgin convention. That being said, “Jason X” is a standard horror film that has a few twists for the audience. Although you will have seen all of this before, the space setting and the humor helps make the film stand out from some of the stale installments of the series, but the lack of a story and character development keeps this film from being a true Horror classis. My advice, if you are a fan of the series gather your friends and wait for the video.
This is a new era and this time Jason is back to his old tricks in an entirely new setting. After being cryogenically frozen in 2010, Jason and a female scientist are discovered by a student survey team and revived in the year 2455 where Earth has become uninhabitable. Warnings about Jason and his ability to regenerate from any injury are unheeded as the lure of big money is motivating the group’s leader Professor Lowe (Johnathan Potts) rather than the safety of the students and crew of the ship. Before long, Jason is up to his old tricks increasing his body count as he unleashes new and gruesome ways to dispatch the crew.
Being a horror film, the plot is secondary to the action and director James Isaac does not let the film get overly serious and even pokes fun at itself and the series. There are a number of lines and situations where the audience could ask if the characters could be any dumber, however in an interesting twist, these sort of situations as well as others are setup and carried off with intentional comedic results that had the audience laughing and thus providing a nice break from the scares and gore.
The cast is made up of largely unknowns and they are about as forgettable as the movie as they exist to be little more than fodder for Jason. I found it interesting to note that by the year 2455, students are still as ditzy as they are portrayed in 2002, and have libidos that make the 1984 LA Lakers look like a Vestal Virgin convention. That being said, “Jason X” is a standard horror film that has a few twists for the audience. Although you will have seen all of this before, the space setting and the humor helps make the film stand out from some of the stale installments of the series, but the lack of a story and character development keeps this film from being a true Horror classis. My advice, if you are a fan of the series gather your friends and wait for the video.
Phillip McSween (751 KP) rated Europa Europa (1992) in Movies
Nov 5, 2019
A Steady Boil That Produces a Successful Stew
A Jewish boy tries to survive the holocaust by pretending he is a German soldier.
Acting: 10
This movie can’t be found in many places. In fact, I had to watch the full version on Youtube, something I typically hate to do. We can get into supporting art later. The point I’m trying to make is, I didn’t really know many of these actors, but I was captivated by a lot of their performances, especially the main actor Marco Hofschneider playing the role of Solomon the Jewish boy trying to survive. He captures such a wave of emotions, sometimes in the same scene and you can feel him throughout his entire journey. Before the end of it, his character seemingly feels like a friend that you want to reach out to and help. It wasn’t hard to connect with the characters here.
Beginning: 10
We learn early on why Solomon ends up having to become a German. Essentially everything around him is destroyed and we get to see that in the first ten minutes of the movie. There were a couple of hard scenes involving explosions that really leant themselves to the reality of the movie as a whole.
Characters: 10
Cinematography/Visuals: 10
There is a heartbreaking scene towards the beginning of the movie where men are trying to escape the gruesome war by boat. One of the men jumps back into the ocean as he decides it would be better to go back to the fate they were trying to escape. It’s a scene shot so well in such a bleak fashion of hopelessness as you see throughout the movie.
Conflict: 10
Entertainment Value: 10
Keeps you engaged from beginning to end. Just about everything a movie should be. This action-drama war mix definitely does not disappoint.
Memorability: 8
Pace: 8
Just over an hour in, things start to slow down a taste and you feel the conflict starting to fade. Fortunately it doesn’t take too long for the pace to pick right back up. There is a lingering intensity here from the threat of Solomon being uncovered that keeps the movie at a steady boil.
Plot: 10
Resolution: 10
Overall: 96
I honestly had no idea I would like Europa Europa as much as I did, but was pleasantly surprised. It’s not only thought-provoking but it tugs at your heartstrings while giving you a unique look at a dark time. A highly recommended classic.
Acting: 10
This movie can’t be found in many places. In fact, I had to watch the full version on Youtube, something I typically hate to do. We can get into supporting art later. The point I’m trying to make is, I didn’t really know many of these actors, but I was captivated by a lot of their performances, especially the main actor Marco Hofschneider playing the role of Solomon the Jewish boy trying to survive. He captures such a wave of emotions, sometimes in the same scene and you can feel him throughout his entire journey. Before the end of it, his character seemingly feels like a friend that you want to reach out to and help. It wasn’t hard to connect with the characters here.
Beginning: 10
We learn early on why Solomon ends up having to become a German. Essentially everything around him is destroyed and we get to see that in the first ten minutes of the movie. There were a couple of hard scenes involving explosions that really leant themselves to the reality of the movie as a whole.
Characters: 10
Cinematography/Visuals: 10
There is a heartbreaking scene towards the beginning of the movie where men are trying to escape the gruesome war by boat. One of the men jumps back into the ocean as he decides it would be better to go back to the fate they were trying to escape. It’s a scene shot so well in such a bleak fashion of hopelessness as you see throughout the movie.
Conflict: 10
Entertainment Value: 10
Keeps you engaged from beginning to end. Just about everything a movie should be. This action-drama war mix definitely does not disappoint.
Memorability: 8
Pace: 8
Just over an hour in, things start to slow down a taste and you feel the conflict starting to fade. Fortunately it doesn’t take too long for the pace to pick right back up. There is a lingering intensity here from the threat of Solomon being uncovered that keeps the movie at a steady boil.
Plot: 10
Resolution: 10
Overall: 96
I honestly had no idea I would like Europa Europa as much as I did, but was pleasantly surprised. It’s not only thought-provoking but it tugs at your heartstrings while giving you a unique look at a dark time. A highly recommended classic.
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Kristy H (1252 KP) rated The Family Plot in Books
Sep 16, 2021
Dahlia Lighthouse and her siblings were all named after various people murdered by serial killers. Her parents are obsessed by true crime, and the children were raised in an isolated island home known as the "Murder Mansion" to the locals. Each sibling left when they received their inheritance, except for Dahlia's twin brother, Andy, who disappeared when they were sixteen. Dahlia's been gone from home for seven years when she reluctantly returns after her father's death. Once home, the family receives some terrible news; someone is already buried in their father's plot: Andy, his skull split with an ax. As Dahlia tries to work through her grief over Andy and attempt to figure out what happened to him, she begins to realize that it may trace back to her island home and her family.
"I have to find out what happened to Andy. Then I have to leave this place for good."
This is a dark thriller that will appeal to true crime fans. The Lighthouse family embodies true crime--home schooled, the kids write reports on various serial killer victims and they perform rituals related to their deaths. The obsession with death and murder runs deep, and it's certainly unsettling at first. Dahlia's mother lost her own parents in a gruesome way, and it's definitely apparent that this family isn't quite right.
The first half of this book was really fascinating for me. Weird yes, but oddly interesting as you get to know this messed up family and all their dark secrets. Dahlia seems like a sister grieving the loss of her twin brother, and you find yourself wanting to know what happened to him. There's certainly a limited pool of suspects (small island) but the book keeps you guessing.
The second half did not seem as strong as the first. The weirdness factor ratchets up to almost unbelievable. Dahlia's older siblings are annoying and too much. The limited pool of subjects becomes almost cloying, suddenly making things seem too obvious as the plot thickens and become a bit too bizarre. Things get incredibly grim at times.
Still, while this is a strange read, overall it's a page-turner and something kept me reading. It's like a trainwreck from which you cannot look away. Collins definitely includes some good points about the bonds of family and people's obsession with crime and murder. 3.5 stars.
I received a copy of this book from Atria Books and Netgalley in return for an unbiased review.
"I have to find out what happened to Andy. Then I have to leave this place for good."
This is a dark thriller that will appeal to true crime fans. The Lighthouse family embodies true crime--home schooled, the kids write reports on various serial killer victims and they perform rituals related to their deaths. The obsession with death and murder runs deep, and it's certainly unsettling at first. Dahlia's mother lost her own parents in a gruesome way, and it's definitely apparent that this family isn't quite right.
The first half of this book was really fascinating for me. Weird yes, but oddly interesting as you get to know this messed up family and all their dark secrets. Dahlia seems like a sister grieving the loss of her twin brother, and you find yourself wanting to know what happened to him. There's certainly a limited pool of suspects (small island) but the book keeps you guessing.
The second half did not seem as strong as the first. The weirdness factor ratchets up to almost unbelievable. Dahlia's older siblings are annoying and too much. The limited pool of subjects becomes almost cloying, suddenly making things seem too obvious as the plot thickens and become a bit too bizarre. Things get incredibly grim at times.
Still, while this is a strange read, overall it's a page-turner and something kept me reading. It's like a trainwreck from which you cannot look away. Collins definitely includes some good points about the bonds of family and people's obsession with crime and murder. 3.5 stars.
I received a copy of this book from Atria Books and Netgalley in return for an unbiased review.
Gareth von Kallenbach (977 KP) rated End of Watch (2012) in Movies
Aug 7, 2019
Director/Writer David Ayer (Street Kings, Training day) once again takes us into the world of the Los Angeles police department in the new movie End of Watch. Only this time rather than go in the corrupt police officer direction he has gone before, Ayer instead takes audiences on a honest and somewhat realistic emotionally charged ride along with two young and confident LAPD patrolmen.
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
Kristy H (1252 KP) rated The Last Thing I Told You in Books
Mar 10, 2019
Different but enjoyable thriller
Dr. Mark Fabian is dead--found murdered in his office. Left behind is his former patient, Nadine, who continues to talk to Dr. Fabian in her mind, telling him about her life in the many years since she saw the doctor. Back then, she was a troubled teen, ostracized for a gruesome act while in high school. Investigating Dr. Fabian's murder is Henry Peacher, a detective most known in town for stopping a deadly shooting at a posh retirement community before the death count went any higher. Before Dr. Fabian died, he pulled two files from his archives: those of Nadine's and Johnny Streeter, the man responsible for the killing at the retirement home. Henry is left to puzzle through what this all means--for instance, what did Nadine and Dr. Fabian discuss when she returned to town a mere two days before his death? Is there a connection between Nadine and Johnny? And what led to the brutal killing of this doctor?
Well, this was a different sort of psychological thriller. It wasn't quite what I was expecting, but one of my favorite things about it was that it was different, even if it favored the varying point-of-view aspect that is quite popular these days. The narration flips between Nadine and Henry, and because both are often telling stories that go back in time, it can vary in time periods as well. It takes a little getting used to, but it's also quite compelling. I read the book in a day while on vacation, finding it to be quite suspenseful and intriguing.
For me, the main draw to this one was the characters. Nadine is nuanced, complicated, and imperfect, but the real star was Henry. I enjoyed the book the most due to him. He's hard to describe, but he too is multi-faceted and flawed. He's a father to spirited twin girls (only a year older than mine), and I felt drawn to him immediately. Nadine and Henry are both different on the surface but each searching for things in a similar way--again, I was very impressed with their characterization. So much of the book takes place in and is shaped by the small town in which the characters live, and it's all quite well-done.
I don't want to go into much more to spoil the plot, as it does keep you guessing. A lot of what happened surprised me, which I always enjoy (doesn't often happen in a thriller). Overall, this one was different but enjoyable, buoyed by its strong characters and complex plot.
I received a copy of this novel from the publisher and Edelweiss/Librarything in return for an unbiased review (thank you!).
Well, this was a different sort of psychological thriller. It wasn't quite what I was expecting, but one of my favorite things about it was that it was different, even if it favored the varying point-of-view aspect that is quite popular these days. The narration flips between Nadine and Henry, and because both are often telling stories that go back in time, it can vary in time periods as well. It takes a little getting used to, but it's also quite compelling. I read the book in a day while on vacation, finding it to be quite suspenseful and intriguing.
For me, the main draw to this one was the characters. Nadine is nuanced, complicated, and imperfect, but the real star was Henry. I enjoyed the book the most due to him. He's hard to describe, but he too is multi-faceted and flawed. He's a father to spirited twin girls (only a year older than mine), and I felt drawn to him immediately. Nadine and Henry are both different on the surface but each searching for things in a similar way--again, I was very impressed with their characterization. So much of the book takes place in and is shaped by the small town in which the characters live, and it's all quite well-done.
I don't want to go into much more to spoil the plot, as it does keep you guessing. A lot of what happened surprised me, which I always enjoy (doesn't often happen in a thriller). Overall, this one was different but enjoyable, buoyed by its strong characters and complex plot.
I received a copy of this novel from the publisher and Edelweiss/Librarything in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated Inherit the Bones (Detective Gemma Monroe, #1) in Books
Feb 13, 2018
Gemma Monroe is a police detective in a small town nestled in the mountains of Colorado. Early in her career, while skiing, Gemma found the long-buried bodies of two young boys who disappeared in the mid-1980s. The boys were murdered; their killer never found; and their disappearance and the subsequent crime has haunted the town. Now, in the present day, Gemma is called upon to investigate the gruesome murder of a teenage circus worker who was part of a circus traveling through town. Soon though, Gemma will come to realize that this murder is connected to the disappearance of the boys. She'll uncover a dark past that haunts her town--and discover that someone desperately wants her to leave the past alone.
This was an excellent and well-plotted mystery novel. The story reels you in immediately and never lets you go with its strong, complex narrative. Gemma is a likeable, fairly deep, and interesting lead character. I took to her quickly and found myself wrapped up in her life. Gemma is six months pregnant - something you don't always find in detective novels, and you see her grappling with not only the case, but her personal life. Working in a small town, she finds quickly that she can't really trust anyone, and Littlejohn gives us good insight into her squad dynamics. She also captures small town living fairly well. This is a town wrapped up in its past, unable to move on from a web of secrets and lies that have tormented it for years.
Indeed, the secrets continue to unfold, but in a completely believable manner, which I really appreciated. I guessed a part of the plot early on, but there were still so many pieces to the story that I was very much riveted until the very end. There's a strong supporting cast here as well, without the usual simple stock characters who sometimes support a rural detective. Goodreads is telling me that this is the first in a Gemma Monroe series, which I hope is true. While I think the series could hit a wall--as many others do--with the small town aspect (only so much murder and mayhem can happen in a small town: see Linda Castillo's excellent Kate Burkholder series, where you eventually start to fear for the poor townspeople of Painter's Mill), but I would certainly love to see more of Gemma.
Overall, a well-done mystery. Originally rated at 3.5 stars, but pushing up to 4 as I write this review and realize how much I enjoyed it. Always nice to have a new face in the mystery world.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 11/01/2016.
This was an excellent and well-plotted mystery novel. The story reels you in immediately and never lets you go with its strong, complex narrative. Gemma is a likeable, fairly deep, and interesting lead character. I took to her quickly and found myself wrapped up in her life. Gemma is six months pregnant - something you don't always find in detective novels, and you see her grappling with not only the case, but her personal life. Working in a small town, she finds quickly that she can't really trust anyone, and Littlejohn gives us good insight into her squad dynamics. She also captures small town living fairly well. This is a town wrapped up in its past, unable to move on from a web of secrets and lies that have tormented it for years.
Indeed, the secrets continue to unfold, but in a completely believable manner, which I really appreciated. I guessed a part of the plot early on, but there were still so many pieces to the story that I was very much riveted until the very end. There's a strong supporting cast here as well, without the usual simple stock characters who sometimes support a rural detective. Goodreads is telling me that this is the first in a Gemma Monroe series, which I hope is true. While I think the series could hit a wall--as many others do--with the small town aspect (only so much murder and mayhem can happen in a small town: see Linda Castillo's excellent Kate Burkholder series, where you eventually start to fear for the poor townspeople of Painter's Mill), but I would certainly love to see more of Gemma.
Overall, a well-done mystery. Originally rated at 3.5 stars, but pushing up to 4 as I write this review and realize how much I enjoyed it. Always nice to have a new face in the mystery world.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 11/01/2016.
Rhys (240 KP) rated The Outsider in Books
Jun 30, 2018 (Updated Jul 7, 2018)
Contains spoilers, click to show
‘The Outsider’ is a crime/horror novel of four distinct parts. The first is the murder and investigation described in the blurb. This part is more traditionally crime novel than horror and introduces the main characters, giving them all distinct personalities and building up to the twist. Part two takes place after said twist (obviously, giving this away would destroy the enjoyment of the first part) and involves a new focus on the ‘antagonist’ of the third part: Ralph Anderson.
Part three introduces Holly, a character from the Finders Keepers books (that I have not read at this time) and continues for most of the book. This part is heavily inspired by several vampire novels and series including ‘Dracula’ and ‘The Strain’ but keeps a distinct Stephen King feeling.
(Part four is epilogue, which ties up loose ends and ensures that the characters who survive, as well as some who do not, have a happy ending.)
Previous King novels can feel forced, or full of ‘fluff’ that exists only to pad out the time between gruesome murders and intense horror. In this novel, every piece of dialogue has a purpose, whether to build on a character’s.... character... or to make the world seem more real, ground the supernatural in reality.
Despite what is said on the ‘bad’ section, this novel works well as a stand alone. Holly, the character that connects this to previous works, is written as though it will be a reader’s first encounter with her. She is built up from scratch and goes through development at the same rate as the other characters (her previous appearances are described enough that a reader will know the gist, but do not give away anything from the ‘Mr. Mercedes’ trilogy other than that Bill Hodges at some point dies.)
(For context, I am not a regular reader of King’s novels, having tried ‘It’ and ‘Insomnia’ but quickly loosing interest in both.)
Why not full marks? Around half way through the novel there is a scene that simply does not fit in with the rest of the story. The character that will eventually become King’s equivalent of Renfield from ‘Dracula’ meets the Outsider in the bathroom, with said character appropriately terrified. Why is this such an odd scene? Throughout the tense conversation (in which the Outsider’s powers are shown in full) Jack is suffering from an upset stomach (and King seems strangely obsessed with describing.) Horrible, yes, but horror it is not.
Overall, I would recommend this novel to a fan of Stephen King or to someone who wants to get into his writing.
Part three introduces Holly, a character from the Finders Keepers books (that I have not read at this time) and continues for most of the book. This part is heavily inspired by several vampire novels and series including ‘Dracula’ and ‘The Strain’ but keeps a distinct Stephen King feeling.
(Part four is epilogue, which ties up loose ends and ensures that the characters who survive, as well as some who do not, have a happy ending.)
Previous King novels can feel forced, or full of ‘fluff’ that exists only to pad out the time between gruesome murders and intense horror. In this novel, every piece of dialogue has a purpose, whether to build on a character’s.... character... or to make the world seem more real, ground the supernatural in reality.
Despite what is said on the ‘bad’ section, this novel works well as a stand alone. Holly, the character that connects this to previous works, is written as though it will be a reader’s first encounter with her. She is built up from scratch and goes through development at the same rate as the other characters (her previous appearances are described enough that a reader will know the gist, but do not give away anything from the ‘Mr. Mercedes’ trilogy other than that Bill Hodges at some point dies.)
(For context, I am not a regular reader of King’s novels, having tried ‘It’ and ‘Insomnia’ but quickly loosing interest in both.)
Why not full marks? Around half way through the novel there is a scene that simply does not fit in with the rest of the story. The character that will eventually become King’s equivalent of Renfield from ‘Dracula’ meets the Outsider in the bathroom, with said character appropriately terrified. Why is this such an odd scene? Throughout the tense conversation (in which the Outsider’s powers are shown in full) Jack is suffering from an upset stomach (and King seems strangely obsessed with describing.) Horrible, yes, but horror it is not.
Overall, I would recommend this novel to a fan of Stephen King or to someone who wants to get into his writing.