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Thundercat recommended Purple by Stone Temple Pilots in Music (curated)

 
Purple by Stone Temple Pilots
Purple by Stone Temple Pilots
1994 | Rock
6.5 (2 Ratings)
Album Favorite

"So this is pre-teen me; I became a bit of a rocker. This is when I got into Marvel really heavy, and still playing in jazz band and other stuff. I remember my favourite movie at the time was The Crow, and when I was younger the littlest thing would snag me, like if I heard some type of melody or harmony or something that would immediately get stuck in my head and I would have to know where it came from or what it was. Stone Temple Pilots, for me, it started with The Crow. I remember hearing Scott Weiland singing the melody of 'Big Empty' and I was like, 'What? Who wrote this? Who the hell wrote this song?' I was literally like, I had to find this album. I would listen to albums with repetition a lot of the time, and this is right in the middle of like the grunge era. All kinds of stuff going on, and clearly Stone Temple Pilots, when they came up, were making waves outside of that. Ultimately, because Purple had my favourite song from my favourite movie on it, it essentially became one of my favourite albums when I was a child. To this day I still listen to it."

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Predator (1987)
Predator (1987)
1987 | Action, Horror, Sci-Fi
CGI Effects (they're so bad they're good) (1 more)
EXPLOSIONS! I swear, 80s action movies really went all out.
The Predator dies (was I the only one rooting for that alien asshole? I mean come on, he's a highly skilled alien hunter, it hardly seems likely he's going to die...) (1 more)
Covering yourself in mud does not kill your heat signature. It does briefly, but only for like two minutes before your body temp heats it up. Dutch would not have been 'invisible' to Preds for that long. This annoyed me so bad lol
A Cult Classic
It's been a looong time since I've watched the Predator/Alien movies over and they never disappoint me. The perfect mix of action, sci fi and horror elements, this is a gritty movie you can really sink your teeth into (and hell - Arnie in the 80s was some serious eye candy). I love how terrible the CGI is (though back in 87 it would've been on point), it really gives you that 'look how far we've come in technology' feel. It's got explosions, cursing, eye candy, an original alien concept (for the 80s), blood, guts, and gore. I mean, when you're looking for an old school action/sci fi that satisfies your need for grunge, go no further, this is the movie. It's still one of my favourites to this day :)
  
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Kurt Vile recommended Good Old Boys by Randy Newman in Music (curated)

 
Good Old Boys by Randy Newman
Good Old Boys by Randy Newman
1974 | Singer-Songwriter
7.0 (1 Ratings)
Album Favorite

"And then after that I got into Good Old Boys, which is a more refined thing, and at first I was like, no, I like Sail Away better, but Good Old Boys: he'll be singing like a love song, like a song like 'Marie', best love song ever, but then if you listen close, he's like, ""I love you the first time I saw you, and I will always love you Marie"". And then you realise, y'know, ""I don't listen to a word you say, when you're in trouble I just turn away"". You realise it's a love song from an asshole, a Southern asshole basically! There's another song on there, called 'Guilty', and that killed me. You've got to listen to the lyrics on that song. He starts out: ""Yes, baby, I been drinking, and I shouldn't come by I know, but I found myself in trouble, and I had nowhere else to go"", but then the production's amazing, it just kicks in with the drums and he's like: ""Got some whisky from the barman, got some cocaine from a friend"", and then it builds up and builds up, he's talking to his girlfriend. He's obviously a shit and he's shown up drunk at her doorway, and the punchline at the end is: ""You know I just can't stand myself and it takes a whole lot of medicine for me to pretend that I'm somebody else."" It's incredible! He always mocked the singer-songwriter thing, even though he was inspired by it. I say that in his moments like 'Guilty' and 'Marie', he says it better than Bob Dylan or anybody, or even Neil Young; obviously they're still talented at being real, they're both clever, they can put you on psychedelically any time they want and say [their lyrics] mean something or not and give a very cool response - not too cool, they can just answer any way they want, just be immortal. But Randy Newman has the concise moment that hits you in the gut; sometimes, I think, he's nailed it better than Bob Dylan. I totally think it's important to have humour in records. That's my personality anyway, but that's the best thing you can do, really. Because I was sometimes sad or melancholy, but I think the people that just ran that home, like in the grunge era, fucking like Smashing Pumpkins - I liked them when I was a kid - or even Eddie Vedder - no offence on them really, but at the same time they're victims of thinking there was this movement, like in the '70s, that there was this utopian dream that they'd change the world, like Crosby or something. But it's too one-sided after a while. Like fucking darkness in grunge - I don't know, no relief whatsoever? It's bullshit, it's too one-sided, it's not the way life is: life isn't that fucked, but it is. I just think that people, when they get too dramatic, it comes off like a bummer."

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    Camera 365

    Camera 365

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