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Darren (1599 KP) rated The Black Hole (1979) in Movies
Nov 22, 2019
Thoughts on The Black Hole
Characters – Dr Hans Reinhardt has been living on this ship alone for years, he has perfected energy harvesting which could help Earth, but has spent his time waiting on the edge of a black hole for somebody to find him, so he can continue to build his army and have witnesses to his desire to travel through one, he is welcoming to guest, while he speech could make him come off like a cult leader, always looking to recruit. Dr Alex Durant is one of the crew that is willing to listen to science over anything else, he quickly starts to see the positives in Hans’ plan looking to accept the idea he has created hoping to remain with him on the ship. Captain Dan Holland is quick to start looking around the ship, learning things aren’t always what they seem, he does what he can to make it look like the crew are following the instructions, but is always looking for the quickest way to safely get his crew off the ship. Charles Pizer is the weapons expert, he isn’t afraid to run into a battle, but he could find himself getting in trouble more often than not. Dr Kate McCrae has seen her father vanish off this ship, she has a connection with the robot which makes her valuable when it comes to dealing with situations that arise. Harry Booth is the engineer who has been worried about everything on board for too long, now he will cause the panic when he doesn’t need to. Vincent is the robot that is always going to help his crew, he isn’t scared of getting into confrontation.
Performances – Maximilian Schell in the lead villainous role does help us believe he can control people on everything in his genius mind. Anthony Perkins does well making see how easily somebody can turn to believe everything. Robert Forster does make for a great captain through the film, while the rest of the cast all work well with each other.
Story – The story here follows a research space travelling crew that discover a block hole and a ship on the edge, only to learn that the man living on the ship is the only one on the ship and he has bigger plans for his genius idea. This is a story that plays into the ideas of space travel that could see a black hole being one of the biggest problems. We see how one person could become made with power and how other could be torn between following him or escaping from him, leading to the crew needing to try and escape before they become his latest victims. This is one that could be something truly special and for the time it most likely was, but we have seen it done so many times through the years and is much better.
Action/Sci-Fi – The action is typical sci-fi action, we have laser guns, explosions and destruction on the ship, it isn’t anything overly fancy, but does what it needs to.
Settings – The film is set on the spaceship which shows the wide corridors and rooms that would be important to long distance space travel.
Special Effects – The effects in the film would have been great for the time, while some of the effects might have dated, they still get the peril over when the meteor strikes.
Scene of the Movie – The Meteor roll.
That Moment That Annoyed Me – Harry’s decision.
Final Thoughts – This is a sci-fi film that could have been the first of its type, it opened us up to an idea that could be faced by many if they went into space one day, even if the story seems to have been used a lot more in the future.
Overall: Ground Breaking Sci-Fi.
Rating
Characters – Dr Hans Reinhardt has been living on this ship alone for years, he has perfected energy harvesting which could help Earth, but has spent his time waiting on the edge of a black hole for somebody to find him, so he can continue to build his army and have witnesses to his desire to travel through one, he is welcoming to guest, while he speech could make him come off like a cult leader, always looking to recruit. Dr Alex Durant is one of the crew that is willing to listen to science over anything else, he quickly starts to see the positives in Hans’ plan looking to accept the idea he has created hoping to remain with him on the ship. Captain Dan Holland is quick to start looking around the ship, learning things aren’t always what they seem, he does what he can to make it look like the crew are following the instructions, but is always looking for the quickest way to safely get his crew off the ship. Charles Pizer is the weapons expert, he isn’t afraid to run into a battle, but he could find himself getting in trouble more often than not. Dr Kate McCrae has seen her father vanish off this ship, she has a connection with the robot which makes her valuable when it comes to dealing with situations that arise. Harry Booth is the engineer who has been worried about everything on board for too long, now he will cause the panic when he doesn’t need to. Vincent is the robot that is always going to help his crew, he isn’t scared of getting into confrontation.
Performances – Maximilian Schell in the lead villainous role does help us believe he can control people on everything in his genius mind. Anthony Perkins does well making see how easily somebody can turn to believe everything. Robert Forster does make for a great captain through the film, while the rest of the cast all work well with each other.
Story – The story here follows a research space travelling crew that discover a block hole and a ship on the edge, only to learn that the man living on the ship is the only one on the ship and he has bigger plans for his genius idea. This is a story that plays into the ideas of space travel that could see a black hole being one of the biggest problems. We see how one person could become made with power and how other could be torn between following him or escaping from him, leading to the crew needing to try and escape before they become his latest victims. This is one that could be something truly special and for the time it most likely was, but we have seen it done so many times through the years and is much better.
Action/Sci-Fi – The action is typical sci-fi action, we have laser guns, explosions and destruction on the ship, it isn’t anything overly fancy, but does what it needs to.
Settings – The film is set on the spaceship which shows the wide corridors and rooms that would be important to long distance space travel.
Special Effects – The effects in the film would have been great for the time, while some of the effects might have dated, they still get the peril over when the meteor strikes.
Scene of the Movie – The Meteor roll.
That Moment That Annoyed Me – Harry’s decision.
Final Thoughts – This is a sci-fi film that could have been the first of its type, it opened us up to an idea that could be faced by many if they went into space one day, even if the story seems to have been used a lot more in the future.
Overall: Ground Breaking Sci-Fi.
Rating
Gareth von Kallenbach (980 KP) rated Green Room (2015) in Movies
Aug 6, 2019
After a fruitless tour, a punk group, The Ain’t Rights, find themselves out of money and stealing gas to get back home. When a recommendation from a fan looking for an interview leads them to play one more show out in the backwoods of Oregon to a crowd of white supremacists, they become witnesses to a murder and barricade themselves in the green room. With no clear escape, they enter into a deadly battle of wills with the owner of the club, and his band of skinheads, and quickly discover that they have no intention of letting them leave alive.
It’s to the point now where if the A24 logo is at the front of a flick, chances are I’m handing over my hard-earned cash. Enemy, Locke, A Most Violent Year, Ex Machina, Slow West – they’ve been distributing some of my favorite films from the last few years and are fast becoming a powerhouse for indie movies, not unlike Focus Features a little more than a decade ago. Unfortunately, this means I set my expectations a little too high on my way into Green Room, which was not hard to do when you combine A24’s track record with the emerging talent of writer/director Jeremy Saulnier. Blue Ruin, his second feature, was the surprise indie hit of 2013. Expertly crafted and deliberately paced, it harkened back to 70’s-style bleak and gritty filmmaking. Green Room also features some of the DNA that made Blue Ruin great, those quite moments of high-tension leading into heart-stopping explosions of extreme violence are present and accounted for, but a thinner plot and characters who are severely underdeveloped show that this story, to its detriment, was in much more of a rush to get where it was going than its predecessor was.
Green Room’s major selling point is of course, Patrick Stewart. Adding one part Cameron Alexander (Stacy Keach’s character from American History X) to one part Walter White/Heisenberg, his performance will undoubtedly go down as one of the greatest departures of our time. Having said that, and believe me when I say I’m loathe to fly in the face of what an exceptional casting choice this was, he is frustratingly underutilized. It does speak to what an unrivaled talent he is when he can build most of his menace from the other side of a locked door, but regardless of how solid the performance is, his presence is merely a set-piece. A role with this little screen time rivals Anthony Hopkins in The Silence of the Lambs (they both had what probably amounted to about 15 minutes of screen time, or less), but I’m certain Stewart’s won’t leave as lasting an impression. To be blunt, if you’re queuing up just for him, you may come away disappointed.
The flip side to this comes about through Imogen Poots as Amber, friend to the murder victim and unfortunate enough to get trapped backstage with the band. Much of the best dialogue, along with some incredible moments of jaw-dropping spontaneity, comes her way and it’s her deadpan delivery that steals the show. Though we are supposed to root for the band, it was her cynical “inside man” that drew me further into their nightmare situation and kept me hoping that she might be the one to survive and give the skinheads the brutal justice they deserved.
For now, I’m sticking to my guns and giving Green Room just half marks, but I look forward to a second viewing at home in a few months, where I’m certain my opinion of it will improve, due to my expectations being more aligned and the foreknowledge that this is simple and standard survival horror fare…that just happens to feature Picard as a neo-Nazi.
It’s to the point now where if the A24 logo is at the front of a flick, chances are I’m handing over my hard-earned cash. Enemy, Locke, A Most Violent Year, Ex Machina, Slow West – they’ve been distributing some of my favorite films from the last few years and are fast becoming a powerhouse for indie movies, not unlike Focus Features a little more than a decade ago. Unfortunately, this means I set my expectations a little too high on my way into Green Room, which was not hard to do when you combine A24’s track record with the emerging talent of writer/director Jeremy Saulnier. Blue Ruin, his second feature, was the surprise indie hit of 2013. Expertly crafted and deliberately paced, it harkened back to 70’s-style bleak and gritty filmmaking. Green Room also features some of the DNA that made Blue Ruin great, those quite moments of high-tension leading into heart-stopping explosions of extreme violence are present and accounted for, but a thinner plot and characters who are severely underdeveloped show that this story, to its detriment, was in much more of a rush to get where it was going than its predecessor was.
Green Room’s major selling point is of course, Patrick Stewart. Adding one part Cameron Alexander (Stacy Keach’s character from American History X) to one part Walter White/Heisenberg, his performance will undoubtedly go down as one of the greatest departures of our time. Having said that, and believe me when I say I’m loathe to fly in the face of what an exceptional casting choice this was, he is frustratingly underutilized. It does speak to what an unrivaled talent he is when he can build most of his menace from the other side of a locked door, but regardless of how solid the performance is, his presence is merely a set-piece. A role with this little screen time rivals Anthony Hopkins in The Silence of the Lambs (they both had what probably amounted to about 15 minutes of screen time, or less), but I’m certain Stewart’s won’t leave as lasting an impression. To be blunt, if you’re queuing up just for him, you may come away disappointed.
The flip side to this comes about through Imogen Poots as Amber, friend to the murder victim and unfortunate enough to get trapped backstage with the band. Much of the best dialogue, along with some incredible moments of jaw-dropping spontaneity, comes her way and it’s her deadpan delivery that steals the show. Though we are supposed to root for the band, it was her cynical “inside man” that drew me further into their nightmare situation and kept me hoping that she might be the one to survive and give the skinheads the brutal justice they deserved.
For now, I’m sticking to my guns and giving Green Room just half marks, but I look forward to a second viewing at home in a few months, where I’m certain my opinion of it will improve, due to my expectations being more aligned and the foreknowledge that this is simple and standard survival horror fare…that just happens to feature Picard as a neo-Nazi.
Gareth von Kallenbach (980 KP) rated Rock of Ages (2012) in Movies
Aug 7, 2019
Rock of Ages is a film adaptation of the 2006 Chris D’Arienzo comedy rock/jukebox Broadway musical.
It is lightly satirical, a parody at times, that seems to mock our beloved 80’s rock era, while honoring its eccentricities, its tight leopard print pants, big hair, shoulder pads and over the top MTV music videos.
I like to judge a movie not only by how it makes me feel but also by how the audience reacts. This wasn’t an in-your-face-slapstick comedy, yet the whole theater roared with laughter throughout the film. To sum up the experience of Rock of Ages, it’s like watching a string of 80’s music videos mashed into a weak plot, with well-timed laughing points. Some of us laughed because we remember being the ones with those crazy hair-dos and out-of-control fashion sense and some were just laughing because this movie was so well done. It walked the fine line between super over-the-top corny and truly honoring our rock heritage. This movie does play to a specific demographic of ages 30 to 50, those who, with great nostalgia, remember how the 80’s rock and fashion revolution shaped their lives.
As the song goes, just a small town girl, Sherrie Christian played by Julianne Hough, travels to the big city in search of her dreams of becoming a singer, where she meets her city boy, Drew Boley played by Diego Boneta. Together they embark on a musical romance while working at a rock club named The Bourbon Room. Alec Baldwin plays an old rocker named Dennis Dupree struggling to keep his legend of a night club/concert hall open. Russell Brand, as always, steps in as the comic relief while playing the club owner;s assistant named Lonny. Together they work to keep The Bourbon Room afloat while dealing with a vengeful Patricia Whitmore, played by Catherine Zeta-Jones, who wishes nothing more then to see The Bourbon Room burned to the ground.
There are points in this movie when the acting, the singing and yes, even the plot, grabs you and holds your attention, much like watching the train wreck we call 80’s fashion. Its painful but you can’t look away! There were other times in this movie when the singing felt like it would go on forever. I noticed that the low points would be immediately succeeded by a very entertaining turn of events, so my attention was not lost for long. There came a point, at about the third Glee style 80’s rock mash-up, where I felt like slapping the director, Adam Shankman. Even too much of a good thing can get boring and I felt Shankman reached that point several times in the film. Luckily, he redeemed himself by bringing in Tom Cruise to play the Satan worshiping, alcoholic, megalomaniacal rock god Stacee Jaxx who went above and beyond in perfecting his role.
This movie’s soundtrack features songs and power ballads from Guns N’ Roses, Def Leppard, Bon Jovi, Journey, Twisted Sister, Pat Benetar, Scorpions, Whitesnake, Poison, REO Speedwagon, Foreigner among other epic bands giving Rock of Ages it’s 80’s jukebox musical foundation.
Mary J. Blige, Cruise, Ale Baldwin, Boneta, Hough and the whole cast of mega stars went above and beyond in selling their characters and performing stunning and accurate vocals that really pulled this movie together. The corny 80’s fashion and authentic dance numbers were the real icing on the cake. If you can sit through two hours of 80’s rock and pop nostalgia and know you will enjoy it, then definitely check this movie out.
It is lightly satirical, a parody at times, that seems to mock our beloved 80’s rock era, while honoring its eccentricities, its tight leopard print pants, big hair, shoulder pads and over the top MTV music videos.
I like to judge a movie not only by how it makes me feel but also by how the audience reacts. This wasn’t an in-your-face-slapstick comedy, yet the whole theater roared with laughter throughout the film. To sum up the experience of Rock of Ages, it’s like watching a string of 80’s music videos mashed into a weak plot, with well-timed laughing points. Some of us laughed because we remember being the ones with those crazy hair-dos and out-of-control fashion sense and some were just laughing because this movie was so well done. It walked the fine line between super over-the-top corny and truly honoring our rock heritage. This movie does play to a specific demographic of ages 30 to 50, those who, with great nostalgia, remember how the 80’s rock and fashion revolution shaped their lives.
As the song goes, just a small town girl, Sherrie Christian played by Julianne Hough, travels to the big city in search of her dreams of becoming a singer, where she meets her city boy, Drew Boley played by Diego Boneta. Together they embark on a musical romance while working at a rock club named The Bourbon Room. Alec Baldwin plays an old rocker named Dennis Dupree struggling to keep his legend of a night club/concert hall open. Russell Brand, as always, steps in as the comic relief while playing the club owner;s assistant named Lonny. Together they work to keep The Bourbon Room afloat while dealing with a vengeful Patricia Whitmore, played by Catherine Zeta-Jones, who wishes nothing more then to see The Bourbon Room burned to the ground.
There are points in this movie when the acting, the singing and yes, even the plot, grabs you and holds your attention, much like watching the train wreck we call 80’s fashion. Its painful but you can’t look away! There were other times in this movie when the singing felt like it would go on forever. I noticed that the low points would be immediately succeeded by a very entertaining turn of events, so my attention was not lost for long. There came a point, at about the third Glee style 80’s rock mash-up, where I felt like slapping the director, Adam Shankman. Even too much of a good thing can get boring and I felt Shankman reached that point several times in the film. Luckily, he redeemed himself by bringing in Tom Cruise to play the Satan worshiping, alcoholic, megalomaniacal rock god Stacee Jaxx who went above and beyond in perfecting his role.
This movie’s soundtrack features songs and power ballads from Guns N’ Roses, Def Leppard, Bon Jovi, Journey, Twisted Sister, Pat Benetar, Scorpions, Whitesnake, Poison, REO Speedwagon, Foreigner among other epic bands giving Rock of Ages it’s 80’s jukebox musical foundation.
Mary J. Blige, Cruise, Ale Baldwin, Boneta, Hough and the whole cast of mega stars went above and beyond in selling their characters and performing stunning and accurate vocals that really pulled this movie together. The corny 80’s fashion and authentic dance numbers were the real icing on the cake. If you can sit through two hours of 80’s rock and pop nostalgia and know you will enjoy it, then definitely check this movie out.
MLB Manager 2017
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Guide your favorite Major League Baseball franchise to glory! MLB Manager 2017, officially licensed...
Brutal Street 2
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Brutal Street's sequel has finally come to fruition! Five years is a long wait, but now that wait is...
Jesters_folly (230 KP) rated The Purge (2013) in Movies
Jan 28, 2021
Contains spoilers, click to show
I wanted a 'Killer in masks/home invasion' and that's what I got but there is a lot going on it 'The Purge' :
1) We have the purge itself, a new political party has come in and started titular Purge, one night a year where any crime is legal (although the emphasis is on killing and, via subtext, rape). There are a few exceptions stated at the start of the film and, although it's not directly stated, it seems that minors are exempt, in that they can be targets but not actually participate in the killing.
2)The 'Boyfriend' subplot. This could have led to the main plot but seems to be there just to keep us off track at the beginning.
3) The bloody stranger - ok he's needed as he's the main McGuffin
4) The Freaks, Yes the film needs it's antagonists and it's sometimes good to throw in a red herring but we have; The Freaks, Henry (the boy friend), The Bloody stranger who is suspected as being dangerous when he first arrives, even Janes Sandin looks like he could be the antagonist when he is going to throw the stranger out of the house, then we have...
5) The neighbours - even from the start of the film there is something off about them.
6) Add all of this together with a lot of politics and you have a very layered film.
The first half of the film is mainly set up, setting up the idea of the purge and introducing the characters, there are a few shots of violence in the beginning but the film starts off slow. Then it explodes in violence.
Although the concept is the same, The Purge is a different beast to something like 'The Strangers', both films spend time building up to the the action but, when the action starts, the Purge is much faster paced, mainly because there are more 'hunters' and they have guns.
The Purge is also a very political film but it doesn't go down the 'rich vs poor' root that a lot of films do, this is mentioned a bit but only to back up the thinking behind some of those who partake in the event. The film shows two sides of the Purge and mentions two more, you have those that want to take part in the event and those (like the main family) who don't, the Sandin's just want to get through the night where as the 'Freaks' happily take part in it. It's also mentioned that there are those who can not protect themselves (the poor) and those that object.
After watching it I am left with two questions:
1) what happened to Henrys body? We last saw it in Zoey's room, no one mentioned moving it and it couldn't have been taken out of the house but it was never seen when the Freaks were going room to room, they even went into the room where it should have been.
2) were the cookies poisoned? The neighbour said they saw the shutters come down (pulled off) and decided to take the opportunity to kill the Sandins but the hatred was already there so could the cookies have been another way to kill them off. It's true that they would have had to have been cooked before the purge officially started but, going by when they given, they would not have been eaten until either a few minuets before the start or after it had started and I doubt that anyone official would pay too much attention to the bodies after the purge. There would be too many even if they wanted too.
1) We have the purge itself, a new political party has come in and started titular Purge, one night a year where any crime is legal (although the emphasis is on killing and, via subtext, rape). There are a few exceptions stated at the start of the film and, although it's not directly stated, it seems that minors are exempt, in that they can be targets but not actually participate in the killing.
2)The 'Boyfriend' subplot. This could have led to the main plot but seems to be there just to keep us off track at the beginning.
3) The bloody stranger - ok he's needed as he's the main McGuffin
4) The Freaks, Yes the film needs it's antagonists and it's sometimes good to throw in a red herring but we have; The Freaks, Henry (the boy friend), The Bloody stranger who is suspected as being dangerous when he first arrives, even Janes Sandin looks like he could be the antagonist when he is going to throw the stranger out of the house, then we have...
5) The neighbours - even from the start of the film there is something off about them.
6) Add all of this together with a lot of politics and you have a very layered film.
The first half of the film is mainly set up, setting up the idea of the purge and introducing the characters, there are a few shots of violence in the beginning but the film starts off slow. Then it explodes in violence.
Although the concept is the same, The Purge is a different beast to something like 'The Strangers', both films spend time building up to the the action but, when the action starts, the Purge is much faster paced, mainly because there are more 'hunters' and they have guns.
The Purge is also a very political film but it doesn't go down the 'rich vs poor' root that a lot of films do, this is mentioned a bit but only to back up the thinking behind some of those who partake in the event. The film shows two sides of the Purge and mentions two more, you have those that want to take part in the event and those (like the main family) who don't, the Sandin's just want to get through the night where as the 'Freaks' happily take part in it. It's also mentioned that there are those who can not protect themselves (the poor) and those that object.
After watching it I am left with two questions:
1) what happened to Henrys body? We last saw it in Zoey's room, no one mentioned moving it and it couldn't have been taken out of the house but it was never seen when the Freaks were going room to room, they even went into the room where it should have been.
2) were the cookies poisoned? The neighbour said they saw the shutters come down (pulled off) and decided to take the opportunity to kill the Sandins but the hatred was already there so could the cookies have been another way to kill them off. It's true that they would have had to have been cooked before the purge officially started but, going by when they given, they would not have been eaten until either a few minuets before the start or after it had started and I doubt that anyone official would pay too much attention to the bodies after the purge. There would be too many even if they wanted too.
Secret Agents Spy Mission 3D -Covert Escape Action
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A fierce police vs secret agent and mafia vs crime swat spy mission game where kill or to be killed...
Ross (3284 KP) rated Foundryside in Books
Aug 31, 2020
Great world-building, good story
The world the author has created is very impressive. I hate to do it, but the magic system is very Brandon Sanderson-esque. Over time, symbols used by ancient civilisations to make contraptions and control objects have been deciphered and are now used in everyday life. Self-driven carts, guns, machinery: all are controlled by this clever magic system, but there is a feeling this is just the tip of the iceberg. The city of Tevanne is controlled by a council of the main merchant families, and each of those families is striving for the next big innovation in the use of these symbols. And with any major corporate hierarchy, there is a black market: a set of individuals striving to make things more cost effective, though of lower quality than the merchant houses.
Sancia is a key customer for some of this black market. She is a mercenary who will, for a fee, steal things. Not much of Sancia's past work is given, whether she is just a thief for hire, or has killed. She is a good strong, complicated character. Sancia has the ability to sense the thoughts of inanimate objects. For example, she can touch a wall and find out where the wall joins to other walls, whether there are gaps, whether someone is leaning on the other side, etc. This comes in handy when she successfully steals a box from a storage facility that contains a magical key that she can speak to.
There then follows a gripping plot to dethrone the merchant houses by seeking to stop them achieving more than just market share.
As with all the best fantasy worlds, the nature of things is revealed gradually over the course of the book. At times this verges on deus ex machina, but never quite goes over that line, things being mostly plausible given what we already know.
The dialogue of the book is where I have most of my issues with it. As with a number of recent books, the author is clearly an American and puts a number of Americanisms into the prose. While I am no language snob and can happily accept these in general, it is harder to do so in a fantasy book, especially one where other aspects of the language are clearly supposed to be more British English. The combination of a character saying "you all" or "most always" or "goddamn" and then using the word "arse" rather than "ass" just really ground my gears. It would have been much better to have been consistent and stick with "ass" and closer to the author's true voice.
Additionally, as with a number of fantasy books, new swear words are invented. These are partly explained and linked to the world, but it just comes across as a means of swearing without saying the actual "f" word. The word "scrumming" is far too twee a word to convey the same emotion as the word it is trying to replace and takes me right out of the book.
The pacing of the book was mostly fine, a few times it did seem to grind to a halt or there were long chapters of gradual exposition, but the action sequences, of which there were plenty, were thrilling and well told.
Overall, I did really enjoy this book, but the language used at times took me out of it and spoilt the mood a little. I can always tell how much I am enjoying a book by how quickly I read it and the number of comics I read simultaneously. My comic reading did go up a notch while reading this book.
Sancia is a key customer for some of this black market. She is a mercenary who will, for a fee, steal things. Not much of Sancia's past work is given, whether she is just a thief for hire, or has killed. She is a good strong, complicated character. Sancia has the ability to sense the thoughts of inanimate objects. For example, she can touch a wall and find out where the wall joins to other walls, whether there are gaps, whether someone is leaning on the other side, etc. This comes in handy when she successfully steals a box from a storage facility that contains a magical key that she can speak to.
There then follows a gripping plot to dethrone the merchant houses by seeking to stop them achieving more than just market share.
As with all the best fantasy worlds, the nature of things is revealed gradually over the course of the book. At times this verges on deus ex machina, but never quite goes over that line, things being mostly plausible given what we already know.
The dialogue of the book is where I have most of my issues with it. As with a number of recent books, the author is clearly an American and puts a number of Americanisms into the prose. While I am no language snob and can happily accept these in general, it is harder to do so in a fantasy book, especially one where other aspects of the language are clearly supposed to be more British English. The combination of a character saying "you all" or "most always" or "goddamn" and then using the word "arse" rather than "ass" just really ground my gears. It would have been much better to have been consistent and stick with "ass" and closer to the author's true voice.
Additionally, as with a number of fantasy books, new swear words are invented. These are partly explained and linked to the world, but it just comes across as a means of swearing without saying the actual "f" word. The word "scrumming" is far too twee a word to convey the same emotion as the word it is trying to replace and takes me right out of the book.
The pacing of the book was mostly fine, a few times it did seem to grind to a halt or there were long chapters of gradual exposition, but the action sequences, of which there were plenty, were thrilling and well told.
Overall, I did really enjoy this book, but the language used at times took me out of it and spoilt the mood a little. I can always tell how much I am enjoying a book by how quickly I read it and the number of comics I read simultaneously. My comic reading did go up a notch while reading this book.
Sniper Fury Target
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5/5 “Best graphics and as good as Call of Duty.” 5/5 “Fabulous game with breathtakingly...
Gareth von Kallenbach (980 KP) rated the PC version of Evil Dead: The Game in Video Games
Jun 1, 2022
Back in 1981, Director Sam Raimi unleashed the Evil Dead on audiences and in doing so ignited his career as well as that of star Bruce Campbell. The subsequent sequels only further cemented dysfunctional hero Ash Williams into Pop Culture history as did the recent television series which returned the character to eager fans.
Saber Interactive has given fans a chance to play as Ash or several of the characters from the series with Evil Dead: The Game and take the battle to the demonic hordes and plenty of humor, horror, and action along the way.
The game is played from the third-person perspective and online players can enjoy cross-play so that players on all systems can play with one another. In the multiplayer mode, up to four players can team up to get missing pages of a text over a dark and vast map that is littered with demons and can have a player-controlled demon in the mix as well.
Players will be able to arm up by locating guns, knives, swords, and ammunition along the way as well as matches which are key to lighting up areas to keep enemies from advancing. Ammunition is in limited supply so players will have to be selective about combat as blowing away enemies is tons of fun but having to mix it up or run is not always wise when they attack in masses.
The maps are very large and there are vehicles available that are handy in running down enemies and making it to remote areas of the map. Along the way, there are shops, cabins, homes, and other locales where players can find needed objects to survive.
The longer a player operates in the dark or away from other players makes them increase in fear which allows them to be possessed and turn on their fellow players. When a player is low on health they can regain it by drinking cola that is found around the map or by being assisted by a fellow player which is not easy in the midst of combat as helping others can place you at risk.
The goal is to get a legendary dagger and take on the evil leaders which if successful wins the rounds for the players and their XP levels up. Players also have the option for a regular or furious attack as well as special moves which recharge over time.
The solo portion of the game is set in chapters and requires Ash to complete various tasks to advance to the next one. I found this to be very challenging as at times the maps are so dark it is hard to navigate or see properly and without players to help out, it can be a frustrating defeat.
The game has decent graphics and sound and the numerous clips of star Bruce Campbell offering wisdom and quips are very enjoyable and sets the tone for the game well. The attention to detail from the movies is also very enjoyable as players will want to make sure to take a good look around the cabins to get their nostalgia fix.
The game is a fun diversion and fun in groups and gives fans of the series the action and nostalgia they have come to expect. Some may cite a lack of initial depth to the gameplay and maps but I am sure as time goes on and more updates arrive, the game will continue to grow.
For now, Evil Dead: The Game offers enough action, humor, and nostalgia to keep fans happy.
3.5 stars out of 5
Saber Interactive has given fans a chance to play as Ash or several of the characters from the series with Evil Dead: The Game and take the battle to the demonic hordes and plenty of humor, horror, and action along the way.
The game is played from the third-person perspective and online players can enjoy cross-play so that players on all systems can play with one another. In the multiplayer mode, up to four players can team up to get missing pages of a text over a dark and vast map that is littered with demons and can have a player-controlled demon in the mix as well.
Players will be able to arm up by locating guns, knives, swords, and ammunition along the way as well as matches which are key to lighting up areas to keep enemies from advancing. Ammunition is in limited supply so players will have to be selective about combat as blowing away enemies is tons of fun but having to mix it up or run is not always wise when they attack in masses.
The maps are very large and there are vehicles available that are handy in running down enemies and making it to remote areas of the map. Along the way, there are shops, cabins, homes, and other locales where players can find needed objects to survive.
The longer a player operates in the dark or away from other players makes them increase in fear which allows them to be possessed and turn on their fellow players. When a player is low on health they can regain it by drinking cola that is found around the map or by being assisted by a fellow player which is not easy in the midst of combat as helping others can place you at risk.
The goal is to get a legendary dagger and take on the evil leaders which if successful wins the rounds for the players and their XP levels up. Players also have the option for a regular or furious attack as well as special moves which recharge over time.
The solo portion of the game is set in chapters and requires Ash to complete various tasks to advance to the next one. I found this to be very challenging as at times the maps are so dark it is hard to navigate or see properly and without players to help out, it can be a frustrating defeat.
The game has decent graphics and sound and the numerous clips of star Bruce Campbell offering wisdom and quips are very enjoyable and sets the tone for the game well. The attention to detail from the movies is also very enjoyable as players will want to make sure to take a good look around the cabins to get their nostalgia fix.
The game is a fun diversion and fun in groups and gives fans of the series the action and nostalgia they have come to expect. Some may cite a lack of initial depth to the gameplay and maps but I am sure as time goes on and more updates arrive, the game will continue to grow.
For now, Evil Dead: The Game offers enough action, humor, and nostalgia to keep fans happy.
3.5 stars out of 5