"We liked Free – very bluesy, with a lot of soul. There was a time when there was this thing called Freemania, when they were the biggest thing since sliced bread. They were a bit Led Zeppelinish – brilliant musicians, and Paul Rodgers was a white guy who sounded black. They were all great at what they did. This album didn’t influence me so much, but it influenced the band the other guys were in, Sob. They named the band after this album. They were a very bluesy outfit before Paul Quinn and I joined the band and it became Son of a Bitch, then Saxon – our old band, Coast, was more proggy. So this album became part of my listening cycle."

"We were in Paris and MTV was on. I remember I was really sick at the time, and Roddy Frame was singing Deep And Wide And Tall, and he’s just a really great pop songwriter. You can tell the metal guys that have successful, long-lasting careers are usually people that listen to music outside the obvious realm and have influences from outside metal. If we’re just repeating what our peers are doing, we’re not really pushing the envelope. I also own a Scritti Politti single called Wood Beez. It came with a turntable that somebody had left at a house that me and David Ellefson moved into, and I just kind of adopted it. It’s a little bit poppy for me"

"One summer, they were doing a ’70s movie revival at the Film Forum in New York, and Soter and I would go see double features; you pay for one, you see two. All ’70s movies. It was great, so we’d go there all the time. One of my favorites was John Cassavetes‘ Husbands. That was a great, funny movie; first of all, it was cool because a lot of it was improvised. There’s Peter Falk, Ben Gazzara, John Cassavetes…one of their buddies dies, so they basically decide life’s too short and they’re going to go get drunk one night and reflect on life. So it’s one night of these guys going out and drinking, but then they end up going to London."

"No one knows about them, but I've been talking about them for years: this is the one with 'Loud Green Song', 'Singing The Blues On Reds'. People associate me with straightahead rock'n'roll, but this is the stuff that I liked - I couldn't play it and I didn't try to play it. I don't know how I heard about Patto, but they seemed like irreverent guys. The singer, Mike Patto was also in Spooky Tooth and Boxer - you have to look at Boxer's album cover - and he died of cancer. Ollie Halsall was one of the best guitarists there was, left handed and he played unbelievably. I always liked songs better than I liked groups. Groups will let you down, but songs stand up on their own."

"As an anticolonialism fable it’s extremely on the nose, but whatever. Guys, just . . . Colonialism: Don’t Do It. What is totally unforgettable about this film is the photography: constant fogs, blooming white surfaces, and inky jungle shadows. There’s a shot of the hero and the Panther Woman reflected in a pool of rippling water, then her real foot dips into the frame—it makes me gasp. There’s Bela Lugosi’s imperious, rabbinical presence as the Sayer of the Law. And most importantly, there’s Charles Laughton, obviously delighting in the role, giving the British scientist/eugenicist a sadistic perviness that I’m sure wasn’t in the script. In one moment, in the midst of threatening the hero, he just sprawls his whole body across a table, like a happy fat cat."

"Yes – of all his albums this is the one that got me. I admire him to the nth degree, no matter what, but that record just captured me wholeheartedly when it was released, and I must have listened to it at least 2000 times. My dad was living in England at the time and it was really here that I fell into the chasm of that journey. I've so many memories of my dad taking me to these really dodgy carnivals that they would have in the suburbs, with guys with tattoos operating these iffy lifts, and I would be listening to 'Raspberry Beret' or 'Around the World in a Day' on my Walkman. I'm a lucky guy; that was a fun period."