"I wasn’t a fan of live records until I heard this because they always lacked something. But the energy on this record was stunning and the clarity and depth of the recording, the looseness of it, the songs they chose and the whole live atmosphere made it wonderful. Not just that, Richie Blackmore was a giant. I resonated more with Page and Brian May at the time because they had a unique style whereas Richie was just this amazing guitar player. He could take a strat and just play it, and his vibrato, his bending and his chops meant that he was as good as any of those guys. But you can’t compare let’s say the guitar playing on ‘The Battle Of Evermore’ with ‘ Whole Lotta Love’ or ‘Since I’ve Been Loving You’ with ‘Tangerine’, but with Richie Blackmore it was one thing: great rock guitar playing."

"I chose the second Elvis Costello record because it had the whole band and I saw those guys so many times in that period. The band was so excellent and the songwriting and the lyrics were so excellent, Elvis Costello was a singular talent in that period. Both Elvis and David Byrne were coming across with these songs that were so amazing – they were nodding backwards towards classic pop and yet they were doing new and innovative things with it, and the lyrics were so inspiring. They were both such inspiring lyric writers. In different ways both writing about alienation in modern society: Elvis is this vitriolic way and David Byrne in this meek Clark Kent kind of thing, but they were both railing against what society was becoming and what it was trying to make of its citizens and they were both of their ways very punk."

"I love the first Godfather movie, part one. And two. Another great director, Coppola. And then of course, Marlon Brando, Al Pacino, Robert De Niro. I had heard the stories about how they wanted a whole other cast, and Francis was under the gun and he rose to the occasion. He got great performances out of Pacino, and De Niro was unbelievable. All the secondary guys from Joe Spinell to Michael Gazzo. The casting was impeccable. He got a lot of great performances from people who were just getting into the business themselves. Duvall, everybody had so many layers. The performance he got out of Lee Strasberg, who never really did much acting in front of the camera. When I was in the Actor’s Studio, the only actor that Lee actually spoke to was Al, so [Coppola] used the relationship that the two had and that was quite interesting."