"I can't say enough about this album. I heard that when The Stooges came out everyone thought they were retro garage band not realising they were pointing the way forward to punk. Every song on Is This It is amazing. I played 'Modern Age' for my daughter the other day, and just for that song alone it could be one of the greatest albums. I was there for the making of the record and I was so blown away by their dedication to making this perfect music and executing it perfectly every night. It was crazy. These guys would really yell at each other if they missed one chord or beat. They were perfectionists. They were the first band of my age group who were great. There's a level of precision that The Strokes brought to making their music and their approach to it – the way Fab tried to emulate a drum machine in his playing – it feels obvious to people now but it was counter-intuitive at the time, no one had done that. Everything about Is This It was a statement in the opposite direction to what everyone else was doing. Before this the trend was for people make albums that sounded like they were performed in arena, they're soaked with reverb, Is This It is this weird insular record with the distorted vocals. People were confused by the decisions that were made when it was made when it came out, but now you hear it copied infinitely. It's funny that for a band that were criticised for being retro they've now come to define their own times."

"That album is my favourite because it's the one that feels most concise. Electric Ladyland I love, but it does sprawl a little bit and some of the later ones don't feel like he's absolutely at his peak. The early ones - Are You Experienced? - I do love them but it feels like there's lots of singles. So for me, Axis: Bold As Love has that depth. The production is just fantastic as well. 'If 6 Was 9', embodies that whole wild, epic, Jimi Hendrix thing, in a concise pop song. Him saying about the businessmen going down the street, ""you can't dress like me"", and ""I'm gonna wave my freak flag"". For a long time, my favourite Jimi Hendrix stuff was the live stuff - he's one of those guys where you can be a fan of the the live stuff and it's almost a completely different artist to the albums. Whereas this one feels like it's got that spirit of Jimi Hendrix live in the song as well. He manages to get this epic adventure into three and a half, four minutes. To me it just embodies Hendrix: rebellious but friendly, and totally in control of the universe. He's like a shamanistic character isn't he? 'Up From The Skies' is really amusing, really cool. 'Spanish Castle Magic' is just a rocker. But it's got this real sparkle to the whole thing. I think these albums, the reason why they've lasted, is because you can listen to them at any time. You can have them for breakfast, lunch or dinner. You can listen to Axis: Bold As Love on an epic road trip or having a coffee in the morning."

"For me, it is the most alive and electric filmmaking. [Martin Scorsese is] obviously one of the greats, but he brought that ’70s filmmaking to 1990, which… I can’t believe it’s a 1990 film. I love gangster films and I love The Godfather, but I am a Goodfellas girl. I thought there was just so much captured in the masculinity of it and the relationships between men, the family dynamic, the structure of it, the mafia, that sort of hierarchy and camaraderie. I just think it’s one of the most exciting films ever made, of course. The writing is extraordinary, as is the improvisation of it. And seeing what he puts in a frame during a scene, like Joe Pesci telling the story, and you think it’s a funny scene when you realize it’s really just like these two setups over and over and that these… You sort of see the layout of the guys in the background who’s listening and the tension that he’s able to create by just hanging on something. That was something that I was trying to bring into [Hustlers]: in terms of how he treated violence, that was something that I felt about how to treat the nudity, in a way. So it was a touchstone for me in how to, not just approach anti-heroes or an underworld, but also just… What’s the difference between the gun and a body as being used, being weaponized? And an outfit, a bandage dress, being weaponized, you know? And the role that each of them play in that hustle and in the group."

"I liked the intro really, it was so inspiring. ""I'm forty-fifth generation Roman,"" where did he come up with that?! Hip hop is massive in Nottingham. There's a massive black community, it's a multicultural city and people just mingle, you know, and share ideas. People were not sure about this idea of a white guy rapping. Even white guys were not sure about it. He's not rapping really - well he is, but he isn't. But you couldn't deny it really, it's all great. The second track, 'Has It Come To This', that kind of dubstep, garage thing. I never even listened to the second album. White people rapping, it needs to be done well. No offense to the guy, but I wouldn't view Professor Green as the same thing, it's more Americanised. Jake Bugg tried to do it on his last album and it just sounded terrible, what was he doing? I can understand him being inspired by stuff, but he needs to check himself. I liked the dry high street observations on this album, the stuff about eating a fry up in a greasy spoon. The stuff that would warm you to him straight away - fried tomatoes, scrambled eggs. That conversation he has with his dad: ""Hold it down son…"" We all do it, ""No, I'm going to be alright, it will work out."" I listened to this when it came out. I was still doing folky and acoustic stuff at this time, it wasn't very good. It took years for me to think about doing something like this. For a long time I thought it was out of my reach, I thought I couldn't do it."