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Swingers (1996)
Swingers (1996)
1996 | Comedy, Drama
7
7.0 (1 Ratings)
Movie Rating
Verdict: Reality Check Comedy

Story: Swingers starts when two friends Trent (Vaughn) and Mike (Favreau) head from LA to Las Vegas for a night to try and help Mike shake off his breakup with his girlfriend. Trent does have a way with women, which he is trying to teach Mike for their return to LA. Joined with Rob (Livingston) the three struggling actors talk shop about how they haven’t gotten their big break yet.
We continue to follow the friends around the town as they try to help Mike rebound from his breakup, pushing him to take risks, despite the group of aspiring actors just going through the same routine, not partying till late and Mike wanting to get back together with his ex.

Thoughts on Swingers

Characters – Mike is one of the aspiring actors, he has had the most gigs of the rest of the friends, he is struggling with a break up which has been holding him back for 6 months and now, the friends are trying to help him break out of his shell, as he always ends up getting nervous about everything whenever he is put on the spot. Trent is the confident ladies man, he is always trying to teach Mike about how to pick up women, showing his confidence through any chatting up situation. Rob is the friend that followed Mike, he looks up to him and wants to follow in his footsteps despite the constant job rejections. Sue is another one of the group, he has a different attitude which could see them getting into trouble. Between the three of them of the friends they all want to help Mike in their own way.
Performances – Jon Favreau as the down on his luck actor is great to watch in this role, he makes us understand why he feels life isn’t going his way. Vince Vaughn brings all the energy to his role, showing that he was always going to be great to watch in the fast-talking roles. Ron Livingston bring gravity to his role, showing a man with his feet on the ground, while Patrick Van Horn brings a mix of the three while not knowing his own motivation.
Story – The story here follows four struggling actors as they look for women every night which sees them trying to help one of them get over their blues of a breakup, each has their own style which they try to imprint on the others. This story mixes up the styles of helping a friend with a breakup and highlights how difficult it is to make it as an actor in Hollywood. We might spend a lot of time just watching the guys party, which is mean to highlight their struggles and watching them all give advice to Mike shows that friends will always be there for you, but you will need to make the biggest step in changing your future.
Comedy – The comedy in the film comes from the mishaps that happen to the guys on their adventures through the night showing how not every plan is as well exercised as the next.
Settings – The film is mostly set in LA, it shows the bars that people would go to hoping for a late night party, the ones that only the locals would truly know about.

Scene of the Movie – The awkward phone, mainly because it is and can be so real for people.
That Moment That Annoyed Me – It doesn’t show any of their acting lives.
Final Thoughts – This is a comedy that shows the struggles being an actor really are, while also trying to highlight the party lifestyle people in LA like.

Overall: Strong Look at Hollywood Lifestyle.
  
The Toll (Arc of a Scythe, #3)
The Toll (Arc of a Scythe, #3)
10
9.3 (3 Ratings)
Book Rating
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#1 <a href="https://www.goodreads.com/review/show/2656699288">Scythe</a>; - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2998629500">Thunderhead</a>; - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3080800725">The Toll</a> - ★★★★★

<img src="https://diaryofdifference.com/wp-content/uploads/2020/01/Book-Review-Banner-20.png"/>;

And here is my review of The Toll. We have reached the end of the series, guys.

It’s been three years since Rowan and Citra disappeared; since Scythe Goddard came into power; since the Thunderhead closed itself off to everyone but Grayson Tolliver.

In this pulse-pounding conclusion to New York Times bestselling author Neal Shusterman’s Arc of a Scythe trilogy, constitutions are tested and old friends are brought back from the dead.

I don’t know how to even start this review, because I have so many emotions still! I am so in love with this series. With this finale. I am also so sad that the journey ends here and I have to part ways, re-visiting these books but never reading new ones. 

A wonderful world, where death is no more, and two scythe apprentices, with the willpower to be great - they stuck to me, and they grew on me, and they did capture my heart. 

<b><i>Rowan - a hero never understood.</i></b>

Fighting for the good in a bad way. Himself against the world, not afraid to give his life for the people he cares about. I salute you, Scythe Lucifer!

<b><i>Citra - a woman born to be a leader.</i></b>

A powerful force that moves the Earth she walks upon. A compassion and kindness mixed with the force of unfairness. Ready to stand up when no one else does and not afraid to do things differently. I salute you, Scythe Anastasia. 

And to all the rest of the characters, and believe me, there are so many that are just as important, I also bow to you. For fighting for what you believe in, for being better humans than most and for helping a person in need. You will never be forgotten. 

<b><i>Neal Shusterman, the hero of this book.</i></b>

The creator of wonderful worlds. I bow to you and I thank you for giving me a world worth remembering. For creating the Thunderhead to lead us into the future, and for giving us a glimpse of possibilities and opportunities of the “what might be”. I have endless love for your writing and will continue to be excited and read every new book you write. 

I have noticed, when I really love a book and want to shout about it to everyone I know, it is quite hard to do so without spilling any spoilers. How do you write a review of mentioning all the things you loved, without ruining the story for someone else?

<b><i>Let’s try it this way:</i></b>

Guys, have a look at my review of Scythe, the first book in the series. Then read the book. Then read my review of Thunderhead. Read that book as well. And then come here, read this blurb, finish the series and find me either here, or on Instagram and Twitter, so I can tell you all the spoilers! :)

No, honestly, if you love science-fiction with a twist of fantasy and dystopia, this will be a book you will cherish forever. 

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Kings of the Wyld
Kings of the Wyld
Nicholas Eames | 2017 | Fiction & Poetry
9
9.7 (3 Ratings)
Book Rating
Contains spoilers, click to show
This was another book that I picked after it was recommended from one of my favourite Youtuber, Holly Heats Books, and as always I wasn't disappointed.
Kings of the Wyld is a "getting out of retirement of one last job" story. A band of five getting back together to save the daughter of one of them. The story is very well written, action-packed with a touch on humour here and there.

Things I liked:

    -All the characters are very well written. They all have their own unique voice, personality and they offer something different to the band as well as the story.
    -The relationships between all the characters are well crafted. By the end, you know and feel how close this band is and how much they love each other.
    -I generally adore when an action/adventure book or movie has just a hint of comic relief without going overboard and turning it into stupid moments. And the author knows exactly when and where to add this little moment of humour to make you laugh without turning the story into ridicule. Love, love that!
    -You never get bored. There is always something happening, twists and turns and obstacles being thrown to our heroes, without the story getting repetitive.
    -They weren't a lot of twists and most were obvious but one of them I didn't see it coming. Maybe if I had paid more attention I could have seen it coming but I didn't so I was quite surprised.
    -The final battle. I spend the entire book wondering how 5 guys will manager to fight a whole army. And the answer wasn't something that I was expecting and it was epic! Maybe with some clichés, like the "final speech to get people to follow you", but they were all so well done!

Things I didn't like:

    -The fantasy world contains EVERY creature ever mentioned in fantasy, folk stories, and mythologies. From dragons and orcs to merpeople to vampires and werewolves. Which is amazing and interesting but... because there are so many creatures mentioned some of them are not described maybe because we should know how they look (?) and if you add all the author places and his own fantasy creature some time I got confused and overwhelmed and didn't necessarily know what kind of creature the author is talking about and I couldn't picture the scene properly in my mind.
    -Magic has no rules. Which I don't really mind but.... [Spoiler] at some point it was used in a way that kind of put me off. Towards the end, our primary MC loses his hand and I liked the fact that the author didn't shy away from injuring his character but... this was fixed a chapter later with a magic potion that just made his hand grow back. What? Why? And this is where a draw the line on the "magic with no rules". Don't use random magic as a way to "fix" your character because you didn't want them to be hurt after all! Scars are witness to our own story and our past. Those guys went through a crazy adventure they should have scares and injuries, so if one of them loses his hand during a battle why go back on that a chapter later with a convenient magic potion. I was quite mad about that part but it was just a minor part of the story.



Despite a couple of tiny details, I thoroughly enjoyed this book and would highly recommend it. It was one of the best books I've read so far this year.

The review can also be found here: https://natachainreviewland.wordpress.com/2019/09/29/king-of-the-wyld-by-nicholas-eames/
  
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Becs (244 KP) rated Of Mice and Men in Books

Oct 2, 2019  
Of Mice and Men
Of Mice and Men
John Steinbeck, Susan Shillinglaw | 2013 | Fiction & Poetry
7
7.2 (50 Ratings)
Book Rating
Contains spoilers, click to show
Of Mice and Men by John Steinbeck, a (somewhat) great historical fiction novel. I was just appalled by how slow the middle of the book was. I was so excited to read this book, as I’ve heard such great things about it. When I started, it was a little bumpy but as I kept reading, the road just kept becoming almost unbearable to continue. The ending though, spot on and definitely kicked my attention back into place. In all aspects, Of Mice and Men deserves a solid four gold stars. Reasons why below.

Genre: Literary classic, historical fiction

Audience: I definitely recommend at least a high schooler or up to read it. As it’s a little controversial and a bit harder of a read for a younger crowd.

Difficulty Reading: I almost put this down to never pick up and read again. I was about a millimeter away from doing it. But I have a thing against never finishing a book or DNF. If I’m going to pick something up and start reading it, I HAVE TO finish it, something about having an unfinished book doesn’t sit right with me. So, the answer is yes. This was a bit more of a difficult read. Now that it’s finished, I’m glad I stuck through and read the rest of the novel.

Insights: John Steinbeck is a great author and writer. I’ve read a few of his other novels and have loved them. Of Mice and Men just does not compare to the others. Maybe it’s the way that the characters speak. Maybe it’s the topic. Maybe it’s just Steinbeck lost touch with his writing when creating Of Mice and Men. Who knows, apparently some think that this novel is a piece of art. I mean, it’s still being sold nationwide. That must mean it’s somewhat good, right?

Ah-Ha Moment: When I found out that Lennie has a bit of a mental handicap issue. (This honestly sounds so bad in writing but I’m not trying to be rude about people who are mentally handicapped. I use to work as a caretaker for them and I loved it.) To continue on. You typically don’t see this style of character in this novels era. It was refreshing and different from other literary classic novels.

***SPOILERS AHEAD***

Favorite Quotes: “Trouble with mice is you always kill ’em. ” – Honestly, this is a perfect short, one sentence summary of the novel. If you don’t want to read Of Mice and Men, what happens is: you have George and Lennie, always traveling together. Lennie is mentally handicapped and likes to pet soft things. He gets in trouble in Weed by touching a female’s dress and not letting go when she screams. They run and come to find work bucking barley. Here, Lennie kills a newborn pup then kills Curley’s wife. George shoots Lennie in the back of the head and the novel ends.

***END OF SPOILERS***

“Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don’t belong no place. They come to a ranch an’ work up a stake, and the first thing you know they’re poundin’ their tail on some other ranch. They ain’t got nothing to look ahead to.” – I mean, you’re not wrong George. Ranchhands are typically pretty lonely, especially in those olden days.

What will you gain: A love-hate relationship for this novel. Seriously. I love it so much I gave it four gold stars. But I hate it so much because man, it was a bit of a bore.

“Maybe ever’body in the whole damn world is scared of each other.”
  
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Rambo: Last Blood (2019)
Rambo: Last Blood (2019)
2019 | Action, Adventure, Drama
Hopefully this truly is Last Blood.
In Sylvester Stallone's fifth and (hopefully) final outing as one-man army John Rambo, we find the eponymous hero enjoying the quiet life on the Texas ranch he returned to at the end of "Rambo (2008)".

The character is still as reflective and composed as ever, with hints and flashbacks to his ongoing struggle with PTSD following his experiences in Vietnam. He trains horses on the ranch and acts as surrogate father to his college-bound niece, played by the relatively-unknown and absolutely stunning Yvette Monreal. He also has an unfathomably complex network of tunnels dug beneath his property, which could never have been done by one man, even in the 11 years that have past since the last movie.

The first ten minutes set the scene and familiarizes the audience with characters old and new. Having watched all four previous films in preparation for this one, it's quite sad to see how much the essence of Rambo as a person has changed. The first three all followed the same theme - a reluctant warrior with a muted self-loathing of the terrible abilities he has been blessed with, begrudgingly fighting someone else's war because he can't stop himself from doing what he thinks is right. The fourth one took the series in a different yet understandable direction - he's getting older, he's retired from the world, and he's minding his own business when trouble happens to find him. Then, the old Rambo we saw in "Rambo: First Blood - Part II (1985)" comes out and lays waste to everyone. But in this latest film, you barely recognize the character compared to the previous entries. He doesn't look or feel like the Rambo we've known over the years, which means this film struggles to look and feel like a Rambo film.

The next five minutes establishes the upcoming plot of the movie (such as it is), which is transparent and predictable. It then morphs into "Taken (2008)" on steroids! It takes a nice diversion at first, showing Rambo take on an entire Mexican people-trafficking ring, only to get the living hell beaten out of him. What you might think would happen in real life, but you kind of expected Rambo to go all "Rambo" on them, so when he doesn't, it's almost a pleasant surprise.

However, normal business soon resumes. Another tussle with some of the Mexican bad guys sets up the final act, which is Rambo vs. Every Mexican Criminal Ever - clips of which you will have seen in the trailer.

This is where the film lets itself down, if I'm honest. You would expect the finale to be the big payoff, but it actually ruins what would otherwise have been a half-decent film. It would be silly of me to criticize a Rambo film for being unrealistic. That being said, there's pushing the boundaries of belief, and then there's just lazy writing!

The final act begins. Five trucks of bad guys show up. Around 20-25 armed men are shown approaching Rambo's location. It's no spoiler to say he probably kills about 50 in total. Not sure where all the disposable enemies came from, but he didn't seem to mind.

Then there's the five-minute montage of him booby-trapping his ranch prior to the bad guys showing up. Something he did without any actual evidence they would come for him - just an assumption that somewhere there's a group of people who probably want to try and kill him, so best to be prepared. The whole scene feels like what would happen if "Deadpool (2016)" and "Home Alone (1990)" had a baby. Don't get me wrong, it was mindless, cringe-inducing, blood-soaked fun, but a lot of it felt unnecessarily complicated.

And then there's the violence itself. I love an action movie that drowns in crimson as much as the next person, but a lot of the violence felt like it was there for the sake of it. Like the producers said, 'We've got the 18-certificate, so let's make use of it.' I'm sure there's a deep-rooted psychological argument to be made for it. Like it's intentionally over the top to serve as a metaphor for the horrors Rambo suffered in Vietnam or something. Personally, I don't think this film is capable of being that deep and meaningful.

I really, really wanted this film to be good. I enjoyed the others and I wanted to enjoy this one. And I did, to an extent, I guess. But the whole film felt pointless. I understand the thinking that the series needed a proper and fitting end to the character's arc. But, if I'm being honest, you could've said the last film did that. It actually provides a better ending to the character than this one. The way he returned from Burma and is last seen approaching the family ranch after 30+ years away... you could've ended it there and left it to the audience's imaginations as to how he lived out the rest of his life. But money talks, and unfortunately, it ruined an otherwise successful and enjoyable franchise that had simply ran its course. A prime example of not knowing when to quit, this sentiment is echoed by Stallone's aging appearance, which takes away what credibility this character had left.

A real shame, but sadly, this isn't a film that's worth watching, unless you're a true die-hard fan of the character, in which case you'll want to watch it just because, but you'll be left disappointed.
  
P(
Possession (Possession, #1)
6
6.0 (1 Ratings)
Book Rating
I haven't figured out how I feel about Possession. I'm not sure if it's a 5 star book or a 1 star book.

Short story: It's really good.

Long story: well, that's a bit more involved.

Reasons this book was really good:

1. Pacing: Excellent. One thing leads to another, it's almost impossible to put down, and the tension never really goes away.
2. Good dialogue, good but concise descriptions, catchy interior monologue.
3. Good characters.
4. Jag is really sexy.

Reasons I wanted to slam my head against a wall while I was reading it:

1. Jag is awesome. Vi is awesome. Their relationship? Extremely dysfunctional. They are freaking bi-polar. One minute they're having a decent conversation, the next someone jumps to a conclusion and gets emotionally hurt and storms off, twenty-four hours and a hot shower later, they're sorry and cuddling and making out. THIS IS NOT A GOOD EXAMPLE OF A RELATIONSHIP. Oh my word.
2. I got lost around Chapter 30. Stuff started happening, I could never tell if Vi was Vi or if she was dreaming, sometimes something would happen and it was a little cryptic, and confusing, and one thing stacked on top of another until by chapter 40 I was like "what the crap is going on?" I seriously closed the book and wasn't going to finish but I just HAD to know what happened. (I really should have quit while I was ahead.)
3. I got to the point where I couldn't tell who was the good guy and who was the bad guy, and I kind of stopped caring.

Reasons why the ending pissed me off:

1. The only bad guy who could have become good, didn't.
2. Then, the bad guys won.

Honestly, now that I've finished it, I really wish I hadn't. Luckily I checked Goodreads and found out it was book 1 in a series. Because THAT'S NOT AN ENDING. That was worse than The Hunger Games and Catching Fire endings!!!

Content/Recommendation: Some language and kissing, ages 16+
  
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Icons (Icons, #1)
6
6.0 (1 Ratings)
Book Rating
This book had a lot of potential, and I was really getting into it… before I just got too out of it to keep going. Maybe one day I’ll read it again but I stopped at chapter 8.

There are only two reasons why. Which is really too bad because like I said, there was A LOT of potential here.

1. Emotionally sappy. Sap city, guys. "It was like “Our wrists touched and I felt it tingling down my arm and into my toes to the depths of my soul” kind of sappy. Overdramatic is another way to say it. I’ve talked about this before, and I’m sure I’ll talk about it again… romantic scenes are hard to write. But if you suck at them, find a way to tell the romantic story without writing sucky scenes.

2. The story itself was almost a repeat of The Hunger Games. Now I know, there are a lot of major differences, but let’s look at the similarities: An evil all-powerful and all-controlling government, a creepy government leader, a boy and a girl who are totally in love with each other but won’t admit it are trying to bring it down and just get back to the way things are supposed to be, they get brought to the main city and forced to participate in something they don’t want to do but don’t have a choice in… etc. Also, love triangle. Yeah. It’s The Hunger Games but more sci-fi technically advanced.

It just wasn’t for me. That being said, there were a lot of good things about it! It was exciting, it drew you in right away, the characters were distinct, the setting and descriptions were excellent. It was just those two things that kept coming back to me, and I knew there was no way I was going to be able to finish listening to it.

Content/Recommendation: occasional use of light language. Ages 13+