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LeftSideCut (3778 KP) rated Iron Man 3 (2013) in Movies
Sep 27, 2020
Full disclosure - I hated Iron Man 3 upon release. As a kid, growing up and reading Marvel comics, I was so excited to finally see The Mandarin bought to life, with Ben Kingsley of all people in the role. So when the Mandarin twist hit just over halfway through the runtime, it annoyed me so much that I just couldn't enjoy the rest of the film.
Fast forward a few years and I can just about look past it and find the positives in this threequel.
There's a lot less Iron Man this time around, and a lot more Tony Stark. This isn't an issue though as luckily Robert Downey Jr. is reliable as ever further proving why Iron Man has become the face of Marvel Studios.
There's also a lot of emphasis on his relationship with Pepper (Gwyneth Paltrow), which is a great aspect of this movie. It really drills home how human Tony's story is, even with all the crazy tech flying around.
An issue I do have with Iron Man 3 is the villains however. Marvel Studios are still balls deep in the habit of having boring bad guys at this point, and Aldrich Killian (Guy Pearce) is unfortunately another underwhelming antagonist to add to the pile (although I can appreciate that Shane Black didn't resort to another evil-person-in-an-Iron-Man/hero-suit, an issue that seems to plague these movies).
I like Guy Pearce generally, and he's doing his best to ham it up, but it just lands flat and severely de-rails the film as a whole.
Ben Kingsley is great as usual. It's not his fault that the writers fucked with The Mandarin so much, and he works wonders with what he's given.
Iron Man 3 does boast some decent set pieces. Tony's home being blown to shit is a highlight, and the finale is pretty fun and aestheticly fan pleasing with the House Party Protocol. The CGI is near flawless, even 7 years later.
Overall then, not the worst of the bunch but certainly not in the top 50% (for me anyway) but still an important part of the overarching MCU narrative.
Fast forward a few years and I can just about look past it and find the positives in this threequel.
There's a lot less Iron Man this time around, and a lot more Tony Stark. This isn't an issue though as luckily Robert Downey Jr. is reliable as ever further proving why Iron Man has become the face of Marvel Studios.
There's also a lot of emphasis on his relationship with Pepper (Gwyneth Paltrow), which is a great aspect of this movie. It really drills home how human Tony's story is, even with all the crazy tech flying around.
An issue I do have with Iron Man 3 is the villains however. Marvel Studios are still balls deep in the habit of having boring bad guys at this point, and Aldrich Killian (Guy Pearce) is unfortunately another underwhelming antagonist to add to the pile (although I can appreciate that Shane Black didn't resort to another evil-person-in-an-Iron-Man/hero-suit, an issue that seems to plague these movies).
I like Guy Pearce generally, and he's doing his best to ham it up, but it just lands flat and severely de-rails the film as a whole.
Ben Kingsley is great as usual. It's not his fault that the writers fucked with The Mandarin so much, and he works wonders with what he's given.
Iron Man 3 does boast some decent set pieces. Tony's home being blown to shit is a highlight, and the finale is pretty fun and aestheticly fan pleasing with the House Party Protocol. The CGI is near flawless, even 7 years later.
Overall then, not the worst of the bunch but certainly not in the top 50% (for me anyway) but still an important part of the overarching MCU narrative.
LeftSideCut (3778 KP) rated From Dusk Till Dawn (1996) in Movies
Jan 23, 2021
From Dusk Till Dawn is a good enough Tarantino/Rodriguez style crime caper for the first hour, carried by its cast and polar opposite characters. On one side of the coin, there's the wholesome Fuller family, played by Harvey Keitel, Juliette Lewis, and Ernest Liu. These characters are the good guys if you will, with just enough development given to be on their team. The other side of the coin serves us the Gecko brothers, played by George Clooney and Quentin Tarantino, two criminals who take the Fullers hostage on their way to Mexico. These two are fucking deplorable, Richie (Tarantino) being a dangerous psychopath with no regard for human life, and Seth (Clooney) just being an arrogant asshat who flits between condemning his brothers behaviour and encouraging it. They're so damn unlikable, but when the five characters are together, it provides us with an electric dynamic, one where they end up depending on eachother to survive.
Other than that, it's good enough. Sure it's stylish, but it's not a scratch on Pulp Fiction or Desperado in what's it's trying to be.
But then the twist kicks in, and Christ does this movie ascend to near greatness. When the Fullers and Geckos arrive in Mexico and head to The Titty Twister bar, shit hits the fan pretty quick, and it goes from good enough crime movie, to all out sticky gross gore filled vampire horror show in seconds. The mix of practical effects and CG is wonderfully balanced, and the aesthetic is hugely reminiscent of Evil Dead II. It's no surprise to see Greg Nicotero among the credits.
This second half is just a whole boat of fun, and is the reason why FDTD is rightly considered a cult classic. Tarantinos screenplay is great (casually ignoring the fact he wrote himself into a scene where he could have Salma Hayeks toes in his mouth) and the addition of actors such as Hayek, Danny Trejo, Cheech Marin, Tom Savini, and Fred Williamson for this tongue-in-cheek, splatter fest of a third act is the cherry on top.
From Dusk Till Dawn is a blast for sure. Its stumbles here and there, but is another fine entry in the Robert Rodriguez catalogue.
Other than that, it's good enough. Sure it's stylish, but it's not a scratch on Pulp Fiction or Desperado in what's it's trying to be.
But then the twist kicks in, and Christ does this movie ascend to near greatness. When the Fullers and Geckos arrive in Mexico and head to The Titty Twister bar, shit hits the fan pretty quick, and it goes from good enough crime movie, to all out sticky gross gore filled vampire horror show in seconds. The mix of practical effects and CG is wonderfully balanced, and the aesthetic is hugely reminiscent of Evil Dead II. It's no surprise to see Greg Nicotero among the credits.
This second half is just a whole boat of fun, and is the reason why FDTD is rightly considered a cult classic. Tarantinos screenplay is great (casually ignoring the fact he wrote himself into a scene where he could have Salma Hayeks toes in his mouth) and the addition of actors such as Hayek, Danny Trejo, Cheech Marin, Tom Savini, and Fred Williamson for this tongue-in-cheek, splatter fest of a third act is the cherry on top.
From Dusk Till Dawn is a blast for sure. Its stumbles here and there, but is another fine entry in the Robert Rodriguez catalogue.
Eleanor Luhar (47 KP) rated Am I Normal Yet? in Books
Jun 24, 2019
Holly Bourne writes about two of my absolute favourite topics: feminism and mental health.
So Evie is a teenage girl, who desperately wants to be "normal". She's been diagnosed with Generalised Anxiety Disorder and OCD, and is trying so, so hard to prevent them from ruling her life anymore.
Evie combats a number of issues in this book, such as the stigma around mental health, and the misuse of diagnoses (eg. "I like things neat, I'm so OCD"). She's such a real character, who makes mistakes and upsets people and keeps secrets. She shares her bad thoughts, her rituals and her worries with us, which makes this book so fantastically relatable for people with similar thoughts.
Like everyone else suffering with mental illnesses, Evie has a ton on her plate. Recovery, boy problems, friendship problems... And her desperation to just be normal for once, which leads her into a teenage guys bedroom and triggers a horrific relapse.
This doesn't have a typical happy ending. Yes, things do get better at the end, but Evie doesn't magically beat her illnesses or avoid a relapse altogether - because that's just unrealistic. Mental health doesn't work like that. Recovering from a mental illness is a rollercoaster, with about a thousand loops.
The girls - the Spinsters as they decide to call themselves - are all fabulous too. They talk about all the things that people don't talk about enough, including periods and the difference between mental health care for males versus females. I think these are all such important topics, and are covered fantastically in this novel from a teenage girl's viewpoint.
Overall, I think this is just such a wonderful, important book. For those of us who are struggling with mental health issues, it helps us to feel less alone, and lets us know that our problems are not uncommon. For other people, the more "normal" people, Am I Normal Yet? provides an accurate insight into the mind of someone who's not having such a great time mentally. I really loved this book and all the topics it includes. A new favourite of mine, with 5 stars.
So Evie is a teenage girl, who desperately wants to be "normal". She's been diagnosed with Generalised Anxiety Disorder and OCD, and is trying so, so hard to prevent them from ruling her life anymore.
Evie combats a number of issues in this book, such as the stigma around mental health, and the misuse of diagnoses (eg. "I like things neat, I'm so OCD"). She's such a real character, who makes mistakes and upsets people and keeps secrets. She shares her bad thoughts, her rituals and her worries with us, which makes this book so fantastically relatable for people with similar thoughts.
Like everyone else suffering with mental illnesses, Evie has a ton on her plate. Recovery, boy problems, friendship problems... And her desperation to just be normal for once, which leads her into a teenage guys bedroom and triggers a horrific relapse.
This doesn't have a typical happy ending. Yes, things do get better at the end, but Evie doesn't magically beat her illnesses or avoid a relapse altogether - because that's just unrealistic. Mental health doesn't work like that. Recovering from a mental illness is a rollercoaster, with about a thousand loops.
The girls - the Spinsters as they decide to call themselves - are all fabulous too. They talk about all the things that people don't talk about enough, including periods and the difference between mental health care for males versus females. I think these are all such important topics, and are covered fantastically in this novel from a teenage girl's viewpoint.
Overall, I think this is just such a wonderful, important book. For those of us who are struggling with mental health issues, it helps us to feel less alone, and lets us know that our problems are not uncommon. For other people, the more "normal" people, Am I Normal Yet? provides an accurate insight into the mind of someone who's not having such a great time mentally. I really loved this book and all the topics it includes. A new favourite of mine, with 5 stars.
LeftSideCut (3778 KP) rated Child's Play (2019) in Movies
Jun 25, 2019 (Updated Jun 27, 2019)
This one's for 2Pac
Contains spoilers, click to show
Child's Play is really a film of two halves - the first being the better half and here's why:
The film starts off introducing us to Buddi (this remakes version of the originals Good Guys), and briefly explains that what will eventually end up as Chucky, is a defective product - a robot that connect to any device to your home, with all his safety protocols switched off.
This is the first thing that I imagine will piss off Chucky purists but it's a change that I thought was fine.
When the plot gets going and 13-year old Andy is acquainted with his new toy, is where the movie really shines. Chucky learns from Andy and just wants to make his new best friend happy, to the point that it paints Chucky as sympathetic. It's actually quite upsetting when he begs not to be shut in a dark closet, after not understanding why his violent tendencies have upset his friend.
The design of the doll itself, I thought was pretty good. He looks creepy as hell, and the way his eyes change colour just add to the whole set up... Plus Mark Hamill is clearly having a ball voicing Chucky - inspired casting right there.
The main problem I have with the cast was Aubrey Plaza, who's great in Parks and Rec, Scott Pilgrim, Legion etc, but here usual wide eye, psycho, sarcastic act doesn't really fit in with her role as mother to Andy.
Then there's the second half of the film, which to me felt very rushed, where Chucky goes full blown crazy, and starts controlling other Buddi dolls - an idea which is absolutely fine (and probably what will happen in the sequel), but the movie skirts by it pretty quickly. After building up for over an hour, a lot of explanations are left out, to make way for a violent show down finale between Chucky and Andy, that almost feels a bit unearned.
Overall though, Child's Play is a pretty fun horror trip, that sets itself apart from the original pretty nicely. I sincerely hope it's not just a one off, and we get more in the future.
The film starts off introducing us to Buddi (this remakes version of the originals Good Guys), and briefly explains that what will eventually end up as Chucky, is a defective product - a robot that connect to any device to your home, with all his safety protocols switched off.
This is the first thing that I imagine will piss off Chucky purists but it's a change that I thought was fine.
When the plot gets going and 13-year old Andy is acquainted with his new toy, is where the movie really shines. Chucky learns from Andy and just wants to make his new best friend happy, to the point that it paints Chucky as sympathetic. It's actually quite upsetting when he begs not to be shut in a dark closet, after not understanding why his violent tendencies have upset his friend.
The design of the doll itself, I thought was pretty good. He looks creepy as hell, and the way his eyes change colour just add to the whole set up... Plus Mark Hamill is clearly having a ball voicing Chucky - inspired casting right there.
The main problem I have with the cast was Aubrey Plaza, who's great in Parks and Rec, Scott Pilgrim, Legion etc, but here usual wide eye, psycho, sarcastic act doesn't really fit in with her role as mother to Andy.
Then there's the second half of the film, which to me felt very rushed, where Chucky goes full blown crazy, and starts controlling other Buddi dolls - an idea which is absolutely fine (and probably what will happen in the sequel), but the movie skirts by it pretty quickly. After building up for over an hour, a lot of explanations are left out, to make way for a violent show down finale between Chucky and Andy, that almost feels a bit unearned.
Overall though, Child's Play is a pretty fun horror trip, that sets itself apart from the original pretty nicely. I sincerely hope it's not just a one off, and we get more in the future.
Debbiereadsbook (1166 KP) rated Blue Fire in Books
Aug 26, 2019
it hit THAT spot, good and proper!
This was a freebie in August 2019.
Jared loses his home to a wildfire, and Adam rescues him. Adam doesn’t usually follow up his rescues, but Jared calls to his soul, deeply. When Jared isn’t recovering from his depression, Adam takes a chance and takes Jared to the place Adam calls home. Just when things start looking up, Jared runs. Years later, when Jared finds out Adam has been injured, Jared has moment of clarity, and realises he might have run away from the only person who made him truly whole. Will Adam see him, let alone listen to him?
I really rather enjoyed this!
It’s not very long, some 80 odd pages, only took me an hour to read, but it was a very enjoyable hour on a wet and miserable Wednesday morning!
Jared is still grieving the loss of his husband to cancer, and now the house he built has been destroyed and Jared feels destroyed too. Adam, with his ice blue eyes, rescues Jared from the blaze and visits him in rehab. Adam feels a powerful need to look in on Jared, to look AFTER Jared, and taking him to the cabin in the hills seems just the thing. And it was, till one of them says something, that sends them both into a tailspin and Adam has to return to work. After Jared runs, three years pass, and Jared’s glass work centres around his search for that perfect blue, the one that touches his soul. But it isn’t until Adam is injured, that Jared knows he’ll never find that perfect blue in a glass bauble.
I felt for both these guys. Adam, fighting his growing feelings for Jared, and Jared who is still recovering, and fighting all kinds of inner demons of his own.
They both have a say, in the third person. It’s hot and steamy in places, and deeply emotional in others.
It just hit THAT spot, you know? The warm and fuzzies one.
First I’ve read of this author, I’d love to read more!
4 solid stars
**same worded review will appear elsewhere**
Jared loses his home to a wildfire, and Adam rescues him. Adam doesn’t usually follow up his rescues, but Jared calls to his soul, deeply. When Jared isn’t recovering from his depression, Adam takes a chance and takes Jared to the place Adam calls home. Just when things start looking up, Jared runs. Years later, when Jared finds out Adam has been injured, Jared has moment of clarity, and realises he might have run away from the only person who made him truly whole. Will Adam see him, let alone listen to him?
I really rather enjoyed this!
It’s not very long, some 80 odd pages, only took me an hour to read, but it was a very enjoyable hour on a wet and miserable Wednesday morning!
Jared is still grieving the loss of his husband to cancer, and now the house he built has been destroyed and Jared feels destroyed too. Adam, with his ice blue eyes, rescues Jared from the blaze and visits him in rehab. Adam feels a powerful need to look in on Jared, to look AFTER Jared, and taking him to the cabin in the hills seems just the thing. And it was, till one of them says something, that sends them both into a tailspin and Adam has to return to work. After Jared runs, three years pass, and Jared’s glass work centres around his search for that perfect blue, the one that touches his soul. But it isn’t until Adam is injured, that Jared knows he’ll never find that perfect blue in a glass bauble.
I felt for both these guys. Adam, fighting his growing feelings for Jared, and Jared who is still recovering, and fighting all kinds of inner demons of his own.
They both have a say, in the third person. It’s hot and steamy in places, and deeply emotional in others.
It just hit THAT spot, you know? The warm and fuzzies one.
First I’ve read of this author, I’d love to read more!
4 solid stars
**same worded review will appear elsewhere**
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BankofMarquis (1832 KP) rated The Iron Giant (1999) in Movies
Jun 14, 2020
A Warm Tale of Friendship
In the 1990's, it was rare for a studio besides Disney to release an animated film. So when Warner Brothers (home of Bugs Bunny) decided to release an animated film, everyone expected it to be some sort of "Looney Tunes" and were sorely disappointed when it was not.
And that is too bad...for the film that was released - THE IRON GIANT - is a wonderfully warm and heartwarming tale of friendship, acceptance and, yes, intolerance of those different from you, set against the backdrop of the Cold War of the 1950's.
Marking the full length feature animation Directing debut by Brad Bird (THE INCREDIBLES), THE IRON GIANT tells the tale of young Hogarth, who finds a...well...Iron Giant... who has fallen to Earth from Outer Space. Hogarth befriends The Iron Giant and helps to hide him from Military-types who see this as a threat to the safety, security and superiority of the United States.
Featuring the vocal talents of Jennifer Aniston, John Mahoney, Harry Connick, Jr., Christopher McDonald and Eli Marienthal (as Hogarth), this film is warm and inviting, showing "good characters" that you want to root for and spend time with spar with "bad guys" that you want to see defeated. All of this over a character that is naive to what is going on around him. Special notice should be made of Vin Diesel's vocal work as The Iron Giant. He says very few things, but the words that he does say, convey strong emotions.
You can see the seeds of THE INCREDIBLES in this work of Director Bird. The action sequences are fun and effective and are off-set by slower, more personal, scenes of the characters getting to know - and interact with - each other. He shows a deft touch in balancing these items, finding the right amount of pathos and pace throughout.
The main themes in this film - fearing that which you do not know/do not care to understand resonates to this day and is a reminder that kindness can go much further than fear/ignorance/intolerance.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that is too bad...for the film that was released - THE IRON GIANT - is a wonderfully warm and heartwarming tale of friendship, acceptance and, yes, intolerance of those different from you, set against the backdrop of the Cold War of the 1950's.
Marking the full length feature animation Directing debut by Brad Bird (THE INCREDIBLES), THE IRON GIANT tells the tale of young Hogarth, who finds a...well...Iron Giant... who has fallen to Earth from Outer Space. Hogarth befriends The Iron Giant and helps to hide him from Military-types who see this as a threat to the safety, security and superiority of the United States.
Featuring the vocal talents of Jennifer Aniston, John Mahoney, Harry Connick, Jr., Christopher McDonald and Eli Marienthal (as Hogarth), this film is warm and inviting, showing "good characters" that you want to root for and spend time with spar with "bad guys" that you want to see defeated. All of this over a character that is naive to what is going on around him. Special notice should be made of Vin Diesel's vocal work as The Iron Giant. He says very few things, but the words that he does say, convey strong emotions.
You can see the seeds of THE INCREDIBLES in this work of Director Bird. The action sequences are fun and effective and are off-set by slower, more personal, scenes of the characters getting to know - and interact with - each other. He shows a deft touch in balancing these items, finding the right amount of pathos and pace throughout.
The main themes in this film - fearing that which you do not know/do not care to understand resonates to this day and is a reminder that kindness can go much further than fear/ignorance/intolerance.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Simpsons™: Tapped Out
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8.2
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