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Chris Sawin (602 KP) rated All the Boys Love Mandy Lane (2006) in Movies
Jun 18, 2019
Mandy Lane (Amber Heard) becomes the most desirable girl in high school over one fateful summer; she's definitely not like the other girls her age though. While most guys want to do everything imaginable to her, she's turned them all down. The only guy she really gives the time of day is her best friend, Emmet (Michael Welch). That is until a certain incident at a pool party comes between them. Now nine months later, Mandy has distanced herself from Emmet and has a group of new friends. These friends have decided to invite Mandy to a ranch out in the middle of nowhere for a few days and the guys who tag along hope to accomplish what, up to this point, has been impossible. But when people begin to turn up missing, they soon realize that they're not alone and someone is taking their obsession with Mandy Lane a little too far.
All the Boys Love Mandy Lane was like an urban myth for the longest period of time. The film debuted at the Toronto International Film Festival in 2006 and released in the UK in 2008. It seemed to be released in every country other than the US shortly thereafter and it took another excruciating five years since it didn’t debut stateside until October of 2013. For a film that was originally shot in 2006, taking seven years to finally see distribution is bizarre and disheartening. The horror film originally caught the eye of The Weinstein Company immediately after debuting at TIFF, but the Weinstein brothers couldn’t come to a decision regarding its release (Harvey wanted a wide theatrical distribution while Bob thought the “artsy” film deserved more of a limited release). Rights to the film were eventually sold to a German company called Senator Entertainment US, who released the film in Germany and Austria and had the intention of premiering the film in the US. But the US branch of Senator Entertainment US went under in 2009 and rights to the film were dead in the water until The Weinstein Company reacquired distribution rights in 2013. The film was released on demand on September 6th with a limited theatrical run October 11th the same year.
The crew for the film consisted of college students freshly graduated from the American Film Institute. Producer Chad Feehan had the film as his thesis during college as work on the project initially began in 2003. Written by Jacob Forman and directed by Jonathan Levine (50/50, Warm Bodies), the film garnered an unbelievable amount of positive buzz online that accumulated into this massive pile of insurmountable expectations. Reading about the film for so long and hearing about how good it was from the biggest of horror sites probably inadvertently hurt the film more than it escalated interest for it.
All the Boys Love Mandy Lane takes a Dazed and Confused approach to the first half of the film. Similar to how Wolf Creek had you swimming through 45-minutes of character development before the actual horror began (or how Hatchet was silly for the same amount of time before diving into awesome practical gore effects), All the Boys Love Mandy Lane is mostly high school kids getting into typical teenager shenanigans; drinking alcohol, doing drugs, and having sex. The second half of the film is pure horror and is essentially a slasher film. The horror is teased at first with little glimpses of terror before diving right back into high school mode, but the film is able to intensify its sense of dread to the point where it’s eventually beautifully horrific in every scene.
For a film that is made by first time filmmakers for less than $1 million, All the Boys Love Mandy Lane has beautiful cinematography. Vivid colors jump off the screen and seem even lusher once the film begins to cover itself in mud and dirt. Cinematographer Darren Genet has an eye for dynamic angles and utilizing when to focus and blur menacing figures in the background (or foreground) for maximum impact. The film also has a tendency to overlap shots in order to create an entirely new, which can probably be contributed to the talent of film editor Josh Noyes (The Wackness). These impressive filming techniques shine brightest when Bird (Edwin Hodge) is on-screen; when he goes to start the generator after the power goes out, when he confronts the killer, and the car chase. Like other successful film genres, horror can often become formulaic not only when it comes to its writing or how its acted but how it’s shot. It’s always a breath of fresh air when you can say a film is unique in some capacity; especially horror.
With Michael Welch mostly being associated with portraying popular high school student Mike Newton in the Twilight franchise, your expectations for a memorable performance from Welch in All the Boys Love Mandy Lane are probably fairly low. Around the time Mandy Lane was in peak hype mode, Welch was in the abysmal Day of the Dead remake. Directed by Steve Miner (Halloween H20) and also starring Nick Cannon, Day of the Dead is an atrocious remake (but maybe 2018’s remake Day of the Dead: Bloodline is worse). However, Welch’s portrayal of Emmet in Mandy Lane is exceptional. His performance, especially during the closing moments of the film, is captivating. He has this American Psycho quality to his psychotic behavior that is hauntingly mesmerizing.
All the Boys Love Mandy Lane puts a different spin on the slasher film that would have had way more of an impact had it originally been released ten years ago instead of five. The film does require patience from the audience as the film takes a slow and steady approach to its eventual slasher nature. While the outcome is likely fairly predictable, watching how everything unfolds in Mandy Lane is where it shines. The ending is the film’s crown jewel and even though the killer is revealed its open ending suits the film’s already ambiguous nature. Now that All the Boys Love Mandy Lane is readily available at your fingertips, its originality seemed much more promising when it felt like it was the holy grail of horror films (kind of like The Poughkeepsie Tapes). The film’s consistency to offer a slasher that cuts in a different direction than most horror films along with Michael Welch’s brilliantly unbalanced performance makes All the Boys Love Mandy Lane a worthwhile experience.
All the Boys Love Mandy Lane is currently free to stream on Amazon if you have Starz with Prime Video Channels. It’s also currently available to rent via Amazon Video ($2.99), Vudu ($2.99), and iTunes ($3.99). The film is can be purchased on DVD ($9.91) and Multi-Format Blu-ray ($12.99) on Amazon and is even cheaper on eBay (the Blu-ray is available for $8.99 and the DVD is $7.98, both have free shipping).
All the Boys Love Mandy Lane was like an urban myth for the longest period of time. The film debuted at the Toronto International Film Festival in 2006 and released in the UK in 2008. It seemed to be released in every country other than the US shortly thereafter and it took another excruciating five years since it didn’t debut stateside until October of 2013. For a film that was originally shot in 2006, taking seven years to finally see distribution is bizarre and disheartening. The horror film originally caught the eye of The Weinstein Company immediately after debuting at TIFF, but the Weinstein brothers couldn’t come to a decision regarding its release (Harvey wanted a wide theatrical distribution while Bob thought the “artsy” film deserved more of a limited release). Rights to the film were eventually sold to a German company called Senator Entertainment US, who released the film in Germany and Austria and had the intention of premiering the film in the US. But the US branch of Senator Entertainment US went under in 2009 and rights to the film were dead in the water until The Weinstein Company reacquired distribution rights in 2013. The film was released on demand on September 6th with a limited theatrical run October 11th the same year.
The crew for the film consisted of college students freshly graduated from the American Film Institute. Producer Chad Feehan had the film as his thesis during college as work on the project initially began in 2003. Written by Jacob Forman and directed by Jonathan Levine (50/50, Warm Bodies), the film garnered an unbelievable amount of positive buzz online that accumulated into this massive pile of insurmountable expectations. Reading about the film for so long and hearing about how good it was from the biggest of horror sites probably inadvertently hurt the film more than it escalated interest for it.
All the Boys Love Mandy Lane takes a Dazed and Confused approach to the first half of the film. Similar to how Wolf Creek had you swimming through 45-minutes of character development before the actual horror began (or how Hatchet was silly for the same amount of time before diving into awesome practical gore effects), All the Boys Love Mandy Lane is mostly high school kids getting into typical teenager shenanigans; drinking alcohol, doing drugs, and having sex. The second half of the film is pure horror and is essentially a slasher film. The horror is teased at first with little glimpses of terror before diving right back into high school mode, but the film is able to intensify its sense of dread to the point where it’s eventually beautifully horrific in every scene.
For a film that is made by first time filmmakers for less than $1 million, All the Boys Love Mandy Lane has beautiful cinematography. Vivid colors jump off the screen and seem even lusher once the film begins to cover itself in mud and dirt. Cinematographer Darren Genet has an eye for dynamic angles and utilizing when to focus and blur menacing figures in the background (or foreground) for maximum impact. The film also has a tendency to overlap shots in order to create an entirely new, which can probably be contributed to the talent of film editor Josh Noyes (The Wackness). These impressive filming techniques shine brightest when Bird (Edwin Hodge) is on-screen; when he goes to start the generator after the power goes out, when he confronts the killer, and the car chase. Like other successful film genres, horror can often become formulaic not only when it comes to its writing or how its acted but how it’s shot. It’s always a breath of fresh air when you can say a film is unique in some capacity; especially horror.
With Michael Welch mostly being associated with portraying popular high school student Mike Newton in the Twilight franchise, your expectations for a memorable performance from Welch in All the Boys Love Mandy Lane are probably fairly low. Around the time Mandy Lane was in peak hype mode, Welch was in the abysmal Day of the Dead remake. Directed by Steve Miner (Halloween H20) and also starring Nick Cannon, Day of the Dead is an atrocious remake (but maybe 2018’s remake Day of the Dead: Bloodline is worse). However, Welch’s portrayal of Emmet in Mandy Lane is exceptional. His performance, especially during the closing moments of the film, is captivating. He has this American Psycho quality to his psychotic behavior that is hauntingly mesmerizing.
All the Boys Love Mandy Lane puts a different spin on the slasher film that would have had way more of an impact had it originally been released ten years ago instead of five. The film does require patience from the audience as the film takes a slow and steady approach to its eventual slasher nature. While the outcome is likely fairly predictable, watching how everything unfolds in Mandy Lane is where it shines. The ending is the film’s crown jewel and even though the killer is revealed its open ending suits the film’s already ambiguous nature. Now that All the Boys Love Mandy Lane is readily available at your fingertips, its originality seemed much more promising when it felt like it was the holy grail of horror films (kind of like The Poughkeepsie Tapes). The film’s consistency to offer a slasher that cuts in a different direction than most horror films along with Michael Welch’s brilliantly unbalanced performance makes All the Boys Love Mandy Lane a worthwhile experience.
All the Boys Love Mandy Lane is currently free to stream on Amazon if you have Starz with Prime Video Channels. It’s also currently available to rent via Amazon Video ($2.99), Vudu ($2.99), and iTunes ($3.99). The film is can be purchased on DVD ($9.91) and Multi-Format Blu-ray ($12.99) on Amazon and is even cheaper on eBay (the Blu-ray is available for $8.99 and the DVD is $7.98, both have free shipping).
Purple Phoenix Games (2266 KP) rated Disney Villainous in Tabletop Games
Jan 6, 2020
I am a sucker for a great theme. Or themes that turn the game around. Such is the case with Disney Villainous. Not often does a game allow you to play AS the bad guys against the good guys. That premise is interesting to me, and as I saw this release last year, I just knew I had to have it. Now that I have played it several times, with and without the first expansion, what do I have to say about it? Read on.
Disney Villainous (“Villainous” from here on) is a card game that pits players against each other in a race to complete individualized objectives to win the game. Players are in direct competition with each other and have devices to employ to spoil the plans of their competitors. Can Maleficent place out curses on all the lands in her realm before Hades can have three Titans storm on Mount Olympus? Can Prince John attain 20 power before either of them win the game? Such is Villainous.
DISCLAIMER: This game has a few standalone expansions now, with more on the way I’m sure. We are using components from the base game as well as the first expansion, “Wicked to the Core,” for this review. Should we decide to review the expansions as standalone games, we will link to the new material here. Furthermore, I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. -T
To setup, each player will choose a big bad to play. Each character comes equipped with a colored pawn, a realm board with four locations, a deck of cards with matching pawn colored backs, a Fate deck with white back, and a playbook with tips on how to play that character. Also give every player a reference card that details the actions available. Shuffle each deck separately, give the starting player zero power from the cauldron, the second player one power, the third player two power, etc. Each player draws a hand of four colored back cards. Begin the game with the pawns on the leftmost location on the realm board and you are now ready to play.
Play works thusly: move your pawn to any unlocked location, complete any or all actions available at the location, draw your hand back up to four, next player. You MUST move on your turn, unless a card allows you to stay at your current location on your next turn. Once moved, the location will either show two or four options for actions. These could include play a card, activate a card, discard a card, gain power tokens, move an item or ally, move a Hero card, vanquish a Hero, or play cards from an opponent’s Fate deck. Some actions are self-explanatory (gain power tokens, et al), but some require further explanation.
Some cards will have an activation symbol displayed on them. This means that a pawn has to have been moved to a location with an activate card symbol, and the player must pay to activate the card for its special abilities. Easy. Moving an item, ally, or Hero typically means physically moving the cards from one location to another adjacent location. This is important for some villains’ objectives: cards need to enter play in one location but travel to another as part of the win condition. When a villain moves to a location with the Fate symbol, they will choose an opponent, look at the top two cards of their Fate deck, and choose one card to play and one card to discard. These are especially devious and can greatly hinder the player’s progress. In addition, when a Fate card resides on a realm board it covers the top symbols of a location, thus nullifying the player’s ability to use these symbols on future turns. Using the vanquish symbol requires a Hero to have been played on your board, and having enough strength in allies and items to meet or overcome the Hero’s strength. Heroes and any allies/items used in the fight are then all discarded to the appropriate discard piles.
Play continues in this manner until one player has achieved their victory condition.
Components. I have good and bad news. Good news first. The components are absolutely fabulous! Those pawns. SOOOO good. Each is a somewhat abstracted figure of the villain, but with some concrete callbacks and recognizable features. They are just so dang fun to handle and play with. I think the cards are good quality, but I forgot what they feel like outside of the sleeves I put mine in. The board components are great, the cauldron is flimsy, unnecessary, and unwieldy when putting back in the box, especially if you have one or more expansions. I have not found a decent way to put everything back in one box, so I am resigned to having both boxes with me every time I want to play. That’s the bad. I also have put all my sleeved cards into plastic deck boxes in the main game box along with the cauldron. Everything else gets put in the expansion box. I hope a better storage solution is on the horizon along with future expansions…
So as you can see from our rating graphic on top that we are spread out on this one. I love it, but I don’t see it ever breaching my Top 10 list. It does have a tendency to overstay its welcome with all the Fate cards making it more and more difficult to win the game. Once a player seems to be near winning every other player gangs up, or seems to when I have played. I get that it may come off as a negative, and the play length as well, but it’s all part of villains out-villaining each other. While Josh rated it as a three and may not ever willingly ask to play it, I have it at a five because I think it’s a great game with a wonderful theme, amazing components, and tons of expandability. With that, we at Purple Phoenix Games give Disney Villainous a boding 16 / 24. If you are a big Disney fan, can live with the Take That, and want something that looks incredible on the table, pick it up.
Disney Villainous (“Villainous” from here on) is a card game that pits players against each other in a race to complete individualized objectives to win the game. Players are in direct competition with each other and have devices to employ to spoil the plans of their competitors. Can Maleficent place out curses on all the lands in her realm before Hades can have three Titans storm on Mount Olympus? Can Prince John attain 20 power before either of them win the game? Such is Villainous.
DISCLAIMER: This game has a few standalone expansions now, with more on the way I’m sure. We are using components from the base game as well as the first expansion, “Wicked to the Core,” for this review. Should we decide to review the expansions as standalone games, we will link to the new material here. Furthermore, I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. -T
To setup, each player will choose a big bad to play. Each character comes equipped with a colored pawn, a realm board with four locations, a deck of cards with matching pawn colored backs, a Fate deck with white back, and a playbook with tips on how to play that character. Also give every player a reference card that details the actions available. Shuffle each deck separately, give the starting player zero power from the cauldron, the second player one power, the third player two power, etc. Each player draws a hand of four colored back cards. Begin the game with the pawns on the leftmost location on the realm board and you are now ready to play.
Play works thusly: move your pawn to any unlocked location, complete any or all actions available at the location, draw your hand back up to four, next player. You MUST move on your turn, unless a card allows you to stay at your current location on your next turn. Once moved, the location will either show two or four options for actions. These could include play a card, activate a card, discard a card, gain power tokens, move an item or ally, move a Hero card, vanquish a Hero, or play cards from an opponent’s Fate deck. Some actions are self-explanatory (gain power tokens, et al), but some require further explanation.
Some cards will have an activation symbol displayed on them. This means that a pawn has to have been moved to a location with an activate card symbol, and the player must pay to activate the card for its special abilities. Easy. Moving an item, ally, or Hero typically means physically moving the cards from one location to another adjacent location. This is important for some villains’ objectives: cards need to enter play in one location but travel to another as part of the win condition. When a villain moves to a location with the Fate symbol, they will choose an opponent, look at the top two cards of their Fate deck, and choose one card to play and one card to discard. These are especially devious and can greatly hinder the player’s progress. In addition, when a Fate card resides on a realm board it covers the top symbols of a location, thus nullifying the player’s ability to use these symbols on future turns. Using the vanquish symbol requires a Hero to have been played on your board, and having enough strength in allies and items to meet or overcome the Hero’s strength. Heroes and any allies/items used in the fight are then all discarded to the appropriate discard piles.
Play continues in this manner until one player has achieved their victory condition.
Components. I have good and bad news. Good news first. The components are absolutely fabulous! Those pawns. SOOOO good. Each is a somewhat abstracted figure of the villain, but with some concrete callbacks and recognizable features. They are just so dang fun to handle and play with. I think the cards are good quality, but I forgot what they feel like outside of the sleeves I put mine in. The board components are great, the cauldron is flimsy, unnecessary, and unwieldy when putting back in the box, especially if you have one or more expansions. I have not found a decent way to put everything back in one box, so I am resigned to having both boxes with me every time I want to play. That’s the bad. I also have put all my sleeved cards into plastic deck boxes in the main game box along with the cauldron. Everything else gets put in the expansion box. I hope a better storage solution is on the horizon along with future expansions…
So as you can see from our rating graphic on top that we are spread out on this one. I love it, but I don’t see it ever breaching my Top 10 list. It does have a tendency to overstay its welcome with all the Fate cards making it more and more difficult to win the game. Once a player seems to be near winning every other player gangs up, or seems to when I have played. I get that it may come off as a negative, and the play length as well, but it’s all part of villains out-villaining each other. While Josh rated it as a three and may not ever willingly ask to play it, I have it at a five because I think it’s a great game with a wonderful theme, amazing components, and tons of expandability. With that, we at Purple Phoenix Games give Disney Villainous a boding 16 / 24. If you are a big Disney fan, can live with the Take That, and want something that looks incredible on the table, pick it up.
Beckie Shelton (40 KP) rated Once Upon A (The Stained Duet #1) in Books
Oct 6, 2017
Bloody Hell, What an experience that was, I have absolutely no idea where to start with this review, I have so much white noise running through my head at the mo, this page-turning addictive read has short-wired my ability to well, frankly articulate, I'm like a goldfish gasping unable to convey much at all.
All my concepts and thoughts are ping ponging around my brain as I try to analyse and dissect what I have just indulged in.
So I'm going to try to compartmentalise all my concepts and thoughts internally so I can analyse everything that is "Once Upon A"
I want to remember all my first impressions without forgetting anything as this is such a unique read with so many indefinite angles to the characters involved.
So First Things First, A Warning!!!
This a very dark read, dealing with some very disturbing stuff, if this is not your flavour, well you have been cautioned.
Myself, I happen to like fiction that stretches my boundaries, forcing me to contemplate instances outside my comfort zone, forcing that discomfited almost uneasy feeling.
This definitely Delivered in spades and them some.
So brief synopsis, Alana Williams is an author living with various pen-names One of these names she has decided is going to write the next BDSM/Kink bestseller all she needs is some research into the scene.
Enter Blaine Jacobs, Blaine of the humiliating set-downs and filthy mouth, All round degenerate of the highest order he doesn't play, annihilating his opponent is his kink.
So Alana is going to learn in a big way what it means to be Blaine's obsession and he is going to enjoy every Humiliation and lesson he bestows while making his little brat thank him prettily.
All in the name of research of course.
This Tale is probably gonna be marmite for people, me I abhor the rank stuff, I'm more of a peanut butter sort of gal, this story is so my peanut butter and I was nuts for the whole nine yards.
This book is so much more than the sum of its parts, I really think what this tale ultimately imparted to me, the main lesson I found myself taking away from this was acceptance.
He was right. It's full of honesty and trust, more so perhaps than the normal pronouncement of love. To give yourself to someone who wants to cause pain, needs to even, to offer them that with no recriminations and bathe in the glory of their honesty, too? That's a love unencumbered by restriction or temptation.
So That's all from me guys and gals, So Sorry for the vagueness but this is really something you need to go into blind and just behold.
Once Upon A (The Stained Duet #1) By Charlotte E Hart is so well written and such a fascinating read, managing to portray the decadence of such a lifestyle, while still managing to connect with the reader's heart, this is a rare talent that many authors fail to achieve, not so Miss Hart all her arrows shoot true and I thoroughly enjoyed each and every word, I will be waiting with baited breath for take two of Blaine and Alana.
Thank you to the author for providing me with an advanced readers copy, this is my own personal opinion.
Arc Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
All my concepts and thoughts are ping ponging around my brain as I try to analyse and dissect what I have just indulged in.
So I'm going to try to compartmentalise all my concepts and thoughts internally so I can analyse everything that is "Once Upon A"
I want to remember all my first impressions without forgetting anything as this is such a unique read with so many indefinite angles to the characters involved.
So First Things First, A Warning!!!
This a very dark read, dealing with some very disturbing stuff, if this is not your flavour, well you have been cautioned.
Myself, I happen to like fiction that stretches my boundaries, forcing me to contemplate instances outside my comfort zone, forcing that discomfited almost uneasy feeling.
This definitely Delivered in spades and them some.
So brief synopsis, Alana Williams is an author living with various pen-names One of these names she has decided is going to write the next BDSM/Kink bestseller all she needs is some research into the scene.
Enter Blaine Jacobs, Blaine of the humiliating set-downs and filthy mouth, All round degenerate of the highest order he doesn't play, annihilating his opponent is his kink.
So Alana is going to learn in a big way what it means to be Blaine's obsession and he is going to enjoy every Humiliation and lesson he bestows while making his little brat thank him prettily.
All in the name of research of course.
This Tale is probably gonna be marmite for people, me I abhor the rank stuff, I'm more of a peanut butter sort of gal, this story is so my peanut butter and I was nuts for the whole nine yards.
This book is so much more than the sum of its parts, I really think what this tale ultimately imparted to me, the main lesson I found myself taking away from this was acceptance.
He was right. It's full of honesty and trust, more so perhaps than the normal pronouncement of love. To give yourself to someone who wants to cause pain, needs to even, to offer them that with no recriminations and bathe in the glory of their honesty, too? That's a love unencumbered by restriction or temptation.
So That's all from me guys and gals, So Sorry for the vagueness but this is really something you need to go into blind and just behold.
Once Upon A (The Stained Duet #1) By Charlotte E Hart is so well written and such a fascinating read, managing to portray the decadence of such a lifestyle, while still managing to connect with the reader's heart, this is a rare talent that many authors fail to achieve, not so Miss Hart all her arrows shoot true and I thoroughly enjoyed each and every word, I will be waiting with baited breath for take two of Blaine and Alana.
Thank you to the author for providing me with an advanced readers copy, this is my own personal opinion.
Arc Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
Daniel Boyd (1066 KP) rated Neighbors 2: Sorority Rising (2016) in Movies
Jul 19, 2017
An Unnecessarily Good Time
When the trailers for the first Bad Neighbours movie were released, I really wanted to see it as I’m a big fan of Seth Rogen comedies, but when it was released I was really underwhelmed. Then I heard they were making a sequel and while I’m sure that the first movie made money I just thought that a sequel to Neighbours was totally unneeded. I love it when I’m wrong. Bad Neighbours 2 is a million times better than the first movie and it is also a lot better than the trailers show it to be. The trailers make it out to be a silly slapstick dick joke movie, but some of the comedy is actually really original and more subtly hidden in the dialogue in the script. The slapstick humour is kept to a minimum and the comedic timing from the whole cast is spot on. To be honest going in, I thought that the sorority would annoy me and detract from the comedy in the film, but they were probably the best element in the movie. There was a heavier girl in the movie playing one of the sorority members and I initially thought she would be no more than the Melissa McCarthy or Rebel Wilson character in the movie, where she would just say I’m fat and fall over and say a dirty word and call it comedy but she actually pleasantly surprised me and she was possibly the funniest character in the movie. This film was a breath of fresh air and it totally trumped it’s predecessor. Comedy directors should take note this is how you make a good sequel to a comedy flick.
Don’t get me wrong, its not a perfect comedy by any means and some of the laughs do fall flat, but the vast majority of them do land and there were a few times where I belly laughed really loudly in the picture hall and that is something that has not happened in a while, probably not since Deadpool back in January. If you are looking to switch your brain off and enjoy a good juvenile summer comedy then I would definitely recommend this to you. Zac Effron is kind of doing a Channing Tatum impression these days in a lot of ways, but he, (like Tatum,) is so likable and charming that he pulls it off. His character, as well as Dave Franco’s character and the other guys from the first movie’s fraternity that are also in the sequel are much better written and portrayed across the board in this movie. This film is just superior in every way and it marks a rare occasion when a comedy sequel actually outshines the previous film. Don’t get me wrong though this isn’t the wittiest dialogue ever put to film either, there are plenty of dick jokes and some lazy slapstick, but for the most part the laughs are a bit deeper than what you would expect going in.
Overall I really enjoyed this movie for what it was and it really pleasantly surprised me in a big way. I’d also see it again as I’m sure there are a few jokes I missed the first time around.
Don’t get me wrong, its not a perfect comedy by any means and some of the laughs do fall flat, but the vast majority of them do land and there were a few times where I belly laughed really loudly in the picture hall and that is something that has not happened in a while, probably not since Deadpool back in January. If you are looking to switch your brain off and enjoy a good juvenile summer comedy then I would definitely recommend this to you. Zac Effron is kind of doing a Channing Tatum impression these days in a lot of ways, but he, (like Tatum,) is so likable and charming that he pulls it off. His character, as well as Dave Franco’s character and the other guys from the first movie’s fraternity that are also in the sequel are much better written and portrayed across the board in this movie. This film is just superior in every way and it marks a rare occasion when a comedy sequel actually outshines the previous film. Don’t get me wrong though this isn’t the wittiest dialogue ever put to film either, there are plenty of dick jokes and some lazy slapstick, but for the most part the laughs are a bit deeper than what you would expect going in.
Overall I really enjoyed this movie for what it was and it really pleasantly surprised me in a big way. I’d also see it again as I’m sure there are a few jokes I missed the first time around.
Debbiereadsbook (1454 KP) rated Bondage Rescue (Kiss of Leather #3) in Books
Apr 24, 2018
Reluctant Dom meets bratty sub!
Independent review for Archaeolibrarian, I was gifted my copy of this book.
Book 3 in the Kiss of Leather series, and I again STRONGLY recommend you read book one, Building Bonds, and two, Safe Limits first. There are things that happen in those books that you need to know about for this one to make sense.
Reluctant Dom meets bratty sub!
Marshall is Kyle's best friend and had disappeared. Calling on Master Josh for help was a last ditch to get the help he needs. Help that comes in the form of the private detective Kiss of Leather's law firm recommends to find the Dom who hurt Corey. Stone hasn't been in any sort of D/s lifestyle for 5 years, since the death of a sub that he was accused of. But meeting Marshall, seeing that young man all haggard looking and far too thin, releases something in Master Stone and he steps up to teach Marshall that true submission really is a beautiful thing.
If you follow you reviews (and I thank you if you do!) you'll know I'm all about the sexy time. I do love my books on the more explicit side, and I make no bones nor apologies for that. What I particularly LOVED about this one, was that Master Stone and Marshall do not get their sexy time til the last TEN MINUTES of their story! I LOVED being made to wait.
Oh, don't get me wrong, Master Stone knows just how to teach Marshall about self worth and he teaches him that punishment does not mean pain, although Marshall a pain-slut. Master Stone rather enjoys teaching the bratty subs, the brattier the better and Marshall just happens to be the most brattiest, stubborn, mouthy sub he has ever come across. And Master Stone, very quickly, makes its very clear that Marshall will have to wait, and wait PATIENTLY to have sex with him. And I LOVED IT!!!
The hunt for Corey's abuser continues, takes a shocking turn. I'm not telling you what though! Cos, you know, SPOILERS and all that! But I will tell you, when all this goes down, Master Stone has the exact same reaction as Master Derek does, and they go after THEIR boys.
Sometimes, in a series, especially when the main couples are very similar (here, big bad Dom and younger smaller guy) they get a little same old/same old. I'm NOT finding that here though. Yes all three Doms are older, and bigger, and yes, all three subs are younger and smaller, but their STORIES are so different! The on-going story arc helps a great deal, and the fact that the guys from the previous books continue to play a HUGE part in future books, too, but it's the SUBS who have the greatest differences and I LOVE that they are all friends.
Up next, are Master Josh and David. While already in a committed relationship, I can't wait to get their story. Because it's the Grand Opening of Kiss of Leather and I have a feeling it is not going to be as plain sailing as it has been and I look forward to being introduced to new characters.
Some reference to drug and alcohol abuse, but not described in any detail.
Loving these!
5 full stars
**same worded review will appear elsewhere**
Book 3 in the Kiss of Leather series, and I again STRONGLY recommend you read book one, Building Bonds, and two, Safe Limits first. There are things that happen in those books that you need to know about for this one to make sense.
Reluctant Dom meets bratty sub!
Marshall is Kyle's best friend and had disappeared. Calling on Master Josh for help was a last ditch to get the help he needs. Help that comes in the form of the private detective Kiss of Leather's law firm recommends to find the Dom who hurt Corey. Stone hasn't been in any sort of D/s lifestyle for 5 years, since the death of a sub that he was accused of. But meeting Marshall, seeing that young man all haggard looking and far too thin, releases something in Master Stone and he steps up to teach Marshall that true submission really is a beautiful thing.
If you follow you reviews (and I thank you if you do!) you'll know I'm all about the sexy time. I do love my books on the more explicit side, and I make no bones nor apologies for that. What I particularly LOVED about this one, was that Master Stone and Marshall do not get their sexy time til the last TEN MINUTES of their story! I LOVED being made to wait.
Oh, don't get me wrong, Master Stone knows just how to teach Marshall about self worth and he teaches him that punishment does not mean pain, although Marshall a pain-slut. Master Stone rather enjoys teaching the bratty subs, the brattier the better and Marshall just happens to be the most brattiest, stubborn, mouthy sub he has ever come across. And Master Stone, very quickly, makes its very clear that Marshall will have to wait, and wait PATIENTLY to have sex with him. And I LOVED IT!!!
The hunt for Corey's abuser continues, takes a shocking turn. I'm not telling you what though! Cos, you know, SPOILERS and all that! But I will tell you, when all this goes down, Master Stone has the exact same reaction as Master Derek does, and they go after THEIR boys.
Sometimes, in a series, especially when the main couples are very similar (here, big bad Dom and younger smaller guy) they get a little same old/same old. I'm NOT finding that here though. Yes all three Doms are older, and bigger, and yes, all three subs are younger and smaller, but their STORIES are so different! The on-going story arc helps a great deal, and the fact that the guys from the previous books continue to play a HUGE part in future books, too, but it's the SUBS who have the greatest differences and I LOVE that they are all friends.
Up next, are Master Josh and David. While already in a committed relationship, I can't wait to get their story. Because it's the Grand Opening of Kiss of Leather and I have a feeling it is not going to be as plain sailing as it has been and I look forward to being introduced to new characters.
Some reference to drug and alcohol abuse, but not described in any detail.
Loving these!
5 full stars
**same worded review will appear elsewhere**
Rachel King (13 KP) rated Redemption in Books
Feb 11, 2019
I did not read the first book in the series, Protector, but that did not seem to matter all that much in reading this book. I caught up relatively easily to what the author felt I needed to know about Jane Perry's story so that I could dive into the action-packed, suspense-filled plot of this book.
One of the first things I noticed about the main character of Jane Perry is both her seemingly-abrasive personality, complete with a foul mouth, and her battle with alcoholism. Throughout the book, her strong personality is both her greatest strength and her biggest weakness. Her daily battle to remain sober - pushing six months - is also a prominent theme, complete with AA meetings, sobriety chips, and the 12-step program. I found these details interesting from the educational standpoint, since I have known a few alcoholics, both recovering and not, but nothing about the process of recovery from this horrible addiction.
The woman that hires Jane Perry, Katherine Clark (better known as Kit), is in many ways the very opposite of Jane. A woman in her 60's, she describes her personality as that of an "earth mother". Dealing with stage 4 cancer, she is a strict adherent of New Age philosophies and herbal medicine to treat both her cancer and her particular brand of spirituality. In addition, several of the plot's "bad guys" were followers of a particular sect of Fundamentalist Christianity that Kit spends an overt amount of time condemning, despite her many lectures of tolerance, love, and forgiveness. This in turn incites Jane to regularly mock Fundamentalist Christianity by proxy.
While I realize that radicals of any religion are easy fodder for mainstream literature, the personal beliefs of the author completely overpower the actual plot of the book. It is patently obvious that Dewey is a major supporter of all things New Age, with a penchant for Buddhism, and is completely against a literal translation of the Bible. As I have said in previous reviews, a good author is invisible to the reader, but in this book, the author often felt more present in the plot than the actual characters the book was intended to be about - some sort of amalgamation of Jane and Kit. Despite the good intentions that I am sure Dewey harbors in writing in this fashion, I became rather depressed by the end of the book by the over-saturation of Dewey's agenda of New Ageism versus Christianity, as the book became less and less about the heroics of Jane Perry and more about the beliefs of Laurel Dewey.
While I acknowledge that I do not agree with everything within the particular doctrines of the character of Dr. John Bartosh, I do consider myself a Fundamentalist Christian, a person who believes in both the literal and figurative translation of the Bible. For the author to expect me, the reader, to not even be slightly offended by the condemnation and open mockery of what I consider to be the foundation of my morality and how I live my life on a daily basis is both presumptuous and insensitive.
Despite this, the book was well-written from a literary approach, with unique characters, an unpredictable plot, and no loose ends.
One of the first things I noticed about the main character of Jane Perry is both her seemingly-abrasive personality, complete with a foul mouth, and her battle with alcoholism. Throughout the book, her strong personality is both her greatest strength and her biggest weakness. Her daily battle to remain sober - pushing six months - is also a prominent theme, complete with AA meetings, sobriety chips, and the 12-step program. I found these details interesting from the educational standpoint, since I have known a few alcoholics, both recovering and not, but nothing about the process of recovery from this horrible addiction.
The woman that hires Jane Perry, Katherine Clark (better known as Kit), is in many ways the very opposite of Jane. A woman in her 60's, she describes her personality as that of an "earth mother". Dealing with stage 4 cancer, she is a strict adherent of New Age philosophies and herbal medicine to treat both her cancer and her particular brand of spirituality. In addition, several of the plot's "bad guys" were followers of a particular sect of Fundamentalist Christianity that Kit spends an overt amount of time condemning, despite her many lectures of tolerance, love, and forgiveness. This in turn incites Jane to regularly mock Fundamentalist Christianity by proxy.
While I realize that radicals of any religion are easy fodder for mainstream literature, the personal beliefs of the author completely overpower the actual plot of the book. It is patently obvious that Dewey is a major supporter of all things New Age, with a penchant for Buddhism, and is completely against a literal translation of the Bible. As I have said in previous reviews, a good author is invisible to the reader, but in this book, the author often felt more present in the plot than the actual characters the book was intended to be about - some sort of amalgamation of Jane and Kit. Despite the good intentions that I am sure Dewey harbors in writing in this fashion, I became rather depressed by the end of the book by the over-saturation of Dewey's agenda of New Ageism versus Christianity, as the book became less and less about the heroics of Jane Perry and more about the beliefs of Laurel Dewey.
While I acknowledge that I do not agree with everything within the particular doctrines of the character of Dr. John Bartosh, I do consider myself a Fundamentalist Christian, a person who believes in both the literal and figurative translation of the Bible. For the author to expect me, the reader, to not even be slightly offended by the condemnation and open mockery of what I consider to be the foundation of my morality and how I live my life on a daily basis is both presumptuous and insensitive.
Despite this, the book was well-written from a literary approach, with unique characters, an unpredictable plot, and no loose ends.
RəX Regent (349 KP) rated Bad Boys II (2003) in Movies
Feb 25, 2019
What ya gonna do
this time?
Contains spoilers, click to show
Whilst the first outing of the Bad Boys shocked me by how good it actually was, this one left me a little disappointed. I was hardly expecting an Oscar winning deal here, as this was always going to be a Michael Bay adrenalin rush, but for a film with a two and a half hour running time, the adrenalin came in too short a bursts.
Bad Boys was Bay's first film and was but a taster of his over the top film making, which first arrives in The Rock a year afterwards, but this made eight years later was obviously going to take this to the next level, if not several levels further than that. But to me, it didn't. Granted, the action was thrilling, outrageous and very enjoyable, but the character development was barely visible. They bicker, Lawrence moaned a lot and Smith was cool and likable but there was just a shell of what there should have been. The entire story, including what's left of their character dynamics are only present to set up the next great action sequence.
Then, the was the taste issue. The crux of the plot as it developed was that the drug dealing villains where using corpses to smuggle drugs, and this was used to "Comic Effect" in two major set-pieces. Though in the first, a car chase, it was black comedy as bodies came thick and fast from the back of a van to be run over by the pursuing cars, the second was pushing the boundaries in a to a more disturbing area.
A criticism levied at Michael Bay by British critic Mark Kermode has been that he is a filmmaker with "pornographic sensibilities". Not just in the literal sense, but in the way that he views everything from cars, women and explosions for example. But this was no more clearly re- enforced than in a scene about 90 minutes in, when our two 'bad boys' are searching a morgue and after pulling back the sheets on fat white guys, they reveal a large breasted young woman, who is refer to as "The Bimbo" if my memory serves. It's worrying because I don't know whether this was being played for laughs or was supposed to be a titillating shot of a well endowed woman? Is it right to show a dead woman, who looks to have been strangled to death and referred to a bimbo in a mainstream 15 certificated movie?
I don't want to sound like a prude but the tone of this and pretty much every scene with the bodies being used, seemed to be in plain Bad, BAD taste and though this humour can play well in the right genre of movie, this just simply wasn't the film to do it in, in my opinion. But, that criticism aside, my main issues are the pacing. It was just too hollow to sustain its running time and my mind was beginning to wander from time to time between the spectacular action and the few moments of decent comedy.
It just didn't have the magic of the 90′s actioner, a genre which had faded considerably by the early 2000′s, and without offering anything new besides improved action, which was worth the ticket or DVD price in its own right, or even retaining the original character of the original, this was a sequel failed to hold its own.
Bad Boys was Bay's first film and was but a taster of his over the top film making, which first arrives in The Rock a year afterwards, but this made eight years later was obviously going to take this to the next level, if not several levels further than that. But to me, it didn't. Granted, the action was thrilling, outrageous and very enjoyable, but the character development was barely visible. They bicker, Lawrence moaned a lot and Smith was cool and likable but there was just a shell of what there should have been. The entire story, including what's left of their character dynamics are only present to set up the next great action sequence.
Then, the was the taste issue. The crux of the plot as it developed was that the drug dealing villains where using corpses to smuggle drugs, and this was used to "Comic Effect" in two major set-pieces. Though in the first, a car chase, it was black comedy as bodies came thick and fast from the back of a van to be run over by the pursuing cars, the second was pushing the boundaries in a to a more disturbing area.
A criticism levied at Michael Bay by British critic Mark Kermode has been that he is a filmmaker with "pornographic sensibilities". Not just in the literal sense, but in the way that he views everything from cars, women and explosions for example. But this was no more clearly re- enforced than in a scene about 90 minutes in, when our two 'bad boys' are searching a morgue and after pulling back the sheets on fat white guys, they reveal a large breasted young woman, who is refer to as "The Bimbo" if my memory serves. It's worrying because I don't know whether this was being played for laughs or was supposed to be a titillating shot of a well endowed woman? Is it right to show a dead woman, who looks to have been strangled to death and referred to a bimbo in a mainstream 15 certificated movie?
I don't want to sound like a prude but the tone of this and pretty much every scene with the bodies being used, seemed to be in plain Bad, BAD taste and though this humour can play well in the right genre of movie, this just simply wasn't the film to do it in, in my opinion. But, that criticism aside, my main issues are the pacing. It was just too hollow to sustain its running time and my mind was beginning to wander from time to time between the spectacular action and the few moments of decent comedy.
It just didn't have the magic of the 90′s actioner, a genre which had faded considerably by the early 2000′s, and without offering anything new besides improved action, which was worth the ticket or DVD price in its own right, or even retaining the original character of the original, this was a sequel failed to hold its own.
Beautifully-written, incredibly captivating book
Sadie's pretty much always been an adult. Her mom struggled with drugs and alcohol since Sadie was born. Sadie basically raised her younger sister, Mattie. So when Mattie is found dead at the age of thirteen, Sadie's life completely falls apart. The police have no idea who killed her, so Sadie is determined to find justice for her little sister. She leaves town following the only bits of evidence she has. Meanwhile, a few months later, West McCray, a radio anchor, hears about Sadie's story while on the road. He starts thinking about missing girls, as Sadie's de facto grandmother, May Beth, is now convinced she's missing. He starts a podcast that tracks Sadie and her trail for Mattie's killer, trying to find out what happened. But is he too late?
"I'm going to kill a man. I'm going to steal the light from his eyes. I want to watch it go out. You aren't supposed to answer violence with more violence but sometimes I think violence is the only answer."
I had heard a lot of hype about Sadie before I started it, but luckily this is one of those rare books that really lives up to all the buzz. The novel gets off to a captivating start and never really lets up. It's quite the page-turner and really a tense, heartbreaking journey. You get fully immersed into Sadie's journey between Summers' gorgeous writing and the book's format. The novel alternates between chapters told in Sadie's point of view and then chapters told in West's podcast format.
The result is really spellbinding: West is just a little behind Sadie in her quest, but somehow it all works perfectly, and you feel like you're hurtling (to nowhere good) along with these characters. I wouldn't have thought the podcast pieces would work so well, but they were great, and I found myself enjoying those chapters a lot. You get swept up with West and his desire to find Sadie.
Part of feeling so much a part of this book is because it's so, so well-written. Wow, Courtney Summers can write. This novel is almost lyrical it's so beautiful in its descriptions, in Sadie's narration of her life and her situations. The characters--both the good guys and the bad--are so vivid they almost fly off the pages. You can just picture Sadie--alone in the world and hurting--with the world against her. The book is magical in that sense.
I live in a place that's only good for leaving, is all that needs to be said about it, and I don't let myself look back. Doesn't matter if I want to, it's just better if I don't.
I mean. C'mon. This girl. I dare you to read this book and not fall for Sadie. It's pretty much impossible. It's certainly not an easy read, and I felt like this one sort of broke me down and spit me out a bit. I wasn't sure about that ending, but I completely understood it. It was what the book deserved, just perhaps not what I hoped.
Overall, this is a beautifully-written, incredibly captivating book. I was immediately sucked in wondering what happened to Mattie and Sadie. The characters are real, and it's a read that will stick with you. Definitely recommend.
Thank you to Wednesday Books for my copy, which I received in return for an unbiased review.
"I'm going to kill a man. I'm going to steal the light from his eyes. I want to watch it go out. You aren't supposed to answer violence with more violence but sometimes I think violence is the only answer."
I had heard a lot of hype about Sadie before I started it, but luckily this is one of those rare books that really lives up to all the buzz. The novel gets off to a captivating start and never really lets up. It's quite the page-turner and really a tense, heartbreaking journey. You get fully immersed into Sadie's journey between Summers' gorgeous writing and the book's format. The novel alternates between chapters told in Sadie's point of view and then chapters told in West's podcast format.
The result is really spellbinding: West is just a little behind Sadie in her quest, but somehow it all works perfectly, and you feel like you're hurtling (to nowhere good) along with these characters. I wouldn't have thought the podcast pieces would work so well, but they were great, and I found myself enjoying those chapters a lot. You get swept up with West and his desire to find Sadie.
Part of feeling so much a part of this book is because it's so, so well-written. Wow, Courtney Summers can write. This novel is almost lyrical it's so beautiful in its descriptions, in Sadie's narration of her life and her situations. The characters--both the good guys and the bad--are so vivid they almost fly off the pages. You can just picture Sadie--alone in the world and hurting--with the world against her. The book is magical in that sense.
I live in a place that's only good for leaving, is all that needs to be said about it, and I don't let myself look back. Doesn't matter if I want to, it's just better if I don't.
I mean. C'mon. This girl. I dare you to read this book and not fall for Sadie. It's pretty much impossible. It's certainly not an easy read, and I felt like this one sort of broke me down and spit me out a bit. I wasn't sure about that ending, but I completely understood it. It was what the book deserved, just perhaps not what I hoped.
Overall, this is a beautifully-written, incredibly captivating book. I was immediately sucked in wondering what happened to Mattie and Sadie. The characters are real, and it's a read that will stick with you. Definitely recommend.
Thank you to Wednesday Books for my copy, which I received in return for an unbiased review.
Movie Metropolis (309 KP) rated Run All Night (2015) in Movies
Jun 11, 2019
Neeson at his gritty best
It’s fair to say Liam Neeson has picked some decidedly dodgy acting jobs since his rise to become an A-list Hollywood action hero. From a disappointing turn in the most recent A Team movie to the laughably bad Taken 3, he seems to have been turned from fan favourite to the butt of so many jokes.
After January’s poorly received Taken 3, Neeson returns to give the genre another go in Run All Night, but does Jaume Collet-Serra’s intriguing direction return him to the top of the food chain?
Run All Night follows the story of Neeson’s Jimmy Conlon as he does his best to keep his son Michael, played by Joel Kinnaman, away from the deadly clutches of Sean Maguire, a brutal underworld gangster portrayed by Ed Harris, after the murder of Sean’s son Danny over the course of 16 hours.
What ensues is a formulaic action thriller featuring by-the-numbers set pieces that are interspersed with some inspiring cinematography and all the actors at the top of their game.
Neeson’s Jimmy is an alcoholic former hit man, previously employed by Maguire, who has decided to move away from his shady past and become a more rounded individual. His interactions with Ed Harris’ brilliant Sean are excellent and the pair have genuine chemistry – it’s just a shame that their backstory isn’t built on a little more.
As the audience follows Jimmy and Michael evading the police, mobsters and professional hired killers, the film traces their backstory, almost using the action-packed set pieces as checkpoints for a bit more history and from a genre that rarely utilises character development, this is a welcome addition.
The cinematography is truly stunning. The sweeping shots of New York City are inspired and the use of tracking and aerial panning instead of simply fading between scenes stylises the film like no other action movie from the last few years.
There is an air of The Taking of Pelham 123 in Serra’s direction, and of course the similarities to Neeson’s Taken and Serra’s very own Non-Stop that also starred the Irish actor are obvious.
Unfortunately, all these comparisons mean that Run All Night isn’t particularly original in premise despite its unique direction. We’ve seen it all before, we saw Neeson running about and shooting bad guys in Taken, Taken 2 and Taken 3. We saw him try to get the bottom of a serious problem in Non-Stop and we saw him take on the role of a troubled alcoholic in The Grey.
Yes, after Taken 3, Run All Night showcases Neeson at his gritty best, but it’s in Ed Harris that we find the most intriguing
character and he puts everything into Sean Maguire – despite his more than familiar name.
Thankfully, Serra and the production crew steered away from creating a film that would please the masses and opted for an often brutal, yet strangely warming action thriller – along the way avoiding the pitfalls of some of Neeson’s previous efforts.
Overall, Run All Night isn’t the disaster it could have been and shows what everyone’s favourite Irish actor is capable of when given the right material to work with. Ed Harris is also on point and Jaume Collet-Serra’s direction goes above and beyond what the genre asks for.
Only an underwhelming final act and a highly unoriginal story stop it from becoming the film it so deeply wanted to be.
https://moviemetropolis.net/2015/03/15/neeson-at-his-gritty-best-run-all-night-review/
After January’s poorly received Taken 3, Neeson returns to give the genre another go in Run All Night, but does Jaume Collet-Serra’s intriguing direction return him to the top of the food chain?
Run All Night follows the story of Neeson’s Jimmy Conlon as he does his best to keep his son Michael, played by Joel Kinnaman, away from the deadly clutches of Sean Maguire, a brutal underworld gangster portrayed by Ed Harris, after the murder of Sean’s son Danny over the course of 16 hours.
What ensues is a formulaic action thriller featuring by-the-numbers set pieces that are interspersed with some inspiring cinematography and all the actors at the top of their game.
Neeson’s Jimmy is an alcoholic former hit man, previously employed by Maguire, who has decided to move away from his shady past and become a more rounded individual. His interactions with Ed Harris’ brilliant Sean are excellent and the pair have genuine chemistry – it’s just a shame that their backstory isn’t built on a little more.
As the audience follows Jimmy and Michael evading the police, mobsters and professional hired killers, the film traces their backstory, almost using the action-packed set pieces as checkpoints for a bit more history and from a genre that rarely utilises character development, this is a welcome addition.
The cinematography is truly stunning. The sweeping shots of New York City are inspired and the use of tracking and aerial panning instead of simply fading between scenes stylises the film like no other action movie from the last few years.
There is an air of The Taking of Pelham 123 in Serra’s direction, and of course the similarities to Neeson’s Taken and Serra’s very own Non-Stop that also starred the Irish actor are obvious.
Unfortunately, all these comparisons mean that Run All Night isn’t particularly original in premise despite its unique direction. We’ve seen it all before, we saw Neeson running about and shooting bad guys in Taken, Taken 2 and Taken 3. We saw him try to get the bottom of a serious problem in Non-Stop and we saw him take on the role of a troubled alcoholic in The Grey.
Yes, after Taken 3, Run All Night showcases Neeson at his gritty best, but it’s in Ed Harris that we find the most intriguing
character and he puts everything into Sean Maguire – despite his more than familiar name.
Thankfully, Serra and the production crew steered away from creating a film that would please the masses and opted for an often brutal, yet strangely warming action thriller – along the way avoiding the pitfalls of some of Neeson’s previous efforts.
Overall, Run All Night isn’t the disaster it could have been and shows what everyone’s favourite Irish actor is capable of when given the right material to work with. Ed Harris is also on point and Jaume Collet-Serra’s direction goes above and beyond what the genre asks for.
Only an underwhelming final act and a highly unoriginal story stop it from becoming the film it so deeply wanted to be.
https://moviemetropolis.net/2015/03/15/neeson-at-his-gritty-best-run-all-night-review/
Purple Phoenix Games (2266 KP) rated Thanos Rising: Avengers Infinity War in Tabletop Games
Jun 12, 2019
Thanos is on the warpath. He can’t wait to assemble the Infinity Gauntlet in preparation for The Snap. He has enemy minions to help fight off heroes in three different sectors. But we have The Avengers. And their friends. We can do this, heroes! We can defeat 10 minions before the Gauntlet is assembled and really hurt Thanos. It’s on!
This is a dice-rolling, card drafting game that is light on rules, heavy on teamwork, and a little longer playtime than what’s on the box if you’re doing well (from my experience). Without going too much into the rulebook, on your turn you are going to choose a sector in which you will work. Roll the two Thanos dice. They determine what he does, if he or his minions hit you and your team, and whether he gets closer to obtaining the six Infinity Stones. Then you roll your team dice to activate powers on your team’s cards, recruit more heroes to your team, or wound the minions in your sector. Thanos has three ways he can beat you and you only have one way to beat him – defeat 10 minions/bad guys. The odds are definitely stacked against you, but with the right team combos and with the willingness of your fellow players to play cooperatively, you can squeak out a win.
What I mean by this is using the bonus tokens effectively. On these bonus tokens are extra icons, extra dice to be used, healing capabilities, etc. You can hoard them all for yourself if you like, but the best way to truly beat the game is to be completely open with the bonus tokens. In fact, in the spirit of complete cooperation, I suggest everyone agree to keep bonus tokens in a shared pool so that anyone can access them. But maybe that’s just me.
I have played this game several times now and have not *technically* won a game yet. We would have won the last time we played it, but we had to cut the game short because our playmates’ kids came home with the babysitters. The other times we were completely decimated. The game is actually really hard to win. I like that. The dice are good quality, but I have my issues with the Thanos dice icon choices. It’s not enough to turn me off, but it could be way better. The cards are OK quality – nothing to write home about. I don’t feel the need to sleeve them because they aren’t really handled that much and they mostly stay on the table the whole game. The translucent cubes are fine, the Infinity Stones are really nice, and that completely unnecessary Thanos “mini” is very very cool. I have zero painting skills, or I would improve the paint job on mine for that extra level of coolness.
So I like the game a lot, but don’t LOVE the game. Maybe with even more playthroughs it will grow on me more. I have assembled all the promo cards and just need to play with them more. In all, Purple Phoenix Games finds this one really enjoyable, and we award it a superhuman score of 19 / 24.
https://purplephoenixgames.wordpress.com/2019/01/23/thanos-rising-review/
This is a dice-rolling, card drafting game that is light on rules, heavy on teamwork, and a little longer playtime than what’s on the box if you’re doing well (from my experience). Without going too much into the rulebook, on your turn you are going to choose a sector in which you will work. Roll the two Thanos dice. They determine what he does, if he or his minions hit you and your team, and whether he gets closer to obtaining the six Infinity Stones. Then you roll your team dice to activate powers on your team’s cards, recruit more heroes to your team, or wound the minions in your sector. Thanos has three ways he can beat you and you only have one way to beat him – defeat 10 minions/bad guys. The odds are definitely stacked against you, but with the right team combos and with the willingness of your fellow players to play cooperatively, you can squeak out a win.
What I mean by this is using the bonus tokens effectively. On these bonus tokens are extra icons, extra dice to be used, healing capabilities, etc. You can hoard them all for yourself if you like, but the best way to truly beat the game is to be completely open with the bonus tokens. In fact, in the spirit of complete cooperation, I suggest everyone agree to keep bonus tokens in a shared pool so that anyone can access them. But maybe that’s just me.
I have played this game several times now and have not *technically* won a game yet. We would have won the last time we played it, but we had to cut the game short because our playmates’ kids came home with the babysitters. The other times we were completely decimated. The game is actually really hard to win. I like that. The dice are good quality, but I have my issues with the Thanos dice icon choices. It’s not enough to turn me off, but it could be way better. The cards are OK quality – nothing to write home about. I don’t feel the need to sleeve them because they aren’t really handled that much and they mostly stay on the table the whole game. The translucent cubes are fine, the Infinity Stones are really nice, and that completely unnecessary Thanos “mini” is very very cool. I have zero painting skills, or I would improve the paint job on mine for that extra level of coolness.
So I like the game a lot, but don’t LOVE the game. Maybe with even more playthroughs it will grow on me more. I have assembled all the promo cards and just need to play with them more. In all, Purple Phoenix Games finds this one really enjoyable, and we award it a superhuman score of 19 / 24.
https://purplephoenixgames.wordpress.com/2019/01/23/thanos-rising-review/