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Purple Phoenix Games (2266 KP) rated Happy Salmon in Tabletop Games
Jun 12, 2019
Brain burners. We have all played them. They typically aren’t my cup of tea because usually when I get to play games it is later in the evening. By that time I have had a full day’s work, taken care of a toddler (or more depending on when you read this), and thus my brainpower tank is already close to empty. Throw a game or two on top and I’m all mushy upstairs. ENTER: HAPPY SALMON.
Disclaimer (if needed): We are only reviewing the green version of this game. We know you can buy the blue version and add the cards for more players, but we haven’t done that yet. So we are just sticking with green for now. -T
In the activity Happy Salmon (let’s be honest, this isn’t necessarily a “game” so much as an “activity”) each player has a color-coded personal deck of cards that must be shuffled and held face-down. The players then stand in a circle. Setup is complete. The object of the game is to be the first player to deplete your deck of cards. You do so by turning over the top card of your deck and hopefully matching its face with another player who has turned over their copy of that card. Sounds easy right?
The “activity” portion and/or meat of this game happens when you find your match – you must both DO the action listed on your card. It could be as easy as high-fiving each other. Or pounding knuckles. Or simply switching places in the circle (see photo below). But then you have the ol’ Happy Salmon card which requires each player to do this absurd salmon handshake action that could be entertainment enough for the group if you have players with less-than-stellar bodily coordination.
So this doesn’t really sound all that appealing, I know. And I also wouldn’t have given it another thought, except I heard the guys from Dukes of Dice podcast raving about how rejuvenated they felt after having played this in the middle of an intense game sesh. I trust the opinions of Sean and Alex, and the price was right for me, so I picked it up. Boy am I glad I did! Now, this isn’t a game that I will bring out to every game session, nor with every play group, but I WILL pull this out if anyone is getting a little sleepy, or if we just want to shake out our bodies and our brains to hit up another long game.
The components are easy to discuss. It’s a fish made out of mousepad material that zips open and holds all the cards. The fish is great, but I really don’t care for “boxes” that aren’t… well, boxes. It’s great quality though. The cards, on the other hand, are really flimsy and make your hand sweaty. I don’t think I will sleeve these cards ever, as a replacement set is VERY affordable, and I do not really have any other suggestions to alleviate this “problem,” but the cards are just okay-quality. I suppose you are just flipping them over and then chucking them on the floor anyway, but for an extra $5 on the price of the game I would have preferred more rugged cards.
What this game lacks in hardcore thinkyness, prestige, and strategy, it makes up for in fun, hilarious moments, and plays that become raucously entertaining bits of your life you may never forget. It will never be on my Top 10 list, but it’s currently on my Top 100 and I will never get rid of my copy. For those reasons Purple Phoenix Games gives Happy Salmon a very appreciative 12 / 18 (Laura claims to have never played it).
https://purplephoenixgames.wordpress.com/2019/03/08/happy-salmon-review/
Disclaimer (if needed): We are only reviewing the green version of this game. We know you can buy the blue version and add the cards for more players, but we haven’t done that yet. So we are just sticking with green for now. -T
In the activity Happy Salmon (let’s be honest, this isn’t necessarily a “game” so much as an “activity”) each player has a color-coded personal deck of cards that must be shuffled and held face-down. The players then stand in a circle. Setup is complete. The object of the game is to be the first player to deplete your deck of cards. You do so by turning over the top card of your deck and hopefully matching its face with another player who has turned over their copy of that card. Sounds easy right?
The “activity” portion and/or meat of this game happens when you find your match – you must both DO the action listed on your card. It could be as easy as high-fiving each other. Or pounding knuckles. Or simply switching places in the circle (see photo below). But then you have the ol’ Happy Salmon card which requires each player to do this absurd salmon handshake action that could be entertainment enough for the group if you have players with less-than-stellar bodily coordination.
So this doesn’t really sound all that appealing, I know. And I also wouldn’t have given it another thought, except I heard the guys from Dukes of Dice podcast raving about how rejuvenated they felt after having played this in the middle of an intense game sesh. I trust the opinions of Sean and Alex, and the price was right for me, so I picked it up. Boy am I glad I did! Now, this isn’t a game that I will bring out to every game session, nor with every play group, but I WILL pull this out if anyone is getting a little sleepy, or if we just want to shake out our bodies and our brains to hit up another long game.
The components are easy to discuss. It’s a fish made out of mousepad material that zips open and holds all the cards. The fish is great, but I really don’t care for “boxes” that aren’t… well, boxes. It’s great quality though. The cards, on the other hand, are really flimsy and make your hand sweaty. I don’t think I will sleeve these cards ever, as a replacement set is VERY affordable, and I do not really have any other suggestions to alleviate this “problem,” but the cards are just okay-quality. I suppose you are just flipping them over and then chucking them on the floor anyway, but for an extra $5 on the price of the game I would have preferred more rugged cards.
What this game lacks in hardcore thinkyness, prestige, and strategy, it makes up for in fun, hilarious moments, and plays that become raucously entertaining bits of your life you may never forget. It will never be on my Top 10 list, but it’s currently on my Top 100 and I will never get rid of my copy. For those reasons Purple Phoenix Games gives Happy Salmon a very appreciative 12 / 18 (Laura claims to have never played it).
https://purplephoenixgames.wordpress.com/2019/03/08/happy-salmon-review/
Lilyn G - Sci-Fi & Scary (91 KP) rated Sarah in Books
Feb 7, 2018
Surprisingly Creepy YA Horror
Teri Polen's Sarah is a pleasingly creepy young adult horror. Fans of Supernatural will be delighted with this book. If you've ever watched any of those typical high-school rom-coms/dramas where guys make a bet to trick a girl, and boo'd at the screen, you'll enjoy Sarah. It's a twisted take on a classic plot that will make horror fans cheer. This is the version they were waiting on.
Cain and his best friend Finn are good kids that both have their heads screwed on straight. Cain took on a lot of responsibility after his dad's death, and that definitely made him grow up a bit. Finn, too, has had his share of problems. They could be the male version of Mary-Sues if Polen hadn't written in some believable flaws. But they're not perfect, and that makes all the difference. Quick tempers, wicked tongues, and Finn's desire to needle every one around him means that at any given time, someone's probably thinking about punching him. Or Cain. Or both. The rest of the characters are appropriately likable or detestable. Except for Lindsay. She's a bit of a non-entity.
I liked that the author made a few salient points in Sarah about the mindset towards sexual assault. There was more than one conversation or interaction when I just sat back in my chair and sighed after reading it. It was utterly realistic. Teenagers are, as a rule of thumb, very selfish individuals, and it seems like jocks in particular excel in this. They think they can get away with anything, and/or that the world revolves around them. It's behavior that's either never corrected, or not corrected until it's too late.
Hasn't recent events proven that if a boy can score several touchdowns per game, who cares how many girls he assaults, right? We all know they were asking for it anyways. Or if adult males make enough money, they can do anything they want to girls, because they believe they are more important than the girls are. And these types of beliefs are constantly getting reinforced in today's society.
It's disturbing and disgusting and Teri Polen shows the reader a path to douche-hood that hundreds of young men start down every day.
I did, however, have one huge problem with Sarah. Sarah, herself. Well, her dialogue to be specific. For the most part, I liked her. I liked seeing the change. I puzzled over what, exactly, was going on with her. Yes, I thought she was vengeance-crazed ghost thing, but she was a fun vengeance-crazed ghost thing. Until she opened her mouth. Pretty much every time she started talking, it was like someone just hit the 'off' button on my interest in the story.
I understand that her background means that we could expect a certain amount of dialogue that seemed unusual for her age range. I was fully willing to accept that. But Sarah presented with lines that went between disturbingly formal and super-villain monolog. Luckily, her talkative scenes appear in bursts, so for most of the story it's really not an issue.
Sarah is a book that takes a bit to get going, but overall it's an easy, enjoyable creepy read. I was definitely hooked fairly early on, and read the book in two bursts over two days. It comes in at just under 200 pages, so it's not something that demands a lot of your time. If you like horror, but don't like it too gory or scary, this will probably be a great choice. Teri Polen did a pretty solid job.
Disclaimer: I received a copy of this book from the author for review consideration.
Cain and his best friend Finn are good kids that both have their heads screwed on straight. Cain took on a lot of responsibility after his dad's death, and that definitely made him grow up a bit. Finn, too, has had his share of problems. They could be the male version of Mary-Sues if Polen hadn't written in some believable flaws. But they're not perfect, and that makes all the difference. Quick tempers, wicked tongues, and Finn's desire to needle every one around him means that at any given time, someone's probably thinking about punching him. Or Cain. Or both. The rest of the characters are appropriately likable or detestable. Except for Lindsay. She's a bit of a non-entity.
I liked that the author made a few salient points in Sarah about the mindset towards sexual assault. There was more than one conversation or interaction when I just sat back in my chair and sighed after reading it. It was utterly realistic. Teenagers are, as a rule of thumb, very selfish individuals, and it seems like jocks in particular excel in this. They think they can get away with anything, and/or that the world revolves around them. It's behavior that's either never corrected, or not corrected until it's too late.
Hasn't recent events proven that if a boy can score several touchdowns per game, who cares how many girls he assaults, right? We all know they were asking for it anyways. Or if adult males make enough money, they can do anything they want to girls, because they believe they are more important than the girls are. And these types of beliefs are constantly getting reinforced in today's society.
It's disturbing and disgusting and Teri Polen shows the reader a path to douche-hood that hundreds of young men start down every day.
I did, however, have one huge problem with Sarah. Sarah, herself. Well, her dialogue to be specific. For the most part, I liked her. I liked seeing the change. I puzzled over what, exactly, was going on with her. Yes, I thought she was vengeance-crazed ghost thing, but she was a fun vengeance-crazed ghost thing. Until she opened her mouth. Pretty much every time she started talking, it was like someone just hit the 'off' button on my interest in the story.
I understand that her background means that we could expect a certain amount of dialogue that seemed unusual for her age range. I was fully willing to accept that. But Sarah presented with lines that went between disturbingly formal and super-villain monolog. Luckily, her talkative scenes appear in bursts, so for most of the story it's really not an issue.
Sarah is a book that takes a bit to get going, but overall it's an easy, enjoyable creepy read. I was definitely hooked fairly early on, and read the book in two bursts over two days. It comes in at just under 200 pages, so it's not something that demands a lot of your time. If you like horror, but don't like it too gory or scary, this will probably be a great choice. Teri Polen did a pretty solid job.
Disclaimer: I received a copy of this book from the author for review consideration.
Debbiereadsbook (1487 KP) rated Living on Air in Books
Mar 5, 2018
A Masterpiece by Ms Mac Nicol!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
There comes along, once in a rare while, a book that PUSHES you. It pushes you out of your comfort zone. It pushes your skill at writing a coherent review, but most of all, it PUSHES you to get into the mind of someone close you, that you hadn't been able to before.
And OMG this book PUSHED me! So if my review goes awry, it's because I can't get the right words out, okay??
Cary has his own coping methods to deal with a major childhood trauma. Except, he isn't dealing with it, not really, he just deals with the pain his coping method causes. And he is good at hiding what he is doing. Rhys comes to the circus to take pictures, that's all. Pictures to go in a book. But Cary has a powerful reaction to Rhys, and vice versa, and the circus folk are amusing watching Rhys PUSH Cary. But they both carry scars, physical and emotional, and when Cary decides to confront his, he PUSHES Rhys away.
Finding to so difficult to write this, I really am, without bawling my eyes out.
I'm not giving anything away by saying Cary self harms, and from the very first PAGE we get it. And getting into Cary's mindset when he does what he does, THAT is the hardest thing I found to read in this book. Someone VERY close to me used to do this, not to the extent that Cary does, but close. I could never get my head round the why she did this, it made no sense to me at all. And their trauma was totally different to Cary's but getting into Cary's mind as he descends into oblivion, made me understand a little bit better WHY she did this.
And trust me when I say this, the amount of attention to detail, and research gone into this book, is OUTSTANDING! Cary's trauma and coping methods, what happened after. Rhys' own trauma, while not as in depth as Cary's, is bad too. Cary on his silks, I could SEE him, you know?? It was just like being there! And now?? Now I want to see the guy who Ms Mac Nicol used as inspiration for Cary and his silks.
The scene where the title came to make complete and total sense?? I had to go sit out the back for a few minutes, because I really did cry at that!
I started to read this at work (don't tell anyone!) and I had to keep putting it down. I had to keep putting it down when a particular chapter was difficult, or too emotional and I was getting upset. Had I been at home, I have no doubt I would have bawled my way through and read the whole book in one go.
Or at least I would have tried to. Because this is not a fluffy romance, it is not an easy read and it's not even a Happily Ever After.
But what it is, is an outstanding piece of work that Susan Mac Nicol should call her Masterpiece of writing.
There is a little author's note on the blurb, I strongly suggest you heed it.
While Cary and Rhys don't get a full Happily Ever After, they do get a Happy For Now. Both guys have a lot of healing to do, individually and as a couple. I just hope Ms Mac Nicol will write them a Happily Ever After, and SOON!!!
I can't word how much, even though it is an emotionally gut wrenching read, how much I LOVED this book. You know what?? Brand new shelf on Goodreads, just for books like this. It's title?? Masterpieces.
5 stars, but only because I can't give it anymore!
**same worded review will appear elsewhere**
There comes along, once in a rare while, a book that PUSHES you. It pushes you out of your comfort zone. It pushes your skill at writing a coherent review, but most of all, it PUSHES you to get into the mind of someone close you, that you hadn't been able to before.
And OMG this book PUSHED me! So if my review goes awry, it's because I can't get the right words out, okay??
Cary has his own coping methods to deal with a major childhood trauma. Except, he isn't dealing with it, not really, he just deals with the pain his coping method causes. And he is good at hiding what he is doing. Rhys comes to the circus to take pictures, that's all. Pictures to go in a book. But Cary has a powerful reaction to Rhys, and vice versa, and the circus folk are amusing watching Rhys PUSH Cary. But they both carry scars, physical and emotional, and when Cary decides to confront his, he PUSHES Rhys away.
Finding to so difficult to write this, I really am, without bawling my eyes out.
I'm not giving anything away by saying Cary self harms, and from the very first PAGE we get it. And getting into Cary's mindset when he does what he does, THAT is the hardest thing I found to read in this book. Someone VERY close to me used to do this, not to the extent that Cary does, but close. I could never get my head round the why she did this, it made no sense to me at all. And their trauma was totally different to Cary's but getting into Cary's mind as he descends into oblivion, made me understand a little bit better WHY she did this.
And trust me when I say this, the amount of attention to detail, and research gone into this book, is OUTSTANDING! Cary's trauma and coping methods, what happened after. Rhys' own trauma, while not as in depth as Cary's, is bad too. Cary on his silks, I could SEE him, you know?? It was just like being there! And now?? Now I want to see the guy who Ms Mac Nicol used as inspiration for Cary and his silks.
The scene where the title came to make complete and total sense?? I had to go sit out the back for a few minutes, because I really did cry at that!
I started to read this at work (don't tell anyone!) and I had to keep putting it down. I had to keep putting it down when a particular chapter was difficult, or too emotional and I was getting upset. Had I been at home, I have no doubt I would have bawled my way through and read the whole book in one go.
Or at least I would have tried to. Because this is not a fluffy romance, it is not an easy read and it's not even a Happily Ever After.
But what it is, is an outstanding piece of work that Susan Mac Nicol should call her Masterpiece of writing.
There is a little author's note on the blurb, I strongly suggest you heed it.
While Cary and Rhys don't get a full Happily Ever After, they do get a Happy For Now. Both guys have a lot of healing to do, individually and as a couple. I just hope Ms Mac Nicol will write them a Happily Ever After, and SOON!!!
I can't word how much, even though it is an emotionally gut wrenching read, how much I LOVED this book. You know what?? Brand new shelf on Goodreads, just for books like this. It's title?? Masterpieces.
5 stars, but only because I can't give it anymore!
**same worded review will appear elsewhere**
Debbiereadsbook (1487 KP) rated The Veranda (Lavander Shores #3) in Books
Aug 18, 2018 (Updated Aug 18, 2018)
5 star book, 5 star narration
Independent reviewer for Archaeolibrarian I was gifted my copy of this book.
When Donovan met Spencer ten years ago, it was on Spencer's engagement to Donovan's sister. All that time, they had feelings for each but they were never acted upon . But when Spencer's marriage fell apart and he finds himself at masquerade sex party, and Donovan is there too, he can't pass up this chance to have him, even if its just once, and Donovan won't know who he is. But Donovan DID know. And he wants more.
This is book three in the Lavender Shores series, but you don't need to have read the first two to follow this. It might help to read book two first though, because Donovan plays a large part I that book. Not necessary, just might help.
I'm loving this series, I really am. They are easy books to read, and that's a good thing, especially for me currently.
They are told from both men's point of view, in the first person and it flips from chapter to chapter with each change clearly headed. Ya'll know its not my favourite way for a book to be written, but I knew that after book one they would be this way, and I think that helps massively.
You get each man's reaction to that encounter at the party, each man's attempt to stay away and you get it all in glorious detail when they finally, fully and totally give in to each other.
I love how these books have no major break up in them. They are full of story, and plots and people's reactions, but seriously? Lavender Shores is the best place in the damn world to live! I loved how, while obviously hurt by what Donovan and Spencer do, Erica can see they are happy together and she doesn't keep Spencer's kids from him.
While I am loving the easy reads that these books really are, I find myself waiting.....waiting.....waiting.....for that one in the series that has a bit more bite, is a bit more heart wrenching, gut churning, emotionally devastating. One book to tip it over the edge and give it those full five stars. It will be either one alike that, or one that is far too stinking cute and warm and fuzzies all at the same time, that tips it over! But I have no doubt, there will be a five star book in this series, I just gotta bide my time.
An extremely well written, well delivered, well needed...
4 stars
AUDIO Review.
Kirt Graves continues to narrate this series, and he really is growing on me!
His voices for Donovan and Spencer were similar, but just different enough for me, with my crappy hearing, to make out the difference if I had left it off, mid chapter.
He continues to portray much more than I got through reading, and that is only a reflection on his skill, rather than the book. I love the emotion that Graves gets across, that, while reading, you might not pick up. The WORDS are all there, but HEARING them makes it much more real.
His voices for the other guys who have appeared in the series remain consistent throughout, and I love reconnecting with them, each and every time they pop up.
I hope to get the opportunity to listen to the other books, too. Some cracking books in this series, and I CANNOT wait to see how Graves gets them across.
Upgrading the book form 4 to 5 stars, simply because of Graves narration.
5 star book,
5 star narration
5 stars overall
**same worded review will appear elsewhere**
When Donovan met Spencer ten years ago, it was on Spencer's engagement to Donovan's sister. All that time, they had feelings for each but they were never acted upon . But when Spencer's marriage fell apart and he finds himself at masquerade sex party, and Donovan is there too, he can't pass up this chance to have him, even if its just once, and Donovan won't know who he is. But Donovan DID know. And he wants more.
This is book three in the Lavender Shores series, but you don't need to have read the first two to follow this. It might help to read book two first though, because Donovan plays a large part I that book. Not necessary, just might help.
I'm loving this series, I really am. They are easy books to read, and that's a good thing, especially for me currently.
They are told from both men's point of view, in the first person and it flips from chapter to chapter with each change clearly headed. Ya'll know its not my favourite way for a book to be written, but I knew that after book one they would be this way, and I think that helps massively.
You get each man's reaction to that encounter at the party, each man's attempt to stay away and you get it all in glorious detail when they finally, fully and totally give in to each other.
I love how these books have no major break up in them. They are full of story, and plots and people's reactions, but seriously? Lavender Shores is the best place in the damn world to live! I loved how, while obviously hurt by what Donovan and Spencer do, Erica can see they are happy together and she doesn't keep Spencer's kids from him.
While I am loving the easy reads that these books really are, I find myself waiting.....waiting.....waiting.....for that one in the series that has a bit more bite, is a bit more heart wrenching, gut churning, emotionally devastating. One book to tip it over the edge and give it those full five stars. It will be either one alike that, or one that is far too stinking cute and warm and fuzzies all at the same time, that tips it over! But I have no doubt, there will be a five star book in this series, I just gotta bide my time.
An extremely well written, well delivered, well needed...
4 stars
AUDIO Review.
Kirt Graves continues to narrate this series, and he really is growing on me!
His voices for Donovan and Spencer were similar, but just different enough for me, with my crappy hearing, to make out the difference if I had left it off, mid chapter.
He continues to portray much more than I got through reading, and that is only a reflection on his skill, rather than the book. I love the emotion that Graves gets across, that, while reading, you might not pick up. The WORDS are all there, but HEARING them makes it much more real.
His voices for the other guys who have appeared in the series remain consistent throughout, and I love reconnecting with them, each and every time they pop up.
I hope to get the opportunity to listen to the other books, too. Some cracking books in this series, and I CANNOT wait to see how Graves gets them across.
Upgrading the book form 4 to 5 stars, simply because of Graves narration.
5 star book,
5 star narration
5 stars overall
**same worded review will appear elsewhere**
BankofMarquis (1832 KP) rated Venom (2018) in Movies
Oct 13, 2018
Hardy, Williams elevate mediocre material
I had lowered my expectations when entering the new Sony film VENOM for I had heard that this non-MCU Marvel film wasn't really a Marvel - or a Spiderman - film, even though it features one of the more famous characters from the Spiderman Universe, which is, of course, a Marvel property.
Confused, yet?
Well, don't be. Because this knowledge is not needed, nor (quite frankly) is it wanted as the filmmakers of Venom made a film that centers on the titular anti-hero with no real regard to his place in the Marvel Universe.
And this works well...enough. True, the plot, dialogue, situations, special effects and gadgets of this film are middle-of-the-road at best, but with the two folks at the center of this film, I started to forgive this film it's many flaws and enjoyed two Oscar-caliber Actors having a good ol' time in a Supehero movie.
Venom, of course, tells the story of...Eddie Brock..who becomes - through a merging of his body with an Alien symbiotic creature (don't worry about it, just roll with it) - becomes the titular VENOM. A being that wants to eat live creatures (most notably human heads) while the good part of Eddie tries to keep him in check and help him fight bad guys.
In lesser performance hands, this character could become silly and stupid, but in the more than capable performance by the great Tom Hardy (Bane in THE DARK KNIGHT RISES), Eddie Brock/Venom is an intriguing figure to watch on-screen. His simultaneous ability to look unnerved and hunger for live flesh while looking for a nice cool bath caused me to smirk on more than one occasion and I ended up rooting for him throughout the film.
Matching him is the great Michelle Williams (she of the 4 Oscar nominations, most recently in MANCHESTER BY THE SEA) as Eddie Brock's ex-Fiance Anne Weying. Like Hardy, Williams is elevating mediocre material to something better than the mediocrity it was destined to be. The chemistry between Williams and Hardy is evident in their bi-play with each other and I couldn't help but think "get these two into an Oscar-caliber film together and watch the sparks - and the awards - fly."
Unfortunately, Riz Ahmed as bad guy Carlton Drake is not able to rise above the material and when he is playing opposite Hardy and/or Williams, he pales in comparison and I began to realize just how weak the script by the trio of Jeff Pinkner, Scott Rosenberg and Kelly Marcel is. Clearly, two of them were brought in to re-write the original (I have no idea who did what) but none of them were able to elevate the proceedings.
Nor could Director Ruben Fleischer (ZOMBIELAND) elevate things. His Direction is pedestrian at best. There is nothing really interesting going on and when the going got tough he just started to rely on the quick cut/edits that is so "en vogue" these days - and it grew tiresome.
But when I started to grow weary of the events on the screen, Hardy and Williams would show up and I began to forgive things again, even thinking during the credits scene (where they introduce the Villain for VENOM 2), I want to see Hardy and Williams play against (name deleted so as not to spoil) as the new Villain - that might be cool!
So, I'm "in" for Venom. It was "good enough" and I will come back for the next installment - and based on the Box Office of the opening weekend, there WILL BE a next installment.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Confused, yet?
Well, don't be. Because this knowledge is not needed, nor (quite frankly) is it wanted as the filmmakers of Venom made a film that centers on the titular anti-hero with no real regard to his place in the Marvel Universe.
And this works well...enough. True, the plot, dialogue, situations, special effects and gadgets of this film are middle-of-the-road at best, but with the two folks at the center of this film, I started to forgive this film it's many flaws and enjoyed two Oscar-caliber Actors having a good ol' time in a Supehero movie.
Venom, of course, tells the story of...Eddie Brock..who becomes - through a merging of his body with an Alien symbiotic creature (don't worry about it, just roll with it) - becomes the titular VENOM. A being that wants to eat live creatures (most notably human heads) while the good part of Eddie tries to keep him in check and help him fight bad guys.
In lesser performance hands, this character could become silly and stupid, but in the more than capable performance by the great Tom Hardy (Bane in THE DARK KNIGHT RISES), Eddie Brock/Venom is an intriguing figure to watch on-screen. His simultaneous ability to look unnerved and hunger for live flesh while looking for a nice cool bath caused me to smirk on more than one occasion and I ended up rooting for him throughout the film.
Matching him is the great Michelle Williams (she of the 4 Oscar nominations, most recently in MANCHESTER BY THE SEA) as Eddie Brock's ex-Fiance Anne Weying. Like Hardy, Williams is elevating mediocre material to something better than the mediocrity it was destined to be. The chemistry between Williams and Hardy is evident in their bi-play with each other and I couldn't help but think "get these two into an Oscar-caliber film together and watch the sparks - and the awards - fly."
Unfortunately, Riz Ahmed as bad guy Carlton Drake is not able to rise above the material and when he is playing opposite Hardy and/or Williams, he pales in comparison and I began to realize just how weak the script by the trio of Jeff Pinkner, Scott Rosenberg and Kelly Marcel is. Clearly, two of them were brought in to re-write the original (I have no idea who did what) but none of them were able to elevate the proceedings.
Nor could Director Ruben Fleischer (ZOMBIELAND) elevate things. His Direction is pedestrian at best. There is nothing really interesting going on and when the going got tough he just started to rely on the quick cut/edits that is so "en vogue" these days - and it grew tiresome.
But when I started to grow weary of the events on the screen, Hardy and Williams would show up and I began to forgive things again, even thinking during the credits scene (where they introduce the Villain for VENOM 2), I want to see Hardy and Williams play against (name deleted so as not to spoil) as the new Villain - that might be cool!
So, I'm "in" for Venom. It was "good enough" and I will come back for the next installment - and based on the Box Office of the opening weekend, there WILL BE a next installment.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Fallout 4 in Video Games
Jun 19, 2019
When Fallout 4 was first announced last June at E3, I like many gamers was thrilled for the latest chapter in this ongoing and enduring series. The fact that Bethesda was able to deliver successfully on the November release date was even more amazing as was the incredible stability, complexity, and fun of the game.
While we featured the game extensively on our holiday gift guides and radio segments, I opted to wait to do the full review until I had spent more time with the game. The story the game is very compelling and that you’re a father looking to recover his son in a post-apocalyptic world. The interactions that NPC characters are extremely enjoyable, as is the open world and highly customizable nature of the game. There are countless options for weapon and clothing customization, side quests, weapons, your armor, and even your companion. All of this helps make the game ending incredibly complex, diverse, and deeply rewarding experience.
I have to admit that I do have some frustration with the menu system as for me; I’m not a big fan of micromanagement and I have to admit that I found crafting a bit frustrating at times. I remember an early mission where I had to construct a transmitter to be very frustrating as I could not seem to get all of the completed parts together.
The beauty of the game though was that I was able to go off on other quests, combat enemies, trade, craft, customize, explore, and more so that I was able to be more than entertained when I got caught up in a segment. I really enjoyed being able to do things like raid an enemy base and take down numerous bad guys as well is combat mutated creatures. The longer I spend with the game, the more I began to appreciate the complexity of it in that there are multiple ways to play it, when it, and enjoy it. I’ve heard of players who achieve great things without even leaving the vault area at the start of the game. There are players spend a considerable amount of time crafting their community, appearance, and weaponry to find the best overall gaming experience.
I and the other hand like it sleek and simple, and prefer to get right down to the action. Now this course cause me to learn some patience as I would often overload my character was salvage and had to learn quickly what is useful to keep, sell, and discard. Combat was extremely satisfying although I did get a little hung up at times having to change weapons in my Pip Boy. I would’ve liked a little more streamlined approach where I could have several weapons stage as well as grenades without having to access a menu during heated moments. Naturally I understand this is a frustration from a PC gamer’s perspective and those playing the game on a console don’t have the luxury of multiple hotkeys to assign.
From the solid voice acting, enjoyable story, numerous customizations, an abundance of fun and action filled moments; Fallout 4 is the rare game that delivers on what fans expect as well as brings an abundance of options and enjoyment to the game will be on the first play through. Not only is the game one of the better releases of 2015, but one can argue that it is one of the better game releases ever not just of the series which is high praise indeed. I cannot wait to see what comes next for the series as this is been a trip well worth taking.
http://sknr.net/2016/01/23/fallout-4/
While we featured the game extensively on our holiday gift guides and radio segments, I opted to wait to do the full review until I had spent more time with the game. The story the game is very compelling and that you’re a father looking to recover his son in a post-apocalyptic world. The interactions that NPC characters are extremely enjoyable, as is the open world and highly customizable nature of the game. There are countless options for weapon and clothing customization, side quests, weapons, your armor, and even your companion. All of this helps make the game ending incredibly complex, diverse, and deeply rewarding experience.
I have to admit that I do have some frustration with the menu system as for me; I’m not a big fan of micromanagement and I have to admit that I found crafting a bit frustrating at times. I remember an early mission where I had to construct a transmitter to be very frustrating as I could not seem to get all of the completed parts together.
The beauty of the game though was that I was able to go off on other quests, combat enemies, trade, craft, customize, explore, and more so that I was able to be more than entertained when I got caught up in a segment. I really enjoyed being able to do things like raid an enemy base and take down numerous bad guys as well is combat mutated creatures. The longer I spend with the game, the more I began to appreciate the complexity of it in that there are multiple ways to play it, when it, and enjoy it. I’ve heard of players who achieve great things without even leaving the vault area at the start of the game. There are players spend a considerable amount of time crafting their community, appearance, and weaponry to find the best overall gaming experience.
I and the other hand like it sleek and simple, and prefer to get right down to the action. Now this course cause me to learn some patience as I would often overload my character was salvage and had to learn quickly what is useful to keep, sell, and discard. Combat was extremely satisfying although I did get a little hung up at times having to change weapons in my Pip Boy. I would’ve liked a little more streamlined approach where I could have several weapons stage as well as grenades without having to access a menu during heated moments. Naturally I understand this is a frustration from a PC gamer’s perspective and those playing the game on a console don’t have the luxury of multiple hotkeys to assign.
From the solid voice acting, enjoyable story, numerous customizations, an abundance of fun and action filled moments; Fallout 4 is the rare game that delivers on what fans expect as well as brings an abundance of options and enjoyment to the game will be on the first play through. Not only is the game one of the better releases of 2015, but one can argue that it is one of the better game releases ever not just of the series which is high praise indeed. I cannot wait to see what comes next for the series as this is been a trip well worth taking.
http://sknr.net/2016/01/23/fallout-4/
Gareth von Kallenbach (980 KP) rated Sabotage (2014) in Movies
Jun 19, 2019
Action icon Arnold Schwarzenegger is back in “Sabotage”, with an ensemble film that is part thriller, part action, and part western. Schwarzenegger plays John Breacher, the leader of a top D.E.A. squad who take on the worst of the criminal underworld in the war on drugs.
Breacher has become a celebrity for his exploits as the numerous pictures of him with former Presidents attest to. It is learned that after bringing down a drug Kingpin, Breacher had his wife and son kidnapped in retaliation and he was forced to watch them tortured to death via video for refusing to turn himself over to the kidnappers for retaliation.
The brutal and drawn out nature of the crimes has haunted Breacher and as the film opens he is leading his team on a raid of a mansion filled with cash and bad guys.
His team is very efficient at what they do but have both physical and mental scars from their experiences. The raid goes almost as planned, but Breacher and his team are accused of taking ten million dollars from the crime scene after the raid as it was learned that the F.B.I. were also keeping tabs on the locale.
Six months pass and despite being an outcast, Breacher and his team are returned to active duty after the closure of the investigation against them. With most of his agency convinced someone on the team has taken the money, Breacher and company celebrate their return to active status.
Their celebration is short-lived when members of the team start being killed in brutal fashion. The fact that highly trained operatives are able to be killed in this manner has raised some red flags especially to local detective Brentwood (Olivia Williams), who thinks there may be more to the cases than first thought. The fact that the D.E.A. is not helping with her investigation and the fact that the bodies are starting to pile up lead her and Breacher into an uneasy alliance to find the killer(s).
What follows is a methodical, but at times action packed film that results in an ending that is disappointing compared to what it could have been.
After the final revelation was revealed, it seemed to me that the methods taken did not match up well with the timeline, opportunity, and motivations of the characters involved. The more I thought about the film the more I was convinced that there were easier ways for things to be accomplished or explained and that perhaps there were too many Red Herrings along the way.
The cast is the film is top notch from Terrance Howard, Sam Worthington, Joe Manganiello and Josh Holloway, and this is one of Schwarzenegger’s most mature and diverse roles in memory. I liked the ambiguity of his character as he was not the one man killing machine and unstoppable force of nature that he has portrayed countless times before.
Breacher is a haunted and troubled man who is highly capable at what he does and enjoys doing it even though it has cost him everything he holds dear. The film seemed to be unable to find an identity as it started out as a very gripping drama that had you guessing but took some turns that strained to be credible and became a conglomeration of action clichés and western nostalgia which is a shame as the cast and premise offered so much more as did the first part of the film.
Director David Ayer keeps things moving along and is to be praised for not letting the action overshadow the characters but sadly the final act of the film comes up short and undermines what could have been a classic mix of action and drama.
The film fails as an effective action film or drama which results in an at times enjoyable but largely forgettable effort.
http://sknr.net/2014/03/28/sabotage/
Breacher has become a celebrity for his exploits as the numerous pictures of him with former Presidents attest to. It is learned that after bringing down a drug Kingpin, Breacher had his wife and son kidnapped in retaliation and he was forced to watch them tortured to death via video for refusing to turn himself over to the kidnappers for retaliation.
The brutal and drawn out nature of the crimes has haunted Breacher and as the film opens he is leading his team on a raid of a mansion filled with cash and bad guys.
His team is very efficient at what they do but have both physical and mental scars from their experiences. The raid goes almost as planned, but Breacher and his team are accused of taking ten million dollars from the crime scene after the raid as it was learned that the F.B.I. were also keeping tabs on the locale.
Six months pass and despite being an outcast, Breacher and his team are returned to active duty after the closure of the investigation against them. With most of his agency convinced someone on the team has taken the money, Breacher and company celebrate their return to active status.
Their celebration is short-lived when members of the team start being killed in brutal fashion. The fact that highly trained operatives are able to be killed in this manner has raised some red flags especially to local detective Brentwood (Olivia Williams), who thinks there may be more to the cases than first thought. The fact that the D.E.A. is not helping with her investigation and the fact that the bodies are starting to pile up lead her and Breacher into an uneasy alliance to find the killer(s).
What follows is a methodical, but at times action packed film that results in an ending that is disappointing compared to what it could have been.
After the final revelation was revealed, it seemed to me that the methods taken did not match up well with the timeline, opportunity, and motivations of the characters involved. The more I thought about the film the more I was convinced that there were easier ways for things to be accomplished or explained and that perhaps there were too many Red Herrings along the way.
The cast is the film is top notch from Terrance Howard, Sam Worthington, Joe Manganiello and Josh Holloway, and this is one of Schwarzenegger’s most mature and diverse roles in memory. I liked the ambiguity of his character as he was not the one man killing machine and unstoppable force of nature that he has portrayed countless times before.
Breacher is a haunted and troubled man who is highly capable at what he does and enjoys doing it even though it has cost him everything he holds dear. The film seemed to be unable to find an identity as it started out as a very gripping drama that had you guessing but took some turns that strained to be credible and became a conglomeration of action clichés and western nostalgia which is a shame as the cast and premise offered so much more as did the first part of the film.
Director David Ayer keeps things moving along and is to be praised for not letting the action overshadow the characters but sadly the final act of the film comes up short and undermines what could have been a classic mix of action and drama.
The film fails as an effective action film or drama which results in an at times enjoyable but largely forgettable effort.
http://sknr.net/2014/03/28/sabotage/
Daniel Boyd (1066 KP) rated Aquaman (2018) in Movies
Jan 8, 2019 (Updated Jan 8, 2019)
Wishy Washy
I was excited to see this movie after hearing the glowing reviews and praise it was getting. I am also a fan of Jason Momoa and James Wan, so I was really hoping for this to be at least as good as Wonder Woman. Also, being a long time fan of DC Comics, I really want to see them find their footing cinematically and I thought that this could finally be the start of that. Unfortunately I left the cinema feeling pretty underwhelmed.
The movie opens by telling the story of how Aquaman's parents came to meet and fall in love, even though they are from vastly different worlds. This whole sequence is brilliant and I was totally on-board for what was to come afterwards. Sadly, this opening sequence is by far the best part of the entire movie. From this point on it descends into a mediocre action adventure flick with story elements very reminiscent of Thor and Black Panther, (two movies that are vastly superior to this one.)
From a direction standpoint, it is clear that James Wan knows how to visually capture a scene in the most beautiful and intriguing way possible, which is especially evident during the trench sequence. His direction during all of the action sequences is great, with Nicole Kidman's trident work in the opening scene and the rooftop sequence with Black Manta, Mera and Aquaman being the highlights. I don't think that my issue with this movie is due to the direction lacking in any aspect. The only questionable choice in my opinion, was the choice to shoot the big Black Manta scene in broad daylight. It just looked slightly naff and would have came across much better if shot in darker conditions at night.
Nor do I think that it is the fault of any of the cast members. I think that Momoa does a great job in the title role and he looks incredible in the full on Aquaman suit, (which I don't think many other actors could legitimately pull off.) I think that Patrick Wilson did a decent job as the evil slightly cheesy power hungry half brother of Aquaman. I also enjoyed Willem Dafoe, Dolph Lundgren and Nicole Kidman in each of their scenes.
I think that the major culprit in this movie feeling a bit forced at times, is the lazy script that the actors had to work with. Almost every scene plays out in the exact same way; with the characters that we are following turning up to a new location, meeting up with a character, (usually Willem Dafoe,) listening to them spout a bunch of expositional dialogue and then mid sentence bad guys will attack and an explosion will go off cutting the conversation short. Then we will get a well shot action sequence with super dynamic cinematography, then the characters will figure out where they need to go next, they will go to the next location and the process will be rinsed and repeated for the duration of the movie.
Overall, Aquaman is not a bad superhero movie, there is a lot of fun to be had here with the badass action sequences. Unfortunately the lazy script holds the movie back from being as good as the glowing reviews told me it would be and out of the DC solo movies, - this, Man of Steel and Wonder Woman, - this is probably the worst of the three.
PS. Although I don't think that the movie in general was up to the highest level of quality, the CGI is objectively breath-taking in every scene and I totally agree with James Wan that it is nothing short of an atrocity that the SFX team on this movie have been snubbed for this year's Oscars ceremony.
The movie opens by telling the story of how Aquaman's parents came to meet and fall in love, even though they are from vastly different worlds. This whole sequence is brilliant and I was totally on-board for what was to come afterwards. Sadly, this opening sequence is by far the best part of the entire movie. From this point on it descends into a mediocre action adventure flick with story elements very reminiscent of Thor and Black Panther, (two movies that are vastly superior to this one.)
From a direction standpoint, it is clear that James Wan knows how to visually capture a scene in the most beautiful and intriguing way possible, which is especially evident during the trench sequence. His direction during all of the action sequences is great, with Nicole Kidman's trident work in the opening scene and the rooftop sequence with Black Manta, Mera and Aquaman being the highlights. I don't think that my issue with this movie is due to the direction lacking in any aspect. The only questionable choice in my opinion, was the choice to shoot the big Black Manta scene in broad daylight. It just looked slightly naff and would have came across much better if shot in darker conditions at night.
Nor do I think that it is the fault of any of the cast members. I think that Momoa does a great job in the title role and he looks incredible in the full on Aquaman suit, (which I don't think many other actors could legitimately pull off.) I think that Patrick Wilson did a decent job as the evil slightly cheesy power hungry half brother of Aquaman. I also enjoyed Willem Dafoe, Dolph Lundgren and Nicole Kidman in each of their scenes.
I think that the major culprit in this movie feeling a bit forced at times, is the lazy script that the actors had to work with. Almost every scene plays out in the exact same way; with the characters that we are following turning up to a new location, meeting up with a character, (usually Willem Dafoe,) listening to them spout a bunch of expositional dialogue and then mid sentence bad guys will attack and an explosion will go off cutting the conversation short. Then we will get a well shot action sequence with super dynamic cinematography, then the characters will figure out where they need to go next, they will go to the next location and the process will be rinsed and repeated for the duration of the movie.
Overall, Aquaman is not a bad superhero movie, there is a lot of fun to be had here with the badass action sequences. Unfortunately the lazy script holds the movie back from being as good as the glowing reviews told me it would be and out of the DC solo movies, - this, Man of Steel and Wonder Woman, - this is probably the worst of the three.
PS. Although I don't think that the movie in general was up to the highest level of quality, the CGI is objectively breath-taking in every scene and I totally agree with James Wan that it is nothing short of an atrocity that the SFX team on this movie have been snubbed for this year's Oscars ceremony.
Gareth von Kallenbach (980 KP) rated Iron Man (2008) in Movies
Aug 14, 2019
The summer 0f 2008 movie season kicks off in a big way with the release of “Iron Man”, the latest in a long line of popular Marvel Comics superheroes to make the leap to the big screen.
Robert Downey JR. stars as Tony Stark a Billionaire playboy who owns a vast company that is known mainly for manufacturing weapon systems. When the film opens, Stark is ambushed shortly after a weapons demonstration in Afghanistan and is wounded by the attackers who take Stark into captivity.
Using a device to keep the shrapnel from his vital organs and thus keep him alive, Stark is forced to create a weapon for his captors who plan to use the creative genius of Stark for their own nefarious schemes.
Stark turns the tables on his captors and devices a special suit which allows him to escape, and eventually make his way back to America after three long and harrowing months of captivity.
One back in home, Stark starts to take stock of his life and realizes that many of the weapons he designed to protect America are now being used by other factions to kill those they were designed to protect. When Stark announces to the press that he is stopping the manufacture of weapons by his company he is viewed as suffering from the long captivity and finds himself at odds with the shareholders and board of directors, as well as his long time advisor and friend Obadiah Stane (Jeff Bridges).
Undaunted, Stark begins to build a prototype suit in his lab, and soon emerges as an iron clad crusader who is obsessed with keeping the bad guys from using the weapons his company created against the innocent.
Assisted by his friend in the military Colonel Rhodes (Terrance Howard) and the lovely Pepper Potts (Gwyneth Paltrow), Tony Stark soon finds himself caught in an even more dastardly plot, and needs every ounce of his creativity and his latest invention to keep the world safe.
The movie is a pure delight and it was nice to see a summer movie that actually had some plot and character development, and did not try to dumb the material down for the audience or let the film be carried entirely by the special effects.
The movie also has some moments of good humor which work well within the film as much of it comes from the quick wit of or at the expense of Stark.
Robert Downey JR. is perfect in the role as he perfectly captures the character without making him to over the top as often is the case in many comic adaptations. He portrays Stark exactly as he is portrayed in the comics, a hard drinking womanizer, who is forced to take stock of his life, and make changes.
The supporting performances by Paltrow, Howard, and Bridges help make the film stand out as does the solid work by Director John Favreau who clearly has a grasp on the character and story and thankfully took the time to establish the characters and the premise before rushing Downey into the Iron Man suit.
When the action comes it is solid, and shines with modern effects, but never once overshadow the fact that this is a character driven story. The action teases the audience with the full potential of the suit, which I am sure will be explored further in future films.
Many times summer films arrive in a frenzy of hype and expectations only to be little more than thinly plotted films awash in FX that fail to satisfy. I am happy to say that “Iron Man” is the rare exception to the recent trend and is easily one of the best Super Hero Films ever crafted.
Robert Downey JR. stars as Tony Stark a Billionaire playboy who owns a vast company that is known mainly for manufacturing weapon systems. When the film opens, Stark is ambushed shortly after a weapons demonstration in Afghanistan and is wounded by the attackers who take Stark into captivity.
Using a device to keep the shrapnel from his vital organs and thus keep him alive, Stark is forced to create a weapon for his captors who plan to use the creative genius of Stark for their own nefarious schemes.
Stark turns the tables on his captors and devices a special suit which allows him to escape, and eventually make his way back to America after three long and harrowing months of captivity.
One back in home, Stark starts to take stock of his life and realizes that many of the weapons he designed to protect America are now being used by other factions to kill those they were designed to protect. When Stark announces to the press that he is stopping the manufacture of weapons by his company he is viewed as suffering from the long captivity and finds himself at odds with the shareholders and board of directors, as well as his long time advisor and friend Obadiah Stane (Jeff Bridges).
Undaunted, Stark begins to build a prototype suit in his lab, and soon emerges as an iron clad crusader who is obsessed with keeping the bad guys from using the weapons his company created against the innocent.
Assisted by his friend in the military Colonel Rhodes (Terrance Howard) and the lovely Pepper Potts (Gwyneth Paltrow), Tony Stark soon finds himself caught in an even more dastardly plot, and needs every ounce of his creativity and his latest invention to keep the world safe.
The movie is a pure delight and it was nice to see a summer movie that actually had some plot and character development, and did not try to dumb the material down for the audience or let the film be carried entirely by the special effects.
The movie also has some moments of good humor which work well within the film as much of it comes from the quick wit of or at the expense of Stark.
Robert Downey JR. is perfect in the role as he perfectly captures the character without making him to over the top as often is the case in many comic adaptations. He portrays Stark exactly as he is portrayed in the comics, a hard drinking womanizer, who is forced to take stock of his life, and make changes.
The supporting performances by Paltrow, Howard, and Bridges help make the film stand out as does the solid work by Director John Favreau who clearly has a grasp on the character and story and thankfully took the time to establish the characters and the premise before rushing Downey into the Iron Man suit.
When the action comes it is solid, and shines with modern effects, but never once overshadow the fact that this is a character driven story. The action teases the audience with the full potential of the suit, which I am sure will be explored further in future films.
Many times summer films arrive in a frenzy of hype and expectations only to be little more than thinly plotted films awash in FX that fail to satisfy. I am happy to say that “Iron Man” is the rare exception to the recent trend and is easily one of the best Super Hero Films ever crafted.
Gareth von Kallenbach (980 KP) rated Zombieland (2009) in Movies
Aug 9, 2019
Columbus (Jesse Eisenberg) is an unassuming young man who makes his way through life the best way he can despite being plagued by Irritable Bowel Syndrome. This particular affliction is a serious concern for Columbus as according to his rules for survival, bathrooms are a very dangerous place.
In the new horror/comedy “Zombieland”, Columbus finds himself as one of the few remaining people left alive, and is trying to make his way from Texas back to his family in Columbus in the hopes of finding them alive.
Despite being alone, Columbus keeps himself sharp through constant vigilance, and a list of rules he has created for surviving a world gone mad which he has dubbed Zombieland. As the film opens, Columbus establishes some of his most common rules which are then illustrated in very funny examples, which also serve to establish the backdrop of the film.
As he travels, Columbus crosses paths with Tallahassee (Woody Harrelson), who is on a quest to find the last remaining Twinkies in the world. Tallahassee established a no names rule, hence the characters in the film are known by the locales they are from. When he is not cruising the roads in search of his elusive snack cake, Tallahassee is an avid Zombie killer and takes great delight in dispatching as many of them as he can.
When a stop introduces the duo to a pair of sisters named Wichita (Emma Stone), and Little Rock (Abigail Breslin), who are dedicated to survival at all costs, and are not above taking some serious measures of manipulation to get ahead.
After some initial difficulties, the group joins up and head for California where Wichita has convinced Little Rock that a local theme park is a Zombie free area that will provide them a safe haven.
Despite some skepticism but buoyed by his attraction to Wichita, Columbus tags along, and awkwardly attempts to impress her which results in some very touching and funny moments.
The film shifts into high gear when the group arrives in L.A. and takes refuge in a mansion which has tons of laughs as well as a very solid celebrity appearance which is a true gem.
Eventually the subplots of the film all converge in a frantic array of action, humor, and romance that had the audience at the preview screening cheering and laughing.
“Zombieland” is a very enjoyable film that provides plenty of laughs and a good mix of action yet remains a character driven story. The leads all work very well with one another and Eisenberg follows his turn in “Adventureland” with a performance that establishes him as a young actor to watch. His likeable everyman quality combined with his charming sincerity and awkwardness makes Columbus a great foil and companion for the outrageous antics of Tallahassee.
The young love storyline is handled well in the film, and does not resort to any of the usual staples, and unfolds as a very realistic event in a world where Zombies are commonplace.
Director Reuben Fleischer keeps things moving at a brisk pace yet allows time for the characters to shine.
Naturally the film will draw comparison to the classic British film “Shaun of the Dead”, which features normal guys trying to cope with a Zombie invasion. Shaun had plenty of laughs, but at times seemed unsure of what direction it was trying to go in, especially toward the end of the film.
“Zombieland” almost defies you to categorize it as it is great mix of horror, comedy, and action disguised as a romantic comedy. The winning cast and formula makes “Zombieland” one of the most enjoyable films of the summer and a real treat.
In the new horror/comedy “Zombieland”, Columbus finds himself as one of the few remaining people left alive, and is trying to make his way from Texas back to his family in Columbus in the hopes of finding them alive.
Despite being alone, Columbus keeps himself sharp through constant vigilance, and a list of rules he has created for surviving a world gone mad which he has dubbed Zombieland. As the film opens, Columbus establishes some of his most common rules which are then illustrated in very funny examples, which also serve to establish the backdrop of the film.
As he travels, Columbus crosses paths with Tallahassee (Woody Harrelson), who is on a quest to find the last remaining Twinkies in the world. Tallahassee established a no names rule, hence the characters in the film are known by the locales they are from. When he is not cruising the roads in search of his elusive snack cake, Tallahassee is an avid Zombie killer and takes great delight in dispatching as many of them as he can.
When a stop introduces the duo to a pair of sisters named Wichita (Emma Stone), and Little Rock (Abigail Breslin), who are dedicated to survival at all costs, and are not above taking some serious measures of manipulation to get ahead.
After some initial difficulties, the group joins up and head for California where Wichita has convinced Little Rock that a local theme park is a Zombie free area that will provide them a safe haven.
Despite some skepticism but buoyed by his attraction to Wichita, Columbus tags along, and awkwardly attempts to impress her which results in some very touching and funny moments.
The film shifts into high gear when the group arrives in L.A. and takes refuge in a mansion which has tons of laughs as well as a very solid celebrity appearance which is a true gem.
Eventually the subplots of the film all converge in a frantic array of action, humor, and romance that had the audience at the preview screening cheering and laughing.
“Zombieland” is a very enjoyable film that provides plenty of laughs and a good mix of action yet remains a character driven story. The leads all work very well with one another and Eisenberg follows his turn in “Adventureland” with a performance that establishes him as a young actor to watch. His likeable everyman quality combined with his charming sincerity and awkwardness makes Columbus a great foil and companion for the outrageous antics of Tallahassee.
The young love storyline is handled well in the film, and does not resort to any of the usual staples, and unfolds as a very realistic event in a world where Zombies are commonplace.
Director Reuben Fleischer keeps things moving at a brisk pace yet allows time for the characters to shine.
Naturally the film will draw comparison to the classic British film “Shaun of the Dead”, which features normal guys trying to cope with a Zombie invasion. Shaun had plenty of laughs, but at times seemed unsure of what direction it was trying to go in, especially toward the end of the film.
“Zombieland” almost defies you to categorize it as it is great mix of horror, comedy, and action disguised as a romantic comedy. The winning cast and formula makes “Zombieland” one of the most enjoyable films of the summer and a real treat.