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Gareth von Kallenbach (980 KP) rated Resident Evil: Revelations in Video Games
Jun 19, 2019
Following the disappointing fan response to Resident Evil 6 and Resident Evil: Operation Raccoon City, Capcom has taken a page from the past to present one of the more enjoyable Resident Evil games in recent memory. Resident Evil: Revelations first saw life as a Nintendo 3 DS game which now has been polished up and released it for the PlayStation 3, Xbox 360, and Wii U gaming systems.The game does not acquire any previous experience with the resident evil series although the story is set approximately between Resident Evil 4 and 5.
Playing as Jill Valentine to start players must navigate and explore various locales as they attempt to locate Jill’s missing partner Chris. The game is broken down into chapters and in some chapters players will play as Chris when aspects of the storyline are told in a nonlinear fashion.
Although this sounds confusing it’s a very clever way of advancing the story without giving too much away. Players are given a scenario and then in a future mission, there given the opportunity to fill in the blanks and discover how the later or past events transpired.
The game uses an over the shoulder perspective which although a third person survival horror shooter, the game effectively mixes various styles of play as players may go to a first-person mode should they feel the need.
This is not a straight run and gun game; instead players have to use a device known as Genesis in order to scan rooms to find clues as well as much-needed objects such as keys and ammunition. Of course scanning enemies is always a good idea I just suggest that players do that only after dispatching them.
The game does have its share of puzzles that must be solved as players have to do things such as hack electrical boxes in order to gain access to various locales. Although this at times slows down the flow of the game it does provide a break from the action at times when it is most needed.
Keep in mind this was originally designed for handheld control system of the game is very streamlined and effective. Players can change weapons easily and I was able to navigate the map without any real problems aside from the fact that most of the game occurs within a very dark setting and occasionally requires you to hug the wall in order to find your way around obstacles.
Combat is very simple where you simply raise the weapon and fire your shots or toss a grenade or exploding decoy at your intended victims. While very creepy most of the enemies I encountered move very slowly and tended to have a very linear and predictable attack path. I found that firing my weapon and back stepping and using object such as table between us while reloading usually was more than sufficient to dispatch them with little to no threat.
The only times I really was challenged were moments when I was forced to be stationary or encounter enemies with no weapon available to me. The game does offer three gameplay settings so you can find one that works best for you. I left it on Normal during my review sessions.
The game’s graphics are dated and while enhanced for consoles they are coming from a handheld environment so players expecting state-of-the-art graphics are going to be out of luck.
That being said the storytelling was very enjoyable and I found myself being quickly immersed into the game more so than I had at any point in the previous two Resident Evil games.
There is also an online Raid mode for two players team up to take on waves of incoming bad guys which adds an enjoyable new dimension to the game as well as an extra level of replayability.
The voice acting game is solid and really helps propel the characters although some of the lines are stuff that B-movie cheese has made legendary.
That being said, the game definitely has a lot going for it as a must own for fans of the series or for anybody looking for a return to the basics that made the franchise what it is today.
http://sknr.net/2013/05/31/resident-evil-revelations/
Playing as Jill Valentine to start players must navigate and explore various locales as they attempt to locate Jill’s missing partner Chris. The game is broken down into chapters and in some chapters players will play as Chris when aspects of the storyline are told in a nonlinear fashion.
Although this sounds confusing it’s a very clever way of advancing the story without giving too much away. Players are given a scenario and then in a future mission, there given the opportunity to fill in the blanks and discover how the later or past events transpired.
The game uses an over the shoulder perspective which although a third person survival horror shooter, the game effectively mixes various styles of play as players may go to a first-person mode should they feel the need.
This is not a straight run and gun game; instead players have to use a device known as Genesis in order to scan rooms to find clues as well as much-needed objects such as keys and ammunition. Of course scanning enemies is always a good idea I just suggest that players do that only after dispatching them.
The game does have its share of puzzles that must be solved as players have to do things such as hack electrical boxes in order to gain access to various locales. Although this at times slows down the flow of the game it does provide a break from the action at times when it is most needed.
Keep in mind this was originally designed for handheld control system of the game is very streamlined and effective. Players can change weapons easily and I was able to navigate the map without any real problems aside from the fact that most of the game occurs within a very dark setting and occasionally requires you to hug the wall in order to find your way around obstacles.
Combat is very simple where you simply raise the weapon and fire your shots or toss a grenade or exploding decoy at your intended victims. While very creepy most of the enemies I encountered move very slowly and tended to have a very linear and predictable attack path. I found that firing my weapon and back stepping and using object such as table between us while reloading usually was more than sufficient to dispatch them with little to no threat.
The only times I really was challenged were moments when I was forced to be stationary or encounter enemies with no weapon available to me. The game does offer three gameplay settings so you can find one that works best for you. I left it on Normal during my review sessions.
The game’s graphics are dated and while enhanced for consoles they are coming from a handheld environment so players expecting state-of-the-art graphics are going to be out of luck.
That being said the storytelling was very enjoyable and I found myself being quickly immersed into the game more so than I had at any point in the previous two Resident Evil games.
There is also an online Raid mode for two players team up to take on waves of incoming bad guys which adds an enjoyable new dimension to the game as well as an extra level of replayability.
The voice acting game is solid and really helps propel the characters although some of the lines are stuff that B-movie cheese has made legendary.
That being said, the game definitely has a lot going for it as a must own for fans of the series or for anybody looking for a return to the basics that made the franchise what it is today.
http://sknr.net/2013/05/31/resident-evil-revelations/
Gareth von Kallenbach (980 KP) rated We're The Millers (2013) in Movies
Jun 19, 2019
Life for petty drug dealer David Clark (Jason Sudeikes) is a fairly routine existence. He has his regular customers and makes his living selling small quantities of marijuana to his regulars while maintaining his ethical standards not to sell to children. David had fallen into this line of work in college and is managed to get by and save $20,000 for himself. David’s former college cohort Brad (Ed Helms) is his major supplier and unlike David, Brad has grown extremely wealthy and powerful through letting people like David do the dirty work.
David has long held a torch for his neighbor Rose (Jennifer Aniston), a stripper with a heart of gold who seems only successful at attracting loser boyfriends and maintaining her disdain for David.
When a local homeless girl named Casey (Emma Roberts), is accosted in front of his apartment building, David reluctantly comes to the aid of a well-intentioned dork named Kenny (Will Poulter), who has a habit of acting without thinking. Since Kenny is one of David’s neighbors and despite his geeky nature a good kid, David reluctantly becomes involved and soon finds himself the target of the assailants. Adding insult to injury, the robbers take all his money and drug supplies, including his savings.
Unable to pay Brad for what was taken, David reluctantly enters into an agreement where he traveled to Mexico and return a quantity of marijuana for Brad who in turn will wipe his debts clean and pay him for his efforts. Not wanting to end up in jail but seeing no other way out of his predicament, David enlists Casey, Kenny, and a reluctant but desperate Rose to pose as his all-American family for the trip in an effort to throw off any customs or law enforcement officials would be suspicious of David traveling alone.
Things seem to go smoothly at first despite tensions amongst the ad hoc family and despite a rendezvous with some scary individuals; they soon find their R.V. loaded to the max with bundles of drugs. This development panics David as he was expecting to transport only a modest amount across the border and realizes that being discovered with the quantities he’s attempting to smuggle into the country would result in some serious jail time.
Undaunted, the family who dubbed themselves the Miller’s continue with the plan which results in a series of humorous misfortunes along the way him including an overzealous RV couple (Nick Offerman and Katheryn Hahn), who just happens to be an active DEA agent with a knack for showing up no matter where the Miller’s go. You race against time with some serious bad guys in pursuit; the Miller’s must come together and put aside their dysfunctions to accomplish their bizarre and wacky mission.
While most people will be able to see the romantic subplots from a mile away what really makes this film shine is the outrageous comedy that is persistent throughout. The best laughs have not been wasted in the trailers which is unfortunately all too common for films of this type and the supporting work of Offerman and Poulter nearly steal the movie. Aniston is essentially playing the same character she plays in almost every one of her performances but at least she gets to take a little bit wilder edge that she teased in last year’s “Horrible Bosses”. Her repair shop striptease is definitely one of the more memorable scenes in the film that has nothing on the tender yet humorous scene or she decides to help Kenny out in regard to his awkwardness with women.
Sudeikes has really been on a roll of late as he not only had a hit with the previously mentioned “Horrible Bosses”, but has done solid work in the interim not the least of which is his outing as the sympathetic Dave. One would think film about drug smugglers, strippers, and other social undesirables would not be so enjoyable nor would characters come across is so endearing and sympathetic. That being said the film was definitely very pleasant supriserites and if you set your expectations accordingly you may find yourself not only laughing along at the outrageous antics but looking forward to spending more time with this crazy group in the future.
http://sknr.net/2013/08/07/were-the-millers/
David has long held a torch for his neighbor Rose (Jennifer Aniston), a stripper with a heart of gold who seems only successful at attracting loser boyfriends and maintaining her disdain for David.
When a local homeless girl named Casey (Emma Roberts), is accosted in front of his apartment building, David reluctantly comes to the aid of a well-intentioned dork named Kenny (Will Poulter), who has a habit of acting without thinking. Since Kenny is one of David’s neighbors and despite his geeky nature a good kid, David reluctantly becomes involved and soon finds himself the target of the assailants. Adding insult to injury, the robbers take all his money and drug supplies, including his savings.
Unable to pay Brad for what was taken, David reluctantly enters into an agreement where he traveled to Mexico and return a quantity of marijuana for Brad who in turn will wipe his debts clean and pay him for his efforts. Not wanting to end up in jail but seeing no other way out of his predicament, David enlists Casey, Kenny, and a reluctant but desperate Rose to pose as his all-American family for the trip in an effort to throw off any customs or law enforcement officials would be suspicious of David traveling alone.
Things seem to go smoothly at first despite tensions amongst the ad hoc family and despite a rendezvous with some scary individuals; they soon find their R.V. loaded to the max with bundles of drugs. This development panics David as he was expecting to transport only a modest amount across the border and realizes that being discovered with the quantities he’s attempting to smuggle into the country would result in some serious jail time.
Undaunted, the family who dubbed themselves the Miller’s continue with the plan which results in a series of humorous misfortunes along the way him including an overzealous RV couple (Nick Offerman and Katheryn Hahn), who just happens to be an active DEA agent with a knack for showing up no matter where the Miller’s go. You race against time with some serious bad guys in pursuit; the Miller’s must come together and put aside their dysfunctions to accomplish their bizarre and wacky mission.
While most people will be able to see the romantic subplots from a mile away what really makes this film shine is the outrageous comedy that is persistent throughout. The best laughs have not been wasted in the trailers which is unfortunately all too common for films of this type and the supporting work of Offerman and Poulter nearly steal the movie. Aniston is essentially playing the same character she plays in almost every one of her performances but at least she gets to take a little bit wilder edge that she teased in last year’s “Horrible Bosses”. Her repair shop striptease is definitely one of the more memorable scenes in the film that has nothing on the tender yet humorous scene or she decides to help Kenny out in regard to his awkwardness with women.
Sudeikes has really been on a roll of late as he not only had a hit with the previously mentioned “Horrible Bosses”, but has done solid work in the interim not the least of which is his outing as the sympathetic Dave. One would think film about drug smugglers, strippers, and other social undesirables would not be so enjoyable nor would characters come across is so endearing and sympathetic. That being said the film was definitely very pleasant supriserites and if you set your expectations accordingly you may find yourself not only laughing along at the outrageous antics but looking forward to spending more time with this crazy group in the future.
http://sknr.net/2013/08/07/were-the-millers/
"As far as I’m concerned, I came out of the womb spouting cynicism and wishing for rain."
"As far as I’m concerned, I came out of the womb spouting cynicism and wishing for rain."
A while back, I read an online comic strip by the same author, Heartstopper Volume 1. I found it by chance and I literally flew through it. I adored it and I went ahead and TBR’d some of her other books. I found this one on Scribd and come to find this was her baby. This was her debut novel. The story was pretty good, it is NOT a love story, but I sometimes found myself getting frustrated with the main character. Reasons why are listed below.
The story is told from a teenager named Victoria ‘Tori’ Spring. She has two younger brothers and she is quite…indifferent. She has one best friend, and honestly one friend only, and she’s very much the pessimist. I can’t fully fault her for that, but some things that I just CANNOT tolerate. I found myself gasping and GLARING at the words as I read them.
She hates books. Yes, she said she hates books (-1 point). She knows the name of each book and the author who wrote them, but she won’t actually read them.
Though she loves film so I’ll give the point back to her (0).
"When you watch a film, you’re sort of an outsider looking in. With a book – you’re right there. You are inside. You are the main character."
She thinks Pride and Prejudice is ridiculous and boring…she gets positive points for that (+2) – I’m sorry I’m in the minority. I do not care for Jane Austen and find her so called romance novels dull and boring. Not sorry!
She despises Disney because the movies are total fake and unrealistic. WELL NO SHIT! It’s DISNEY! (-200) – I’m a Disney nerd and while I don’t agree with sugar coating the original fair tales, I still LOVE Disney. You can’t fault me for that!
Anyway…
Tori is highly cynical and while I can appreciate that in her, sometimes she made my favorite cartoon character, Daria, seem like a sweetheart. Two guys come into Tori’s life. One was an old childhood friend, Lucas, and the other is someone she met before, Michael. At the same time, a blog group called ‘Solitaire’ starts making trouble…almost in Tori’s honor.
I won’t go into great detail, mostly because I would definitely give more away than I want to. I breezed through this story quickly, but there are just some things in the story that just didn’t sit well with me.
This guy Lucas was so sketchy that he nearly drove Tori crazy with his change in personality.
Her parents…they literally do not seem to care. Her mother most of all. She is mostly on her computer and seems to kind of be absent, mentally, as a parental figure. That never gets resolved, and I don’t know if that’s a good thing or bad thing. In the end, it really bothered me at how disinterested her parents really were. I get that perhaps it’s something you do when you’re bringing up teenagers, but damn!!
"I swear to God I’m a freak! I mean it. One day I’m going to forget how to wake up."
You’re probably thinking that this really doesn’t seem like it would be in the mental health genre. It is. Tori goes through an awful lot in this story, not to mention the mental strain with her brother, Charlie. I will say there are some MILD trigger warnings regarding implied self harm.
I was kind of left with mixed emotions with this book. I have great respect for this author and this being her first story. I know it’s near and dear to her heart. I wouldn’t say that this was at the top of my list, but it’s not at the bottom either. I definitely appreciated it NOT BEING a love story. Although it seemed like it would, despite the subtitle of the book, but I’m glad it wasn’t.
A while back, I read an online comic strip by the same author, Heartstopper Volume 1. I found it by chance and I literally flew through it. I adored it and I went ahead and TBR’d some of her other books. I found this one on Scribd and come to find this was her baby. This was her debut novel. The story was pretty good, it is NOT a love story, but I sometimes found myself getting frustrated with the main character. Reasons why are listed below.
The story is told from a teenager named Victoria ‘Tori’ Spring. She has two younger brothers and she is quite…indifferent. She has one best friend, and honestly one friend only, and she’s very much the pessimist. I can’t fully fault her for that, but some things that I just CANNOT tolerate. I found myself gasping and GLARING at the words as I read them.
She hates books. Yes, she said she hates books (-1 point). She knows the name of each book and the author who wrote them, but she won’t actually read them.
Though she loves film so I’ll give the point back to her (0).
"When you watch a film, you’re sort of an outsider looking in. With a book – you’re right there. You are inside. You are the main character."
She thinks Pride and Prejudice is ridiculous and boring…she gets positive points for that (+2) – I’m sorry I’m in the minority. I do not care for Jane Austen and find her so called romance novels dull and boring. Not sorry!
She despises Disney because the movies are total fake and unrealistic. WELL NO SHIT! It’s DISNEY! (-200) – I’m a Disney nerd and while I don’t agree with sugar coating the original fair tales, I still LOVE Disney. You can’t fault me for that!
Anyway…
Tori is highly cynical and while I can appreciate that in her, sometimes she made my favorite cartoon character, Daria, seem like a sweetheart. Two guys come into Tori’s life. One was an old childhood friend, Lucas, and the other is someone she met before, Michael. At the same time, a blog group called ‘Solitaire’ starts making trouble…almost in Tori’s honor.
I won’t go into great detail, mostly because I would definitely give more away than I want to. I breezed through this story quickly, but there are just some things in the story that just didn’t sit well with me.
This guy Lucas was so sketchy that he nearly drove Tori crazy with his change in personality.
Her parents…they literally do not seem to care. Her mother most of all. She is mostly on her computer and seems to kind of be absent, mentally, as a parental figure. That never gets resolved, and I don’t know if that’s a good thing or bad thing. In the end, it really bothered me at how disinterested her parents really were. I get that perhaps it’s something you do when you’re bringing up teenagers, but damn!!
"I swear to God I’m a freak! I mean it. One day I’m going to forget how to wake up."
You’re probably thinking that this really doesn’t seem like it would be in the mental health genre. It is. Tori goes through an awful lot in this story, not to mention the mental strain with her brother, Charlie. I will say there are some MILD trigger warnings regarding implied self harm.
I was kind of left with mixed emotions with this book. I have great respect for this author and this being her first story. I know it’s near and dear to her heart. I wouldn’t say that this was at the top of my list, but it’s not at the bottom either. I definitely appreciated it NOT BEING a love story. Although it seemed like it would, despite the subtitle of the book, but I’m glad it wasn’t.
Lucy Buglass (45 KP) rated Vice (2018) in Movies
Jun 20, 2019
A patronising mess of a film
If you want to learn how to completely and utterly fail at satire, look no further than Adam McKay’s Vice. It honestly does pain me to say this was one of the worst experiences I’ve ever had in the cinema. As a matter of fact, I was seconds away from walking out at one point. But, like any good critic, I stayed in my seat. I hoped and prayed it would get better… but it didn’t. If anything, it snowballed.
Vice is a ‘comedy’ (I’ve put this in quotation marks because there’s nothing funny about it) biopic about former American Vice President, Dick Cheney. The film attempts to give us further insight into his life, and how he got away with all the horrible things he did whilst in office. On paper, it actually sounds pretty appealing, especially for someone like me who knows very little about the man. On screen, it is an entirely different experience. 24 hours later, I’m still shocked by how appalling it was.
So, what has Vice done to receive such a scathing review from me? First and foremost, the dialogue is horrendously condescending and talks to the audience like they’re complete idiots. I have never seen such a patronising and immature biopic in my entire life. I’m not sure what’s more obnoxious: Cheney himself or the tone of the film. Maybe they’re on par with each other. I was barely half an hour into this when I was already starting to feel angry about the way they addressed things. You can give your audience context without talking down to them. The film did everything it could to seem edgy and like it was giving the audience the finger, but I just sat there cringing the whole time. It failed.
Secondly, the narrative is all over the place. I’m perfectly fine with non-linear stories, provided they actually make sense. Vice doesn’t know whether it’s coming or going, and changes between the past and future constantly. The pacing is an absolute shambles and makes the film feel longer than it actually is. It runs at just over 2 hours, but feels so much longer than that. I have never wanted a film to end so badly. In fact, I was ready to get up and leave when they decided to throw in a fake ending in an attempt to be funny. Yes, that actually happens. No, I didn’t laugh.
Don’t even get me started on the way it sloppily splices random pictures and video clips throughout the film, making me wonder who on earth nominated this for Best Editing. Are they okay? Without spoiling this too much, Vice’s editing is incredibly jarring and decides to patronise the audience even further by giving visual aids to the idioms that are described by the narrator. At one point it even tries to condescendingly explain Guantanamo Bay, which just caused me to facepalm. What were you thinking guys?
Having said all of this, does the film have some redeeming features? Sure. The quality of the acting is good, I enjoyed Christian Bale as Cheney and Amy Adams as his equally awful wife, Lynne. I also enjoyed Steve Carell as Donald Rumsfeld and Sam Rockwell as George W Bush. It is a shame to waste such great talent on a script as weak as this one. If someone had written this better, maybe I would’ve enjoyed it a lot more. Sadly, I’m stuck with this one. I’m baffled by how anyone can consider this to be a well written script. If anyone wants to enlighten me, by all means, try.
If I never have to watch Vice again, I’ll be fine with that. I feel completely let down by McKay, and this hurts more considering I like some of his other films such as Anchorman and Step Brothers. He’s better than this, and I hope he can redeem himself with whatever he creates next.
https://lucygoestohollywood.com/2019/02/03/a-patronising-mess-of-a-film-my-review-of-vice/
Vice is a ‘comedy’ (I’ve put this in quotation marks because there’s nothing funny about it) biopic about former American Vice President, Dick Cheney. The film attempts to give us further insight into his life, and how he got away with all the horrible things he did whilst in office. On paper, it actually sounds pretty appealing, especially for someone like me who knows very little about the man. On screen, it is an entirely different experience. 24 hours later, I’m still shocked by how appalling it was.
So, what has Vice done to receive such a scathing review from me? First and foremost, the dialogue is horrendously condescending and talks to the audience like they’re complete idiots. I have never seen such a patronising and immature biopic in my entire life. I’m not sure what’s more obnoxious: Cheney himself or the tone of the film. Maybe they’re on par with each other. I was barely half an hour into this when I was already starting to feel angry about the way they addressed things. You can give your audience context without talking down to them. The film did everything it could to seem edgy and like it was giving the audience the finger, but I just sat there cringing the whole time. It failed.
Secondly, the narrative is all over the place. I’m perfectly fine with non-linear stories, provided they actually make sense. Vice doesn’t know whether it’s coming or going, and changes between the past and future constantly. The pacing is an absolute shambles and makes the film feel longer than it actually is. It runs at just over 2 hours, but feels so much longer than that. I have never wanted a film to end so badly. In fact, I was ready to get up and leave when they decided to throw in a fake ending in an attempt to be funny. Yes, that actually happens. No, I didn’t laugh.
Don’t even get me started on the way it sloppily splices random pictures and video clips throughout the film, making me wonder who on earth nominated this for Best Editing. Are they okay? Without spoiling this too much, Vice’s editing is incredibly jarring and decides to patronise the audience even further by giving visual aids to the idioms that are described by the narrator. At one point it even tries to condescendingly explain Guantanamo Bay, which just caused me to facepalm. What were you thinking guys?
Having said all of this, does the film have some redeeming features? Sure. The quality of the acting is good, I enjoyed Christian Bale as Cheney and Amy Adams as his equally awful wife, Lynne. I also enjoyed Steve Carell as Donald Rumsfeld and Sam Rockwell as George W Bush. It is a shame to waste such great talent on a script as weak as this one. If someone had written this better, maybe I would’ve enjoyed it a lot more. Sadly, I’m stuck with this one. I’m baffled by how anyone can consider this to be a well written script. If anyone wants to enlighten me, by all means, try.
If I never have to watch Vice again, I’ll be fine with that. I feel completely let down by McKay, and this hurts more considering I like some of his other films such as Anchorman and Step Brothers. He’s better than this, and I hope he can redeem himself with whatever he creates next.
https://lucygoestohollywood.com/2019/02/03/a-patronising-mess-of-a-film-my-review-of-vice/
Kayleigh (12 KP) rated Bone Dressing (Book 1) in Books
Jan 2, 2019
I got this as a read to review, and it goes without saying (especially once you've read my review!) that what I am about to write is completely honest. I don't think I can explain my feelings about this book without letting spoilers slip, so please beware!
Unfortunately, unlike the <a href="http://awowords.wordpress.com/2013/04/05/dead-letter-office/">first book</a> I received to review, I really didn't like this story, and I won't be reading the next books in the series. Part of the premise wasn't bad - a 17-year-old girl, Syd, goes back to a previous life and discovers she has an ability to shapeshift into 5 different animals - but there are many flaws that made it a challenge to read.
To start with, the premise I mentioned above was bogged down with so many other storylines trying to demand attention. There's a sexually harassing, paedophile teacher; issues with her dead parents (which never actually goes anywhere); boy issues (which I'll discuss later); and probably several other things I genuinely don't care about.
Then, there's Sydney. I don't think I've ever finished a book with a main character as unlikeable as her. Now, I understand she misses her parents (who died 7 years previously), but from what the story says, she has been with her foster parents ever since, and they treat her as good parents should, so I don't understand the amount of anger that spews from her for about 80% of the time she's appearing as Syd (as opposed to Rachel).
If you've read any of the reviews on my <a href="http://awowords.wordpress.com">blog</a>; before, you may have realised that I hate books that completely devolve from reality, especially when it comes to love. Syd mentions at the beginning of the book that she's had dates with 'hot' guys, but that she's put off as soon as they open their mouths. Then, one day, she's met by Beau (at the friggin' cemetery, by her parents' graves), and despite his stalkerish (and is it just me to think vampiric?) tendencies, she falls head over heels in love with him. Well, duh. She then has her life threatened by a panther, and decides to take that moment to declare how she feels about him. I'm not sure about anyone else, but that's not what I'd do.
When Syd goes back to her previous life, as Rachel, she again is madly in love with a man named Jesse. This section of the book is slightly better written in that Rachel has more vulnerability than Syd, and the events are more exciting and less jumbled. I was intrigued as to how Syd could help Rachel change the events (which was hinted at by Beau), and can't help feeling that if there had been more of this and a LOT less lead-up, I would have enjoyed the book more. The end of the book finished on a cliffhanger, with nothing of importance having been 'tied up', and expecting the reader to buy the next book in order to carry on.
Then there's Mr Askew. I won't waste my breath on this: he is a paedophile that sexually harasses Syd in front of the whole class. Worst student in the world or not, Sydney could get him done - no bargaining. Plus, why have her start at burning down the school only to not refer back to what was already mentioned when it happens at the end?!
In general, an annoyance throughout the book was the amount of metaphors and adjectives used for everything. If there's one word used to describe something, there can be three, appears to be this book's motto! Metaphors can be amazing, but they were taken too far here. (This blogger <a href="http://ashleychristiano.wordpress.com/2011/10/10/bone-dressing-by-michelle-brooks/">here</a>; agrees!) Picture this type of language every other page or so:
<blockquote><i>"I could feel the waves of an overwhelming heartbreak ravaging my body, taking hold as if preparing to replace every part of me with an ache that could never be soothed. Somewhere in the distance I heard agonizing sobbing, sobbing too painful for a mere girl to endure."</i> </blockquote>
Yeah. So, it's safe to say I won't be recommending this one.
Unfortunately, unlike the <a href="http://awowords.wordpress.com/2013/04/05/dead-letter-office/">first book</a> I received to review, I really didn't like this story, and I won't be reading the next books in the series. Part of the premise wasn't bad - a 17-year-old girl, Syd, goes back to a previous life and discovers she has an ability to shapeshift into 5 different animals - but there are many flaws that made it a challenge to read.
To start with, the premise I mentioned above was bogged down with so many other storylines trying to demand attention. There's a sexually harassing, paedophile teacher; issues with her dead parents (which never actually goes anywhere); boy issues (which I'll discuss later); and probably several other things I genuinely don't care about.
Then, there's Sydney. I don't think I've ever finished a book with a main character as unlikeable as her. Now, I understand she misses her parents (who died 7 years previously), but from what the story says, she has been with her foster parents ever since, and they treat her as good parents should, so I don't understand the amount of anger that spews from her for about 80% of the time she's appearing as Syd (as opposed to Rachel).
If you've read any of the reviews on my <a href="http://awowords.wordpress.com">blog</a>; before, you may have realised that I hate books that completely devolve from reality, especially when it comes to love. Syd mentions at the beginning of the book that she's had dates with 'hot' guys, but that she's put off as soon as they open their mouths. Then, one day, she's met by Beau (at the friggin' cemetery, by her parents' graves), and despite his stalkerish (and is it just me to think vampiric?) tendencies, she falls head over heels in love with him. Well, duh. She then has her life threatened by a panther, and decides to take that moment to declare how she feels about him. I'm not sure about anyone else, but that's not what I'd do.
When Syd goes back to her previous life, as Rachel, she again is madly in love with a man named Jesse. This section of the book is slightly better written in that Rachel has more vulnerability than Syd, and the events are more exciting and less jumbled. I was intrigued as to how Syd could help Rachel change the events (which was hinted at by Beau), and can't help feeling that if there had been more of this and a LOT less lead-up, I would have enjoyed the book more. The end of the book finished on a cliffhanger, with nothing of importance having been 'tied up', and expecting the reader to buy the next book in order to carry on.
Then there's Mr Askew. I won't waste my breath on this: he is a paedophile that sexually harasses Syd in front of the whole class. Worst student in the world or not, Sydney could get him done - no bargaining. Plus, why have her start at burning down the school only to not refer back to what was already mentioned when it happens at the end?!
In general, an annoyance throughout the book was the amount of metaphors and adjectives used for everything. If there's one word used to describe something, there can be three, appears to be this book's motto! Metaphors can be amazing, but they were taken too far here. (This blogger <a href="http://ashleychristiano.wordpress.com/2011/10/10/bone-dressing-by-michelle-brooks/">here</a>; agrees!) Picture this type of language every other page or so:
<blockquote><i>"I could feel the waves of an overwhelming heartbreak ravaging my body, taking hold as if preparing to replace every part of me with an ache that could never be soothed. Somewhere in the distance I heard agonizing sobbing, sobbing too painful for a mere girl to endure."</i> </blockquote>
Yeah. So, it's safe to say I won't be recommending this one.
Gareth von Kallenbach (980 KP) rated Live Free or Die Hard (2007) in Movies
Aug 14, 2019
Computers have become such a mainstay of modern life that few of us even stop to imagine just how much of our lives are affected by them. In the course of a standard day, everything from the lights at the corner, offices, banks, and even the cars we drive are all governed in some ways by computers.
In the latest chapter in the Die Hard series, “Live Free or Die Hard”, audiences are given a glimpse of what could happen should a massive attack on our nation’s computer network occur, and shown how life as we know it could be severely altered without our digital creations monitoring the numerous tasks to which they have been assigned.
For Detective John McClane, (Bruce Willis), being in the wrong place at the right time has become par for the course, when his routine transportation of a suspected hacker named Matt Farrell (Justin Long), soon has him in a heated shootout, he realizes this is not going to be just another day at the office.
The nations computer network has come under attack by a cyber terrorist named Thomas Gabriel (Timothy Olyphant), and in short order everything has shut down, and the cities of the country are in total chaos.
Since the bad guys have been so intent on silencing Matt, John becomes his guardian as the two try to unravel the master plan behind the attacks, and stay one step ahead of the legion of hired goons.
This is no easy task as seemingly every step of the way the duo are under attack from all fronts from an unseen enemy that can strike anywhere, and often without warning which results in some truly inspired and impressive action sequences.
In a race against time, old school cop McClane must rely on the tech fluent Matt as he once again finds himself the only man who can save the day before the world as we know it is lost.
This “Die Hard” is a real treat as it is the rare summer offering that not only lives up to the hype and promise, but surpasses it. Willis reportedly waited to find the write script and director (Len Wiseman of the “Underworld” films); to bring the next chapter to the series and it is a dynamic and effective pairing.
Wiseman is a fan of the series and as a teen was influenced by the earlier films in the series. His love and understanding of the characters and subject matter is clear as he stages very clever and entertaining action sequences that while thrilling, never take the place of the human elements of the film.
The film is clearly about McClane and his reluctant heroics as he laments that being a hero is not all that it is cracked up to be, and the aftermath of such actions often make for a life filled with baggage.
Willis is in top form, as he comfortably steps back into the familiar role and throws himself physically into a very demanding role, where he insisted upon doing the majority of his stunt work. His gritty approach to the character pays off, as McClane is not some super-powered character; he is a normal man, with faults who is driven to do his part when needed.
The film does take a brief pause about 80 minutes into the nearly two hour run time to expand on some of the characters and the plot, but ramps up for an amazing finale that has some of the best action and stunt work in recent memory.
It was reported that Wiseman kept CGI effects to a minimum for many sequences in order to give them a more realistic look, and in doing so, has crafted a true gem.
Some people have complained about the film being “toned down” to PG-13 but I can tell you that there is just as much action, violence, and body count as any film in the series; they were just not overly gratuitous with the use of blood. That being said, at no point did I get the impression I was watching a sanitized film, I was too busy enjoying a solid action film that takes the audience on one hell of a thrilling ride.
In the latest chapter in the Die Hard series, “Live Free or Die Hard”, audiences are given a glimpse of what could happen should a massive attack on our nation’s computer network occur, and shown how life as we know it could be severely altered without our digital creations monitoring the numerous tasks to which they have been assigned.
For Detective John McClane, (Bruce Willis), being in the wrong place at the right time has become par for the course, when his routine transportation of a suspected hacker named Matt Farrell (Justin Long), soon has him in a heated shootout, he realizes this is not going to be just another day at the office.
The nations computer network has come under attack by a cyber terrorist named Thomas Gabriel (Timothy Olyphant), and in short order everything has shut down, and the cities of the country are in total chaos.
Since the bad guys have been so intent on silencing Matt, John becomes his guardian as the two try to unravel the master plan behind the attacks, and stay one step ahead of the legion of hired goons.
This is no easy task as seemingly every step of the way the duo are under attack from all fronts from an unseen enemy that can strike anywhere, and often without warning which results in some truly inspired and impressive action sequences.
In a race against time, old school cop McClane must rely on the tech fluent Matt as he once again finds himself the only man who can save the day before the world as we know it is lost.
This “Die Hard” is a real treat as it is the rare summer offering that not only lives up to the hype and promise, but surpasses it. Willis reportedly waited to find the write script and director (Len Wiseman of the “Underworld” films); to bring the next chapter to the series and it is a dynamic and effective pairing.
Wiseman is a fan of the series and as a teen was influenced by the earlier films in the series. His love and understanding of the characters and subject matter is clear as he stages very clever and entertaining action sequences that while thrilling, never take the place of the human elements of the film.
The film is clearly about McClane and his reluctant heroics as he laments that being a hero is not all that it is cracked up to be, and the aftermath of such actions often make for a life filled with baggage.
Willis is in top form, as he comfortably steps back into the familiar role and throws himself physically into a very demanding role, where he insisted upon doing the majority of his stunt work. His gritty approach to the character pays off, as McClane is not some super-powered character; he is a normal man, with faults who is driven to do his part when needed.
The film does take a brief pause about 80 minutes into the nearly two hour run time to expand on some of the characters and the plot, but ramps up for an amazing finale that has some of the best action and stunt work in recent memory.
It was reported that Wiseman kept CGI effects to a minimum for many sequences in order to give them a more realistic look, and in doing so, has crafted a true gem.
Some people have complained about the film being “toned down” to PG-13 but I can tell you that there is just as much action, violence, and body count as any film in the series; they were just not overly gratuitous with the use of blood. That being said, at no point did I get the impression I was watching a sanitized film, I was too busy enjoying a solid action film that takes the audience on one hell of a thrilling ride.
Gareth von Kallenbach (980 KP) rated The Dukes of Hazzard (2005) in Movies
Aug 14, 2019
Those good ol’ boys from Hazzard County are back, in the film version of one of the most enduring series from the 70’s.
For those unfamiliar with the series, each week Cousins Bo and Luke Duke used their super charged Dodge Charger, christened “The General Lee”, to avoid corrupt police, city overlord Boss Hogg, and bad guys of the week.
If this sounds very simplistic, it is, yet the show was a huge ratings sensation as were subsequent T.V. reunions after the show completed its run. Thanks to reruns on syndication and the recent DVD sales, a new generation is encountering the Dukes and in many ways, that is who the new film is targeted to.
Starring Johnny Knoxville and Sean William Scott as Luke and Bo Duke, the film follows the basic theme of the series as the two cousins joke with one another as they run Moonshine for their Uncle Jessie (Willie Nelson), and try to stay one step ahead of the Sheriff Roscoe P. Coltrane (M.C. Gainey),
As the film opens, Bo is concerned about defending his title in the annual road rally and tying the record with his 4th consecutive win. Luke is concerned about staying one step ahead of a shotgun toting father & son duo who aren’t thrilled about his numerous dalliances with the daughter.
It is all fun and games until local overlord Boss Hogg (Burt Reynolds), seizes the family farm when he plants a still on the property and drives the Dukes out. Not ones to take it sitting down, Bo, Luke, and Cousin Daisy (Jessica Simpson), set out to discover why Boss Hogg is acquiring through ruthless means all of the land in the outlying areas of Hazzard County.
Bo and Luke are forced to flee Hazzard County and venture to Atlanta in order to gain further insight into Boss Hogg’s plans, which results in some funny fish-out-of-water moments when Bo and Luke have to deal with yuppies, college dorms, and the ‘hood as well as city police and the Boss himself.
Of course in keeping with the show, there will be countless car chases, spectacular jumps, and more than enough T&A thanks to Simpson, but what is surprising is that the film’s humor for the most part works.
Directed by Jay Chandrasekher of the Broken Lizard comedy troupe, the film does have its share of moments that may raise a few eyebrows as drug use, sex, and shots to the groin are present in this film, as is language that is more colorful than anything from the original series.
That being said, it is important to remember, that times have changed greatly since the Dukes first aired and you cannot blame the film makers for attempting to reach out to a broader audience. Such is the running joke of Bo being more concerned with his car than with woman, and his inability to speak with the object of his affections without fainting. This is quite a change from the unflappable character of the television show, yet one that still allows the good natured appeal of the character to remain intact.
The cast works well, especially the chemistry between Knoxville and Scott, as well as the scenery chewing performance of Reynolds who seems to be having the time of his life in the role. Much has been made of Simpson’s part, but it is mostly a limited role that offers her little chance to do much more than serve as eye candy, and does not show if she is capable of doing much more.
Nelson is sadly underused, but when he is on screen he raises the bar as his easygoing charm is a perfect match for Uncle Jessie.
While the film is in no way great cinema, it is at times an enjoyable bit of nostalgia to the days when Friday nights growing up meant dinner in front of the television watching the Dukes.
If car chases and some light comedy are what you are in the mood for, and you do not mind a thin story, you can do a lot worse than the Dukes.
For those unfamiliar with the series, each week Cousins Bo and Luke Duke used their super charged Dodge Charger, christened “The General Lee”, to avoid corrupt police, city overlord Boss Hogg, and bad guys of the week.
If this sounds very simplistic, it is, yet the show was a huge ratings sensation as were subsequent T.V. reunions after the show completed its run. Thanks to reruns on syndication and the recent DVD sales, a new generation is encountering the Dukes and in many ways, that is who the new film is targeted to.
Starring Johnny Knoxville and Sean William Scott as Luke and Bo Duke, the film follows the basic theme of the series as the two cousins joke with one another as they run Moonshine for their Uncle Jessie (Willie Nelson), and try to stay one step ahead of the Sheriff Roscoe P. Coltrane (M.C. Gainey),
As the film opens, Bo is concerned about defending his title in the annual road rally and tying the record with his 4th consecutive win. Luke is concerned about staying one step ahead of a shotgun toting father & son duo who aren’t thrilled about his numerous dalliances with the daughter.
It is all fun and games until local overlord Boss Hogg (Burt Reynolds), seizes the family farm when he plants a still on the property and drives the Dukes out. Not ones to take it sitting down, Bo, Luke, and Cousin Daisy (Jessica Simpson), set out to discover why Boss Hogg is acquiring through ruthless means all of the land in the outlying areas of Hazzard County.
Bo and Luke are forced to flee Hazzard County and venture to Atlanta in order to gain further insight into Boss Hogg’s plans, which results in some funny fish-out-of-water moments when Bo and Luke have to deal with yuppies, college dorms, and the ‘hood as well as city police and the Boss himself.
Of course in keeping with the show, there will be countless car chases, spectacular jumps, and more than enough T&A thanks to Simpson, but what is surprising is that the film’s humor for the most part works.
Directed by Jay Chandrasekher of the Broken Lizard comedy troupe, the film does have its share of moments that may raise a few eyebrows as drug use, sex, and shots to the groin are present in this film, as is language that is more colorful than anything from the original series.
That being said, it is important to remember, that times have changed greatly since the Dukes first aired and you cannot blame the film makers for attempting to reach out to a broader audience. Such is the running joke of Bo being more concerned with his car than with woman, and his inability to speak with the object of his affections without fainting. This is quite a change from the unflappable character of the television show, yet one that still allows the good natured appeal of the character to remain intact.
The cast works well, especially the chemistry between Knoxville and Scott, as well as the scenery chewing performance of Reynolds who seems to be having the time of his life in the role. Much has been made of Simpson’s part, but it is mostly a limited role that offers her little chance to do much more than serve as eye candy, and does not show if she is capable of doing much more.
Nelson is sadly underused, but when he is on screen he raises the bar as his easygoing charm is a perfect match for Uncle Jessie.
While the film is in no way great cinema, it is at times an enjoyable bit of nostalgia to the days when Friday nights growing up meant dinner in front of the television watching the Dukes.
If car chases and some light comedy are what you are in the mood for, and you do not mind a thin story, you can do a lot worse than the Dukes.
Chris Sawin (602 KP) rated Jennifer's Body (2009) in Movies
Jun 22, 2019
Devil's Kettle is a small town where everyone knows everybody. The story revolves around the relationship between Needy (Amanda Seyfried) and Jennifer (Megan Fox) and other than having similar interests, the two are polar opposites. Needy is more of the quiet, girl next door type that is a bit of a bookworm with a heart of gold whereas Jennifer is more spontaneous, mean spirited, and the stuck-up, hot cheerleader type that every high school boy seems to dream about being with. One night, Jennifer drags Needy to Melody Lane, the one bar in town, to see a new flavor of the week indie band called Low Shoulder. When the bar catches on fire and most of the people inside are crushed or burned in the destruction, Needy thinks that's where this horrible night gone wrong would end. That is until Jennifer decides to go off with the band in their van and Needy has to make her way back home alone. After that night, a demon is transferred into Jennifer's body with an unquenchable hunger for high school guys. As Needy begins to accept what's happened to her BFF, she realizes that she's the only one that has a chance of stopping Jennifer once and for all.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.
Purple Phoenix Games (2266 KP) rated Meow! The Cult of Cat in Tabletop Games
Jul 18, 2019
I remember when I joined a cult. Wait, I have not yet done that. I have joined fraternities and other organizations, though, where there are specific ritualistic initiations and periods of testing and awakening just prior. These trials have included written tests, symbolic experiences with the brethren, and sometimes just silly stuff that make no sense but to bring us closer together. This is the tarry of your anthropomorphic character as you attempt to gain the favor of your brethren and pass all the tests along the way into the Cult of Cat.
NOTE: I have never been hazed nor have I hazed another. Just wanted to get that straight.
DISCLAIMER: We were provided a review copy of this game for the purposes of this review. These are preview copy components, and I do not know if the final components will be similar or different, or if the Kickstarter campaign will alter or add anything through stretch goals. -T
As an initiate to the Cult of Cat it is your duty to pass the test and not break any rules. The winning player, therefore, is the one who can perform all of the necessary rules without breaking any. Let me explain. The game is a giant stack of cards. Upon these cards is the name of the rule, an illustration that matches the rule, and an explanation of the action to be completed. At the beginning of the game you are dealt two cards (or one card dependent on number of players in the game) and one card is dealt face-down to the middle of the table. You look at your dealt cards, study them, and pass your hand to the player on your left. So you now have seen two rules that you have passed, and you have received two rules from your neighbor on the right. I hope you remembered what you passed…
On your turn you will play a card from your hand, announce and perform its action, and then perform all the actions on your opponents’ cards that you can possibly remember to impress the brethren and hopefully not break any of their rules in the process. Once you are satisfied with your performance you point to the player on your left and ask, “Have I broken any of your rules?” If you performed one of the rules in their hand incorrectly, or omitted one of their rules, then they are required to say, “Yes.” At this point they announce the rule you have broken, add that card to the card that was dealt face-down to the table, and you add your played card to form a pile of three. Shuffle those and draw one for yourself, your opponent draws one, and the remainder stays on the table. This is the game and it continues until someone has correctly performed the actions of their opponents and not broken any rules.
Components. Again, this is a giant stack of cards. I do not know what the quality will be after the Kickstarter campaign ends, so I cannot really comment on them. My review copy cards were fine. The art on the cards is really comical and funny. I mean comical like in comic books. I like the art quite a bit, and while I am not really looking at the illustrations as I play (there is already so much I am trying to remember), when I look through the deck I chuckle at a lot of the cards.
Guys, this is a great party game. It is rules-light, doesn’t require a ton of strategy, and gets people up and moving and out of their comfort zones. It really is perfect for those times when you have reluctant players or partners to get them into the gaming mood by having them perform ridiculous but super fun actions. Winners, losers, it doesn’t matter at the end of this game. Everyone is sure to have a really great time playing. If you love Happy Salmon, I can almost guarantee that you will also love Meow! as something a little different. And we at Purple Phoenix Games love Happy Salmon! I am really looking forward to the Kickstarter campaign to see what Peter C. Hayward has up his sleeves.
NOTE: I have never been hazed nor have I hazed another. Just wanted to get that straight.
DISCLAIMER: We were provided a review copy of this game for the purposes of this review. These are preview copy components, and I do not know if the final components will be similar or different, or if the Kickstarter campaign will alter or add anything through stretch goals. -T
As an initiate to the Cult of Cat it is your duty to pass the test and not break any rules. The winning player, therefore, is the one who can perform all of the necessary rules without breaking any. Let me explain. The game is a giant stack of cards. Upon these cards is the name of the rule, an illustration that matches the rule, and an explanation of the action to be completed. At the beginning of the game you are dealt two cards (or one card dependent on number of players in the game) and one card is dealt face-down to the middle of the table. You look at your dealt cards, study them, and pass your hand to the player on your left. So you now have seen two rules that you have passed, and you have received two rules from your neighbor on the right. I hope you remembered what you passed…
On your turn you will play a card from your hand, announce and perform its action, and then perform all the actions on your opponents’ cards that you can possibly remember to impress the brethren and hopefully not break any of their rules in the process. Once you are satisfied with your performance you point to the player on your left and ask, “Have I broken any of your rules?” If you performed one of the rules in their hand incorrectly, or omitted one of their rules, then they are required to say, “Yes.” At this point they announce the rule you have broken, add that card to the card that was dealt face-down to the table, and you add your played card to form a pile of three. Shuffle those and draw one for yourself, your opponent draws one, and the remainder stays on the table. This is the game and it continues until someone has correctly performed the actions of their opponents and not broken any rules.
Components. Again, this is a giant stack of cards. I do not know what the quality will be after the Kickstarter campaign ends, so I cannot really comment on them. My review copy cards were fine. The art on the cards is really comical and funny. I mean comical like in comic books. I like the art quite a bit, and while I am not really looking at the illustrations as I play (there is already so much I am trying to remember), when I look through the deck I chuckle at a lot of the cards.
Guys, this is a great party game. It is rules-light, doesn’t require a ton of strategy, and gets people up and moving and out of their comfort zones. It really is perfect for those times when you have reluctant players or partners to get them into the gaming mood by having them perform ridiculous but super fun actions. Winners, losers, it doesn’t matter at the end of this game. Everyone is sure to have a really great time playing. If you love Happy Salmon, I can almost guarantee that you will also love Meow! as something a little different. And we at Purple Phoenix Games love Happy Salmon! I am really looking forward to the Kickstarter campaign to see what Peter C. Hayward has up his sleeves.
Darren (1599 KP) rated A Walk In The Woods (2015) in Movies
Jul 8, 2019
Director: Ken Kwapis
Writer: Michael Arndt, Bill Holderman (Screenplay) Bill Bryson (Book)
Starring: Robert Redford, Nick Nolte, Emma Thompson, Mary Steenburgen, Nick Offerman, Kristen Schaal, R. Keith Harris
Plot: After spending two decades in England, Bill Bryson returns to the U.S., where he decides the best way to connect with his homeland is to hike the Appalachian Trail with one of his oldest friends.
Tagline – When you push yourself to the edge, the real fun begins.
Runtime: 1 Hour 44 Minutes
There may be spoilers in the rest of the review
Verdict: Never Captures the Sense of Adventure
Story: A Walk in the Woods starts when author Bill Bryson (Redford) returns to America after years of travel books, where he has never written about his homeland. Bill wants to walk the Appalachian Trail, over 2000miles, his wife Catherine (Thompson) isn’t happy with this decision forcing him to go with somebody, which sees him reconnect with an old friend Stephen Katz (Nolte).
Even though Stephen isn’t in the best shape for this hike, he is the only person that accepts the offer and the two set out on the 6-month long hike, hoping to create his next best seller, while reconnecting with an old friend.
Thoughts on A Walk in the Woods
Characters – Bill Bryson is a travel author that has been writing about hiking trails all over the world, only he has never written about America, he wants to change this, hoping to give himself a chance to experience the American walking trail of the Appalachian Trail, one of the most challenging hikes in the country. Stephen Katz is the only person that is willing to join Bill on his adventure, the two have had their differences in the past, he isn’t in the best shape for this adventure and sees it as a chance to reconnect with an old friend. Catherine is the wife of Bill that doesn’t want Bill to go on this hike, she is worried about everything that could happen, forcing him to go with somebody on the trip. Jeannie is one of the ladies that they guys meet on the journey, she is one of the many people they meet along the way.
Performances – Robert Redford and Nick Nolte are wonderful together in the leading role, you get to believe their friendship has been through the ups and downs life has to offer, only to let them get their solo moments when needed for the film. when we get to the supporting cast Emma Thompson does get her chance to shine without getting too much screen time.
Story – The story here follows an author who sets out on a new adventure travelling the Appalachian Trail, first for himself and secondly for his latest book, he reconnects with an old friend to join him on this adventure. This story does have a big difference from the book which sees a big age change, which does change the story, which is more focused on the older generation that are seeing their friends die and wanting to do another adventure before it is too late. The trip itself never gets shown in distance scale either, we know how far it is, but we don’t seem to learn where it starts and finishes or what locations we go through.
Adventure/Biopic/Comedy – The adventure side of the film does take the men on with a location that will be one of the highlights of the film, the biopic side of the film does use the real names, but not the real ages which does change the dynamic of the story completely. The comedy will give you a couple of laughs along the way, without it being a full-blown comedy.
Settings – The settings in the film do give us a couple of beautiful shots, though we don’t get to feel the distance being travelled.
Scene of the Movie – Mary Ellen.
That Moment That Annoyed Me – We never feel the distance they are traveling through the film.
Final Thoughts – This is an adventure film that doesn’t give us the sense of adventure that it could have, we do get great performances, but the story never draws us in the way it could.
Overall: Disappointing adventure.
Rating
Writer: Michael Arndt, Bill Holderman (Screenplay) Bill Bryson (Book)
Starring: Robert Redford, Nick Nolte, Emma Thompson, Mary Steenburgen, Nick Offerman, Kristen Schaal, R. Keith Harris
Plot: After spending two decades in England, Bill Bryson returns to the U.S., where he decides the best way to connect with his homeland is to hike the Appalachian Trail with one of his oldest friends.
Tagline – When you push yourself to the edge, the real fun begins.
Runtime: 1 Hour 44 Minutes
There may be spoilers in the rest of the review
Verdict: Never Captures the Sense of Adventure
Story: A Walk in the Woods starts when author Bill Bryson (Redford) returns to America after years of travel books, where he has never written about his homeland. Bill wants to walk the Appalachian Trail, over 2000miles, his wife Catherine (Thompson) isn’t happy with this decision forcing him to go with somebody, which sees him reconnect with an old friend Stephen Katz (Nolte).
Even though Stephen isn’t in the best shape for this hike, he is the only person that accepts the offer and the two set out on the 6-month long hike, hoping to create his next best seller, while reconnecting with an old friend.
Thoughts on A Walk in the Woods
Characters – Bill Bryson is a travel author that has been writing about hiking trails all over the world, only he has never written about America, he wants to change this, hoping to give himself a chance to experience the American walking trail of the Appalachian Trail, one of the most challenging hikes in the country. Stephen Katz is the only person that is willing to join Bill on his adventure, the two have had their differences in the past, he isn’t in the best shape for this adventure and sees it as a chance to reconnect with an old friend. Catherine is the wife of Bill that doesn’t want Bill to go on this hike, she is worried about everything that could happen, forcing him to go with somebody on the trip. Jeannie is one of the ladies that they guys meet on the journey, she is one of the many people they meet along the way.
Performances – Robert Redford and Nick Nolte are wonderful together in the leading role, you get to believe their friendship has been through the ups and downs life has to offer, only to let them get their solo moments when needed for the film. when we get to the supporting cast Emma Thompson does get her chance to shine without getting too much screen time.
Story – The story here follows an author who sets out on a new adventure travelling the Appalachian Trail, first for himself and secondly for his latest book, he reconnects with an old friend to join him on this adventure. This story does have a big difference from the book which sees a big age change, which does change the story, which is more focused on the older generation that are seeing their friends die and wanting to do another adventure before it is too late. The trip itself never gets shown in distance scale either, we know how far it is, but we don’t seem to learn where it starts and finishes or what locations we go through.
Adventure/Biopic/Comedy – The adventure side of the film does take the men on with a location that will be one of the highlights of the film, the biopic side of the film does use the real names, but not the real ages which does change the dynamic of the story completely. The comedy will give you a couple of laughs along the way, without it being a full-blown comedy.
Settings – The settings in the film do give us a couple of beautiful shots, though we don’t get to feel the distance being travelled.
Scene of the Movie – Mary Ellen.
That Moment That Annoyed Me – We never feel the distance they are traveling through the film.
Final Thoughts – This is an adventure film that doesn’t give us the sense of adventure that it could have, we do get great performances, but the story never draws us in the way it could.
Overall: Disappointing adventure.
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