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Life Long is a great book. It takes you into a young boy mind and what he goes through in his life. The boy or young man as a cousin and seem that he may be a bad influence on Ray. What will happen to make you wonder if this cousin Billy?
Ray Lopez is on the run from the cops and men that work with his cousin Billy Cisneros. Ray Lopez (Aka: Jimmy Ramirez), has a mental illness that he hears voices and also gets auditory hallucinations. He on runs and he convinced that cops are after him and his duffel bag of clothes and bags of money.
Ritz does a wonderful job of putting the story together. The plot is really rich filled with details and description. You learn about bus terminals and bus stations around that time. Ray makes friends with a bus passenger who suggest that go to Mexico which should mean safety. He must go to Nuevo Laredo to get to Mexico. He meets a street whiz kid named Joey. Ray so panic that he needs his pills and this prescription refilled. Will Ray know who to Trust or lean who will harm him? You will need to read to find out how Ray gets along in life and if he makes it or not.
Ray Lopez is on the run from the cops and men that work with his cousin Billy Cisneros. Ray Lopez (Aka: Jimmy Ramirez), has a mental illness that he hears voices and also gets auditory hallucinations. He on runs and he convinced that cops are after him and his duffel bag of clothes and bags of money.
Ritz does a wonderful job of putting the story together. The plot is really rich filled with details and description. You learn about bus terminals and bus stations around that time. Ray makes friends with a bus passenger who suggest that go to Mexico which should mean safety. He must go to Nuevo Laredo to get to Mexico. He meets a street whiz kid named Joey. Ray so panic that he needs his pills and this prescription refilled. Will Ray know who to Trust or lean who will harm him? You will need to read to find out how Ray gets along in life and if he makes it or not.
Matthew Krueger (10051 KP) rated the Xbox One version of Amnesia: The Dark Descent in Video Games
Nov 14, 2020
Scary and Spooky
Amnesia: The Dark Descent- is a terrorfying, horrorfying, spooky, scary, creepy game.
The game features a protagonist named Daniel exploring a dark and foreboding castle, while trying to maintain his sanity by avoiding monsters and other terrifying obstructions.
Amnesia: The Dark Descent is a first-person adventure game with survival horror elements. The player takes control of Daniel, who must navigate Brennenburg Castle while avoiding various dangers and solving puzzles. The gameplay retains the physical object interaction used in the Penumbra series, allowing for physics-based puzzles and interactions such as opening doors and fixing machinery.
In addition to a health indicator, Daniel's sanity must be managed, centered around an "afraid of darkness" mechanic. According to designer Thomas Grip, "the idea was basically that the darkness itself should be an enemy." Sanity is reduced by staying in the dark for too long, witnessing unsettling events or looking directly at monsters. Low sanity causes visual and auditory hallucinations and an increased chance of attracting monsters, while its complete depletion results in a temporary drop in mobility, or death in higher difficulties.
Hiding in dark areas where monsters will not notice Daniel is also effective, but will decrease Daniel's sanity. In higher difficulties, the monsters will move faster, deal more damage and search for Daniel for longer periods of time.
Its a excellent survival horror game and a must play.
The game features a protagonist named Daniel exploring a dark and foreboding castle, while trying to maintain his sanity by avoiding monsters and other terrifying obstructions.
Amnesia: The Dark Descent is a first-person adventure game with survival horror elements. The player takes control of Daniel, who must navigate Brennenburg Castle while avoiding various dangers and solving puzzles. The gameplay retains the physical object interaction used in the Penumbra series, allowing for physics-based puzzles and interactions such as opening doors and fixing machinery.
In addition to a health indicator, Daniel's sanity must be managed, centered around an "afraid of darkness" mechanic. According to designer Thomas Grip, "the idea was basically that the darkness itself should be an enemy." Sanity is reduced by staying in the dark for too long, witnessing unsettling events or looking directly at monsters. Low sanity causes visual and auditory hallucinations and an increased chance of attracting monsters, while its complete depletion results in a temporary drop in mobility, or death in higher difficulties.
Hiding in dark areas where monsters will not notice Daniel is also effective, but will decrease Daniel's sanity. In higher difficulties, the monsters will move faster, deal more damage and search for Daniel for longer periods of time.
Its a excellent survival horror game and a must play.
ClareR (5542 KP) rated Someone Like Me in Books
Jul 14, 2019
A great paranormal thriller!
I always know I’m going to get a book from M R Carey that stretches my imagination, keeps me guessing and makes me late for work (actually, that last one isn’t so good, to be honest). I don’t want to say too much about what actually happens in this book at the risk of giving the whole plot away, but here goes!
Liz is a single mother with two children, and the book starts with their father returning the children late from spending the weekend with him. When Liz points out that they have school in the morning, he snaps. He starts to strangle her, and just as she thinks he’s going to kill her, she senses an outside influence taking her over. This ‘influence’ saves her life.
Fran is a teenager coping with the PTSD and hallucinations caused by her kidnapping as a six year old. Their paths cross thanks to Zac, Liz’s seventeen year old son.
This is a story that requires the reader to leave their rational, logical mindset at the door - and I’m all for that! I loved everything about this book. I don’t know how M.R. Carey comes up with the ideas for his novels, but I’m just incredibly glad that he does!
Many thanks to NetGalley for my copy of this book.
Liz is a single mother with two children, and the book starts with their father returning the children late from spending the weekend with him. When Liz points out that they have school in the morning, he snaps. He starts to strangle her, and just as she thinks he’s going to kill her, she senses an outside influence taking her over. This ‘influence’ saves her life.
Fran is a teenager coping with the PTSD and hallucinations caused by her kidnapping as a six year old. Their paths cross thanks to Zac, Liz’s seventeen year old son.
This is a story that requires the reader to leave their rational, logical mindset at the door - and I’m all for that! I loved everything about this book. I don’t know how M.R. Carey comes up with the ideas for his novels, but I’m just incredibly glad that he does!
Many thanks to NetGalley for my copy of this book.
Kristina (502 KP) rated The Woman in the Window in Books
Dec 7, 2020
The Woman in the Window ended on a high and unexpected note. The surprise ending pushed it from a 2.5 to a 3, really. On and off, the story became boring, then interesting, so on and so forth. It took me quite a while to read it because of this switch off, but the moments it became interesting kept me going all the way until the end - and I'm glad I persevered. Anna was dealing with so many things: the separation from her husband, agoraphobia, multiple medications, and alcoholism. As I berated her for swallowing another glass of wine, I also felt bad for her and the unimaginable situation she lived in. Every part of me empathized with her as each introduced character found a way to discredit what she believed she had seen; I was continuously wagging a figurative finger at the empty bottles of wine in her kitchen. I waited for her to realize just how much damage the alcohol was causing, how mixing it with her medications (especially the one with hallucinations as a side effect) was causing her to spiral out of control. Even still, I wanted to believe her - she was so adamant, so sure of herself, you can't help but wish she weren't drunk and doped on meds all the time. It was fun watching each piece of the puzzle shift, fitting in multiple places or not fitting in at all, to suddenly adding up to a whole picture. I can't believe I'm saying this, but I would look forward to seeing this one on the big screen, if it were to happen.
JT (287 KP) rated Moon (2009) in Movies
Mar 10, 2020
The first few shots of Moon feel like any normal run of the mill sci-fi. There’s shots of the space station with the earth off in the distance, shots of computers and consoles and of course shots of a lone astronaut.
Shot in just 33 days Moon is one of the more eye opening sci-fi films for 2009. It has a Space Odyssey feel about it as the camera pans its way through white crisp interiors and what are seemingly chunky and dated equipment.
Even though this is set in 2024 you’d be forgiven it might have been set years earlier.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet’s power problems.
What starts out as seemingly inauspicious hallucinations, after Sam is involved in a crash in his rover turn into something much more. As we don’t ask ourselves what might be wrong with Sam but who the hell he is?
The script is tight and seeing as Sam is really the only major star alongside talking computer GERTY (voiced by Kevin Spacey) director Duncan Jones does well to build dramatic, emotional and thought provoking moments.
If a 33 day shoot seems small then it has a budget too match as it only cost around $5 million to make, and when you see the shots of the space rover trundling over the Moon’s rough surface you can see exactly what that money might have been used for.
It might not have been up there with many of the biggest blockbusters in 2009 but one thing is for sure, Moon is an enjoyable trip into the unknown.
Shot in just 33 days Moon is one of the more eye opening sci-fi films for 2009. It has a Space Odyssey feel about it as the camera pans its way through white crisp interiors and what are seemingly chunky and dated equipment.
Even though this is set in 2024 you’d be forgiven it might have been set years earlier.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet’s power problems.
What starts out as seemingly inauspicious hallucinations, after Sam is involved in a crash in his rover turn into something much more. As we don’t ask ourselves what might be wrong with Sam but who the hell he is?
The script is tight and seeing as Sam is really the only major star alongside talking computer GERTY (voiced by Kevin Spacey) director Duncan Jones does well to build dramatic, emotional and thought provoking moments.
If a 33 day shoot seems small then it has a budget too match as it only cost around $5 million to make, and when you see the shots of the space rover trundling over the Moon’s rough surface you can see exactly what that money might have been used for.
It might not have been up there with many of the biggest blockbusters in 2009 but one thing is for sure, Moon is an enjoyable trip into the unknown.
John Roope (4 KP) rated Velvet Buzzsaw (2019) in Movies
Feb 12, 2019
A mixed bag of a film, both engaging and tiresome
Dan Gilroys teams up again with jake Gyllenhaal but this time with far less success than 2014's nightcrawler. Velvet Buzzsaw follows a small group of the LA art world as the mysterious paintings of dease are released into the world. As seen in the trailer the paintings are able to move and even come out and grab you and here is where my issues with the film start.
In my opinion in horror it's best to have some kind of rules so you know what to be scared of. Even the slightest hint of ghosts or the supernatural will do at separating horror from something more psychological. Here it's unclear as to why these paintings have these properties as everything feels like the real world and for the first act the film it balances on this in between of something psychological and actual physically alive paintings. And for the most part these horror sections are terribly predictable as soon as we see a main character alone with one of the paintings it's pretty clear as to what's gonna happen.
Where the movie excels is in between these horror parts when we get more of Morf(played by gyllenhaal in scintillating form) trying to figure out what's going on while experiencing haunting visual and auditory hallucinations. This descent into paranoia and almost madness is far more engaging than the cheap thrills the film seems more eager to give us. More of these characters being entranced yet horrified by these pictures and subtle things going wrong would have made for a far creepier experience.
Overall what could have been a really interesting psychological thriller ended up being a slightly above par horror movie with good performances all round and a interesting premise and while the horror elements were my least favourite part they were very creative and any horror fan would be sure to get a kick out of it
In my opinion in horror it's best to have some kind of rules so you know what to be scared of. Even the slightest hint of ghosts or the supernatural will do at separating horror from something more psychological. Here it's unclear as to why these paintings have these properties as everything feels like the real world and for the first act the film it balances on this in between of something psychological and actual physically alive paintings. And for the most part these horror sections are terribly predictable as soon as we see a main character alone with one of the paintings it's pretty clear as to what's gonna happen.
Where the movie excels is in between these horror parts when we get more of Morf(played by gyllenhaal in scintillating form) trying to figure out what's going on while experiencing haunting visual and auditory hallucinations. This descent into paranoia and almost madness is far more engaging than the cheap thrills the film seems more eager to give us. More of these characters being entranced yet horrified by these pictures and subtle things going wrong would have made for a far creepier experience.
Overall what could have been a really interesting psychological thriller ended up being a slightly above par horror movie with good performances all round and a interesting premise and while the horror elements were my least favourite part they were very creative and any horror fan would be sure to get a kick out of it
Matthew Krueger (10051 KP) rated Vampire in Brooklyn (1995) in Movies
Sep 18, 2020
Brooklyn's Own Vampire
Vampire in Brooklyn- is a entertaining movie. It has horror, comedy and eddie Murphy as the bad guy.
The plot: In the wake of her mother's death in a mental institution, detective Rita Veder (Angela Bassett) is assigned to a baffling serial murder case. After examining the crime scene -- a corpse-filled ship found adrift at sea -- Rita meets Maximilian (Eddie Murphy), a smooth-talking Caribbean playboy determined to romance her. When Rita begins suffering from crippling hallucinations, she calls upon Dr. Zeko (Zakes Mokae), an occultist who suspects a vampire is on the loose.
According to Charlie Murphy, the movie was originally going to be a straight horror film with no laughs but Wes Craven brought a different focus to it. He also said: "Maximilian wasn't going to have any redeeming qualities. But Wes taught us that we must get the audience to care about our characters. And even if they didn't know any vampires personally, they would at least have to identify with the type of person he was.
About the movie, Eddie Murphy said: "I've always wanted to do something where I was the villain in the movie. I love horror pictures and I was a big fan of Wes Craven. This movie started out as something small, this was a movie my company was just going to produce and the screenplay came together so well that I thought it will be a fun role to play. Because I got to do something kind of scary and had a safety net because the vampire can turn into other peoples. I get to be funny when I'm the preacher and I get to be funny when I'm the Italian guy. And the vampire is pretty straight and I got all these funny stuff happening around me. I felt it was a unique piece to do."
Although contemporary reviews were negative, Vampire In Brooklyn has since become a cult classic.
Like i said its a good comedy horror film.
The plot: In the wake of her mother's death in a mental institution, detective Rita Veder (Angela Bassett) is assigned to a baffling serial murder case. After examining the crime scene -- a corpse-filled ship found adrift at sea -- Rita meets Maximilian (Eddie Murphy), a smooth-talking Caribbean playboy determined to romance her. When Rita begins suffering from crippling hallucinations, she calls upon Dr. Zeko (Zakes Mokae), an occultist who suspects a vampire is on the loose.
According to Charlie Murphy, the movie was originally going to be a straight horror film with no laughs but Wes Craven brought a different focus to it. He also said: "Maximilian wasn't going to have any redeeming qualities. But Wes taught us that we must get the audience to care about our characters. And even if they didn't know any vampires personally, they would at least have to identify with the type of person he was.
About the movie, Eddie Murphy said: "I've always wanted to do something where I was the villain in the movie. I love horror pictures and I was a big fan of Wes Craven. This movie started out as something small, this was a movie my company was just going to produce and the screenplay came together so well that I thought it will be a fun role to play. Because I got to do something kind of scary and had a safety net because the vampire can turn into other peoples. I get to be funny when I'm the preacher and I get to be funny when I'm the Italian guy. And the vampire is pretty straight and I got all these funny stuff happening around me. I felt it was a unique piece to do."
Although contemporary reviews were negative, Vampire In Brooklyn has since become a cult classic.
Like i said its a good comedy horror film.
Chris Sawin (602 KP) rated 127 Hours (2010) in Movies
Jun 23, 2019
127 Hours is based on the true story of Aron Ralston, a mountain climber who was trapped under a rock for five days only to amputate his own arm to survive. Directed by Danny Boyle (Slumdog Millionaire, 28 Days Later) and starring James Franco (Pineapple Express, Spider-Man), 127 Hours sucker punches you with its ability to be both absorbing and compelling.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
Leah Surette (3 KP) rated Winchester: The House That Ghosts Built (2018) in Movies
Mar 14, 2018
Dame Helen Mirren locks you to the screen.
I don't go see movies in theaters often. If you haven't noticed tickets have got insanely pricey. I don't know what prices are everywhere else, but here in Boston, it's almost 19 bucks a ticket. The last movie I watched in Theaters was Jurassic World a few years back. I figured what the hell, I brought my mom along, and we went and saw Winchester. My experience is probably going to be a bit different than yours who might be viewing it at home in a few months when it comes out on VOD of DVD/Blu-ray obviously. So I might have hyped up this review a bit.
I knew nothing of the Winchester house or it's story. Sure I heard the name before, and that it was some type of firearm. I also went into this movie almost blind. Just seeing a few second clip, not even a trailer. I knew Helen Mirren was in it. As a huge fan of Mirren, I was sold at just that. The movie follows Sarah Winchester the grieving widow of the co-owner of the Winchester gun company. (Helen Mirren) Troubled about her mental state, people close to her and affairs ask a doctor to come and examine her mental state. Dr Price ( Jason Clarke) soon finds something else lurks in the walls other than her hallucinations.
I will say this, the script was silly, and by silly it was not good. I think if the script was written a bit differently, the film would have been a 5 star. If you're looking for a gross horror movie, then this is not. However what the film is , is a beautifully made light paranormal movie with a couple messages. At least this is how I feel. Yes this movie used the jump scare tactic.
Which probably had more effect on me, sitting in a loud theater than it would at home. The acting was solid I thought especially from Mirren who is always a powerful performer. The effects were O.K. , There was maybe one part that the effects made a ghost look almost like something out of Lord of the Rings, and it looked quite silly.
I knew nothing of the Winchester house or it's story. Sure I heard the name before, and that it was some type of firearm. I also went into this movie almost blind. Just seeing a few second clip, not even a trailer. I knew Helen Mirren was in it. As a huge fan of Mirren, I was sold at just that. The movie follows Sarah Winchester the grieving widow of the co-owner of the Winchester gun company. (Helen Mirren) Troubled about her mental state, people close to her and affairs ask a doctor to come and examine her mental state. Dr Price ( Jason Clarke) soon finds something else lurks in the walls other than her hallucinations.
I will say this, the script was silly, and by silly it was not good. I think if the script was written a bit differently, the film would have been a 5 star. If you're looking for a gross horror movie, then this is not. However what the film is , is a beautifully made light paranormal movie with a couple messages. At least this is how I feel. Yes this movie used the jump scare tactic.
Which probably had more effect on me, sitting in a loud theater than it would at home. The acting was solid I thought especially from Mirren who is always a powerful performer. The effects were O.K. , There was maybe one part that the effects made a ghost look almost like something out of Lord of the Rings, and it looked quite silly.
Acanthea Grimscythe (300 KP) rated The Windmill (The Windmill Massacre) (2016) in Movies
May 12, 2018
I spend a bit too much time on Facebook, of that there’s no doubt. As a result, I tend to pay attention to what movies my friends talk about. One such friend is horror author Edward Lorn, and one such movie that popped up in my feed because of him is The Windmill.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.