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Real Steel (2011)
Real Steel (2011)
2011 | Action, Drama, Sci-Fi
This is a good film, not a great film but very good.
Contains spoilers, click to show
This film is the reason I decided to do my own movie reviews. After hearing a review for this film from BBC Radio 1's movie reviewer, I decided to start my own review page. She reviewed this film seeing nothing more than the robots. She totally missed out on the whole plot of the movie, and then her comment "the climax takes a long time to come and it happens right at the end" made me want to climb into the radio and tape her mouth shut. I know where I expect the climax of a film to be, and I know it is nowhere but at the end of the film. Yes this film has big giant robots in it, but the plot is way more than that, it is a story about redemption and doing the right thing no matter how hard the journey. I got that much from just seeing the trailer, she saw the whole thing and missed the whole point.

OK rant over.

This is a good film, not a great film but very good. Hugh Jackman is good in this but to be fair he is good in most things. He gets to show off a bigger range of his acting skills than he has in the X-Men films. He plays Charlie Kenton, a former boxer now heavily in debt due to pushing his fighting robots too hard and expecting more than they can give, like fighting a 300lb bull! This also stars Evangeline Lilly in I believe her first role since the series Lost ended. She is also very good in this. However, the star of the film is Dakota Goya as Max Kenton. He shines as the child thrown together with the father he doesn't know. He enters the world of robot fighting with his father and manages to rescue a robot from a scrap pile. He then convinces his father to enter the robot in the fights. You really get to experience the wonder of the Robots through him. The other star is the robot he rescues, Atom. Although not sentient, the director manages to bring him to life with good camera angles and subtle sounds. You really start to feel for the robot and you manage to forget the fights aren't real. The other very clever part of the film is the setting. It is set in the near future, but the only really futuristic thing is the robots. There are no fancy cars or clothes and this enables you to connect with the film easier.

The climax of the film (at the end!), is a big showdown with the undefeated champion. Instead of just two robots bashing each other, you get Atom, the underdog, controlled by Max, and helped by his father. You see and feel each blow the robot takes and through the acting skills of Dakota Goya, you forget it's a machine and you can't help but cheer him on.

This could have been an average film, but the fine performances by the cast and the skill of the director in bringing Atom to life with just the use of camera shots and clever subtle sounds turns this film in to a joy to watch as you take the journey with father, son and giant robot.
  
My teacher gave me a small stack of books to read upon hearing how much I love reading, and claimed that this was her all-time favourite. Honestly, the title is what really appealed to me - clearly, it wasn't anything to do with Breakfast at Tiffany's, but I appreciated the reference.

This novel, this memoir, is a truthful, brutally honest book about life. I can't say I know what it's like to be in the author's place - I'm not a man, I'm not gay, I am not the guardian of my niece and I don't even live in America - but the little things are just so real.

Tiffany's home life isn't great, and one day her uncle volunteers to take her in. Never did he anticipate so much drama and pain from such a small girl. She's thirteen when she first moves in with her Uncle Eddy, and despite being a nice girl she is known to hang around with the wrong crowd. No matter how hard he tries, Eddy cannot prevent her from finding similar friends at her new school.

The pair really go through their ups and downs, and Ed himself talks a lot about personal thoughts and issues. He'd tested HIV-positive many years ago, and was also an unsuccessful actor. He broke up with his boyfriend relatively recently, and suffers from obsessive compulsive disorder. Basically, life just has not turned out the way he'd planned.

Living with a teenager teaches him a lot of things. He is reminded of his own youth, and has to get on with his life all while keeping Tiffany going too. It's not easy. Things do get rough, and he does find himself wondering why he ever got himself into this. But in the end their relationship is good, and they have a lot of fun together.

I did find this book great. It has hints of humour, conveys the bitter truth, and even gave me a taste of what it's like to be a guardian of a teenage girl. There are definitely references I would have appreciated more had I been older than sixteen, and many of Ed's problems, thoughts or situations may have been more interesting or important to an older generation.

That being said, I actually kind of loved this book. It isn't quite in my favourites - but who knows, maybe in thirty years time it will be. I think I can easily give Breakfast with Tiffany: An Uncle's Memoir 4.5 stars out of the full five.
  
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Heathere' (25 KP) rated Busted Jukebox Volume 2 by Shovels & Rope in Music

Mar 17, 2018 (Updated Mar 17, 2018)  
Busted Jukebox Volume 2 by Shovels & Rope
Busted Jukebox Volume 2 by Shovels & Rope
2017 | Alternative, Folk, Indie
9
7.5 (2 Ratings)
Album Rating
*Surprising choice of cover songs *They make each song unique *You might discover an artist or band you weren't aware of (0 more)
You might miss the vocals of husband and wife Michael Trent and Cary Ann Hearst but they do sing (0 more)
Shovels & Rope-Cover Songs
I don't usually like cover songs. I feel that if you are going to do a cover of someone's song, you should make it 'your own'. I love that Shovels & Rope made each track unique and had so many great singers help them out.

Tracks:
~Cleanup Hitter (feat. Brandi Carlile)
  -original artist: Bill Carson

~Joey (feat. Nicole Atkins)
  -original artist: Concrete Blonde

~Do You Love Me Now (feat. Rhett Miller)
  -original artist: The Breeders

~Blue Eyes Crying In The Rain (feat. John Moreland)
  -original artist: Willie Nelson

~Untitled 1 (feat. Matthew Logan Vasquez)
  -original artist: Sigur Rós

~The Air That I Breathe (feat. Indianola)
  -original artist: The Hollies

~I’m Your Man (feat. John Fullbright)
  -original artist: Leonard Cohen
~Death Or Glory (feat. Hayes Carll)
  -original artist: The Clash
~Epic (feat. Lera Lynn)
  -original artist: Faith No More
~You Never Can Tell
  -original artist: Chuck Berry

My favorite track is 'Blue Eyes Crying In The Rain'. I heard this song when I asked my Amazon Alexa to shuffle songs by Shovels & Rope. I put the song on repeat and purchased the album without hearing any of the other songs and I picked up Busted Jukebox Volume 1, as well. I'm a fan of Shovels & Rope and was surprised that I hadn't heard of these albums.


Blue Eyes Crying In The Rain, is a Willie Nelson song and this version, featuring John Moreland, is absolutely beautiful. My father, a Willie Nelson fan would have approved of this version. It's a song that makes it very hard to hold back the tears. If I'm being honest, I haven't been able to that, yet.


The most surprising track is Epic, a Faith No More song. It is so different from the original and I really like the different flow that Lera Lynn gave it. The song in it's cover form has given a slightly different meaning to the lyrics. The original was powerful and in your face while this version is powerful and haunting.


Other songs are originally by


I am so happy that I stumbled upon this and I can't wait to see what this amazing duo will bring us next!
  
Child's Play (2019)
Child's Play (2019)
2019 | Horror
Thoughts on Child’s Play

Characters – Andy is a young teenager that has just moved to a new city with his mother, he hasn’t made any friends, turning to his phone to keep him busy, he does have a hearing aid, but it is never clear how bad his hearing is, he gets a Buddi doll that will keep him company as he starts to become friends with the doll. Once he learns of the evil inside the doll, he does all he can to make sure his loved ones are safe, as he starts to make friends away from the doll, he never seems to go to school though. Karen is the single mother that is working double shifts to keep Andy happy, she starts dating a new man, which doesn’t please Andy and does all she can to put Andy first when things start getting out of hand. Chucky is the Buddi doll that has been unleashed from his safety restrictions, he is constantly learning from watching people, which brings out his violent side, which will see him going on a killing spree targeting anyone that hurts or tries to replace him as a friend to Andy. Detective Norris visits the apartment building where his mother lives for dinner once a week, he does notice Andy around the apartment building making sure he is safe.
Performances – Aubrey Plaza as the single mother is strong in her role, she does bring added character to a character that could have come off plain. Gabriel Bateman is great too because he shows us the isolation that he is going through during the film. Mark Hamill does voice the character of Chucky well giving us an entertaining character that get plenty of laughs. Brian Tyree Henry does bring comedy to his role, which is usually a more uptight figure in the film.
Story – The story here follows a boy that given a Buddi doll which soon starts to go on a killing rampage after learning from the technology around him. I do have conflicting feelings about this story, on one side I am disappointed we have scrapped the serial killer trying to get his soul into another body, which I feel is the main part of the franchise. On the positive side we do get to dive into the world where people are letting themselves are being controlled by technology, connecting everything to one source where an error could break everything. seeing Chucky learn is interesting to see too because we see how he processing each clip, line and environmental side of the world. it does borrow from a lot of different films from the past which can be picked up on. This des come off very fun, only it could have been its own new doll instead of just using Chucky showing the lack of originality coming out of the Hollywood.
Horror – The horror in the film is mostly slasher material, we see Chucky getting kills with plenty of blood splatter, with some original kills along the way.
Settings – The film keeps the settings looking very similar with the apartment building showing how hard up the family is, the department store does bring us a great showdown location too.
Special Effects – The effects in the film are strong with the Chucky doll being both creepy and moving in a robotic motion which seems nature.

Scene of the Movie – Chucky has a present for Andy.
That Moment That Annoyed Me – No Serial Killer side.
Final Thoughts – This is a fun horror that does get laughs and blood splatter, it does frustrate though by having to use the Chucky doll for what is a completely original idea.

Overall: Blood Splattering fun.
  
Sound of Metal (2019)
Sound of Metal (2019)
2019 | Drama, Music
Rooted in Humanity
SOUND OF METAL has a pretty simple “one-line summary”: Heavy Metal Drummer deals with going deaf. But is it the humanity at the center of this film that makes it worthwhile.

Written and Directed by Darius Marder (THE PLACE BEYOND THE PINES), SOUND OF METAL tells the tale of Ruben, the drummer of the Heavy Metal Band BLACK GAMMON, who must come to terms with suddenly losing most of his hearing.

Starring Riz Ahmed - in an Oscar nominated turn - SOUND OF METAL follows Ruben’s journey as he comes to terms with the wrinkle that his life has thrown at him and the silence makes him study the non-stillness inside of him.

This all sounds like it could be corny, right? Well…under the guidance of Marder and with a central performance that is grounded and real by Ahmed, it is anything but. This film finds itself in it’s humanity and the very real, personal interactions.

Credit must start with the performance of Ahmed (heretofore known to me as Bodhi Rook in STAR WARS: ROGUE ONE), he is in almost every scene in the film and he must bring a vulnerability to the screen for the audience to care about him - and he accomplishes this in spades. Even when his character makes mistakes (and, trust me, he makes a TON of them), you end up rooting for him to succeed.

Paul Raci was nominated for a Best Supporting Actor Oscar for his portrayal of Joe, the head of the Deaf Community for Addicts that Ruben eventually goes to. His turn is also grounded in the reality - the reality of addicts who have yet another twist in their life thrown at them. Raci has a road-weary look to him and gives off an aura of someone who has seen - and heard - it all, so must take a “tough love” approach. This performance works very well.

Also strong in this film is Olivia Cooke (READY PLAYER ONE) as Lou, Ruben’s girlfriend/lead singer of the Metal Band they are in. She must make some tough decisions in the course of this film - and you end up emotionally engaged in her story as well. Both Ruben and Lou are good people at heart that must make hard choices, you root for both of them to succeed even though, through these choices, pain and suffering and separation must occur.

All of this sounds good, but there has been many a film that falters under the “good intentions” of it’s Director/Screenwriter, but SOUND OF METAL avoids most of the pitfalls of these types of films by not dwelling too much on the pain and suffering of the leads - it’s there, but (as Joe would say), deal with it. I’m a little surprised that Marder did not get a Best Director Oscar nod (the work is that good), but am glad that he did get an Original Screenplay nomination.

And…as you can imagine…a film about Deafness is reliant on the Sound Design to help bring that aspect of Ruben’s experience to the audience - and this film delivers the goods. The sound team was, rightfully, nominated for the Oscar for sound design - and they should easily win - for the sound is another character in this film and that is what, ultimately, makes this film works. The audience is put in Ruben’s shoes and, at times, are unable to hear what others on the screen are saying.

A very satisfying film experience - one that needs to be seen with no distractions (especially sound distractions), so find a quiet time, lower the shades and dive into the world of the SOUND OF METAL.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank (ofMarquis)
  
The Seventh Cross
The Seventh Cross
Anna Seghers | 2018 | Fiction & Poetry, History & Politics
10
10.0 (1 Ratings)
Book Rating
This remains a lesson for us all
I was keen to read this translation, as I had originally read it during my German degree, in German. In fact, this book was a central part of my dissertation and was one of three Anna Seghers novels. They were all set in the National Socialist period of 1933-1945 (or thereabouts). I remember the German version being a very dense, challenging book - but that’s not necessarily a bad thing for me! I like a book that makes me think, and there’s plenty of food for thought here.

This story is jam packed with characters from all sides of the German story: National Socialists, Communists, the SS and the ordinary working German,

Georg Heisler (I’m using the German derivative of his name; I have no idea why his name was anglicised to ‘George’ whilst other characters kept their German names) escapes from a fictitious concentration camp (Westhofen) along with six other men. This is pre World War II, this is what the National Socialists did to their own countrymen and any dissent.

The story follows the recapture of the other six, Georg’s escape and all those who help him. Persecution on this scale is still happening today, and whether or not it is happening, we should still read about it and remember, in order to ensure that it doesn’t happen again.

I’ve touched on the language and style. It’s not easy. It wasn’t easy to read and understand in German, and it can be hard going in English. It seems quite detached from emotion, and I think this is a deliberate device. If we look at the historical context, people clearly disengaged froma large part of what was happening around them. One of the SS soldiers refers to “Sarah’s”; the men in the concentration camp are there being starved and tortured due to their political ideology, and people live within hearing distance, hear the shouting, crying and the pain of the prisoners and do nothing: an embarrassed shrug, a closing of their ears.

This is the part that we should never forget: inaction, and the necessity to stop these things in their tracks at the beginning, rather than before it’s too late.

Georg has his helpers, those who risk their lives to save his (just as Seghers and her husband, both communist Jews had their helpers). The startling thing to me about this novel, is the normalcy: the countryside stays the same, the relationships, work. All seemed normal in the face of such evil. This is a novel to remember and learn from. It has as many lessons for us today as it did seventy years ago,
  
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Faris Badwan recommended track Corpus Christi Carol by Jeff Buckley in Grace by Jeff Buckley in Music (curated)

 
Grace by Jeff Buckley
Grace by Jeff Buckley
1994 | Alternative, Rock, Singer-Songwriter
8.7 (7 Ratings)
Album Favorite

"Jeff Buckley’s vocal range is staggering. He’s basically a classical singer, he’s so technically gifted. When I was on tour as Cat’s Eyes a lot of the singers that sing with us are classical singers, and on tour this year we were discussing who you think has the best musicality – and Jeff Buckley was one of the people that we mentioned. I don’t know much about his life other than who his Dad was, but I think it’s actually really rare to hear a singer within guitar music that has such musicality. I don’t think it can be taught either, I think it’s just something he has innately. His tone is incredible on this, it’s unreal. This is something you can’t copy, it’s only something you can appreciate. As someone who learnt to sing really late in life, it’s interesting to me. I learnt from scratch, just from playing. At the beginning of The Horrors it was a lot more shouting, spontaneous and came out of nowhere, just raw expression. I feel like none of us really knew what we were doing. In a way I think just reacting instinctively is the best way to get into things that you love, but I learnt a lot from Rachel (Zeffira) of Cat’s Eyes. She was an opera singer originally, before we met. Singing with her I was able to access my own musicality, which is a hard thing to do. What’s really great about this song is that Jeff Buckley chose to do it in the first place. If you listen to the whole of Grace, this song comes out of nowhere. The fact that he was brave enough to choose a classical piece and put it on his record, and for it to work as well – the bravery of it is inspiring. There’s a vulnerability to this song that you don’t hear in a lot of male singers. It’s easy for someone in the charts like Sam Smith to portray ‘emotion’, but to me his voice transmits no emotion because I feel like its trained emotion. They’re worlds apart. Maybe it’s too easy to target these artists because their songs are made for a purpose, but ‘Corpus Christi Carol’, and Jeff Buckley’s voice in general, has a vulnerability to it that first of all, male singers are afraid to show, and second of all, they wouldn’t be able to do it because they don’t have the soul or technique – and it’s not something male singers aspire to either. I have no idea when I first heard this song. A lot of people at school liked Jeff Buckley but this song was kind of tucked away in the record. It took me a while to find the song and hear it, but I heard it on its own one night and hearing it like that I could really appreciate how totally unique it is"

Source
  
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Ali A (82 KP) rated Practice Girl in Books

May 24, 2022  
Practice Girl
Practice Girl
Estelle Laure | 2022 | Young Adult (YA)
8
8.0 (1 Ratings)
Book Rating
Jo always seems to fall fast for boys - boys who, for some reason, don’t fall for her. One night at a party, she hears why - the boys who are on the wrestling team she manages, consider her a girl who’s good enough to hook up with, but not someone to date, aka, a “practice girl”.

After hearing those two words, Jo feels a lot of things - hurt, angry, ashamed, betrayed… but overall, she refuses to let those words define who she is. As she works on herself and her relationships, Jo begins to unpack and find out more uncomfortable truths about herself and her connections with all those around her. And in doing so, helps her understand her real worth.

I loved the authentic voice of Jo. I was a bit worried when I first started the book, not really knowing how a YA novel was going to handle the topic of sex. But, after reading the first few chapters, I was very interested in Jo’s story, and my mind changed.

My father was killed in a work accident when I was 12 (3 days into my 7th grade school year), and in the past, I have wondered what has done towards male relationships for me… This book had what I felt like an authentic take on a high school girl’s insecurities and vulnerabilities involving boys and relationships during that time. High school is hard enough as it is, a death of a parent sure doesn’t make it any easier.

I absolutely loved Jo’s rekindling with Leah and making friends with Jen and Amber. The talk those four had about boys and relationships while sitting around in a circle was exactly what Jo needed and allowed for multiple viewpoints that I don’t feel like are seen or heard about often in YA (like a lot of stuff, it’s getting more and more common though!)

I’m also super proud of Jo for her stance in her relationship with Sam at the end of the book. They both had stuff they needed to figure out and kudos for her to kind of force him to acknowledge that.

Overall, I enjoyed this YA novel about reputation, double standards, relationships, and empowerment. I recommend it to those who like contemporary novels that have a strong female lead, who learns lessons that I believe are important for young girls to hear.

*Thank you Bookish First and Viking Penguin for a copy of this book in exchange for an honest review
  
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Janeeny (200 KP) rated Eleanor Oliphant Is Completely Fine in Books

May 9, 2019 (Updated Jun 10, 2019)  
Eleanor Oliphant Is Completely Fine
Eleanor Oliphant Is Completely Fine
Gail Honeyman | 2017 | Contemporary, Fiction & Poetry
10
8.6 (80 Ratings)
Book Rating
This months reading roulette is . . . . . ‘Eleanor Oliphant is completely fine’ by Gail Honeyman. I’m quite happy this one came up this month, as I’ve been hearing a lot about it and was hoping to be on the bandwagon before it drove out of town.

Eleanor Oliphant is doing ok. She has a simple life and a simple routine. Eleanor doesn’t really have any close acquaintances but she’s ok with that because Eleanor Oliphant is completely fine, or so she thinks. In one adventitious afternoon Eleanor becomes closely involved in the lives of Raymond, an unassuming IT guy at the accounts firm where she works, Sammy, an elderly gentleman with an upfront manner, and his larger than life family. Eleanor slowly starts to realise that maybe things weren’t so fine after all.

What can I say about this book that hasn’t been said already? I can see why it has had such high acclaim.
Eleanor is a hard character to relate to, her mannerisms and speech are antiquated and she has an almost childish naivety about her. However, because of the way she looks at life you can’t help becoming involved and follow her story. From the outset we are given very few details about Eleanor, so you draw certain conclusions about her quirky behaviour. Gradually as the book goes on you tease more and more details about Eleanor, her family, and her history and things start to make sense. Honeyman does well in holding back information, only letting it come to light at the right moment, right up until the very end.
I did really enjoy this book. I liked the way it was told from Eleanor’s perspective, her naive outlook gives you a different perception of situations
It’s clear that Gail Honeyman is trying to get across a very strong message about loneliness. I am very much oversimplifying the story by saying this, but Eleanor Oliphant is lonely and as such is having trouble dealing with her demons. It’s when she is thrown into the company of others that things take a turn and she begins the healing process. I think it’s this message and it’s implications on today’s society that has made it so popular
  
Peppermint (2018)
Peppermint (2018)
2018 | Action, Drama, Thriller
Tragedy strikes Riley North (Jennifer Garner) when her husband and young daughter are gunned down in a drive-by shooting. The shooters were all part of a local gang ran by Diego Garcia (Juan Pablo Raba). Garcia thought Riley’s husband, Chris (Jeff Hephner), was part of a plot to steal money from him. Chris had actually turned down the job but it was too late and Garcia ordered his henchmen to make a statement out of killing Chris. Riley despite being shot in the heard and unconscious she was still able to identify the murders of her husband and her daughter Carly (Cailey Fleming). Thinking she would get justice she testified at a preliminary hearing. But to her surprise the defense lawyer said due to being her injuries that she didn’t really know what she saw. Shockingly the prosecutor did nothing to help her and the judge declared there was not enough evidence to proceed. Feeling cheated and everyone was working against her Riley disappears. On the five year anniversary of the murder of her family the three men responsible are found hanging from a Ferris wheel. When Detective Beltran (John Ortiz) and Detective Carmichael (John Gallagher Jr.) show up to the crime scene the immediately wonder could Riley North be back and exacting vengeance.

This vigilante action film is pretty much what you think it will be. There is blood and a lot of action. The acting is okay but not really the focal point of the film. But one thing that is not in doubt is the ending, don’t worry I won’t spoil it I don’t need to. With the somewhat recent success of films like Taken, John Wick and The Equalizer, and their sequels, this genre is not lacking in content. For me this dilutes the quality and original story telling of this type of film. The director, Pierre Morel (Taken, The Gunman), seems at home in this film type and does a decent job here. Jennifer Garner comes off as a bad ass and I enjoyed her in this film. The rest of the cast is good but pretty stereotypical of the genre also. This is not a bad movie just one I feel I have seen before. I will say I enjoyed all three of the movies I mentioned above and that should speak well to this movie. I just wanted a little more. It is also worth mentioning that in many of the scenes where Garner was exacting her revenge the audience was prone to laugh as a bad guy was getting a bullet to the head or a file cabinet dropped on their head. That makes it hard to take the movie too seriously.
If you are a vigilante movie fan this is definitely one to check out. The action is good and there is definitely a good amount of it. A little over the top with the blood for me but not too bad. It is nice to see Garner back in the action world and I hope this leads to more from her. I would say save your theater money for another movie and stream this one when it hits your favorite service.