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Background Music by American Nightmare/Give Up The Ghost
Background Music by American Nightmare/Give Up The Ghost
2001 | Punk
(0 Ratings)
Album Favorite

"This record is incredibly passionate, and it's got incredible lyrics. I've since become friends with Wes [Eisold, frontman] and he's a great guy, a great writer and musician, but this record just holds so much weight in my youth, at a time when I was quite lost and hardcore really picked me up. They were emerging at that time and they're from Boston, which just seemed violent to me, and I needed that violence in my life. I stage dove to American Nightmare in Camden Underworld in 2003 and dislocated my arm, and when I saw them play it was something hard to ignore. They looked like mods, like they should have lived in Brighton in the 70s. It was so weird to see a dude in skinny jeans, DMs, and a Fred Perry shirt but screaming his guts out in North London, surrounded by kids in black hoodies, it was bizarre. I still have it in my workout playlist now and that's a good 15 years on. When I hear the song 'AM/PM' it makes me want to stage dive again, and I love that it can make me feel like that so late in the day."

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Upgrade (2018)
Upgrade (2018)
2018 | Action, Horror, Sci-Fi
Probably the most interesting of the three here by some way, Upgrade comes at the angle of cybernetic amendments to human capability in an almost, but not quite, original way. It postures and ponders a lot of pseudo-science and cod philosophy before getting to the bits people are going mad for: the fight scenes, which are indeed jaw dropping, feel new and are brutally graphic enough to amuse even the most hardcore gamer. Trouble is… this makes it almost a torture-porn movie, because the only real thrills are in the grossness of the violence. The acting is of negligible importance, because character and plot are not that important to the success of Upgrade as a spectacle. It feels cheap and B movie grade in places, which of course it is. If you enjoy seeing impressive things done with less than a premium budget then this could be worth watching. But… there is a nastiness and a somewhat teenage / pothead vibe to it that ruins anything remotely good. It is also shamelessly derivative. Not bad then, but by no means good, or properly recommended.
  
All Soul's Night is a mixed bag of steam and spice! Every story is linked to the others by the Venetian Masked Ball on All Soul's Night, and some characters have cameos in either the story before or after, which gave it a great feeling of continuity.

Most of the stories are M/F but His Vampire Morsel by Lesli Richardson is MM and Once Bitten, Twice Shy by Arial Burnz is M/M/F. All of them are set in the world of the Midnight Doms so expect plenty of BDSM. Some are more 'hardcore' than others but all of them are HOT!

As with all anthologies, there were some I liked more than others but the two I've already mentioned were my favourites of the lot. Some new-to-me authors that I will definitely be seeking out more titles from.

All in all, a great read and absolutely recommended by me.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
  
The Decline of Western Civilization (1981)
The Decline of Western Civilization (1981)
1981 | Documentary, History, Music
(0 Ratings)
Movie Favorite

"She made three in the series, this, then II and III. This one is about hardcore punk in L.A. in the early ’80s so there’s a lot of Black Flag and that whole scene. Its aesthetic was one of the main influences that Chris Blauvelt and I used for Mid90s – for the way things looked, the way the backstage in the apartment looked, for the 16 mm. It’s a remarkable and encompassing snapshot of a scene that I’m personally drawn to, and the ethics and aesthetics of the film are as fucked up and raw as what it’s depicting. The crazy thing is that Penelope Spheeris started as a punk doc maker and ended up directing broad ’90s comedies - she made Wayne’s World (1992)! She also made Suburbia (1983), which is amazing, and another influence for Blauvelt and I. The main thing I did when I became a known as a an actor and had access to people and filmmakers, was me saying, like, “Hi, I’m the kid from Superbad, can I please have all the Decline movies?” That’s how I abused fame at that time."

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