"I came to it because I was very like, "I'm gay but I do not like Barbra Streisand. I don't own a Barbra Streisand album", then I went to an Oxfam gig - and it was Hot Chip actually - at their really good store in Dalston. Anyway I was a bit drunk afterwards and picked it up and thought: "That will be good for a laugh." I took it home and it didn't stop being played for about two years. It was the record that, whenever I came back with friends, would be put on, and I think I won a few people over to it. And because I bought it on vinyl second-hand, it would always have this one track where it skips and I'd always have to run and change the record. Then I downloaded it when I bought it on CD and now it doesn't skip, I really hate it!"

"I loved Primal Fear. It was my first introduction, I think, to Edward Norton. I don’t know what he was in prior to that. I love these complex storylines of scandals of the church and the greed of Richard Gere and then, of course, obviously that they fooled us for so long. I really fell down the rabbit hole and it turned on a dime and blew my mind. Frickin’ Edward Norton is such a genius. I hate to say this but I get jealous very easily [laughing]. If it’s a fantastic movie, or fantastic director or fantastic actor. Like, doing this play [Spring Awakening on Broadway] I remember [when seeing the original Los Angeles production] saying, “I’m jealous I’m not in it,” and that’s the biggest praise I can give. Honestly, I think Edward Norton is one of the best of our generation. I’d like to call myself in his generation."