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Becs (244 KP) rated Ember Burning in Books
Oct 2, 2019
Contains spoilers, click to show
I received Ember Burning for an honest review and am just now getting around to do it. My bad…
Okay, so I was honestly really looking forward to reading this novel when I first received it in the mail that I’m kicking myself in the rear end for not picking it up sooner. I was shocked that it was exactly everything I was looking for in a young adult fantasy novel.
It’s got some witchiness to it. It’s got an adventure in it. And it’s got the best thing known to man, love. Fast-paced with well-rounded characters that make you either hate them or love them with a hint of history underlain throughout the novel. What more can I say about this wonderful book?
Genre: Paranormal, Fantasy, Young Adult
Reading Level: High School and up
Interests: Witch’s, Egyptian hieroglyphics, darkness
Style: Not so light but also not a heavy read. Very fast-paced – which I loved.
Difficulty Reading: NO, I could not put this book down. Oh my goodness, Jennifer Alsever has such a unique way of writing. At first, I was a little annoyed that there were so many sentences that could be switched to, ya know, longer sentences which leads to a way easier read. But they grew on me and as I started to get further into the book, I understood why it was written in such a way. Because that is the personality of the main character Ember. It definitely helped understand her more as an individual, rather than just another character in a book.
Promise: A mystery meets fantasy – it delivers.
Insights: Honestly, none. I wouldn’t change anything in Ember Burning even if it meant saving the planet. (Okay, maybe I might change stuff to save the planet. But that’s our home for crying out loud.) Ember Burning is such a well-written novel that leaves you wanting to continue on her journey with her in Oshun Rising and Venus Shining. (Which by the way, is the rest of the series.)
Ah-Ha Moment: WHEN EMBER AND TRE KISS. (Yes, that needed all caps.) Awh man, I love me a good romance. Especially one so sweet and simple like Ember and Tre’s. **SPOILERS AHEAD** I mean it’s such goals to be laying out talking about life and then turning to each other, kissing, and then both admitting that you wanted to do that for a while now. Like OH MY GOD, I’m seriously dying over here. **SPOILERS END** I ship Ember and Tre so hard and Lilly, Zoe or this redhead b**ch better not get in the way of their love. I’ll come after them. (‘I kill you!‘)
Favorite Quote: “Of course I know this is ridiculous. What I’m doing. Going to Trinity Forest. Alone. Like the freak show I am. The girl who goes off the tracks. Who obsesses about missing people, about what happens in Trinity. But the mystery of Trinity calls to me. If I disappear, so be it.” – Girl, you ain’t no freak show. You are so perfectly normal. And if you’re a freak show well, I guess I’m a freak show too.
What will you gain: A love for Ember and her determination to get out of the black vortex known as Trinity Forest. A hate for Zoe’s sweet yet bossy attitude of not giving a shit about anything. A love-hate for Lilly and her psychotic yet charming sides. A love for Tre, my favorite character in the entire novel.
Aesthetics: The cover. The way Tre smiles. The entire book. The way Tre looks. The way Jennifer Alsever describes Synesthesia within Ember’s mind. Have I mentioned Tre and how much I really dig him?
“Would you sacrifice your future to forget your past.”
Okay, so I was honestly really looking forward to reading this novel when I first received it in the mail that I’m kicking myself in the rear end for not picking it up sooner. I was shocked that it was exactly everything I was looking for in a young adult fantasy novel.
It’s got some witchiness to it. It’s got an adventure in it. And it’s got the best thing known to man, love. Fast-paced with well-rounded characters that make you either hate them or love them with a hint of history underlain throughout the novel. What more can I say about this wonderful book?
Genre: Paranormal, Fantasy, Young Adult
Reading Level: High School and up
Interests: Witch’s, Egyptian hieroglyphics, darkness
Style: Not so light but also not a heavy read. Very fast-paced – which I loved.
Difficulty Reading: NO, I could not put this book down. Oh my goodness, Jennifer Alsever has such a unique way of writing. At first, I was a little annoyed that there were so many sentences that could be switched to, ya know, longer sentences which leads to a way easier read. But they grew on me and as I started to get further into the book, I understood why it was written in such a way. Because that is the personality of the main character Ember. It definitely helped understand her more as an individual, rather than just another character in a book.
Promise: A mystery meets fantasy – it delivers.
Insights: Honestly, none. I wouldn’t change anything in Ember Burning even if it meant saving the planet. (Okay, maybe I might change stuff to save the planet. But that’s our home for crying out loud.) Ember Burning is such a well-written novel that leaves you wanting to continue on her journey with her in Oshun Rising and Venus Shining. (Which by the way, is the rest of the series.)
Ah-Ha Moment: WHEN EMBER AND TRE KISS. (Yes, that needed all caps.) Awh man, I love me a good romance. Especially one so sweet and simple like Ember and Tre’s. **SPOILERS AHEAD** I mean it’s such goals to be laying out talking about life and then turning to each other, kissing, and then both admitting that you wanted to do that for a while now. Like OH MY GOD, I’m seriously dying over here. **SPOILERS END** I ship Ember and Tre so hard and Lilly, Zoe or this redhead b**ch better not get in the way of their love. I’ll come after them. (‘I kill you!‘)
Favorite Quote: “Of course I know this is ridiculous. What I’m doing. Going to Trinity Forest. Alone. Like the freak show I am. The girl who goes off the tracks. Who obsesses about missing people, about what happens in Trinity. But the mystery of Trinity calls to me. If I disappear, so be it.” – Girl, you ain’t no freak show. You are so perfectly normal. And if you’re a freak show well, I guess I’m a freak show too.
What will you gain: A love for Ember and her determination to get out of the black vortex known as Trinity Forest. A hate for Zoe’s sweet yet bossy attitude of not giving a shit about anything. A love-hate for Lilly and her psychotic yet charming sides. A love for Tre, my favorite character in the entire novel.
Aesthetics: The cover. The way Tre smiles. The entire book. The way Tre looks. The way Jennifer Alsever describes Synesthesia within Ember’s mind. Have I mentioned Tre and how much I really dig him?
“Would you sacrifice your future to forget your past.”
Haley Mathiot (9 KP) rated Snow White & the Huntsman in Books
Apr 27, 2018
You know what I love? Creatively re-told fairy-tales. You know what I hate? Terribly re-told fairy-tales made into crappy movies and then made into a book, written with poor prose. That pretty much summarizes how I feel about this (audio)book.
Let's start with the good:
1. The narrator was excellent. She also read for Daughter of Smoke and Bone, Why We Broke Up, the Iron King, and many other audiobooks. She made even the dullest most pointless sentences, pieces of dialogue, and descriptions sound interesting, and managed to hold my attention most of they way through the audiobook (until I stopped for dinner, and then realized I really didn't want to start listening again.)
2. It was fast-paced. The plot never slowed... but there were parts where the unneeded descriptions seemed to slow down and break the tension, or unnecessary interior monologue broke the mood.
3. The bad guys were very bad, and the good guys were very good. It made it a classic hero-vilan fairy-tale.
Now for the not-so-good:
1. Poor writing. It wasn't Stephenie-Meyer Terrible, but every sentence started with "he..." "she..." "He said," "She felt..." and it felt repetitive and boring. There was no sentence structure besides basic subject-verb-direct object. Also, the adjectives, adverbs, and overall descriptions and vocabulary was boring, expected, and unfeeling.
2. Who names a princess "Snow White?" Really? I can see naming her "Snow" or something, but if you're going to re-tell a fairy-tale, at least give your heroine a name that doesn't stick out like a sore thumb. I realize that this is a complaint about the movie screenplay, not the book adaption... but still. It felt awkward to have all these names like William, Eric, Gus, Anna, Lilly, and... Snow White.
3. The bad guys were soul-less, and the good guys were perfect. Even bad characters have some redeeming value as to why you kind of wish they didn't have to die, but they're bad so you have to kill them. The bad guys in this story were just so bad, there was no way you could not hate them. The good guys were flawless: children obeyed their parents, men saved their women, women sacrificed for their families, and Snow White was a sweet innocent little angel. I'm sorry, but even good guys have a bad side. And if you're perfect, I couldn't care less what happens to you, because I can't relate to you.
So that is, essentially, why I stopped listening to the audiobook halfway through.
Let's start with the good:
1. The narrator was excellent. She also read for Daughter of Smoke and Bone, Why We Broke Up, the Iron King, and many other audiobooks. She made even the dullest most pointless sentences, pieces of dialogue, and descriptions sound interesting, and managed to hold my attention most of they way through the audiobook (until I stopped for dinner, and then realized I really didn't want to start listening again.)
2. It was fast-paced. The plot never slowed... but there were parts where the unneeded descriptions seemed to slow down and break the tension, or unnecessary interior monologue broke the mood.
3. The bad guys were very bad, and the good guys were very good. It made it a classic hero-vilan fairy-tale.
Now for the not-so-good:
1. Poor writing. It wasn't Stephenie-Meyer Terrible, but every sentence started with "he..." "she..." "He said," "She felt..." and it felt repetitive and boring. There was no sentence structure besides basic subject-verb-direct object. Also, the adjectives, adverbs, and overall descriptions and vocabulary was boring, expected, and unfeeling.
2. Who names a princess "Snow White?" Really? I can see naming her "Snow" or something, but if you're going to re-tell a fairy-tale, at least give your heroine a name that doesn't stick out like a sore thumb. I realize that this is a complaint about the movie screenplay, not the book adaption... but still. It felt awkward to have all these names like William, Eric, Gus, Anna, Lilly, and... Snow White.
3. The bad guys were soul-less, and the good guys were perfect. Even bad characters have some redeeming value as to why you kind of wish they didn't have to die, but they're bad so you have to kill them. The bad guys in this story were just so bad, there was no way you could not hate them. The good guys were flawless: children obeyed their parents, men saved their women, women sacrificed for their families, and Snow White was a sweet innocent little angel. I'm sorry, but even good guys have a bad side. And if you're perfect, I couldn't care less what happens to you, because I can't relate to you.
So that is, essentially, why I stopped listening to the audiobook halfway through.
Acanthea Grimscythe (300 KP) rated The Doll House in Books
May 15, 2018
Slowly but surely, I’m getting caught up on my NetGalley reviews. (I’m waaaay behind.) This time around, I finished reading The Doll House by Phoebe Morgan. It’s a slow simmer with a bit of predictability and a lot of unnecessary information, but in the end, Morgan manages to redeem the book through fast-paced, constant action.
The plot is a bit all over the place for the majority of the book, but, like The Roanoke Girls, this seems to be a technique used to drive the story forward. That said, the chapters end with a bit of suspense before the jump to another character. (Also, it should be mentioned that I HATE how Morgan switches between first and third person.) Unfortunately, the first 80% of the book feel like a drag. There’s little to no action, with the most exciting parts being an apparent flashback to the antagonist’s past. The last little bit of the book picks up drastically, which was a nice relief from what came before.
I said earlier that it’s a slow burn, and The Doll House really is. Morgan leaves enough clues throughout the book that a reader can pick up on something awful culminating at the end, but its done in a manner that is simply alright. For instance, the conflict between Ashley and her husband is unnecessary. The title, The Doll House, is a bit of a misnomer because aside from a few parts of the house showing up and a few references to it, the dollhouse is very rarely mentioned. (Also, let’s take a moment here to point out that the dollhouse on the cover of the book is white and it’s made extremely clear that the actual dollhouse is pink. That would have been a simple photoshop fix.)
Now, the characters in The Doll House are really something else. Personally, my favorite is Ashley, the self-conscious, overweight mom of three whom I feel is quite realistically depicted. Corinne is more skittish than my Dad’s dog, which is pretty impressive. Which… it amazes me that she keeps her job with how much she calls out in the book alone. The male characters are alright, albeit apparently quite handsome. Andy is a pig, but you’d have to read the book to see why.
Overall, I didn’t hate or love this book to death. It’s a pretty solid three out of five, which is better than some of the other stuff I’ve read lately. I’d like to thank NetGalley and the publisher for providing me with a copy of this book free of charge in exchange for an unbiased review.
The plot is a bit all over the place for the majority of the book, but, like The Roanoke Girls, this seems to be a technique used to drive the story forward. That said, the chapters end with a bit of suspense before the jump to another character. (Also, it should be mentioned that I HATE how Morgan switches between first and third person.) Unfortunately, the first 80% of the book feel like a drag. There’s little to no action, with the most exciting parts being an apparent flashback to the antagonist’s past. The last little bit of the book picks up drastically, which was a nice relief from what came before.
I said earlier that it’s a slow burn, and The Doll House really is. Morgan leaves enough clues throughout the book that a reader can pick up on something awful culminating at the end, but its done in a manner that is simply alright. For instance, the conflict between Ashley and her husband is unnecessary. The title, The Doll House, is a bit of a misnomer because aside from a few parts of the house showing up and a few references to it, the dollhouse is very rarely mentioned. (Also, let’s take a moment here to point out that the dollhouse on the cover of the book is white and it’s made extremely clear that the actual dollhouse is pink. That would have been a simple photoshop fix.)
Now, the characters in The Doll House are really something else. Personally, my favorite is Ashley, the self-conscious, overweight mom of three whom I feel is quite realistically depicted. Corinne is more skittish than my Dad’s dog, which is pretty impressive. Which… it amazes me that she keeps her job with how much she calls out in the book alone. The male characters are alright, albeit apparently quite handsome. Andy is a pig, but you’d have to read the book to see why.
Overall, I didn’t hate or love this book to death. It’s a pretty solid three out of five, which is better than some of the other stuff I’ve read lately. I’d like to thank NetGalley and the publisher for providing me with a copy of this book free of charge in exchange for an unbiased review.
graveyardgremlin (7194 KP) rated Midsummer Magic (Magic Trilogy, #1) in Books
Feb 15, 2019
After a fairly good start (about the first 80 pages or so), I was hooked and was enjoying the book, then it went downhill and I finally stopped on page 218. Be warned, there is what could be considered (in our times at least) rape. However, it was a husband's duty to get his wife with heir; and I do get it, but that doesn't mean I want to read about it in a romance...repeatedly. I believe I could have gotten over the first 'rape,' but then it happened again, and again, and most likely again but I stopped before what might have been. Enough already!
I ended up hating both the so-called heroine and hero, they just were not sympathetic, interesting, or anything other than horrible. Frances started fights, cowers, and snivels all the time, and frankly, she should have known she needed to fulfill her "wifely duty" to get with heir. Now I am not in any way saying rape is right, but back then she should have known what was going to happen, and all she does is act belligerent and righteous about it and wants to be left alone (Ha!). Then there's Hawk (ugh!), who is detestable, shows no remorse, and the author actually writes about him with his mistress! What is Ms. Coulter smoking? I can't even fathom them going from hate to love (and I do mean hate!), which apparently doesn't happen according to other Amazon reviewers.
The author says the book "is just dandy the way it is," but it totally is not. She goes on to say that we'll chuckle and may even howl with laughter because of the battle of the sexes.... Now I don't know about that because I couldn't get past how totally unlikable Hawk and Frances were, among the other things mentioned, so who knows? And frankly, I don't care to know. This book needed many rewrites and I do not recommend it at all! I wish I listened to the reviews and stayed away, but no, I had to stick with it. What can I say, I'm stubborn. To be honest I thought there was only one rape scene in the book and didn't know there were more, but I usually only skim them so I don't read any spoilers. I am so sorry I read so much of this when I could have been enjoying a much better book. I really don't think I'll ever pick up another book from Ms. Coulter if her other books are like this.
I ended up hating both the so-called heroine and hero, they just were not sympathetic, interesting, or anything other than horrible. Frances started fights, cowers, and snivels all the time, and frankly, she should have known she needed to fulfill her "wifely duty" to get with heir. Now I am not in any way saying rape is right, but back then she should have known what was going to happen, and all she does is act belligerent and righteous about it and wants to be left alone (Ha!). Then there's Hawk (ugh!), who is detestable, shows no remorse, and the author actually writes about him with his mistress! What is Ms. Coulter smoking? I can't even fathom them going from hate to love (and I do mean hate!), which apparently doesn't happen according to other Amazon reviewers.
The author says the book "is just dandy the way it is," but it totally is not. She goes on to say that we'll chuckle and may even howl with laughter because of the battle of the sexes.... Now I don't know about that because I couldn't get past how totally unlikable Hawk and Frances were, among the other things mentioned, so who knows? And frankly, I don't care to know. This book needed many rewrites and I do not recommend it at all! I wish I listened to the reviews and stayed away, but no, I had to stick with it. What can I say, I'm stubborn. To be honest I thought there was only one rape scene in the book and didn't know there were more, but I usually only skim them so I don't read any spoilers. I am so sorry I read so much of this when I could have been enjoying a much better book. I really don't think I'll ever pick up another book from Ms. Coulter if her other books are like this.
Phillip McSween (751 KP) rated The Man Who Killed Hitler and Then the Bigfoot (2018) in Movies
Apr 1, 2019
Good, But Was Hoping For More
The plot is exactly what the title entails: A man who settles down in a small town after killing Hitler is called back into action years later one last time…to kill bigfoot. You may love it, you may hate it, but you won’t be able to knock its originality. Ten minutes in and it didn’t take me long to figure out I was watching something I had never seen before.
Acting: 10
Beginning: 10
From the beginning, you will be focused on this movie as it grabs your attention immediately. You find yourself wondering, What exactly is this man doing? I loved the intrigue to start, hooks you in right away. You also quickly learn that Calvin Barr (Sam Elliott) is nothing to be trifled with. You get to see his first taste of action and it’s fun to watch.
Characters: 10
Calvin isn’t that hard to figure out. He kicks ass and takes names and gives zero shits about it. He’s the kind of guy you can get behind. He’s hardened by the things he has seen, causing him to shell up into himself. Life experiences, man. They have a way of shaping people.
Cinematography/Visuals: 9
Conflict: 8
Genre: 4
I can’t rate this any higher because I don’t think the movie ever really decided what it wanted to be. Sometimes action, sometimes drama there is a mix here that puts it in a weird place. I would be fine with it if it did one or the other exceptionally well, but I feel like it missed the boat in some spots, just shy of being a really solid movie.
Memorability: 9
Hate it or love it, this is a movie you won’t soon forget. I expected to get short-changed when it came to the bigfoot, but, no, you get to see the creature in all its glory. And what a creature! Definitely an interesting spin on the mythical beast. It’s imagery like this that really has a way of sticking out in my mind.
Pace: 9
Plot: 8
Resolution: 2
Overall: 79
I’m mad because I wanted this to be better than just a “Folding Clothes” movie. It’s good, but falls just short of great unfortunately. I think a little more tonal direction and a better ending could have put it in the range of a classic. Alas, The Man Who Killed Hitler and Then the Bigfoot is just ok.
Acting: 10
Beginning: 10
From the beginning, you will be focused on this movie as it grabs your attention immediately. You find yourself wondering, What exactly is this man doing? I loved the intrigue to start, hooks you in right away. You also quickly learn that Calvin Barr (Sam Elliott) is nothing to be trifled with. You get to see his first taste of action and it’s fun to watch.
Characters: 10
Calvin isn’t that hard to figure out. He kicks ass and takes names and gives zero shits about it. He’s the kind of guy you can get behind. He’s hardened by the things he has seen, causing him to shell up into himself. Life experiences, man. They have a way of shaping people.
Cinematography/Visuals: 9
Conflict: 8
Genre: 4
I can’t rate this any higher because I don’t think the movie ever really decided what it wanted to be. Sometimes action, sometimes drama there is a mix here that puts it in a weird place. I would be fine with it if it did one or the other exceptionally well, but I feel like it missed the boat in some spots, just shy of being a really solid movie.
Memorability: 9
Hate it or love it, this is a movie you won’t soon forget. I expected to get short-changed when it came to the bigfoot, but, no, you get to see the creature in all its glory. And what a creature! Definitely an interesting spin on the mythical beast. It’s imagery like this that really has a way of sticking out in my mind.
Pace: 9
Plot: 8
Resolution: 2
Overall: 79
I’m mad because I wanted this to be better than just a “Folding Clothes” movie. It’s good, but falls just short of great unfortunately. I think a little more tonal direction and a better ending could have put it in the range of a classic. Alas, The Man Who Killed Hitler and Then the Bigfoot is just ok.
Carma (21 KP) rated Up by Five (Just Everyday Heroes: Night Shift, #5) in Books
Jun 17, 2019
The only person that would be capable of taming the wild Connor Dixon is Gabby Evans. Up by Five is the final story in the Just Everyday Heroes: Night Shift (previously Counting on Love series). In this final story Connor, who has been a part of the series from back in the Day Shift books (previously Bradford series), gets his moment in the spotlight. Once again Erin Nicholas hits it out of the park with Connors story. 5 stars from this Dixon fan!!
Connor is a man people love, to hate. He is cocky, annoying, brash, bossy, arrogant, dickish and totally runs his sisters lives. He is the only boy to his brood of sisters and he like being in charge of their lives, or so he thinks. He believes he walks on water at the very least. His sisters love him but think he needs to get his own life. He doesnt think he needs to change at all, who doesnt love him? Hes got girls falling all over him, his own bachelor pad, what more does a guy need? One apartment fire answers that question for him very quickly.
Gabrielle Gabby Evans doesnt need anyone to help her do anything. Her brothers constantly underestimate her and she is tired of it. When her apartment burns down she has little options of what to next. Connor Dixon steps up and offers to share his apartment while she gets back on her feet. She doesnt think she can do that, since she is wildly attracted to him, has been for a while now. But it would be safe, since he doesnt seem the least bit attracted to her. Working together for so long, they have a familiarity, a friendship that has seen its fair share of drama, she knows this can work. Right?
Both Connor and Gabby have met their match in each other and right from the start anyone can see they were made for each other. Furniture testing aside, they play off each others strengths and weaknesses with ease. Sure there are some bumps in the road but hello thats how relationships work.
The continuation of relationships from the previous novels, both day and night shift help add to the hysterical interactions splattered throughout the book. Connor and Mac could have their own stand up tour. I also loved the Candy Land (Medical version) in the book, which just shows again the camaraderie they all feel with each other. Connor is a man you love to hate but just love at the end of the day.
Connor is a man people love, to hate. He is cocky, annoying, brash, bossy, arrogant, dickish and totally runs his sisters lives. He is the only boy to his brood of sisters and he like being in charge of their lives, or so he thinks. He believes he walks on water at the very least. His sisters love him but think he needs to get his own life. He doesnt think he needs to change at all, who doesnt love him? Hes got girls falling all over him, his own bachelor pad, what more does a guy need? One apartment fire answers that question for him very quickly.
Gabrielle Gabby Evans doesnt need anyone to help her do anything. Her brothers constantly underestimate her and she is tired of it. When her apartment burns down she has little options of what to next. Connor Dixon steps up and offers to share his apartment while she gets back on her feet. She doesnt think she can do that, since she is wildly attracted to him, has been for a while now. But it would be safe, since he doesnt seem the least bit attracted to her. Working together for so long, they have a familiarity, a friendship that has seen its fair share of drama, she knows this can work. Right?
Both Connor and Gabby have met their match in each other and right from the start anyone can see they were made for each other. Furniture testing aside, they play off each others strengths and weaknesses with ease. Sure there are some bumps in the road but hello thats how relationships work.
The continuation of relationships from the previous novels, both day and night shift help add to the hysterical interactions splattered throughout the book. Connor and Mac could have their own stand up tour. I also loved the Candy Land (Medical version) in the book, which just shows again the camaraderie they all feel with each other. Connor is a man you love to hate but just love at the end of the day.
Erika (17789 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 22, 2019
A Sequel to Force Awakens
It's no secret, I hate the Last Jedi. Now, at this point it's completely null and void, and I am thrilled. Yes, I threw shade at Rose, because I thought that them pushing her into the background was hilarious, and the correct thing to do with the vanilla-boring character. No hate towards Kelly Marie Tran, you can't fault her for her character being lame AF.
I debated on whether to write a spoiler filled review, or a non-spoiler review. I decided upon a non-spoiler review.
The first half of the film did have a ton of planet-hopping and moved very quickly. I think it was this way to sort of show the main trio working together. You know, since TLJ did nothing to develop their relationships to one another.
It was a mistake to keep Carrie Fisher in the film. The scenes with her felt forced and fake. She did serve some sort of purpose, but I feel like it would have made more sense had she been dead.
Finally, what we'd all been waiting for happened, Rey's family was finally revealed. It was a little anti-climactic, and predictable. The entire film was fairly predictable, but was that a bad thing? In my book, no, I like being right about my theories. I liked the ending, and thought that certain characters endings made sense.
I didn't think the cameos were all that much fan service, they could have thrown in a lot more... Like, who was piloting the Ghost (see Star Wars Rebels)? Was it Hera or Jaden Syndulla? I loved, loved everyone they included in the very specific group cameo.
Overall, it was a satisfactory ending. I'm going to have to read more about the Knights of Ren when the collected volume comes out.
I saw articles b-tching about the additional force powers and force-sensitive people, this hasn't been a secret. Force-sensitive beings: Chirrut Îmwe (Rogue One), Finn (suggested in TFA and TROS trailers), Maz Katana, Bendu (Rebels). Beings with additional force powers: The Child from the Mandalorian (healing and suggested telekinesis), Ezra Bridger from Rebels (speaks and has strong connections to animals), and Karr from the Force Collector (sees the past from touching artefacts). I'm now ready to see more of the Star Wars universe, without the Skywalker family being the focus. Knights of the Old Republic plz.
I debated on whether to write a spoiler filled review, or a non-spoiler review. I decided upon a non-spoiler review.
The first half of the film did have a ton of planet-hopping and moved very quickly. I think it was this way to sort of show the main trio working together. You know, since TLJ did nothing to develop their relationships to one another.
It was a mistake to keep Carrie Fisher in the film. The scenes with her felt forced and fake. She did serve some sort of purpose, but I feel like it would have made more sense had she been dead.
Finally, what we'd all been waiting for happened, Rey's family was finally revealed. It was a little anti-climactic, and predictable. The entire film was fairly predictable, but was that a bad thing? In my book, no, I like being right about my theories. I liked the ending, and thought that certain characters endings made sense.
I didn't think the cameos were all that much fan service, they could have thrown in a lot more... Like, who was piloting the Ghost (see Star Wars Rebels)? Was it Hera or Jaden Syndulla? I loved, loved everyone they included in the very specific group cameo.
Overall, it was a satisfactory ending. I'm going to have to read more about the Knights of Ren when the collected volume comes out.
I saw articles b-tching about the additional force powers and force-sensitive people, this hasn't been a secret. Force-sensitive beings: Chirrut Îmwe (Rogue One), Finn (suggested in TFA and TROS trailers), Maz Katana, Bendu (Rebels). Beings with additional force powers: The Child from the Mandalorian (healing and suggested telekinesis), Ezra Bridger from Rebels (speaks and has strong connections to animals), and Karr from the Force Collector (sees the past from touching artefacts). I'm now ready to see more of the Star Wars universe, without the Skywalker family being the focus. Knights of the Old Republic plz.
Sophia (Bookwyrming Thoughts) (530 KP) rated Shade Me (Nikki Kill, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Shade Me</i> and I are completely polar opposites. Everything Nikki is, Im not (and Im typically against it in some way), which is an extreme rarity (and definitely not a problem). And if this is a series, Ill probably have a love/hate relationship with Nikki akin to love triangles where I love/hate both guys (and maybe the girl as well).
Anyways
I feel Nikkis past feels like a pity party with a really rough childhood. However, it just goes with the story because her rough childhood tells readers why Nikki is the way she is in the novel. Shes afraid of falling in love (hello? Im not a romantic, but um ), probably hooks up with guys on a weekly basis (okay ), and is close enough to flunking and not graduating basically, she seems like a character I would probably stay away from in real life. Also, with her Tae Kwon Do (is it Tae Kwon Do?) skills, shes also just a person I would avoid messing around with.
But the coolest thing about Shade Me is how Nikki sees everything in color (synesthesia) and when she gets a call to identify a person in an attempted murder, Nikki uses her synesthesia to try and find the attempted murderer. The person she identifies isnt even someone she knows really well (shes heard of them because the person is the daughter of a famous producer, but doesnt know them), which I find really admirable. I mean, its not typical a random person goes out of her way just to find out why someone attempted to murder someone she doesnt even associate herself with. Shes also horrible with sneaking around everything just backfires, but Nikki is an amazing sleuth who has extreme guts.
Overall, though? The book is about rich people problems with a dash of family drama. Brown takes something readers would typically find on daytime drama and mixes it up with something else completely different, making Shade Me just a tad bit different than simply family drama.
<a href="https://bookwyrmingthoughts.com/blog-tour-shade-me-by-jennifer-brown-arc-review-and-giveaway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Shade Me</i> and I are completely polar opposites. Everything Nikki is, Im not (and Im typically against it in some way), which is an extreme rarity (and definitely not a problem). And if this is a series, Ill probably have a love/hate relationship with Nikki akin to love triangles where I love/hate both guys (and maybe the girl as well).
Anyways
I feel Nikkis past feels like a pity party with a really rough childhood. However, it just goes with the story because her rough childhood tells readers why Nikki is the way she is in the novel. Shes afraid of falling in love (hello? Im not a romantic, but um ), probably hooks up with guys on a weekly basis (okay ), and is close enough to flunking and not graduating basically, she seems like a character I would probably stay away from in real life. Also, with her Tae Kwon Do (is it Tae Kwon Do?) skills, shes also just a person I would avoid messing around with.
But the coolest thing about Shade Me is how Nikki sees everything in color (synesthesia) and when she gets a call to identify a person in an attempted murder, Nikki uses her synesthesia to try and find the attempted murderer. The person she identifies isnt even someone she knows really well (shes heard of them because the person is the daughter of a famous producer, but doesnt know them), which I find really admirable. I mean, its not typical a random person goes out of her way just to find out why someone attempted to murder someone she doesnt even associate herself with. Shes also horrible with sneaking around everything just backfires, but Nikki is an amazing sleuth who has extreme guts.
Overall, though? The book is about rich people problems with a dash of family drama. Brown takes something readers would typically find on daytime drama and mixes it up with something else completely different, making Shade Me just a tad bit different than simply family drama.
<a href="https://bookwyrmingthoughts.com/blog-tour-shade-me-by-jennifer-brown-arc-review-and-giveaway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Charlie Cobra Reviews (1840 KP) rated The Rising of the Shield Hero in TV
Jul 7, 2020
Shield Hero
The Rising of The Shield Hero is an anime series produced by Kinema Citrus and directed by Takao Abo with the light novel written by Aneko Yusagi. The series is licensed by Crunchroll and Funimation in North America. The series composition was by Keigo Koyanagi with music composed by Kevin Penkin and Masahiro Suwa designing characters.
College student, Naofumi Iwatani finds a fantasy book about "Four Heroes", while in the library, and is summoned to another universe, along with three others to save mankind. Each of the heroes are respectively equipped with their own "legendary" weapon. Naofumi, though, received the Legendary Shield, the only sole defensive equipment. They are expected to fight "The Waves", a series of demonic invasions that are set to occur soon. Nobody joins Shield Hero Naofumi when partners are assigned, believing him to be the weakest of the four. However, a beautiful woman named Myne, from the Spear Hero's party joins him to help him train. To his disbelief, Myne steals his belongings while he sleeps and accuses him of rape. He becomes an outcast when his denials are ignored and he is shunned by everyone from King to peasants. Enraged and embittered, he struggles to learn how to upgrade his shield, but realizes he can't upgrade without experience or strength. Desperate and alone, he finds himself at a slave market, contemplating whether he should buy a slave to gain XP (experience points) and fight for him.
This anime is great. I really like it a lot. It is also an "Isekai" genre anime, but right away it's very different from others. Beginning with the first episode, this anime had me. I've always said that actors who can get you to hate them in movies are really good actors. And man the character, Myne, really made me hate her. I didn't expect that twist, and it is very "adult" to bring up rape like that in an anime that didn't look to me like it would have something like that in it. But it plays a big part in how the character proceeds after. I also really like the character designs and art style, but the story is what gets me wanting to see the next episode every time. That and how he is a pretty smart character too, which really helps him, since his shield holds him back from being able to use any weapons. But it's not completely useless and he learns new abilities for it constantly. This anime definitely gets my "Must See Seal Of Approval" and I give it an 8.
College student, Naofumi Iwatani finds a fantasy book about "Four Heroes", while in the library, and is summoned to another universe, along with three others to save mankind. Each of the heroes are respectively equipped with their own "legendary" weapon. Naofumi, though, received the Legendary Shield, the only sole defensive equipment. They are expected to fight "The Waves", a series of demonic invasions that are set to occur soon. Nobody joins Shield Hero Naofumi when partners are assigned, believing him to be the weakest of the four. However, a beautiful woman named Myne, from the Spear Hero's party joins him to help him train. To his disbelief, Myne steals his belongings while he sleeps and accuses him of rape. He becomes an outcast when his denials are ignored and he is shunned by everyone from King to peasants. Enraged and embittered, he struggles to learn how to upgrade his shield, but realizes he can't upgrade without experience or strength. Desperate and alone, he finds himself at a slave market, contemplating whether he should buy a slave to gain XP (experience points) and fight for him.
This anime is great. I really like it a lot. It is also an "Isekai" genre anime, but right away it's very different from others. Beginning with the first episode, this anime had me. I've always said that actors who can get you to hate them in movies are really good actors. And man the character, Myne, really made me hate her. I didn't expect that twist, and it is very "adult" to bring up rape like that in an anime that didn't look to me like it would have something like that in it. But it plays a big part in how the character proceeds after. I also really like the character designs and art style, but the story is what gets me wanting to see the next episode every time. That and how he is a pretty smart character too, which really helps him, since his shield holds him back from being able to use any weapons. But it's not completely useless and he learns new abilities for it constantly. This anime definitely gets my "Must See Seal Of Approval" and I give it an 8.
Phillip McSween (751 KP) rated The Hunt for Red October (1990) in Movies
Jul 15, 2020
Boring
I spent a minute trying to figure out a logline for this movie and I couldn’t quite get a grasp on how to put it into words. Something about a submarine led by a defective Soviet commander headed for American soil and special agent Jack Ryan (Alec Baldwin) having to hunt him down. That’s the best I can do.
Acting: 10
Performances were strong across the board and is not where the movie fell flat in the slightest. Alec Baldwin delivers as Ryan with a sharp charisma that makes the movie just slightly more bearable. I was also impressed with Sean Connery’s role as villain Marko Ramius. Definitely the type of guy you love to hate and Connery did a solid job of bringing him to life.
Beginning: 8
Wasn’t 100% bought in after the first ten minutes, but enough happened to make me want to watch more. While I have seen way better movies in my day, I have definitely seen way worse beginnings too. It gives you a bit of story while creating excitement and intrigue for the story.
Characters: 5
The acting was fine. The characters, on the other hand, bored the absolute hell out of me. None of their storylines or backgrounds compelled me to ultimately care about the story as a whole. How many times have I said bad characters breed bad movies? Couldn’t be truer here.
Cinematography/Visuals: 5
This movie relies a lot on smoke and mirrors. First you see a submarine, then it disappears. You see a missile, then it’s gone. After awhile the parlor trick gets old and so does the story. It felt like their action sequences suffered from a lower budget.
Conflict: 5
The action was mediocre at best. For this to be a movie about dueling submarines, there certainly aren’t a lot of dueling submarines. I can’t think of a better way to say this: This movie is really boring. There is way too much close-quarters talk and not enough actually happening.
Entertainment Value: 6
For every solid moment The Hunt For Red October brings, it gives you more scenes of people just sitting around discussing strategy. The high points were few and far between. It’s not a total dumpster fire, but I was certainly hoping for more.
Memorability: 4
Pace: 2
Plot: 10
Resolution: 2
Overall: 57
Contrary to what you might think, I hate shitting on movies. Sometimes, as is the case for The Hunt For Red October, it’s unavoidable. With such a stellar cast, I was hoping for more.
Acting: 10
Performances were strong across the board and is not where the movie fell flat in the slightest. Alec Baldwin delivers as Ryan with a sharp charisma that makes the movie just slightly more bearable. I was also impressed with Sean Connery’s role as villain Marko Ramius. Definitely the type of guy you love to hate and Connery did a solid job of bringing him to life.
Beginning: 8
Wasn’t 100% bought in after the first ten minutes, but enough happened to make me want to watch more. While I have seen way better movies in my day, I have definitely seen way worse beginnings too. It gives you a bit of story while creating excitement and intrigue for the story.
Characters: 5
The acting was fine. The characters, on the other hand, bored the absolute hell out of me. None of their storylines or backgrounds compelled me to ultimately care about the story as a whole. How many times have I said bad characters breed bad movies? Couldn’t be truer here.
Cinematography/Visuals: 5
This movie relies a lot on smoke and mirrors. First you see a submarine, then it disappears. You see a missile, then it’s gone. After awhile the parlor trick gets old and so does the story. It felt like their action sequences suffered from a lower budget.
Conflict: 5
The action was mediocre at best. For this to be a movie about dueling submarines, there certainly aren’t a lot of dueling submarines. I can’t think of a better way to say this: This movie is really boring. There is way too much close-quarters talk and not enough actually happening.
Entertainment Value: 6
For every solid moment The Hunt For Red October brings, it gives you more scenes of people just sitting around discussing strategy. The high points were few and far between. It’s not a total dumpster fire, but I was certainly hoping for more.
Memorability: 4
Pace: 2
Plot: 10
Resolution: 2
Overall: 57
Contrary to what you might think, I hate shitting on movies. Sometimes, as is the case for The Hunt For Red October, it’s unavoidable. With such a stellar cast, I was hoping for more.