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Halloween Kills (2021)
Halloween Kills (2021)
2021 | Horror
I can safely say, that I'm not 100% sure whether I liked Halloween Kills or not. There were parts that I genuinely enjoyed, in no small part thanks to Michael Myers. As in Halloween (2018), this Myers is a brutal and unforgiving one. His aesthetic is great and he's intimidating as fuck. This movie pulls no punches in making him out to be a monster, shying further away from the days of rooting for slasher villains. To top it off, Kills easily has some of the best Michael moments in the entire franchise. This is bolstered by some truly fantastic cinematography.
However, the positives are marred quite severely by everything else. The script is hammy as fuck, which is fine, but the tone of the movie is pretty damn serious, and a lot of the screenplay just doesn't land properly. There are endless characters saying something along the lines of "it's my fault, and I'm going to be the one to kill Michael Myers" for no real reason. Additionally, there are a whole bunch of "legacy" characters from the OG Halloween making their return. It's lovely to see the likes of Kyle Richards, Charles Cyphers, and Nancy Stephens back for another round, but they do kind of feel shoehorned in. Tommy Doyle being thrust into the spotlight as a main character is in no means a bad idea, but he's just a bit of a gammon for the entire runtime, and quickly becomes a tiresome protagonist. All of this is exacerbated by pacing that just plummets around the mid point. The whole subplot of a mob chasing down a small bald man who clearly isn't Michael Myers is just ludicrous, and it's goes on FOREVER. All just to throw in a forced "maybe we were the monsters all along" conundrum. It's really dumb.

I didn't hate Halloween Kills by any means, but for me, it was a huge step down from the fantastic 2018 effort. Hopefully, Halloween Ends will bring the quality back up (with more Laurie Strode fingers crossed)
  
Death on the Nile (2022)
Death on the Nile (2022)
2022 | Mystery
To start with, there's only so much you can hate on an Agatha Christie adaption. The film could be torrid tripe, but there's still a particular brand of intrigue which always comes with one of her whodunits. This latest re-telling of Death on the Nile just about scrapes by, mainly thanks to its second half, and that aforementioned Christie narrative, but sadly, not much else.
There's glimpses of something good there. Kenneth Branagh can be hit or miss as far as I'm concerned. For every Belfast (soaringly wonderful) there's an Artemis Fowl (what I imagine a lobotomy feels like). This is somewhere in the middle. There are moments of promise sprinkled here and there, but they struggle to break through all the bloated hot air that is draped over everything.
All of the characters are ridiculous. I get that's part of it, but it just falls flat here. It's hard to enjoy comic relief when everyone is comic relief. Gal Gadot seems like she is half-arsing every line. Russell Brand feels jarringly out of place. I traditionally enjoy French & Saunders but they also feel alien in every scene they're in. I know this shouldn't really impact my view, but Armie Hammer look like he just wants to eat everyone he talks to. Even the usually reliable Annette Benning comes across completely disinterested. There's no chemistry anywhere, and it all just feels a bit odd. Branagh is pretty great as Poirot to his credit. He just about holds proceedings together along with Sophie Okonedo, and they both manage to inject some charisma when things become arduous, which is farily regularly.

A bit of a misfire then, but not a complete disaster. I can firmly file Death on the Nile under "films I don't really like, but would probably watch again if it was on TV, or maybe on Christmas day at my Mums house".