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Debbiereadsbook (1441 KP) rated Enforcer's Little Warrior (Little Paws Haven #3) in Books
Apr 8, 2025
Bash knows Romy needs to tell him about his past, and he'll wait til Romy is ready.
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
This is book 3 in the Little Paws Haven series, and I think you really SHOULD read books one and two before this one. There is an ongoing story arc that is not fully recapped, but you might get enough to muddle through. Just my opinion, it's my review :-)
Romy and Bash know they are mates, but dealing with two little rhinos they found, means getting to know each other is a bit down the list of priorities. They do TRY though. Bash digging a wallow, for example. But then they are hit with a devastating blow, and Romy needs his Little time to fully process the grown up stuff after. And the council is still causing problems!
I loved book one, and book two didn't quite hit the same spot. This book is on a par with book 2. WHY?? I dunno (insert wailing!) and you know I hate not being able to translate what my book brain wants to say!
I liked that it takes time for Romy and Bash to fully commit. They do take their time to get to know each other before mating. The Council and their aptitude for meddling continues, it gets in the way of Romy fully opening up to Bash for a while. Bash knows Romy needs to tell him, and he'll wait til Romy is ready. His hand is pushed though, given what happens and when he tells it all?? Oh my.
It was nice to catch up with Cosmo, Harley and Nomad. Gabai and Asher are mentioned but don't really play a part here. Book 4 is laid out for us as well!
I'm still not 100% certain what the council has been doing, but it is much clearer now, given what the crash of rhinos, along with all the allies, finds.
The steam level is low, I thought, but the drama/danger level is high and there is a bit more violence in this book. I mean, RHINOS!! But I think it was needed for this book.
I'm looking forward for Arlo and Taggert, and what Tagg can find on the computers!
4 very good stars
*same worded review will appear elsewhere
This is book 3 in the Little Paws Haven series, and I think you really SHOULD read books one and two before this one. There is an ongoing story arc that is not fully recapped, but you might get enough to muddle through. Just my opinion, it's my review :-)
Romy and Bash know they are mates, but dealing with two little rhinos they found, means getting to know each other is a bit down the list of priorities. They do TRY though. Bash digging a wallow, for example. But then they are hit with a devastating blow, and Romy needs his Little time to fully process the grown up stuff after. And the council is still causing problems!
I loved book one, and book two didn't quite hit the same spot. This book is on a par with book 2. WHY?? I dunno (insert wailing!) and you know I hate not being able to translate what my book brain wants to say!
I liked that it takes time for Romy and Bash to fully commit. They do take their time to get to know each other before mating. The Council and their aptitude for meddling continues, it gets in the way of Romy fully opening up to Bash for a while. Bash knows Romy needs to tell him, and he'll wait til Romy is ready. His hand is pushed though, given what happens and when he tells it all?? Oh my.
It was nice to catch up with Cosmo, Harley and Nomad. Gabai and Asher are mentioned but don't really play a part here. Book 4 is laid out for us as well!
I'm still not 100% certain what the council has been doing, but it is much clearer now, given what the crash of rhinos, along with all the allies, finds.
The steam level is low, I thought, but the drama/danger level is high and there is a bit more violence in this book. I mean, RHINOS!! But I think it was needed for this book.
I'm looking forward for Arlo and Taggert, and what Tagg can find on the computers!
4 very good stars
*same worded review will appear elsewhere
Dana (24 KP) rated A Conjuring of Light in Books
Mar 23, 2018
I tried to take my time with this book. I only listened to it for short amounts of time because I knew it was the last one and I wanted to take my time with it. Well, that and I was busy with Christmas stuff, so I guess I had to spend time with family.
So, onto the review. By the way, this is not spoiler free for the series or this book, so read at your own peril.
This book absolutely wrecked me. So we started off not knowing the status of Kell and therefore Rhys because they are freaking bound together via magical tattoos, so yeah, stressful. Then we have to know what is going on with Lila because how is she going to react to the information that Kell is possibly dying? I wasn't so sure. But damn am I glad she wanted to act. Then we have the knowledge that Holland is being taken over by Oseran because why not? Let's just have this piece of sentient magic take over an Antari's body to be able to take over worlds. Yes, plural. How could I not be okay with that? And that is all just from where we left off at the end of the last book, okay? I was a wreck when I started the book.
Alright, so onto Kell. He is so self sacrificing it kills me. Well, it nearly kills him and Rhys too, but that's beside the point. He, first, finds himself without magic, needing Delilah to come and save him. Then he is ostracized again from the court because obviously this is all his fault, right? Wrong. After that, he has to go on a mission with two people he hates as well as the woman he loves and a few strangers to boot. Not too bad so far. In order to save the woman he loves and (hopefully) protect her from harm, he is willing to do whatever, that means dying, to keep her alive and with magic. But he claims it's because he is able to control it better. Yeah, Kell. That's the reason. I can smell bullshit all the way over here, buddy. But really, even though he has a hard time staying alive and keeping out of trouble, I love Kell. He knows what is best for those he loves and will not hesitate to do it. He wants to travel the world, to get to see more than just London on any of the plains. And he gets to in the end. Plus, who doesn't want a person like Kell in their lives?
Now onto my girl Delilah. Hey there Delilah what's it like in Red London, are you trying to get yourself killed just to prove a point to Kell and Rhys? I would like to know why. (Sing that in the tune of the Plain White Tee's song, and you'll be golden.) But really. This girl has almost as much of a death wish as Kell does, swinging head first into danger without a plan most of the time. She is impulsive, rash, and strong as hell. And I wouldn't have her any other way. She hasn't known these people for very long, but she cares for them so deeply. She is also willing to give up everything to go up against Oseran, becasue why not? She thinks her unfiltered and untrained power can do a lot of damage. Which, yes it can, but not necessarily to your opponent, dear. I am proud of this scrappy little nobody. She became the badass pirate queen she has always needed to be. Plus, I like that she used her cunning and her knowledge as a thief to get the item they needed from the floating black market. So cool. Oh! And when she was battling Oseran and she freaking moved the river. Yeah girl! Prove Allucard wrong! Use that freaking ANTARI magic that you have. Get that black glass eye and become your true self!
Rhys is amazing. I honestly thought his father was going to do a spell to give Rhys his power when the King went out to fave Oseran in his palace, but I am glad he didn't. We need to see that even people without powers are powerful in their own right. He is a king, a commander, a force to be reckoned with, not in spite of his lack of magic, but because of it. He was able to train himself in the ways of people. He doesn't need magic to control, he's got words for that. What happened to his family, and almost happened to him, was heart breaking. I hate that he didn't really have time to mourn. I hate that he had to see his mother die in front of him. I hate that he didn't get to get revenge personally. But I know it would have hurt him as a character too much to have to kill those who betrayed the crown.
Allucard is still a hero in my eyes. He put up with so much shit from his family, and then Kell. I mean, the man paid for a magical mirror to be able to show Rhys the truth about why he left. HE JUST DESERVES TO BE HAPPY OKAY!!! I am glad that he and Rhys get to be together forever because they are in love and I love that love. Also, we got to see him use his magic so much more in this book. I feel like he got to earn his title as the winner of the Essen Tash. (I think that's how you spell it, I can't remember, okay). So, yeah, Allucard for life.
I don't know how she did it, but Ms Victoria Schwab made me like Holland. I just invested my hatred for this guy for two freaking books. TWO BOOKS!! And now I like him? What is this madness. But really, I loved that he was able to redeem himself and his actions. He just wanted to save his world and give it magic again. I like that he was able to use the device and save the day, even though he had to lose his power because of it. He is just, if not more so, self sacrificing as Kell and Lila are put together. He tries to die for the cause at least twice in this book. Also, I love that he becomes the King that is promised in White London. He brings back magic by giving up his. Just so beautiful.
All of the side characters were really interesting as well. I would love to see more into them if Ms Schwab has any plans to do so. As you can tell, I don't want to talk too much about Oseran because I don't like him. I will say, though, that Ms Schwab did a fantastic job creating such a vile creature. He brought a lot to the story and, even though I didn't like the character, it was more on a personal level than the writing of the character. I just didn't like the villain. But I loved how she wrote him. (I hope at least some of that makes sense)
This series was phenomenal. Every page was an adventure and I was so happy to be dragged along. Thank you for writing this book. I can't wait to see what's next.
So, onto the review. By the way, this is not spoiler free for the series or this book, so read at your own peril.
This book absolutely wrecked me. So we started off not knowing the status of Kell and therefore Rhys because they are freaking bound together via magical tattoos, so yeah, stressful. Then we have to know what is going on with Lila because how is she going to react to the information that Kell is possibly dying? I wasn't so sure. But damn am I glad she wanted to act. Then we have the knowledge that Holland is being taken over by Oseran because why not? Let's just have this piece of sentient magic take over an Antari's body to be able to take over worlds. Yes, plural. How could I not be okay with that? And that is all just from where we left off at the end of the last book, okay? I was a wreck when I started the book.
Alright, so onto Kell. He is so self sacrificing it kills me. Well, it nearly kills him and Rhys too, but that's beside the point. He, first, finds himself without magic, needing Delilah to come and save him. Then he is ostracized again from the court because obviously this is all his fault, right? Wrong. After that, he has to go on a mission with two people he hates as well as the woman he loves and a few strangers to boot. Not too bad so far. In order to save the woman he loves and (hopefully) protect her from harm, he is willing to do whatever, that means dying, to keep her alive and with magic. But he claims it's because he is able to control it better. Yeah, Kell. That's the reason. I can smell bullshit all the way over here, buddy. But really, even though he has a hard time staying alive and keeping out of trouble, I love Kell. He knows what is best for those he loves and will not hesitate to do it. He wants to travel the world, to get to see more than just London on any of the plains. And he gets to in the end. Plus, who doesn't want a person like Kell in their lives?
Now onto my girl Delilah. Hey there Delilah what's it like in Red London, are you trying to get yourself killed just to prove a point to Kell and Rhys? I would like to know why. (Sing that in the tune of the Plain White Tee's song, and you'll be golden.) But really. This girl has almost as much of a death wish as Kell does, swinging head first into danger without a plan most of the time. She is impulsive, rash, and strong as hell. And I wouldn't have her any other way. She hasn't known these people for very long, but she cares for them so deeply. She is also willing to give up everything to go up against Oseran, becasue why not? She thinks her unfiltered and untrained power can do a lot of damage. Which, yes it can, but not necessarily to your opponent, dear. I am proud of this scrappy little nobody. She became the badass pirate queen she has always needed to be. Plus, I like that she used her cunning and her knowledge as a thief to get the item they needed from the floating black market. So cool. Oh! And when she was battling Oseran and she freaking moved the river. Yeah girl! Prove Allucard wrong! Use that freaking ANTARI magic that you have. Get that black glass eye and become your true self!
Rhys is amazing. I honestly thought his father was going to do a spell to give Rhys his power when the King went out to fave Oseran in his palace, but I am glad he didn't. We need to see that even people without powers are powerful in their own right. He is a king, a commander, a force to be reckoned with, not in spite of his lack of magic, but because of it. He was able to train himself in the ways of people. He doesn't need magic to control, he's got words for that. What happened to his family, and almost happened to him, was heart breaking. I hate that he didn't really have time to mourn. I hate that he had to see his mother die in front of him. I hate that he didn't get to get revenge personally. But I know it would have hurt him as a character too much to have to kill those who betrayed the crown.
Allucard is still a hero in my eyes. He put up with so much shit from his family, and then Kell. I mean, the man paid for a magical mirror to be able to show Rhys the truth about why he left. HE JUST DESERVES TO BE HAPPY OKAY!!! I am glad that he and Rhys get to be together forever because they are in love and I love that love. Also, we got to see him use his magic so much more in this book. I feel like he got to earn his title as the winner of the Essen Tash. (I think that's how you spell it, I can't remember, okay). So, yeah, Allucard for life.
I don't know how she did it, but Ms Victoria Schwab made me like Holland. I just invested my hatred for this guy for two freaking books. TWO BOOKS!! And now I like him? What is this madness. But really, I loved that he was able to redeem himself and his actions. He just wanted to save his world and give it magic again. I like that he was able to use the device and save the day, even though he had to lose his power because of it. He is just, if not more so, self sacrificing as Kell and Lila are put together. He tries to die for the cause at least twice in this book. Also, I love that he becomes the King that is promised in White London. He brings back magic by giving up his. Just so beautiful.
All of the side characters were really interesting as well. I would love to see more into them if Ms Schwab has any plans to do so. As you can tell, I don't want to talk too much about Oseran because I don't like him. I will say, though, that Ms Schwab did a fantastic job creating such a vile creature. He brought a lot to the story and, even though I didn't like the character, it was more on a personal level than the writing of the character. I just didn't like the villain. But I loved how she wrote him. (I hope at least some of that makes sense)
This series was phenomenal. Every page was an adventure and I was so happy to be dragged along. Thank you for writing this book. I can't wait to see what's next.
Bob Mann (459 KP) rated If Beale Street Could Talk (2018) in Movies
Sep 28, 2021
Love and Rage against the machine.
The baby asked,
‘Is there not one righteous among them?”
― James Baldwin, If Beale Street Could Talk
Beale Street refers to the jumpin’ heart of Memphis where Louis Armstrong was born. As explained in text from Baldwin’s source book (requiring a speed read!) it’s used as a metaphor for the birthplace of every black person in America. (“Every black person in America was born on Beale Street“). But the story is set in Harlem, New York, and with this intellectual stretch, before I even get past the title, I am immediately reaching for the “P-word”, of which more later.
The Plot
Tish (KiKi Layne) is 19 and in love with her lifelong friend ‘Fonny’ (Stephan James). So much in love in fact (and so careless) that Tish is now pregnant with his child. Tish must break this news to both families herself, since Fonny is inside awaiting trial for a vicious rape that he claims he didn’t commit. Tish and their joint families are trying to help, but can Fonny be released in time to see the birth of his child? Or are the institutions so set against him that release is impossible and death row might await?
Interwoven with Love and Anger
At its heart, this film portrays a truly beautiful love story. Tish and Fonny (both adorably played by the young leads) are friends becoming more than friends. We see their emerging love through flashback scenes. Some of these, particularly one on a metro train, are exquisitely done; long gazes into eyes, starting as one thing and ending as another.
In another scene, Fonny takes Tish’s virginity, and it’s done with style, taste and finesse. For younger teens this should be compulsory viewing as an antidote to all the horrible porn they are seeing on the internet: THIS is what sex, based on a foundation of true love, is all about. (The film is UK15 rated for “infrequent very strong language, strong sex” – I actually agree with the rating for the language (and actually I think an act of marital violence should also have also been referenced)…. but not for the sex, which should be 12A).
It’s a love story then? Well, yes, but offset against that, it’s a very angry film, seething with rage about how the police force and the justice system is set ‘against the black man’. Director Barry Jenkins (of – eventual – Oscar winner “Moonlight” fame) has a message to impart and he is intent on imparting it.
A great ensemble performance
The film didn’t get a SAG nomination for the ensemble cast, but it almost feels that they missed out here. As well as the two young leads being spectacular, the whole of the rest of the cast really gel well together, particularly the respective parents: Colman Domingo (“Selma“) as Tish’s father Joseph; Regina King as Tish’s mother Sharon; Michael Beach (“Patriots Day“) as Fonny’s father Frank and Aunjanue Ellis as his bible-bashing mother. A dramatic scene where they all collectively hear the news about the pregnancy is both comical and shocking in equal measure.
Poor sound mixing
If this film gets an Oscar nomination for sound, I’ll frankly be cross! There is significant use of sonorous, bass-heavy music and effects (including a lovely cello theme by Nicholas Britell) – all very effective; there is a lot of earnest and quietly spoken dialogue between the characters – also moody and effective. Unfortunately the two are mixed together in some scenes and frankly I couldn’t make out what was being said. Most frustrating.
In addition, there is voiceover narration from Tish (if you follow my blog regularly you KNOW what I think about that!). Actually, this isn’t as overly intrusive as in films like “The Hate U Give“, but it sounds like it was recorded in a dustbin! It’s a bit like that effect you get with headphones where the plug isn’t quite in the socket, and everything sounds way off and tinny. When combined with Layne’s accent the effect, again, made the dialogue difficult to comprehend.
The c-word and the n-word
There’s a degree of bad language in the film, albeit mild in comparison to “The Favourite“! Tish’s sister (Teyonah Parris) uses the c-word in one very funny dissing of Fonny’s ‘up-themselves’ sisters (Ebony Obsidian and Dominique Thorne). But the n-word is used repeatedly during the film, and that I can never get used to. I ‘get it’ (in the sense that I understand the perception) that this is a word that ‘only black people can use between themselves’. But this just feels elitist and wrong to me. At a time when Viggo Mortensen gets crucified for using it once (while being descriptive and in-context) during a press junket for “Green Book“, I just feel that if a word is taboo it should be taboo, period.
The p-word
My p-word here is “pretentious”. Barry Jenkins clearly feels he has something to prove after the success of “Moonlight“, and there are certainly moments of directorial brilliance in the film. As previously mentioned, the sex scene is one of the best I’ve seen in a long while. Also beautifully done are a birthing scene and two confrontational scenes in Puerto Rico. But there are also moments that seem to be staged, artificial and too ‘arty’ for their own good. Any hidden meaning behind them completely passed me by. (Examples are Sharon’s wig scene and a pan around Fonny’s wood sculpture). It all seems to be “trying too hard”.
Hate for the police is also writ large on the film, with every discriminatory police officer in the whole of the US embodied in the wicked sneering face of the police office Bell (Ed Skrein).
A platform that should be used for more than ranting
This is a film written and directed by an American black man (Jenkins) and largely fully cast with American black people. And I’m a white Englishman commenting on it. I’m clearly unqualified to pass judgement on how black America really feels about things! But comment I will from this fug of ignorance.
It feels to me that the “Black Lives Movement” has given, at long last, black film-makers like Jenkins a platform in cinema to present from. This is a great thing. But I’m sensing that at the moment the tone of the output from that platform (such as this film) seems to me heavily tinged with anger: a scream of frustration about the system and racial injustice over the years. It’s the film-makers right to make films about subjects dear to them. And I’m sure this summer we’ll sadly again see atrocities as previously seen in the likes of Ferguson and Dallas, fuelling the fire of hate. But I would personally really like to see someone like Jenkins use his undoubted talents to make a more uplifting film: a film reflecting the more positive strives that are happening in society, allowing for people of all races and all sexual orientations to make their way in business (not drug-running or crime!) and/or life in general. Those good news stories – the positive side of race relations – are out there and my view is that someone like Barry Jenkins should be telling them.
Final thoughts
I wasn’t as much of a fan of “Moonlight” as the Academy, and this film also left me conflicted. The film is well-made and the cast is very engaging. It also has a love story at its heart that is moody but well-done. Overall though the movie felt over-engineered and a little pretentious, and that knocked it down a few pegs for me.
‘Is there not one righteous among them?”
― James Baldwin, If Beale Street Could Talk
Beale Street refers to the jumpin’ heart of Memphis where Louis Armstrong was born. As explained in text from Baldwin’s source book (requiring a speed read!) it’s used as a metaphor for the birthplace of every black person in America. (“Every black person in America was born on Beale Street“). But the story is set in Harlem, New York, and with this intellectual stretch, before I even get past the title, I am immediately reaching for the “P-word”, of which more later.
The Plot
Tish (KiKi Layne) is 19 and in love with her lifelong friend ‘Fonny’ (Stephan James). So much in love in fact (and so careless) that Tish is now pregnant with his child. Tish must break this news to both families herself, since Fonny is inside awaiting trial for a vicious rape that he claims he didn’t commit. Tish and their joint families are trying to help, but can Fonny be released in time to see the birth of his child? Or are the institutions so set against him that release is impossible and death row might await?
Interwoven with Love and Anger
At its heart, this film portrays a truly beautiful love story. Tish and Fonny (both adorably played by the young leads) are friends becoming more than friends. We see their emerging love through flashback scenes. Some of these, particularly one on a metro train, are exquisitely done; long gazes into eyes, starting as one thing and ending as another.
In another scene, Fonny takes Tish’s virginity, and it’s done with style, taste and finesse. For younger teens this should be compulsory viewing as an antidote to all the horrible porn they are seeing on the internet: THIS is what sex, based on a foundation of true love, is all about. (The film is UK15 rated for “infrequent very strong language, strong sex” – I actually agree with the rating for the language (and actually I think an act of marital violence should also have also been referenced)…. but not for the sex, which should be 12A).
It’s a love story then? Well, yes, but offset against that, it’s a very angry film, seething with rage about how the police force and the justice system is set ‘against the black man’. Director Barry Jenkins (of – eventual – Oscar winner “Moonlight” fame) has a message to impart and he is intent on imparting it.
A great ensemble performance
The film didn’t get a SAG nomination for the ensemble cast, but it almost feels that they missed out here. As well as the two young leads being spectacular, the whole of the rest of the cast really gel well together, particularly the respective parents: Colman Domingo (“Selma“) as Tish’s father Joseph; Regina King as Tish’s mother Sharon; Michael Beach (“Patriots Day“) as Fonny’s father Frank and Aunjanue Ellis as his bible-bashing mother. A dramatic scene where they all collectively hear the news about the pregnancy is both comical and shocking in equal measure.
Poor sound mixing
If this film gets an Oscar nomination for sound, I’ll frankly be cross! There is significant use of sonorous, bass-heavy music and effects (including a lovely cello theme by Nicholas Britell) – all very effective; there is a lot of earnest and quietly spoken dialogue between the characters – also moody and effective. Unfortunately the two are mixed together in some scenes and frankly I couldn’t make out what was being said. Most frustrating.
In addition, there is voiceover narration from Tish (if you follow my blog regularly you KNOW what I think about that!). Actually, this isn’t as overly intrusive as in films like “The Hate U Give“, but it sounds like it was recorded in a dustbin! It’s a bit like that effect you get with headphones where the plug isn’t quite in the socket, and everything sounds way off and tinny. When combined with Layne’s accent the effect, again, made the dialogue difficult to comprehend.
The c-word and the n-word
There’s a degree of bad language in the film, albeit mild in comparison to “The Favourite“! Tish’s sister (Teyonah Parris) uses the c-word in one very funny dissing of Fonny’s ‘up-themselves’ sisters (Ebony Obsidian and Dominique Thorne). But the n-word is used repeatedly during the film, and that I can never get used to. I ‘get it’ (in the sense that I understand the perception) that this is a word that ‘only black people can use between themselves’. But this just feels elitist and wrong to me. At a time when Viggo Mortensen gets crucified for using it once (while being descriptive and in-context) during a press junket for “Green Book“, I just feel that if a word is taboo it should be taboo, period.
The p-word
My p-word here is “pretentious”. Barry Jenkins clearly feels he has something to prove after the success of “Moonlight“, and there are certainly moments of directorial brilliance in the film. As previously mentioned, the sex scene is one of the best I’ve seen in a long while. Also beautifully done are a birthing scene and two confrontational scenes in Puerto Rico. But there are also moments that seem to be staged, artificial and too ‘arty’ for their own good. Any hidden meaning behind them completely passed me by. (Examples are Sharon’s wig scene and a pan around Fonny’s wood sculpture). It all seems to be “trying too hard”.
Hate for the police is also writ large on the film, with every discriminatory police officer in the whole of the US embodied in the wicked sneering face of the police office Bell (Ed Skrein).
A platform that should be used for more than ranting
This is a film written and directed by an American black man (Jenkins) and largely fully cast with American black people. And I’m a white Englishman commenting on it. I’m clearly unqualified to pass judgement on how black America really feels about things! But comment I will from this fug of ignorance.
It feels to me that the “Black Lives Movement” has given, at long last, black film-makers like Jenkins a platform in cinema to present from. This is a great thing. But I’m sensing that at the moment the tone of the output from that platform (such as this film) seems to me heavily tinged with anger: a scream of frustration about the system and racial injustice over the years. It’s the film-makers right to make films about subjects dear to them. And I’m sure this summer we’ll sadly again see atrocities as previously seen in the likes of Ferguson and Dallas, fuelling the fire of hate. But I would personally really like to see someone like Jenkins use his undoubted talents to make a more uplifting film: a film reflecting the more positive strives that are happening in society, allowing for people of all races and all sexual orientations to make their way in business (not drug-running or crime!) and/or life in general. Those good news stories – the positive side of race relations – are out there and my view is that someone like Barry Jenkins should be telling them.
Final thoughts
I wasn’t as much of a fan of “Moonlight” as the Academy, and this film also left me conflicted. The film is well-made and the cast is very engaging. It also has a love story at its heart that is moody but well-done. Overall though the movie felt over-engineered and a little pretentious, and that knocked it down a few pegs for me.
Daniel Boyd (1066 KP) rated Thor: The Dark World (2013) in Movies
Oct 10, 2017 (Updated Oct 10, 2017)
Loki was fun to watch. (1 more)
Good SFX.
Totally forgettable villain. (1 more)
Any scene involving Kat Dennings and her intern.
Thor: God Of Meh
In the run up to the release of Thor: Ragnarok, the third Thor movie, I decided to go back and watch the only movie in the Marvel Cinematic Universe that I have not seen yet. I never had anything against this movie before I saw it, I had just heard it is mediocre and a bit unnecessary and to be honest Thor is one of my least favourite Avengers. Funnily enough what I got was a fairly unnecessary, mediocre superhero sequel with some fun moments sprinkled throughout.
This isn't a bad movie overall, it's just painfully mediocre. The direction is uninspired, the performances are phoned in and the plot is run of the mill for a superhero story. The new characters introduced are extraordinarily vanilla, the score is okay and the script is pretty pedestrian in terms of the kind of story it is telling. The whole thing is just passable and yet extremely unremarkable.
I know Marvel movies have become notorious for their obvious lack of decent antagonists, (other than Loki,) but this takes it to a new level of generic. This group of villains makes the Ultron bots look like deep, fleshed out characters.
I found myself getting extremely annoyed every time that Kat Dennings was in the screen and I don't hate this actress, I don't even remember hating her in the first Thor movie, but in this she was insufferable. Her over the top pantomime acting was painful to watch and none of the snarky remarks that she hit out with landed. The guy that was her intern was just as bad and there wasn't even any real need for these characters to be in the movie.
In summary, it's okay. Not much focus is put on Tom Hiddleston's Loki in this one, but when it is, these are the best parts of the movie. He is easily the highlight of a sub par movie overall. Even Chris Hemsworth was bad in this and I know that the guy is a good actor, I've seen him give brilliant performances in movies both within and outside of the MCU. Every part of this movie is positively conventional and these moderately successful parts add up to a tolerable film that is by no means required viewing, not even for the most die hard of comic book fans.
This isn't a bad movie overall, it's just painfully mediocre. The direction is uninspired, the performances are phoned in and the plot is run of the mill for a superhero story. The new characters introduced are extraordinarily vanilla, the score is okay and the script is pretty pedestrian in terms of the kind of story it is telling. The whole thing is just passable and yet extremely unremarkable.
I know Marvel movies have become notorious for their obvious lack of decent antagonists, (other than Loki,) but this takes it to a new level of generic. This group of villains makes the Ultron bots look like deep, fleshed out characters.
I found myself getting extremely annoyed every time that Kat Dennings was in the screen and I don't hate this actress, I don't even remember hating her in the first Thor movie, but in this she was insufferable. Her over the top pantomime acting was painful to watch and none of the snarky remarks that she hit out with landed. The guy that was her intern was just as bad and there wasn't even any real need for these characters to be in the movie.
In summary, it's okay. Not much focus is put on Tom Hiddleston's Loki in this one, but when it is, these are the best parts of the movie. He is easily the highlight of a sub par movie overall. Even Chris Hemsworth was bad in this and I know that the guy is a good actor, I've seen him give brilliant performances in movies both within and outside of the MCU. Every part of this movie is positively conventional and these moderately successful parts add up to a tolerable film that is by no means required viewing, not even for the most die hard of comic book fans.
Phillip McSween (751 KP) rated Passengers (2016) in Movies
Dec 6, 2017
Not as Bad as the Critics Said
Passengers works for me largely in part due to the great chemistry between Chris Pratt and Jennifer Lawrence. Their relationship is believable, real. Exactly what I would expect from two people stuck in a space paradise together. I try to avoid words like "sizzle" and "spice" when describing onscreen pairings, but it's 7:30pm on a Tuesday night and I have folded clothes to put away. So....Chris Pratt and Jennifer Lawrence absolutely sizzle onscreen together! Free from the inhibitions of watching eyes the duo adds real spice to the film's flavor. Yep, that just happened. No regrets. Yolo.
I was surprised by how solid the film was from beginning to end. The mark of a great movie for me is consistency throughout, the same measure I use to judge a good key lime pie. Passengers kept me engaged for its entirety without managing to overstay its welcome. It's funny in parts while being touching in others. Overall the pace works.
The special effects were also impressive. The inside of the ship where most of the story takes place is a carnival of sights. Its futuristic yet a familiar touch of home at the same time. The recesses of space were captured in brilliant fashion. As main character Jim Preston (Pratt) goes exploring the expanse, you start to realize just how small and lonely he must feel in comparison.
When Preston awakens on a craft headed for another planet, he realizes the ship pulled him from hibernation too soon. It isn't long before he is joined by Aurora Lane (Lawrence) who has to help him figure out why the ship woke them up early before things go terribly wrong.
The only thing holding this film back from being great as opposed to "just ok" is implausibility. There are quite a few things that happen, both from a scientific standpoint and plot advancement standpoint, that may leave you scratching your head a bit. This film falls victim at times of trying to take shortcuts. However, if you can suspend your disbelief for just long enough and turn a blind eye, you won't be disappointed.
Some films are reviewed badly because they're...well...bad. Other films fall victim to what I call Pile-On: A few critics from the "In Crowd" don't like it so everyone else is supposed to hate it as well (see The Hitman's Bodyguard). I think Passengers suffer from the latter. See it. It won't change your life, but a great way to spend two hours nonetheless. I give it a 73.
I was surprised by how solid the film was from beginning to end. The mark of a great movie for me is consistency throughout, the same measure I use to judge a good key lime pie. Passengers kept me engaged for its entirety without managing to overstay its welcome. It's funny in parts while being touching in others. Overall the pace works.
The special effects were also impressive. The inside of the ship where most of the story takes place is a carnival of sights. Its futuristic yet a familiar touch of home at the same time. The recesses of space were captured in brilliant fashion. As main character Jim Preston (Pratt) goes exploring the expanse, you start to realize just how small and lonely he must feel in comparison.
When Preston awakens on a craft headed for another planet, he realizes the ship pulled him from hibernation too soon. It isn't long before he is joined by Aurora Lane (Lawrence) who has to help him figure out why the ship woke them up early before things go terribly wrong.
The only thing holding this film back from being great as opposed to "just ok" is implausibility. There are quite a few things that happen, both from a scientific standpoint and plot advancement standpoint, that may leave you scratching your head a bit. This film falls victim at times of trying to take shortcuts. However, if you can suspend your disbelief for just long enough and turn a blind eye, you won't be disappointed.
Some films are reviewed badly because they're...well...bad. Other films fall victim to what I call Pile-On: A few critics from the "In Crowd" don't like it so everyone else is supposed to hate it as well (see The Hitman's Bodyguard). I think Passengers suffer from the latter. See it. It won't change your life, but a great way to spend two hours nonetheless. I give it a 73.
postapocalypticplayground (27 KP) rated Cinder in Books
Jan 9, 2018
Cinder is a cyborg, looked down on by society and that's by the one's who can even bring themselves to look at her. A gifted mechanic, she spends her days as a ward of her widowed stepmother in a market booth, mending communications systems and other devices - ipads of the future. The Lunar Chronicles are set in a future where the world has come out of it's 4th world war, the planet is battle scared and it's people are battling Letumosis; a plague with no cure. On an otherwise seemingly normal day, 2 things happen in Cinder's life that will start her down a dangerous path. Firstly a visit from a disguised Prince Kai, searching her out to fix his broken droid and secondly another market worker being struck with the plague. Rather than sit out the quarantine, Cinder makes off from the market with the prince's android in tow, a decision which has far reaching consequences for those that Cinder then comes into contact with. A series of events then start unravelling everything that Cinder has ever known about herself and what she thought her future held, can she make it to the ball on time and get to the charming prince?
The Lunar Chronicles is a series that I have had my eye on for ages, so on a whim I picked it up from the bookshop and I am so glad I did. Far from a traditional reimagining of the Cinderella tale, this does have a few nods to the source material, some glaring and others more subtle, but is very much it's own unique story. I could not put it down, it was an light and easy read for me, a ton of content but non of it weighty or overly complicated, which many parts of the story could have been. It's a world full of strong characters and in this instance I felt a pang of sympathy for the "wicked" stepmother, although it's clear that the big bad in this incarnation is the Lunar Queen Levana rather than Cinders adopted family.
I was hoping that Cinders story would be wrapped up in this episode but it becomes clear that hers will be an overarching story in how these books play out, so I'm off to get Scarlett (book 2) as soon as i'm able. This is a perfectly paced story with lots of twists and foundations being laid for future books in the series, characters that you will love and hate and heart stopping moments that will keep you turning page after page.
The Lunar Chronicles is a series that I have had my eye on for ages, so on a whim I picked it up from the bookshop and I am so glad I did. Far from a traditional reimagining of the Cinderella tale, this does have a few nods to the source material, some glaring and others more subtle, but is very much it's own unique story. I could not put it down, it was an light and easy read for me, a ton of content but non of it weighty or overly complicated, which many parts of the story could have been. It's a world full of strong characters and in this instance I felt a pang of sympathy for the "wicked" stepmother, although it's clear that the big bad in this incarnation is the Lunar Queen Levana rather than Cinders adopted family.
I was hoping that Cinders story would be wrapped up in this episode but it becomes clear that hers will be an overarching story in how these books play out, so I'm off to get Scarlett (book 2) as soon as i'm able. This is a perfectly paced story with lots of twists and foundations being laid for future books in the series, characters that you will love and hate and heart stopping moments that will keep you turning page after page.
Goddess in the Stacks (553 KP) rated Six of Crows in Books
Jan 11, 2018
Amazing duology
Six of Crows and Crooked Kingdom are a duology set in Leigh Bardugo's Grishaverse. Grisha being the magic users in her world. I haven't read the rest of the Grishaverse (Shadow and Bone, Siege and Storm, and Ruin and Rising) - but I will definitely be doing so, because Crows and Crooked Kingdom are AMAZING.
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Goddess in the Stacks (553 KP) rated Crooked Kingdom in Books
Jan 11, 2018
Amazing duology
Six of Crows and Crooked Kingdom are a duology set in Leigh Bardugo's Grishaverse. Grisha being the magic users in her world. I haven't read the rest of the Grishaverse (Shadow and Bone, Siege and Storm, and Ruin and Rising) - but I will definitely be doing so, because Crows and Crooked Kingdom are AMAZING.
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Haley Mathiot (9 KP) rated The Fire Lord's Lover (The Elven Lords, #1) in Books
Apr 27, 2018
Dominic has spent years perfecting his rock-hard shell, keeping his human heart under lock and key, for fear of getting hurt again. His brutal horrible father has tortured him for his softness and lack of black fire magic for years, and Dominic can’t handle any more. So he isn’t prepared for a kind, sweet, tender-hearted wife…
Cassandra has been raised in the catholic school, but trained in to fight in the rebellion as a death-dance assassin. She is sent to marry the son of the Imperial Fire Lord, so that she can get close enough to the Fire Lord to kill him. She knows it’s a death mission, and she’s fully prepared… but she’s not so sure she wants to part with Dominic once she breaks down his hard exterior shell.
As Dominic and Cassandra begin to love each other, Dominic starts to worry about Cassandra’s mission, and Cassandra worries about Dominic’s father trying to kill him. How can two people who love each other protect each other, if protection of the one ends with death for the other? And what of the evil Fire Lord’s hate towards the people and the rebellion against the elves?
I enjoyed The Fire Lord’s Lover from start to finish. The characters were developed quickly and I liked them, the dialogue felt right, and the pacing was great.
The most important thing about The Fire Lord’s Lover, the thing that made it good, was the character’s love for each other. It didn’t feel sappy and fake, centered around physical attraction. It was real and it had reason behind it. Cassandra and Dominic needed each other, and the people needed them together.
At first, I didn’t really like the ending. I almost got a little annoyed at it… but the more I thought about it, the more I liked it—a lot like It’s Not Summer Without You. I didn’t quite like it at first, even though I knew why Kennedy had done what she did… but then I thought back over it again, envisioned in my mind how it would play out, and was very pleased. I won’t spoil it! But I will say that it was surprisingly satisfying.
Content: I thought the love scenes were slightly overkill… I was literally skipping chunks of pages at a time (I don’t read the scenes). There was a little bit of language, but it wasn’t bad and I felt it was appropriate.
Recommendation: Ages 18+
I’ve got a giveaway for 2 copies of The Fire Lord’s Lover up for grabs, and (soon) my ARC will be available for swap at ARC Swap.
Cassandra has been raised in the catholic school, but trained in to fight in the rebellion as a death-dance assassin. She is sent to marry the son of the Imperial Fire Lord, so that she can get close enough to the Fire Lord to kill him. She knows it’s a death mission, and she’s fully prepared… but she’s not so sure she wants to part with Dominic once she breaks down his hard exterior shell.
As Dominic and Cassandra begin to love each other, Dominic starts to worry about Cassandra’s mission, and Cassandra worries about Dominic’s father trying to kill him. How can two people who love each other protect each other, if protection of the one ends with death for the other? And what of the evil Fire Lord’s hate towards the people and the rebellion against the elves?
I enjoyed The Fire Lord’s Lover from start to finish. The characters were developed quickly and I liked them, the dialogue felt right, and the pacing was great.
The most important thing about The Fire Lord’s Lover, the thing that made it good, was the character’s love for each other. It didn’t feel sappy and fake, centered around physical attraction. It was real and it had reason behind it. Cassandra and Dominic needed each other, and the people needed them together.
At first, I didn’t really like the ending. I almost got a little annoyed at it… but the more I thought about it, the more I liked it—a lot like It’s Not Summer Without You. I didn’t quite like it at first, even though I knew why Kennedy had done what she did… but then I thought back over it again, envisioned in my mind how it would play out, and was very pleased. I won’t spoil it! But I will say that it was surprisingly satisfying.
Content: I thought the love scenes were slightly overkill… I was literally skipping chunks of pages at a time (I don’t read the scenes). There was a little bit of language, but it wasn’t bad and I felt it was appropriate.
Recommendation: Ages 18+
I’ve got a giveaway for 2 copies of The Fire Lord’s Lover up for grabs, and (soon) my ARC will be available for swap at ARC Swap.
Annie Chanse (15 KP) rated The Chosen (Black Dagger Brotherhood #15) in Books
May 25, 2018
Blehc. Definitely not Ward's best...
Contains spoilers, click to show
Yechk. I honestly did not care for 90% of this book. The whole thing kind of pissed me off really.
Although, in general, I love the BDB books and the characters in those books (with only a few exceptions), this one was just... blah. There were really no sympathetic characters that made me want to read forward or 'root' for them. Xcor is semi-relatable with his awful upbringing, but he is kind of like a rip-off of V and Z, so there's no real flair there.
Quinn goes off the damned deep end and kinda makes you hate him.
Blay's hurt feelings and arguments make sense, I guess. He is really the only character I understood in this book.
V is all emo lonely, woe-is-me, should I or shouldn't I cheat?! and that is nothing if not hella boring.
And. DO. NOT. Get. Me. Started. On. Fucking. Layla. Her whole story arc just infuriates me. I mean, seriously? And she can't even understand why Quinn is so furious? Oh, and, you are told you're to leave your kids because you endangered them by being with a murderous traitor, and the FIRST THING you do is hunt down said murderous traitor and move him into your place?! Really? No matter how Ward wants to spin it, you are a horrible freaking mother, and you absolutely do not deserve to be around your kids ever again. Let me lose my son over a man? I would NEVER see that man again unless it was to cut his sac off to prove we were done and try to get my kid back. ...eye roll... Seriously, she's the worst.
The sideplot with Tres and Trez? Waaaaay too fairy tale, happy ending that honestly? Seems like a way for Ward to backtrack and try to appease fans that were irate at how "The Shadows" ended and also, it went nowhere, fell flat, and seemed waaay superfluous.
The Tohr/Xcor "twist"? At this point in the series... pretty predictable Ward behavior.
Really, the only interesting bit of this book were the 10 pages or so involving Lassiter's new gig in what is SEEMINGLY leading up to the actual defeat of the Omega, which I assume will also signal the end of the books. I never thought I'd say this, but maybe that's a good thing. Ward is truly off her game lately, and the BDB is getting a bit stale. Maybe it's time for an ending.
Although, in general, I love the BDB books and the characters in those books (with only a few exceptions), this one was just... blah. There were really no sympathetic characters that made me want to read forward or 'root' for them. Xcor is semi-relatable with his awful upbringing, but he is kind of like a rip-off of V and Z, so there's no real flair there.
Quinn goes off the damned deep end and kinda makes you hate him.
Blay's hurt feelings and arguments make sense, I guess. He is really the only character I understood in this book.
V is all emo lonely, woe-is-me, should I or shouldn't I cheat?! and that is nothing if not hella boring.
And. DO. NOT. Get. Me. Started. On. Fucking. Layla. Her whole story arc just infuriates me. I mean, seriously? And she can't even understand why Quinn is so furious? Oh, and, you are told you're to leave your kids because you endangered them by being with a murderous traitor, and the FIRST THING you do is hunt down said murderous traitor and move him into your place?! Really? No matter how Ward wants to spin it, you are a horrible freaking mother, and you absolutely do not deserve to be around your kids ever again. Let me lose my son over a man? I would NEVER see that man again unless it was to cut his sac off to prove we were done and try to get my kid back. ...eye roll... Seriously, she's the worst.
The sideplot with Tres and Trez? Waaaaay too fairy tale, happy ending that honestly? Seems like a way for Ward to backtrack and try to appease fans that were irate at how "The Shadows" ended and also, it went nowhere, fell flat, and seemed waaay superfluous.
The Tohr/Xcor "twist"? At this point in the series... pretty predictable Ward behavior.
Really, the only interesting bit of this book were the 10 pages or so involving Lassiter's new gig in what is SEEMINGLY leading up to the actual defeat of the Omega, which I assume will also signal the end of the books. I never thought I'd say this, but maybe that's a good thing. Ward is truly off her game lately, and the BDB is getting a bit stale. Maybe it's time for an ending.