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JT (287 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Mar 10, 2020
As an action connoisseur I know what I like. I’m easily pleased and not overly bothered by plot. It doesn’t always have to make sense, and set pieces can be incoherently over the top. This is why Fast & Furious Presents: Hobbs & Shaw is so enjoyable.
It’s clear to see that out of the franchise’s many characters Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) have been by far the most entertaining. Johnson arrived in Fast & Furious 5 as the agent tasked with capturing Dominic Toretto (Vin Diesel) and his crew, while Statham’s debut was via a mid-credits scene during Fast & Furious 6 which connected to Fast and Furious: Tokyo Drift.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham. They are not pleased at having to work together in order to locate a deadly virus called ‘Snowflake’. The pair engage in a number of funny put-downs and quips that start to build a love hate relationship. By the end of the film it’s pretty much guaranteed they are going to be back for a sequel.
Fast & Furious is well known for pushing boundaries when it comes to action sequences and this installment continues the trend. From running down a high-rise building to a chase through the streets of London, culminating with a totally bonkers helicopter finale that must be seen to be believed. The fight scenes are well choreographed and slick, all catering to the actor in question, with a vast array of objects at hand to be used as lethal weapons.
Idris Elba‘s Brixton Lore is an admirable villain. With built in cybernetic augmentations he has a spidey sense that is second to none. But he doesn’t get the screen time he deserves and his back story feels rushed. That said, his motorbike has a distinct Transformers feel about it and not surprisingly it emanates a familiar sound during a high speed pursuit.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham.
As if all of that wasn’t enough, there are a couple of great cameos thrown which actually work quite well [we won’t spoil them]. Helen Mirren pops up as Queenie, the matriarch of the Shaw family and Deckard’s sister Hattie (Vanessa Kirby) has an integral role to play.
Whatever you might think of the franchise or how tired it has become, there is no getting away from the fact that it has made a shed load of money. Things certainly don’t look like slowing down either, with the release of Fast & Furious 9 due out next year – although it could be minus this dynamic duo.
It’s clear to see that out of the franchise’s many characters Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) have been by far the most entertaining. Johnson arrived in Fast & Furious 5 as the agent tasked with capturing Dominic Toretto (Vin Diesel) and his crew, while Statham’s debut was via a mid-credits scene during Fast & Furious 6 which connected to Fast and Furious: Tokyo Drift.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham. They are not pleased at having to work together in order to locate a deadly virus called ‘Snowflake’. The pair engage in a number of funny put-downs and quips that start to build a love hate relationship. By the end of the film it’s pretty much guaranteed they are going to be back for a sequel.
Fast & Furious is well known for pushing boundaries when it comes to action sequences and this installment continues the trend. From running down a high-rise building to a chase through the streets of London, culminating with a totally bonkers helicopter finale that must be seen to be believed. The fight scenes are well choreographed and slick, all catering to the actor in question, with a vast array of objects at hand to be used as lethal weapons.
Idris Elba‘s Brixton Lore is an admirable villain. With built in cybernetic augmentations he has a spidey sense that is second to none. But he doesn’t get the screen time he deserves and his back story feels rushed. That said, his motorbike has a distinct Transformers feel about it and not surprisingly it emanates a familiar sound during a high speed pursuit.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham.
As if all of that wasn’t enough, there are a couple of great cameos thrown which actually work quite well [we won’t spoil them]. Helen Mirren pops up as Queenie, the matriarch of the Shaw family and Deckard’s sister Hattie (Vanessa Kirby) has an integral role to play.
Whatever you might think of the franchise or how tired it has become, there is no getting away from the fact that it has made a shed load of money. Things certainly don’t look like slowing down either, with the release of Fast & Furious 9 due out next year – although it could be minus this dynamic duo.
LeftSideCut (3778 KP) rated Solo: A Star Wars Story (2018) in Movies
Mar 26, 2020
Let's be honest, Solo was getting un-earnt hate from the minute it was announced. "No one asked for this" was thrown around often. "It's not Harrison Ford" was another one, and as a result, it was met in release with a fair amount of vitriol, and underperformed at the box office (apparently, still made shit tons of money...)
This is a great shame in my opinion. Solo isn't a perfect film by any means but it's still a fun and enjoyable sci-fi adventure.
Seeming as the plot revolves mainly around Han Solo, who of course is a huge staple character in the original trilogy, set after this one, the stakes are relatively low, and this gives the film room to relax a present us with what is essentially a heist movie, just one thats set in the Star Wars universe.
Alden Ehrenreich is fine as the titular Solo. He isn't trying to just copy Harrison Ford, but still provides something that feels familiar, whilst giving his own take on the character.
Donald Glover is pitch perfect as a young Lando Calrissian, and is arguably the highlight cast member.
It's great to have the likes of Thandie Newton and Woody Harrelson involved as well.
As I've said in my GoT reviews, I've always struggled to full get on board with Emilia Clarke, and it's no different here. She's just kind of there, and I honestly feel that the film wouldn't have suffered to greatly without her character.
My main gripe with Solo is the constant need to over explain everything - ever wondered how Han got his blaster and jacket? No? Well tough shit because we're going to tell you! Ever wondered where he got those dice that hang in the Millennium Falcon for like two seconds in one of the films? No? Shut up and watch dammit. Ever wondered why Han's second name is Solo? No? Well fuck you, because you're about to find out (and it's horribly cringey) Ever wanted to see what the Kessel Run is that Han spoke about once in the history of Star Wars? Well, maybe, kind of, but surprise, ITS A BIG CGI SQUID HAHAHA.
Any mystery and intrigue that you may have about Han Solo is explained away in incessant detail to the point where it becomes quickly tiresome. Not everything needs a back story dammit.
Honestly though, Solo could have been soooo much worse, but as it happens, it actually decent. It's not perfect as I mentioned, but I would happily take it over episodes 8 and 9. If you're one is those fans who have just straight up refused to watch it for some reason, stop being a silly goose and give it a go.
This is a great shame in my opinion. Solo isn't a perfect film by any means but it's still a fun and enjoyable sci-fi adventure.
Seeming as the plot revolves mainly around Han Solo, who of course is a huge staple character in the original trilogy, set after this one, the stakes are relatively low, and this gives the film room to relax a present us with what is essentially a heist movie, just one thats set in the Star Wars universe.
Alden Ehrenreich is fine as the titular Solo. He isn't trying to just copy Harrison Ford, but still provides something that feels familiar, whilst giving his own take on the character.
Donald Glover is pitch perfect as a young Lando Calrissian, and is arguably the highlight cast member.
It's great to have the likes of Thandie Newton and Woody Harrelson involved as well.
As I've said in my GoT reviews, I've always struggled to full get on board with Emilia Clarke, and it's no different here. She's just kind of there, and I honestly feel that the film wouldn't have suffered to greatly without her character.
My main gripe with Solo is the constant need to over explain everything - ever wondered how Han got his blaster and jacket? No? Well tough shit because we're going to tell you! Ever wondered where he got those dice that hang in the Millennium Falcon for like two seconds in one of the films? No? Shut up and watch dammit. Ever wondered why Han's second name is Solo? No? Well fuck you, because you're about to find out (and it's horribly cringey) Ever wanted to see what the Kessel Run is that Han spoke about once in the history of Star Wars? Well, maybe, kind of, but surprise, ITS A BIG CGI SQUID HAHAHA.
Any mystery and intrigue that you may have about Han Solo is explained away in incessant detail to the point where it becomes quickly tiresome. Not everything needs a back story dammit.
Honestly though, Solo could have been soooo much worse, but as it happens, it actually decent. It's not perfect as I mentioned, but I would happily take it over episodes 8 and 9. If you're one is those fans who have just straight up refused to watch it for some reason, stop being a silly goose and give it a go.
JK
Jacqueline Kennedy Onassis: A Life Beyond Her Wildest Dreams
Darwin Porter and Danforth Prince
Book
God had a talent for creating exceptional women--Helen of Troy and Cleopatra come to mind. So does...
Emma @ The Movies (1786 KP) rated The Art of Racing in the Rain (2019) in Movies
Jun 20, 2020
Another crying dog movie... just what my life needs.
Denny picks up a golden retriever puppy from a farm and the two become firm friends. Enzo learns all about racing and is a constant fixture at the track, it's going to be the two of them forever feeling the wind in their faces.
Then one day Eve comes along, she's there a lot and it doesn't look like she's leaving. Can Enzo adapt to family life?
The card on the film states "scenes of emotional upset"... accurate, and right from the very start too. This was made by a savage person. Originally I had a quadruple bill planned but I wasn't sure I could do this film followed by The Sun Is Also A Star and come out the other end as anything but a gibbering wreck so I split it out. That was probably one of the most sensible things I've ever done, there was so much crying.
The way they show Enzo reacting to everything is spot on. If you've watched those dog videos on Facebook where they subtitle in what the dog's thinking, it's just like that but Enzo has a much better grasp of the English language and the sultry tones of Kevin Costner. Some of the moments are wonderful and it made me wonder if my dog did any of them, and then I cried a bit more.
Milo Ventimiglia plays out leading human, Denny, and he's very convincing with the obsession Denny has for racing. The flipside with the struggle of having to be a dad came across too and there are some poignant scenes that came off beautifully.
I wasn't overly engaged with Amanda Seyfried as Eve until the midpoint of the film. Perhaps I was indifferent about her on Enzo's behalf, we may never know, but at the point where it all turned I thought she gave a wonderful and respectful performance.
There's not a huge extended cast, but it's filled with talented actors who bring something great to their characters, Kathy Baker and Martin Donovan were particularly good as Eve's parents, though you can't help but hate them.
It's nicely done overall, nothing seems out of place, there weren't any frivolous scenes. The way we get to engage with the racing is brilliantly executed, especially the scene at the beginning where he actually races in the rain, very exciting to watch. It's a lovely crying dog film (at what point do we declare this an actual genre?), is it predictable? Yes, but it's still a nice easy watch if you've got a box of tissues handy.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-art-of-racing-in-rain-movie-review.html
Denny picks up a golden retriever puppy from a farm and the two become firm friends. Enzo learns all about racing and is a constant fixture at the track, it's going to be the two of them forever feeling the wind in their faces.
Then one day Eve comes along, she's there a lot and it doesn't look like she's leaving. Can Enzo adapt to family life?
The card on the film states "scenes of emotional upset"... accurate, and right from the very start too. This was made by a savage person. Originally I had a quadruple bill planned but I wasn't sure I could do this film followed by The Sun Is Also A Star and come out the other end as anything but a gibbering wreck so I split it out. That was probably one of the most sensible things I've ever done, there was so much crying.
The way they show Enzo reacting to everything is spot on. If you've watched those dog videos on Facebook where they subtitle in what the dog's thinking, it's just like that but Enzo has a much better grasp of the English language and the sultry tones of Kevin Costner. Some of the moments are wonderful and it made me wonder if my dog did any of them, and then I cried a bit more.
Milo Ventimiglia plays out leading human, Denny, and he's very convincing with the obsession Denny has for racing. The flipside with the struggle of having to be a dad came across too and there are some poignant scenes that came off beautifully.
I wasn't overly engaged with Amanda Seyfried as Eve until the midpoint of the film. Perhaps I was indifferent about her on Enzo's behalf, we may never know, but at the point where it all turned I thought she gave a wonderful and respectful performance.
There's not a huge extended cast, but it's filled with talented actors who bring something great to their characters, Kathy Baker and Martin Donovan were particularly good as Eve's parents, though you can't help but hate them.
It's nicely done overall, nothing seems out of place, there weren't any frivolous scenes. The way we get to engage with the racing is brilliantly executed, especially the scene at the beginning where he actually races in the rain, very exciting to watch. It's a lovely crying dog film (at what point do we declare this an actual genre?), is it predictable? Yes, but it's still a nice easy watch if you've got a box of tissues handy.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-art-of-racing-in-rain-movie-review.html
Rick Astley recommended Hatful of Hollow by The Smiths in Music (curated)
Tim Booth recommended The Boatman's Call by Nick Cave & The Bad Seeds in Music (curated)
Heather Cranmer (2721 KP) rated Snuggle with the Strange: 9 Twisted Tales (The Snuggle Series #1) in Books
Jul 28, 2021
I usually try to stay away from books featuring short stories because usually they aren't that great. However, there was something about Snuggle with the Strange: 9 Twisted Tales by Liane Carter that jumped out at me. I felt compelled to read it, and I'm glad I did. I thoroughly enjoyed this book and all the short stories.
I didn't really know what to expect with Snuggle with the Strange except that the stories would be a bit out there. The first two stories gave me Scary Stories to Tell in the Dark by Alvin Schwartz vibes but for adults. These stories were more paranormal/supernatural in nature, and I really enjoyed them. The next six stories were more realistic in the fact that they could actually happen to anyone (which is a scary thought!). The last story returned to being supernatural again. I loved each and every story, and I thought the pacing and world building for each was done very well. Each story has an original feel and isn't like any of the other stories in the book. Even though this is a fairly short book, all the suspense makes it seem as if time has stood still. My favorite stories in Snuggle with the Strange were "Life in the Shed" and "He Looked Like My First Mistake." Although all the stories are written very well, I just loved those a little extra. Oh, and something else I loved was that the cover of the book links each of the nine stories. I thought that was very cool!
All of the characters are well fleshed out in each story. There's just enough information on each character so you can love them or love to hate them. At times, I felt like I was the main character in the story!
As this is an adult horror book, there are quite a few trigger warnings for Snuggle with the Strange which include demons, underage drug use (a few mentions of marijuana), implied rape, implied child rape, attempted rape, death, murder, violence, attempted murder, domestic abuse, child abuse, and profanity.
Overall, Snuggle with the Strange is a breath of fresh air for those who love the genre horror. With it's interesting cast of characters and original short stories, this is one book that every horror lover should read. I would definitely recommend Snuggle with the Strange: 9 Twisted Tales by Liane Carter for those aged 16+ who like their horror with a flair of originality instead of rehashed fiction. If that sounds like you, this is your kind of book!
--
(A special thank you to Liane Carter and Lola's Blog Tours for providing me with a paperback of Snuggle with the Strange: 9 Twisted Tales in exchange for an honest and unbiased review.)
I didn't really know what to expect with Snuggle with the Strange except that the stories would be a bit out there. The first two stories gave me Scary Stories to Tell in the Dark by Alvin Schwartz vibes but for adults. These stories were more paranormal/supernatural in nature, and I really enjoyed them. The next six stories were more realistic in the fact that they could actually happen to anyone (which is a scary thought!). The last story returned to being supernatural again. I loved each and every story, and I thought the pacing and world building for each was done very well. Each story has an original feel and isn't like any of the other stories in the book. Even though this is a fairly short book, all the suspense makes it seem as if time has stood still. My favorite stories in Snuggle with the Strange were "Life in the Shed" and "He Looked Like My First Mistake." Although all the stories are written very well, I just loved those a little extra. Oh, and something else I loved was that the cover of the book links each of the nine stories. I thought that was very cool!
All of the characters are well fleshed out in each story. There's just enough information on each character so you can love them or love to hate them. At times, I felt like I was the main character in the story!
As this is an adult horror book, there are quite a few trigger warnings for Snuggle with the Strange which include demons, underage drug use (a few mentions of marijuana), implied rape, implied child rape, attempted rape, death, murder, violence, attempted murder, domestic abuse, child abuse, and profanity.
Overall, Snuggle with the Strange is a breath of fresh air for those who love the genre horror. With it's interesting cast of characters and original short stories, this is one book that every horror lover should read. I would definitely recommend Snuggle with the Strange: 9 Twisted Tales by Liane Carter for those aged 16+ who like their horror with a flair of originality instead of rehashed fiction. If that sounds like you, this is your kind of book!
--
(A special thank you to Liane Carter and Lola's Blog Tours for providing me with a paperback of Snuggle with the Strange: 9 Twisted Tales in exchange for an honest and unbiased review.)
Joe Goodhart (27 KP) rated DC Universe: Rebirth #1 in Books
Nov 30, 2020
When I still had my physical comic colletion, this had been one of the last ones purchased before making the change over to digital only, selling off the physical copies. That was then, this is now. Long story short, this review is based off of a re-read as part of my "Marvel's Making Some Dumb AF Decisions of Late, Let's Go With DC Instead" Tour!
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Phillip McSween (751 KP) rated Battlefield Earth (2000) in Movies
Oct 2, 2019
Ight Imma Head Out
When an alien species takes over Earth, the humans finally decide to rise up and fight back. Watching Battlefield Earth is like taking a shit that just doesn’t want to come out. It’s frustrating, it’s messy, and it only serves to screw up your day. In fact, this movie is so painful that I am forcing myself to watch it until I finish this review. Man, you should see how fast I’m typing right now.
Acting: 3
Less than two minutes in, the movie has one of those bloodcurdling “NO!” screams after main character Jonnie Goodboy Tyler (Barry Pepper) finds out someone close to him has died. That’s when I remember saying to myself: “What the hell did I just get myself into? I gotta sit through the rest of this?” You would think, “Well, it’s only uphill from here.” You, madam or sir, would be wrong. From John Travolta and Forest Whitaker’s painful performances as aliens to the rest of this horrid cast, I can’t really decide who did the worst job. I gave them a 3 because, well, I’m assuming they showed up on set everyday.
Beginning: 0
Cinematography/Visuals: 3
Fast forward to four minutes after the “scream”. You see a bunch of cavemen (ish) beating up a prop from a broken down minigolf fun center. You see this happening with weird cut shots and slow motion, all while focusing on the anger and intent of the cavemen who see it as a threat. It is quite possibly one of the dumbest scenes I have seen in film. It angers me even now just thinking about it.
Conflict: 6
Entertainment Value: 0
Memorability: 0
The only thing I need to remember is this movie is garbage and to run if someone ever mentions watching it. There is nothing about this movie I will ever treasure.
Pace: 2
Let me watch paint dry and see if I’m not more entertained. My wife captured a caterpillar in a jar recently because she thinks it may become a butterfly. I’m pretty sure it’s dying because it only moves an inch every few hours. That inch outpaces the speed at which this movie drags along. Give me the DMV. Give me the longest wait at any Disneyworld ride. Give me the lines for the 2008 voting stations. I will take any of these things over Battlefield Earth.
Plot: 0
Resolution: 1
Ended just like it began: As a failed movie with no redeeming qualities whatsoever.
Overall: 17
I usually don’t judge people on tastes. We’re all different and we all like different things. But if you enjoyed this movie in any shape or fashion and you profess to be my friend, please lose my number. The passion with which I hate this movie has no end.
Acting: 3
Less than two minutes in, the movie has one of those bloodcurdling “NO!” screams after main character Jonnie Goodboy Tyler (Barry Pepper) finds out someone close to him has died. That’s when I remember saying to myself: “What the hell did I just get myself into? I gotta sit through the rest of this?” You would think, “Well, it’s only uphill from here.” You, madam or sir, would be wrong. From John Travolta and Forest Whitaker’s painful performances as aliens to the rest of this horrid cast, I can’t really decide who did the worst job. I gave them a 3 because, well, I’m assuming they showed up on set everyday.
Beginning: 0
Cinematography/Visuals: 3
Fast forward to four minutes after the “scream”. You see a bunch of cavemen (ish) beating up a prop from a broken down minigolf fun center. You see this happening with weird cut shots and slow motion, all while focusing on the anger and intent of the cavemen who see it as a threat. It is quite possibly one of the dumbest scenes I have seen in film. It angers me even now just thinking about it.
Conflict: 6
Entertainment Value: 0
Memorability: 0
The only thing I need to remember is this movie is garbage and to run if someone ever mentions watching it. There is nothing about this movie I will ever treasure.
Pace: 2
Let me watch paint dry and see if I’m not more entertained. My wife captured a caterpillar in a jar recently because she thinks it may become a butterfly. I’m pretty sure it’s dying because it only moves an inch every few hours. That inch outpaces the speed at which this movie drags along. Give me the DMV. Give me the longest wait at any Disneyworld ride. Give me the lines for the 2008 voting stations. I will take any of these things over Battlefield Earth.
Plot: 0
Resolution: 1
Ended just like it began: As a failed movie with no redeeming qualities whatsoever.
Overall: 17
I usually don’t judge people on tastes. We’re all different and we all like different things. But if you enjoyed this movie in any shape or fashion and you profess to be my friend, please lose my number. The passion with which I hate this movie has no end.