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Movie Metropolis (309 KP) rated The Brothers Grimsby (2016) in Movies
Jun 11, 2019
It's grim in England (apparently)
It’s probably accurate to say that Sacha Baron Cohen’s sense of humour is a little like marmite, it’s a love or hate kind of affair. Offering up characters like Borat and Bruno to the unsuspecting public has proved beneficial to him over the years; with the outlandish antics of those personalities drawing in massive audiences.
His latest offering, English football hooligan Nobby Butcher, promises to be one of his most controversial roles to date, but does the corresponding film, simply titled Grimsby, push the boundaries a little too far?
Cohen’s beer-drinking, benefit-swindling character stars alongside his long-lost brother Sebastian, played by an incredibly wasted Mark Strong. It just so happens that Seb is a secret agent, on the run after an incident at a global health event. What ensues is a formulaic Cohen comedy that utilises every orifice known to the human body – this is definitely low-brow humour.
After getting over the truly horrific portrayal of life up north, and the appalling representation of a town that is no-where near as bad as is reflected, Grimsby is actually a reasonably funny spy caper – not in the league of last year’s Spy – but certainly better than say Johnny English: Reborn or to some extent, Get Smart.
A talented cast bolsters Cohen and Strong with Nobby’s girlfriend Dawn, played by Rebel Wilson, providing some of the film’s funniest moments, despite her lack of screen time.
Elsewhere, Penelope Cruz’s role is a wasted opportunity and she suffers the same fate here as she did in Zoolander 2. Isla Fisher, Ricky Tomlinson and Johnny Vegas are unfortunately all underused as Clash of the Titans director Louis Leterrier focuses on the main pair.
Leterrier’s work on big blockbusters also helps move Grimsby through its ridiculously swift run time. At less than 90 minutes, the story is stretched to the brink, though there are some clever scenes, including a brilliantly choreographed chase through tight urban streets at the beginning.
Unfortunately, the gags miss their targets more than they hit. Your individual views on toilet humour will ultimately decide whether or not Grimsby is funny and some of the comedic elements intermittently cross the line, an ill-timed HIV joke being one of them.
It’s fair to say you’ll be cringing one minute, and roaring with embarrassed laughter the next.
Nevertheless, Cohen has promised time and time again that he has no time for personal opinions on his films and with each new character; he continues to deliver on that promise. Whether or not his target audience is getting tired is another story completely.
Overall, Grimsby is a movie that is unapologetic with what it is trying to achieve. From homophobic comments, casual racism and a grim depiction of life in Northern England, it’s everything we should despise in modern film-making. However, there’s just something about Cohen’s brazen attitude that keeps us coming back for more.
If you’re reading this Sacha, don’t visit Grimsby for a while, there’s a bounty on your head.
https://moviemetropolis.net/2016/02/27/its-grim-in-england-apparently-grimsby-review/
His latest offering, English football hooligan Nobby Butcher, promises to be one of his most controversial roles to date, but does the corresponding film, simply titled Grimsby, push the boundaries a little too far?
Cohen’s beer-drinking, benefit-swindling character stars alongside his long-lost brother Sebastian, played by an incredibly wasted Mark Strong. It just so happens that Seb is a secret agent, on the run after an incident at a global health event. What ensues is a formulaic Cohen comedy that utilises every orifice known to the human body – this is definitely low-brow humour.
After getting over the truly horrific portrayal of life up north, and the appalling representation of a town that is no-where near as bad as is reflected, Grimsby is actually a reasonably funny spy caper – not in the league of last year’s Spy – but certainly better than say Johnny English: Reborn or to some extent, Get Smart.
A talented cast bolsters Cohen and Strong with Nobby’s girlfriend Dawn, played by Rebel Wilson, providing some of the film’s funniest moments, despite her lack of screen time.
Elsewhere, Penelope Cruz’s role is a wasted opportunity and she suffers the same fate here as she did in Zoolander 2. Isla Fisher, Ricky Tomlinson and Johnny Vegas are unfortunately all underused as Clash of the Titans director Louis Leterrier focuses on the main pair.
Leterrier’s work on big blockbusters also helps move Grimsby through its ridiculously swift run time. At less than 90 minutes, the story is stretched to the brink, though there are some clever scenes, including a brilliantly choreographed chase through tight urban streets at the beginning.
Unfortunately, the gags miss their targets more than they hit. Your individual views on toilet humour will ultimately decide whether or not Grimsby is funny and some of the comedic elements intermittently cross the line, an ill-timed HIV joke being one of them.
It’s fair to say you’ll be cringing one minute, and roaring with embarrassed laughter the next.
Nevertheless, Cohen has promised time and time again that he has no time for personal opinions on his films and with each new character; he continues to deliver on that promise. Whether or not his target audience is getting tired is another story completely.
Overall, Grimsby is a movie that is unapologetic with what it is trying to achieve. From homophobic comments, casual racism and a grim depiction of life in Northern England, it’s everything we should despise in modern film-making. However, there’s just something about Cohen’s brazen attitude that keeps us coming back for more.
If you’re reading this Sacha, don’t visit Grimsby for a while, there’s a bounty on your head.
https://moviemetropolis.net/2016/02/27/its-grim-in-england-apparently-grimsby-review/
Movie Metropolis (309 KP) rated The DUFF (2015) in Movies
Jun 11, 2019
Disappointingly Generic
The school-set comedy genre has been done to death over the last two decades. From body swap comedies like 17 Again that hang on the pulling power of their stars, to films that now have a cult following like 10 Things I Hate About You, each of them has little to offer once the end credits roll.
With the brilliant Mean Girls being one of the only exceptions to the trend, the latest film to tackle the genre is The DUFF, but is Ari Sandel’s directorial debut worthy of a recommendation?
The DUFF follows daily life at a typical American high-school with typical US teens separated into categories depending on their social standing.
Enter Bianca Piper, played by the brilliant Mae Whitman, a vastly intelligent girl who is unaware of her place in the rankings as the DUFF – Designated Ugly Fat Friend – that is until her hunky next door neighbour Wesley (Robbie Amell) informs her of that fact.
What ensues is a selection of mildly amusing scenes interspersed with some touching social commentary about what it means to be normal in an ever-changing world as Bianca tries to come to terms with her place in the school hierarchy.
Despite the obvious focus on looks and beauty, the film does have a deeper message of self-worth and it’s a shame this is rarely touched upon outside of the finale.
Perhaps The DUFF’s strongest suit is in its unique filming style. The use of technology and social media helps distinguish it from its rivals and what it lacks in story is made up for with clever uses of animation and an engaging soundtrack.
Just when you think the film has decided to settle in a rut and remain there for the duration, it throws you off course with a clever cut-scene or use of technology and there are two moments in particular that had the audience in stitches.
Unfortunately, the rest of the film isn’t that funny. The story is predictable and the will-they-won’t-they romantic subplot is massively clichéd and dull because the characters, apart from Bianca, simply don’t register – there is no reason to care for them.
Mae Whitman is a force to be reckoned with as Bianca and is by far the most intriguing member of a disappointingly bland cast. Elsewhere, Ken Jeong (Community, The Hangover) and Allison Janney (Hairspray) pop up as a concerned teacher and Bianca’s mother, but they are both wasted in ultimately thankless roles.
Overall, it’s easy to feel sorry for films like The DUFF. The school-set genre has fizzled out in recent years and hasn’t got its mojo back despite numerous efforts from movies much less accomplished than this one.
Mae Whitman and the use of Family Guy-esque cut-scenes are the main plus points here, but despite its best intentions, it’s hard to give it too much of a recommendation and is probably best reserved for a late-night DVD viewing.
https://moviemetropolis.net/2015/04/12/disappointingly-generic-the-duff-review/
With the brilliant Mean Girls being one of the only exceptions to the trend, the latest film to tackle the genre is The DUFF, but is Ari Sandel’s directorial debut worthy of a recommendation?
The DUFF follows daily life at a typical American high-school with typical US teens separated into categories depending on their social standing.
Enter Bianca Piper, played by the brilliant Mae Whitman, a vastly intelligent girl who is unaware of her place in the rankings as the DUFF – Designated Ugly Fat Friend – that is until her hunky next door neighbour Wesley (Robbie Amell) informs her of that fact.
What ensues is a selection of mildly amusing scenes interspersed with some touching social commentary about what it means to be normal in an ever-changing world as Bianca tries to come to terms with her place in the school hierarchy.
Despite the obvious focus on looks and beauty, the film does have a deeper message of self-worth and it’s a shame this is rarely touched upon outside of the finale.
Perhaps The DUFF’s strongest suit is in its unique filming style. The use of technology and social media helps distinguish it from its rivals and what it lacks in story is made up for with clever uses of animation and an engaging soundtrack.
Just when you think the film has decided to settle in a rut and remain there for the duration, it throws you off course with a clever cut-scene or use of technology and there are two moments in particular that had the audience in stitches.
Unfortunately, the rest of the film isn’t that funny. The story is predictable and the will-they-won’t-they romantic subplot is massively clichéd and dull because the characters, apart from Bianca, simply don’t register – there is no reason to care for them.
Mae Whitman is a force to be reckoned with as Bianca and is by far the most intriguing member of a disappointingly bland cast. Elsewhere, Ken Jeong (Community, The Hangover) and Allison Janney (Hairspray) pop up as a concerned teacher and Bianca’s mother, but they are both wasted in ultimately thankless roles.
Overall, it’s easy to feel sorry for films like The DUFF. The school-set genre has fizzled out in recent years and hasn’t got its mojo back despite numerous efforts from movies much less accomplished than this one.
Mae Whitman and the use of Family Guy-esque cut-scenes are the main plus points here, but despite its best intentions, it’s hard to give it too much of a recommendation and is probably best reserved for a late-night DVD viewing.
https://moviemetropolis.net/2015/04/12/disappointingly-generic-the-duff-review/
Kara Skinner (332 KP) rated Grind in Books
Jun 12, 2019
First of all, can we appreciate how cool this cover is? It’s makes me want to drink so much tea and coffee. When Edward Vukovic offered me a free print copy in exchange for an honest review, I couldn’t pass it up, even though it’s a bit darker than the usual books I read for Lover’s Quarrel.
I knew this book was going to be good and it didn’t disappoint. Ziva’s an excellently complex and well-written character. And this book has the ability to pull you into its world with its excellent descriptions and smooth language.
Unfortunately, this can be a dark and dreary world that will sometimes leave you in unnecessary suspense. Time can also be a little wonky, too, due to the several points of view.
While there are many storylines, Ziva and Isaac are the main characters. Ziva’s an immigrant from Macedonia, trying to make a living working at a clothing factory so she can eventually gain independence from her brother and his wife. Isaac is a bar owner and amateur writer trying to get over the death the death of his own wife.
They by far have the happiest story and they work so well together. I wish the book focused more on them and less on other characters. Every time something important happened with them– Isaac asks Ziva out for coffee, Ziva appears on his doorstep, anything that foreshadows hope and happiness and excitement– storylines were switched. We were suddenly on Simon’s point of view, or Michel’s. And I could have done with less of that.
Especially less focus on Simon.
Simon’s a negative guy with a negative outlook. He’s like an Edgar Allen Poe story in the form of a person. He’ll make you hate life and he hurts everyone around him. Getting through his chapters took forever because he was so dreary.
Michel, a homeless man hiding from dangerous old contacts, had a pretty good storyline. Actually, it was really interesting and complex. If it were its own book, then it would have been a great book to read. But shared with Ziva and Isaac, is was a pain in the butt. And it really hurt both storylines.
Because both storylines were crammed into only 391 pages, they both suffered. I wanted to know more about Michel’s past and Danielle’s home life, and see more of the two of them. I also wanted to know more about Ziva and what happens with her and Isaac, as well as what happens with her work. Ziva’s brother was really well-developed in the beginning and then he just disappears. What’s that about? And what the hell are Ziva and Isaac going to do about the really fast development in their relationship? (I wish I could say, but it’s too much of a spoiler.)
While this is still an excellently written book with an intricate plot, Vukovic’s storytelling skill is not all the way honed yet. I have no doubt that this book will be followed by better books by him.
I knew this book was going to be good and it didn’t disappoint. Ziva’s an excellently complex and well-written character. And this book has the ability to pull you into its world with its excellent descriptions and smooth language.
Unfortunately, this can be a dark and dreary world that will sometimes leave you in unnecessary suspense. Time can also be a little wonky, too, due to the several points of view.
While there are many storylines, Ziva and Isaac are the main characters. Ziva’s an immigrant from Macedonia, trying to make a living working at a clothing factory so she can eventually gain independence from her brother and his wife. Isaac is a bar owner and amateur writer trying to get over the death the death of his own wife.
They by far have the happiest story and they work so well together. I wish the book focused more on them and less on other characters. Every time something important happened with them– Isaac asks Ziva out for coffee, Ziva appears on his doorstep, anything that foreshadows hope and happiness and excitement– storylines were switched. We were suddenly on Simon’s point of view, or Michel’s. And I could have done with less of that.
Especially less focus on Simon.
Simon’s a negative guy with a negative outlook. He’s like an Edgar Allen Poe story in the form of a person. He’ll make you hate life and he hurts everyone around him. Getting through his chapters took forever because he was so dreary.
Michel, a homeless man hiding from dangerous old contacts, had a pretty good storyline. Actually, it was really interesting and complex. If it were its own book, then it would have been a great book to read. But shared with Ziva and Isaac, is was a pain in the butt. And it really hurt both storylines.
Because both storylines were crammed into only 391 pages, they both suffered. I wanted to know more about Michel’s past and Danielle’s home life, and see more of the two of them. I also wanted to know more about Ziva and what happens with her and Isaac, as well as what happens with her work. Ziva’s brother was really well-developed in the beginning and then he just disappears. What’s that about? And what the hell are Ziva and Isaac going to do about the really fast development in their relationship? (I wish I could say, but it’s too much of a spoiler.)
While this is still an excellently written book with an intricate plot, Vukovic’s storytelling skill is not all the way honed yet. I have no doubt that this book will be followed by better books by him.
Kyera (8 KP) rated Alex & Eliza in Books
Jan 31, 2018
Alex and Eliza is a historical fiction novel about a love story for the ages. As much as I love history, I don’t pick up historical fiction very often and reading this book makes me want to. It is a wonderfully written young adult novel that makes America’s history more relatable. Some historical texts tend to be dry and don’t lend themselves to casual reading. My belief is that this novel (and others like it) might spark an interest in history that will lead teens, or really anyone, to seek out further information.
As this is a work of fiction, the author takes liberties with the plot and adds a fair amount of drama. Historically, there is not a lot known about the courtship between Alexander Hamilton and Elizabeth Schuyler. As you may be aware from history lessons, or your obsession with Hamilton the musical, the two fell in love quite hard and fast. It was nice to see the author’s take on their first meeting, interactions, and ultimate wedding.
This love story reads true and will warm your heart, even if you are aware of the future turmoil in their lives. I enjoyed getting to know Alexander and Eliza so much over the course of this book. The author also does a fantastic job of introducing and developing the supporting characters in this love story. They don’t feel like flat portrayals, but dimensional people that you love (or hate, as the case may be).
For those readers familiar with Hamilton, you will not find that this is the young adult novelization version of the musical. I’ve heard many readers dismaying that fact and it is unfair to the author to make those comparisons. They are two different mediums that each share their love and admiration for the powerhouse that was Alexander Hamilton. The musical follows and chronicles much of Hamilton’s life, whereas this book is a love story. It tells the tale of two souls who found their match, despite all the odds and fell in love.
While the dialogue at times can be cumbersome and strange, it is likely because the reader is used to the modern way of speaking. If you were to read letters that were composed during that era, you likely would notice they have a much more formal, or flowery, way of speaking. Although I found some of the lines to be a bit over the top, overall I felt that they were authentic to the time period in which the book takes place. It would have been unfortunate if the story had been written as if these historical characters were speaking in modern times.
I highly enjoyed this read and would recommend it to anyone who enjoys history. I believe that it is a very accessible book and would lend itself well to those who are hesitant to delve into historical fiction. It does a wonderful job of blending the love story with purposeful doses of actual historical events. Whether you are a fan of the musical, historical fiction, American history or something else – I urge you to give this book a chance.
As this is a work of fiction, the author takes liberties with the plot and adds a fair amount of drama. Historically, there is not a lot known about the courtship between Alexander Hamilton and Elizabeth Schuyler. As you may be aware from history lessons, or your obsession with Hamilton the musical, the two fell in love quite hard and fast. It was nice to see the author’s take on their first meeting, interactions, and ultimate wedding.
This love story reads true and will warm your heart, even if you are aware of the future turmoil in their lives. I enjoyed getting to know Alexander and Eliza so much over the course of this book. The author also does a fantastic job of introducing and developing the supporting characters in this love story. They don’t feel like flat portrayals, but dimensional people that you love (or hate, as the case may be).
For those readers familiar with Hamilton, you will not find that this is the young adult novelization version of the musical. I’ve heard many readers dismaying that fact and it is unfair to the author to make those comparisons. They are two different mediums that each share their love and admiration for the powerhouse that was Alexander Hamilton. The musical follows and chronicles much of Hamilton’s life, whereas this book is a love story. It tells the tale of two souls who found their match, despite all the odds and fell in love.
While the dialogue at times can be cumbersome and strange, it is likely because the reader is used to the modern way of speaking. If you were to read letters that were composed during that era, you likely would notice they have a much more formal, or flowery, way of speaking. Although I found some of the lines to be a bit over the top, overall I felt that they were authentic to the time period in which the book takes place. It would have been unfortunate if the story had been written as if these historical characters were speaking in modern times.
I highly enjoyed this read and would recommend it to anyone who enjoys history. I believe that it is a very accessible book and would lend itself well to those who are hesitant to delve into historical fiction. It does a wonderful job of blending the love story with purposeful doses of actual historical events. Whether you are a fan of the musical, historical fiction, American history or something else – I urge you to give this book a chance.
Kristy H (1252 KP) rated Who’s That Girl? in Books
Feb 1, 2018
Edie's life is going along just fine, she supposes. Until the fateful day of Jack and Charlotte's wedding, when everything changes. Edie is caught in a particular transgression with the groom, Jack, and immediately everyone blames her, without knowing the full story. Since Jack, Charlotte, and Edie work together, Edie finds life at work unbearable and winds up taking an assignment from her boss in Nottingham, her hometown. There she meets famous actor (think "Game of Thrones" famous) Elliot Owen, for whom Edie must ghost write his autobiography. But things only seem to go from bad to worse, as Elliot seems a pompous, self-absorbed actor and Edie's sister and father don't exactly seem thrilled she's living back home again. Not to mention she can't show her face on social media (or in public) due to Charlotte's revengeful friends, who all hate her... will things ever go right for Edie again?
I admit that I really didn't really know (remember?) the genre of this novel when I picked it up. It's a bit confusing at first, though certainly has its charming moments, especially as a romance.
<i>"Do we ever choose who we fall for? Edie has many a long lonely evening in with only Netflix for company to contemplate that one."</I>
Edie's quest for love is just one of the book's central themes. In many ways, she's on a journey to find herself, and only in doing so, can find love. The novel switches between the present tense (starting with the wedding) and also gives us a little of the past in some places. My biggest beef was how the adults in this book acted like bullying schoolchildren. So, Edie's transgression is really so bad that she's completely ostracized and the subject of intense in-life and cyber shaming and scrutiny? It seems like high school gone really wrong. Her "friend" Louis is just awful; are people really like this?! It's a commentary on social media and cyber bullying, perhaps, but also just terrible and hard to believe at times. These are grown adults! I found myself a little too appalled and couldn't believe grown people would act this way. It's really sad if they do, honestly...
However, once you get further past the wedding day and more into Nottingham, the novel picks up. Edie isn't always the most enjoyable of characters, but I did like her, as I liked Elliot. Parts of the book are just downright funny; I actually found myself laughing out loud. Edie's friends from school are particularly hilarious and a good fit for her. Her boss, too, even if he falls a bit on the dramatic side.
Just when it all seemed normal, it did get a little preposterous again, but hey, that can come with a good romance at times. Overall, while I found some of the characters and plot points frustrating on this one, much of it was balanced out by the charm and humor of the novel. 3.5 stars.
I received an ARC of this novel from the publisher and Edelweiss (thank you!).
I admit that I really didn't really know (remember?) the genre of this novel when I picked it up. It's a bit confusing at first, though certainly has its charming moments, especially as a romance.
<i>"Do we ever choose who we fall for? Edie has many a long lonely evening in with only Netflix for company to contemplate that one."</I>
Edie's quest for love is just one of the book's central themes. In many ways, she's on a journey to find herself, and only in doing so, can find love. The novel switches between the present tense (starting with the wedding) and also gives us a little of the past in some places. My biggest beef was how the adults in this book acted like bullying schoolchildren. So, Edie's transgression is really so bad that she's completely ostracized and the subject of intense in-life and cyber shaming and scrutiny? It seems like high school gone really wrong. Her "friend" Louis is just awful; are people really like this?! It's a commentary on social media and cyber bullying, perhaps, but also just terrible and hard to believe at times. These are grown adults! I found myself a little too appalled and couldn't believe grown people would act this way. It's really sad if they do, honestly...
However, once you get further past the wedding day and more into Nottingham, the novel picks up. Edie isn't always the most enjoyable of characters, but I did like her, as I liked Elliot. Parts of the book are just downright funny; I actually found myself laughing out loud. Edie's friends from school are particularly hilarious and a good fit for her. Her boss, too, even if he falls a bit on the dramatic side.
Just when it all seemed normal, it did get a little preposterous again, but hey, that can come with a good romance at times. Overall, while I found some of the characters and plot points frustrating on this one, much of it was balanced out by the charm and humor of the novel. 3.5 stars.
I received an ARC of this novel from the publisher and Edelweiss (thank you!).
Zuky the BookBum (15 KP) rated My Sister's Bones in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/my-sisters-bones-by-nuala-ellwood
NOW AVAILABLE IN THE UK!
<b>Trigger warnings are noted in the first paragraph.</b>
<b><i>Were all of us, every day, just a hairbreadth away from evil. If Ive learnt anything from fifteen years of reporting, its that. But I couldnt expect these people to understand.</b></i>
This is a really heavy read as it deals with some really dark and depressing subjects, <b>such as the war and refugees in Syria, domestic & child abuse, rape, death, mental illness, alcoholism and miscarriages.</b> Dont read this if youre having a low period in your life because this is not going to make you feel any better, throughout its a rather distressing and upsetting story.
Each character in this novel was well developed, no matter how small a part they played in the plot. Ellwood has done a fantastic job with her research into PTSD as Kates fears and anxieties seem so real to the reader. Though Ive never experienced anything even close to PTSD, I can really imagine how terrifying and disturbing it would be, from reading this book. Its definitely the best and most harrowing description of the condition Ive ever read in a fiction novel.
This was a really well presented novel and Im amazed that its a debut! It was excellently written and thought out. My only issue being that sometimes, the timings in this book felt a little off. When Kate and Paul were together, one minute they'd be serving dinner and the next, after a small 5 lined conversation, it would be midnight and time for Paul to leave and Kate to get into bed. It seemed like large chunks of the day would just disappear.
Maybe I shouldnt have read some other peoples reviews on this beforehand, but because I was expecting all these super duper amazing twists, I kind of didnt feel that they were super duper amazing. I also found some of them to be a little far fetched and silly, rather than surprising.
I can definitely see why this has gained so many 5 star ratings, but its all down to personal preference at the end of the day, and this one was just a little too dark for my liking. That's not to say I didn't like this...I enjoyed this a lot, hence the 4 stars. I found myself not wanting to put it down, even when my eyes were telling me it was definitely time for sleep. It was certainly a thrilling and page turning read, but I dont know if I could recommend this to anyone because of all the dark subject matters. It seems like the sort of book some people are going to love for its dark realism and others are going to hate that and find it too distressing to read.
Thanks to Netgalley and Penguin Books UK for giving me the opportunity to read this in exchange for an honest review.
NOW AVAILABLE IN THE UK!
<b>Trigger warnings are noted in the first paragraph.</b>
<b><i>Were all of us, every day, just a hairbreadth away from evil. If Ive learnt anything from fifteen years of reporting, its that. But I couldnt expect these people to understand.</b></i>
This is a really heavy read as it deals with some really dark and depressing subjects, <b>such as the war and refugees in Syria, domestic & child abuse, rape, death, mental illness, alcoholism and miscarriages.</b> Dont read this if youre having a low period in your life because this is not going to make you feel any better, throughout its a rather distressing and upsetting story.
Each character in this novel was well developed, no matter how small a part they played in the plot. Ellwood has done a fantastic job with her research into PTSD as Kates fears and anxieties seem so real to the reader. Though Ive never experienced anything even close to PTSD, I can really imagine how terrifying and disturbing it would be, from reading this book. Its definitely the best and most harrowing description of the condition Ive ever read in a fiction novel.
This was a really well presented novel and Im amazed that its a debut! It was excellently written and thought out. My only issue being that sometimes, the timings in this book felt a little off. When Kate and Paul were together, one minute they'd be serving dinner and the next, after a small 5 lined conversation, it would be midnight and time for Paul to leave and Kate to get into bed. It seemed like large chunks of the day would just disappear.
Maybe I shouldnt have read some other peoples reviews on this beforehand, but because I was expecting all these super duper amazing twists, I kind of didnt feel that they were super duper amazing. I also found some of them to be a little far fetched and silly, rather than surprising.
I can definitely see why this has gained so many 5 star ratings, but its all down to personal preference at the end of the day, and this one was just a little too dark for my liking. That's not to say I didn't like this...I enjoyed this a lot, hence the 4 stars. I found myself not wanting to put it down, even when my eyes were telling me it was definitely time for sleep. It was certainly a thrilling and page turning read, but I dont know if I could recommend this to anyone because of all the dark subject matters. It seems like the sort of book some people are going to love for its dark realism and others are going to hate that and find it too distressing to read.
Thanks to Netgalley and Penguin Books UK for giving me the opportunity to read this in exchange for an honest review.
Heather Cranmer (2721 KP) rated Oppression (Children of the Gods, #1) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
(I hate writing reviews that are under 3 stars, but I told the author I'd write a review, so here goes).
Okay, so I wanted to really like this book, I really did. It was about Greek gods and goddesses which is a subject I like. However hard I tried to get into it, I just couldn't. It actually felt like a chore, and I hated having to read it. I took a little break from it, but when I came back to it, I still couldn't get into it.
Please keep in mind this review is only going to be about the first 9 chapters as I stopped reading when I got to chapter 10.
The title is a fantastic choice for this book. When I stopped reading, it had gotten obvious why the author chose this title.
I'm not really sold on the cover. It's just too boring for my liking. Again, this book has taken the easy way out by just putting a photo on the cover. Whatever happened to imagination!?!
The world building didn't really seem that thought out. I found myself being nagged by so many questions about Elyse's aging process that I couldn't answer. The whole aging thing just did not make much sense. Based on the bit I read of this book, I just didn't see the world building getting any better.
The pacing in this book was so slow!! I found myself becoming easily bored and not caring about anything that happened. As I said previously, I even took a book thinking maybe it was just me, but when I came back to it, I found the pacing to be even slower if that's possible.
The dialogue between the characters was well thought out. It never seemed forced and seemed to flow with the story. Based on what I read of this book, there was no swearing.
The character of Elyse didn't seem very well-developed. She does not act 89 at all but acts like a teenager. Surely she'd act her age regardless of what age she looked like physically!?! That is what mainly put me off the whole book. I liked William based on the little bit I read about him. He seems like a fun character. I would've liked to find out a bit more about Kara but I just really couldn't force myself to read this book anymore.
Like I said, I really wanted to enjoy this book. Even the synopsis sounded promising. I think the idea of the book is a good one, but it wasn't executed very well. I think if the author had maybe worked on the book a bit longer, it could've been really good.
Overall, I wouldn't really recommend this book unless you aren't very fussy with details or unless you're really bored. If you want to take a chance with it (and you may like it), I'd say it's a book for those aged 13+ from what I've read.
(I hate writing reviews that are under 3 stars, but I told the author I'd write a review, so here goes).
Okay, so I wanted to really like this book, I really did. It was about Greek gods and goddesses which is a subject I like. However hard I tried to get into it, I just couldn't. It actually felt like a chore, and I hated having to read it. I took a little break from it, but when I came back to it, I still couldn't get into it.
Please keep in mind this review is only going to be about the first 9 chapters as I stopped reading when I got to chapter 10.
The title is a fantastic choice for this book. When I stopped reading, it had gotten obvious why the author chose this title.
I'm not really sold on the cover. It's just too boring for my liking. Again, this book has taken the easy way out by just putting a photo on the cover. Whatever happened to imagination!?!
The world building didn't really seem that thought out. I found myself being nagged by so many questions about Elyse's aging process that I couldn't answer. The whole aging thing just did not make much sense. Based on the bit I read of this book, I just didn't see the world building getting any better.
The pacing in this book was so slow!! I found myself becoming easily bored and not caring about anything that happened. As I said previously, I even took a book thinking maybe it was just me, but when I came back to it, I found the pacing to be even slower if that's possible.
The dialogue between the characters was well thought out. It never seemed forced and seemed to flow with the story. Based on what I read of this book, there was no swearing.
The character of Elyse didn't seem very well-developed. She does not act 89 at all but acts like a teenager. Surely she'd act her age regardless of what age she looked like physically!?! That is what mainly put me off the whole book. I liked William based on the little bit I read about him. He seems like a fun character. I would've liked to find out a bit more about Kara but I just really couldn't force myself to read this book anymore.
Like I said, I really wanted to enjoy this book. Even the synopsis sounded promising. I think the idea of the book is a good one, but it wasn't executed very well. I think if the author had maybe worked on the book a bit longer, it could've been really good.
Overall, I wouldn't really recommend this book unless you aren't very fussy with details or unless you're really bored. If you want to take a chance with it (and you may like it), I'd say it's a book for those aged 13+ from what I've read.
Inky Books (3 KP) rated Eon: Dragoneye Reborn (Eon, #1) in Books
Jun 21, 2018
When I was young and impressionable (well, not really impressionable, I’ve actually always been the stubborn and fiery redhead I am now, just a little more shy) I read a book about a sixteen year old girl, in a man’s world, pretending to be a twelve year old boy. In this same book there were also dragons, no not the ones you hunt to steal their treasure, but the kind that you bond with and can gain amazing powers from.
Of course it has dragons; how could I resist? Ever since reading Eargon I’ve had a thing for books with dragons in them, though it is rather hard to find some where it isn’t all about dragon hunting. Anyone have any suggestions?
Anyway, so this book was one of my favorites as a teenager because of the world building as well as the secrets and powers that the characters have. And I really do like it, though I’m probably going to say more bad things than I will good for a reason I will explain later.
So, the good things:
Main character, Eona. I guess I feel like she is similar to me in a way. She can be stubborn but also knows when to hold herself back when she needs to. She can be rather forceful and hostile while also having a nicer, sweeter side. She struggles with much through the book and it gives the book a more realistic feeling.
The world of the Dragoneyes. It’s ancient Chinese mythology, and mythology is something I like to read and learn about. It is very interesting to read about, and the author did her research on the subject.
And the bad things:
The book moved rather slowly. Yes, there was a lot that happened, but there was also a large amount of the politics of the world that got involved to. Politics isn’t something I like, it’s actually something I am starting to hate in recent years. So this doesn’t appeal to me. When I got closer to the end I skimmed, half because I knew what was happening for the most part, half because I was getting so bored with the back and forth of the characters.
The characters. Most of the characters had a fake feeling to them. They seemed one sided and all kind of reacted in similar ways when faced with these situations. They were almost flat and didn’t seem real.
Eona. Yes I know she is in the good things too, but I really dislike her fatal flaw. It took her most of the book to figure out (even though she wasn’t even the one who figured it out in the end) what the secret was to her power. It was rather annoying and I wish the author would have allowed Eona to figure it out a bit soon and have some more of the awesome power in there.
The good aspects of this book do outweigh the bad ones, but it still caused me to think hard about the rating I would give it.
Of course it has dragons; how could I resist? Ever since reading Eargon I’ve had a thing for books with dragons in them, though it is rather hard to find some where it isn’t all about dragon hunting. Anyone have any suggestions?
Anyway, so this book was one of my favorites as a teenager because of the world building as well as the secrets and powers that the characters have. And I really do like it, though I’m probably going to say more bad things than I will good for a reason I will explain later.
So, the good things:
Main character, Eona. I guess I feel like she is similar to me in a way. She can be stubborn but also knows when to hold herself back when she needs to. She can be rather forceful and hostile while also having a nicer, sweeter side. She struggles with much through the book and it gives the book a more realistic feeling.
The world of the Dragoneyes. It’s ancient Chinese mythology, and mythology is something I like to read and learn about. It is very interesting to read about, and the author did her research on the subject.
And the bad things:
The book moved rather slowly. Yes, there was a lot that happened, but there was also a large amount of the politics of the world that got involved to. Politics isn’t something I like, it’s actually something I am starting to hate in recent years. So this doesn’t appeal to me. When I got closer to the end I skimmed, half because I knew what was happening for the most part, half because I was getting so bored with the back and forth of the characters.
The characters. Most of the characters had a fake feeling to them. They seemed one sided and all kind of reacted in similar ways when faced with these situations. They were almost flat and didn’t seem real.
Eona. Yes I know she is in the good things too, but I really dislike her fatal flaw. It took her most of the book to figure out (even though she wasn’t even the one who figured it out in the end) what the secret was to her power. It was rather annoying and I wish the author would have allowed Eona to figure it out a bit soon and have some more of the awesome power in there.
The good aspects of this book do outweigh the bad ones, but it still caused me to think hard about the rating I would give it.
“Thriller of the year” according to <i>Observer</i>; it makes you wonder what all the other thrillers were like. <i>Gone Girl</i> is a contemporary crime thriller by American author Gillian Flynn. Likable “Cool Girl” Amy Dunne is missing; the police think her husband has something to do with it, but what really happened?
Flynn begins the novel with an epigraph: “Love is the world’s infinite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnificent rose smelling faintly of blood.” – Tony Kushner, <i>The Illusion</i>. This implies that love and hate, and perhaps murder, will be the main issues within the novel. It hints that relationships may not be all that they first appear, which becomes evident as you read deeper into the book.
Split into three parts, the first section alternates between a first person account from Nick Dunne, the husband, of what is occurring on the day in which Amy disappears and the following days when both he and the police are attempting to determine the truth about what has happened and trying to find out where Amy is; and diary entries from Amy dating as far back as 2005.
To begin with I did not think much of the story and did not particularly like Amy, despite her being portrayed as a likable character; however I soon got into the story siding with Nick and wanting him to be innocent even though evidence and suspicion were mounting against him.
Initially I assumed that the truth would not be revealed until the end of the story rather than on the first page of part two. For the remainder of the book Nick’s narrative remains the same, progressing from where it left off at the end of part one; whereas Amy, instead of diary entries, she is telling the reader the truth about what happened on the 5th July – the day she went missing – and the subsequent days and weeks. At this point I became a bit bored with the story; as the reader we know the truth and it is frustrating that the police are getting it wrong. However part three contained more suspense than the rest of the novel.
So, why only three stars? As I already mentioned it did not seem that great at the beginning and to be honest I did not feel satisfied with the ending either. One of the main things that bothered me was the use of swear words. I understand that many people swear and so it is inevitable that these words would end up in novels; however in my opinion there is swearing and then there is <i>swearing</i>. This was beginning to border on the latter. Yes some of the characters were angry but I thought the use of expletives was slightly overdone.
Despite these misgivings it was a well-written piece of fiction that I think others may enjoy – the ratings on <i>Goodreads</i> certainly suggest that; but for me it was not anything special.
Flynn begins the novel with an epigraph: “Love is the world’s infinite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnificent rose smelling faintly of blood.” – Tony Kushner, <i>The Illusion</i>. This implies that love and hate, and perhaps murder, will be the main issues within the novel. It hints that relationships may not be all that they first appear, which becomes evident as you read deeper into the book.
Split into three parts, the first section alternates between a first person account from Nick Dunne, the husband, of what is occurring on the day in which Amy disappears and the following days when both he and the police are attempting to determine the truth about what has happened and trying to find out where Amy is; and diary entries from Amy dating as far back as 2005.
To begin with I did not think much of the story and did not particularly like Amy, despite her being portrayed as a likable character; however I soon got into the story siding with Nick and wanting him to be innocent even though evidence and suspicion were mounting against him.
Initially I assumed that the truth would not be revealed until the end of the story rather than on the first page of part two. For the remainder of the book Nick’s narrative remains the same, progressing from where it left off at the end of part one; whereas Amy, instead of diary entries, she is telling the reader the truth about what happened on the 5th July – the day she went missing – and the subsequent days and weeks. At this point I became a bit bored with the story; as the reader we know the truth and it is frustrating that the police are getting it wrong. However part three contained more suspense than the rest of the novel.
So, why only three stars? As I already mentioned it did not seem that great at the beginning and to be honest I did not feel satisfied with the ending either. One of the main things that bothered me was the use of swear words. I understand that many people swear and so it is inevitable that these words would end up in novels; however in my opinion there is swearing and then there is <i>swearing</i>. This was beginning to border on the latter. Yes some of the characters were angry but I thought the use of expletives was slightly overdone.
Despite these misgivings it was a well-written piece of fiction that I think others may enjoy – the ratings on <i>Goodreads</i> certainly suggest that; but for me it was not anything special.
Louise (64 KP) rated The Painted Ocean in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher Corsair in exchange for an honest review*
This is another one of my books that I read for #Beatthebacklist 2017 challenge, most of these books are Netgalley books that I have not managed to get around to reading….sorry Netgalley.
Oh I don’t know where to begin with this book,I was very apprehensive about reading it as the rating on Goodreads is 2.86 which is pretty low and only saw a handful of 5 star reviews. I didn’t read any reviews beforehand as I wanted to go in with an open mind.
This is Gabriel Packards debut novel and is definitely an interesting read but unsure of what genre this would fall under as it’s a story of this Indian girls life and just how awful it is.
‘The Painted Ocean’ is told from the perspective of Shruti, her father has just upped and left, disgracing her mother according to her uncle and the rest of the family. With little money and her mother unable to speak English life becomes difficult for Shruti, especially when her Uncle is arranging for her Mother to return to India to marry. Shruti will not be moving to India with her mother as her existence will ruin her mothers chances of marriage, however when Shruti mentions to the headmistress that her uncle has threatening her she finds herself in the care system and her mother abandons her. Shruti’s life sucks, she is now in the care system and being bullied by other kids at her school as she is the only Indian girl until Meena arrives. Meena is also Indian,but she has this way with words and people and gets everything she wants. Shruti clings to Meena as she has shown her kindness and becomes her friend…but is she really her friend?
The book follows Shruti from eleven years old to when she is an adult but I felt the writing didn’t progress as her age did. There were lots of ‘Like’ and ‘Cos’ in the writing that I felt was overly used and got quite annoying in the end and she would even use this terminology when she was an adult.
All the characters were unlikable, we had her mother that abandoned her though she didn’t leave for India for ages. Her Uncle was horrible and made sure she knew that she was unwanted and then there was Meena who had the gift of the gab but just used Shruti and would only be her friend when it was convenient for her.
I found the plot of this to be really unrealistic especially towards the end, everything just conveniently happened and some parts I thought were too strung out.
The story kept me interested and was easy to read but the writing style was not for me and I just found it to be unrealistic. This is definitely a book that you will love or hate.
I rated this book 2 out of 5 stars.
This is another one of my books that I read for #Beatthebacklist 2017 challenge, most of these books are Netgalley books that I have not managed to get around to reading….sorry Netgalley.
Oh I don’t know where to begin with this book,I was very apprehensive about reading it as the rating on Goodreads is 2.86 which is pretty low and only saw a handful of 5 star reviews. I didn’t read any reviews beforehand as I wanted to go in with an open mind.
This is Gabriel Packards debut novel and is definitely an interesting read but unsure of what genre this would fall under as it’s a story of this Indian girls life and just how awful it is.
‘The Painted Ocean’ is told from the perspective of Shruti, her father has just upped and left, disgracing her mother according to her uncle and the rest of the family. With little money and her mother unable to speak English life becomes difficult for Shruti, especially when her Uncle is arranging for her Mother to return to India to marry. Shruti will not be moving to India with her mother as her existence will ruin her mothers chances of marriage, however when Shruti mentions to the headmistress that her uncle has threatening her she finds herself in the care system and her mother abandons her. Shruti’s life sucks, she is now in the care system and being bullied by other kids at her school as she is the only Indian girl until Meena arrives. Meena is also Indian,but she has this way with words and people and gets everything she wants. Shruti clings to Meena as she has shown her kindness and becomes her friend…but is she really her friend?
The book follows Shruti from eleven years old to when she is an adult but I felt the writing didn’t progress as her age did. There were lots of ‘Like’ and ‘Cos’ in the writing that I felt was overly used and got quite annoying in the end and she would even use this terminology when she was an adult.
All the characters were unlikable, we had her mother that abandoned her though she didn’t leave for India for ages. Her Uncle was horrible and made sure she knew that she was unwanted and then there was Meena who had the gift of the gab but just used Shruti and would only be her friend when it was convenient for her.
I found the plot of this to be really unrealistic especially towards the end, everything just conveniently happened and some parts I thought were too strung out.
The story kept me interested and was easy to read but the writing style was not for me and I just found it to be unrealistic. This is definitely a book that you will love or hate.
I rated this book 2 out of 5 stars.